Download Digital Sheet Music of 1 4 3 I Love You for Chamber Orchestra

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1 4 3 I Love You
Not classified 109

Piano & keyboards
Piano solo 48
Easy Piano 23
Piano, Voice 14
1 Piano, 4 hands 9
Piano, Vocal and Guitar 9

Piano Trio: piano, violin, cello 6
2 Pianos, 4 hands 4
C Instruments 4
Piano Accompaniment 1
Piano Quartet: piano, 2 violins, cello 1

+ 5 instrumentations

- Retract

Guitars
Guitar notes and tablatures 5
Melody line, (Lyrics) and Chords 4
Guitar (band part) 2
4 Guitars (Quartet) 2
Ukulele 1

Guitar Ensemble 1
2 Guitars (duet) 1
Guitar 1
Bass guitar 1

+ 4 instrumentations

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Voice
Choral SATB 30
Choral 3-part 8
Soprano voice, Piano 4
Choral TTBB 4
Choral 2-part 3

High voice 3
Choral Unison 2
Vocal duet, Piano 2
Medium voice, Piano 1
Choral SSAA 1
Voice solo 1
Low voice 1

+ 7 instrumentations

- Retract

Woodwind
Oboe (band part) 27
Flute 16
2 Flutes (duet) 14
Clarinet 13
Saxophone Quartet: 4 saxophones 12

Clarinet Quartet: 4 clarinets 11
Oboe, Piano (duet) 9
Saxophone (band part) 6
Flute and Piano 6
Tenor Saxophone and Piano 6
Clarinet and Piano 4
Alto Saxophone and Piano 4
Flute, Oboe, Clarinet, Bassoon 4
Flute Quartet: 4 flutes 3
Clarinet Ensemble 3
Alto Saxophone 2
Clarinet Quintet: 5 clarinets 2
Flute ensemble 2
Soprano Saxophone and Piano 1
Flute Quintet : 5 flutes 1
Bass Clarinet, Piano 1
English horn, Piano 1
Clarinet Quintet: Clarinet, String Quartet 1
Baritone Saxophone, Piano 1
2 Clarinets, Piano 1

+ 20 instrumentations

- Retract

Woodbrass
Trombone and Piano 8
Trumpet, Piano 5
Brass Quintet: 2 trumpets, horn, trombone, tuba 5
Trumpet 4
Trombone (band part) 3

French Horn and Piano 3
Tuba and Piano 2
French horn 2
Trombone 2
Tuba 2
Trumpet (band part) 2
Euphonium, Piano (duet) 1
Brass Quartet: 4 trombones 1
Brass quartet : 2 trumpets, trombone, tuba 1
Brass Quartet: 2 trumpets, horn, trombone 1
Tuba (band part) 1
Trumpet ensemble 1
English horn, Piano 1
Brass Quartet: 4 trumpets 1
Brass Quartet 1
French horn (band part) 1

+ 16 instrumentations

- Retract

Strings
Violin 30
String Quartet: 2 violins, viola, cello 23
Cello (band part) 18
Viola 17
Double Bass 17

Violin, Cello (duet) 9
2 Violins (duet) 7
Violin and Piano 6
String Trio: violin, viola, cello 6
Cello 6
Viola, Piano 5
Violin, Viola (duet) 3
Harp 3
2 Cellos (duet) 3
Viola (band part) 3
Cello, Piano 3
Violin (band part) 2
String Quintet: 2 violins, viola, cello, bass 2
4 Cellos 1
4 Double Basses 1
Double bass, Piano (duet) 1
2 Violas (duet) 1
String Trio: 2 violins, cello 1
String Trio: 3 cellos 1
String quartet: 4 violins 1
Doublebass (band part) 1

+ 21 instrumentations

- Retract

Percussion & orchestra
String Orchestra 16
Orchestra 13
Concert band 11
Jazz Ensemble 5
Brass ensemble 2

Chamber Orchestra 2

Handbells 1
Drum (band part) 1
Marching band 1
School Ensemble 1

+ 5 instrumentations

- Retract

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1 4 3 I Love You

Chamber Orchestra

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2 sheet music found

Three Laments of Heloise for Chamber Orchestra

Three Laments of Heloise for Chamber Orchestra #Chamber Orchestra #INTERMEDIATE/ADVANCED #Dosia McKay #Three Laments of Heloise for C #Gavia Music #SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. ...(+)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloiseâ€™s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweetâ€¦ They are always there before my eyes, bringing with them awakened longingsâ€¦ The second movement If Not With You, My Heart Is Nowhere, expresses Heloiseâ€™s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloiseâ€™s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).

$100.00 ≈ 92.39€

Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren

Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren #Chamber Orchestra #INTERMEDIATE/ADVANCED #Classical #Claude Debussy/Robert Orledge #Claude Debussy: Sérénade for #Musik Fabrik Music Publishing #SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score a...(+)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flÃ»tes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 Ã©xecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durÃ©e/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi quâ€™une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est Ã©galement disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________PrmiÃ¨re: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011PremiÃ¨re of the version for violin and 17 instruments: FrÃ©dÃ©ric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist EugÃ¨ne YsