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Love In The Air
Not classified 51

Piano & keyboards
Piano solo 67
Piano, Voice 9
Piano, Vocal and Guitar 7
C Instruments 6
1 Piano, 4 hands 3

Piano Trio: piano, violin, cello 1
Organ 1
2 Pianos, 8 hands 1

+ 3 instrumentations

- Retract

Guitars
Guitar 6
Guitar notes and tablatures 5
Melody line, (Lyrics) and Chords 3

Voice
Choral SATB 40
Choral SSAA 7
Choral 3-part 4
Choral Unison 2
Choral TTBB 2

Tenor voice, Piano 2
High voice 2
Voice solo 1
Medium voice, Piano 1
Choral 2-part 1
Mezzo-Soprano voice, Piano 1

+ 6 instrumentations

- Retract

Woodwind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 10
Oboe, Piano (duet) 10
Flute and Piano 8
Clarinet 7
Flute 6

Saxophone Quartet: 4 saxophones 6
Tenor Saxophone and Piano 5
Clarinet and Piano 5
Clarinet, Guitar (duet) 3
2 Saxophones (duet) 3
Oboe (band part) 3
Flute Quartet: 4 flutes 2
Alto Saxophone and Piano 2
Flute, Oboe, Clarinet, Bassoon 2
Clarinet Ensemble 2
2 Flutes (duet) 2
Alto Saxophone 2
Clarinet Quintet: 5 clarinets 2
Flute, Clarinet (duet) 2
Clarinet Quartet: 4 clarinets 1
Clarinet, Cello, Piano (trio) 1
Soprano Saxophone and Piano 1
Recorder Ensemble 1
2 Clarinets (duet) 1
Flute ensemble 1
Tenor Saxophone 1

+ 21 instrumentations

- Retract

Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba 9
Brass quartet : 2 trumpets, trombone, tuba 6
French horn 5
Trumpet 5
Trombone and Piano 2

Brass Quartet 2
2 Trumpets (duet) 1
Horn, Cello (duet) 1
Tuba and Piano 1
Trumpet, Piano 1
Trumpet (band part) 1

+ 6 instrumentations

- Retract

Strings
Violin and Piano 26
String Quartet: 2 violins, viola, cello 21
Violin 6
Violin, Cello (duet) 6
Cello 5

2 Violins (duet) 4
Cello, Piano 4
String Trio: violin, viola, cello 4
String trio 3
2 Cellos (duet) 2
Harp 2
Double Bass 2
2 Violas (duet) 2
String Trio: 2 violins, cello 2
Harp, Flute (duet) 1
Violin, Guitar (duet) 1
4 Cellos 1
Viola 1
Harp, Voice 1
Viola (band part) 1
Viola, Piano 1
Violin, Viola (duet) 1

+ 17 instrumentations

- Retract

Percussion & orchestra
Orchestra 14
String Orchestra 11
Concert band 10
Brass ensemble 7
Jazz Ensemble 3

Chamber Orchestra 3

Jazz combo 2
Marching band 1
Marimba 1

+ 4 instrumentations

- Retract

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Love In The Air

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Chamber Orchestra

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3 sheet music found

The Joyce Cycle, for voice and orchestra

The Joyce Cycle, for voice and orchestra #Chamber Orchestra #INTERMEDIATE/ADVANCED #Contemporary #the turbulent sea, the loved o #Music and James Joyce, Ofer Be #The Joyce Cycle, for voice and #The Composer's Own Press #SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download SKU: A0.944034 Composed by Music and James Joyce, Ofer Ben-Amots, and Poetry (our of Chamber Music). Conte...(+)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.944034 Composed by Music and James Joyce, Ofer Ben-Amots, and Poetry (our of Chamber Music). Contemporary. Score and parts. 127 pages. The Composer's Own Press #4615369. Published by The Composer's Own Press (A0.944034). Ben-Amots: The Joyce Cycle (1986) James Joyce's collection of 36 love poems titled Chamber Music has been a source of inspiration to many composers. From these, Ben-Amots has set nine for medium voice and piano (later orchestrated--see below), in a style he characterizes as neo-romantic to match the deliberate archaicism of Joyce's language. The songs are meant to be sung as a complete cycle, but these complex and beautiful settings may be performed independently. Shortly after composing the cycle, Ben-Amots orchestrated it, and he now considers the orchestral version to have priority. Deftly and lightly scored (winds in pairs, no heavy brass), this version sounds strikingly Mahlerian in places. 1. O Sweetheart... The lover finds solace in love when friends him fail. 2. My love is in a light attire... He admires the sight of his love walking through an orchard. 3. My dove my beautiful one... In language reminiscent of the Song of Songs, he bids her arise. 4. Rain has fallen... They seek shelter on a rainy day. 5. Sleep Now, O Sleep Now... The lover's unquiet heart is calmed with a kiss. 6. It was out by Donnycarney... A cheerful folksong, sealed with another kiss. 7. Winds of May... By the turbulent sea, the loved one has disappeared. 8. I Hear an Army... Giving way to despair the lover dreams of an army ferociously charging up out of the depths. But... 9. From Dewy dreams... It was just a dream, after all. For part and performance materials please contact thecomposerspress@gmail.com * The poems, out of James Joyceâ€™s Chamber Music, are in the public domain.Duration: ~ 25 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com

$54.00

Barbara Allen for piccolo and orchestra

Barbara Allen for piccolo and orchestra #Chamber Orchestra #INTERMEDIATE/ADVANCED #Reinhold Behringer #David Warin Solomons #Barbara Allen for piccolo and #David Warin Solomons #SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1470559 By Reinhold Behringer. By Traditional. Arranged by David Warin Solomons. Contemporary,Trad...(+)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1470559 By Reinhold Behringer. By Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. 44 pages. David Warin Solomons #1048222. Published by David Warin Solomons (A0.1470559). An arrangement for piccolo and orchestra of the Barbara Allen folk song with many interesting cadences, harmonies and countermelodies.In Scarlet Town where I was born,There was a fair maid dwelling,Made every youth cry, “Well-a-day”,Her name was Barbara Allen.All in the merry month of May,When green buds they were swelling,Young Willy Grove on his death bed lay,For love of Barbara Allen.He sent his man down unto her then,To the town where she was dwelling.“You must come to my master dear,If your name's Barbara Allen.”So slowly, slowly she came up,And slowly she came nigh him,And all she said when there she came,“Young man I think you’re dying.”[“A dying man, no, no,” said he,“One kiss from thee would cure me.”“One kiss from me thou never shalt have,If your poor heart was breaking.”]He turned his face unto the wall,And death was drawing nigh him,“Adieu, adieu, my dear friends all,And be kind to Barbara Allen.”As she was walking o’er the fields,She heard the dead-bell knellin’;And every stroke did seem to say“Unworthy Barbara Allen!”When he was laid dead in his grave,Her heart was struck with sorrow,“Oh mother, mother make my bed,For I shall die tomorrow.”And on her death bed she lay,She begged to be buried by him,And so repented of the day,That she did e’er deny him.“Farewell”, she said, “You virgins all,And shun the fault I fell in.Hence forth take warning by the fall,Of cruel Barbara Allen.”.

$16.00

Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion

Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion #Chamber Orchestra #INTERMEDIATE/ADVANCED #Classical #Johann Strauss Jr #Aaron Meier #Olga-Polka, Op. 196 #Aaron Meier #SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and pa...(+)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: â€¢ Approximate length: 3:30 minutes â€¢ 1st Violins: In m. 1, trill a half step from a Dâ™ to a Dâ™® â€¢ 2nd Violins: â€ƒ- At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B â€ƒ- At m. 72-75, emphasize the Eâ™ in the div. â€¢ Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link â†“) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese premiÃ¨re, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, nÃ©e Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.

$3.99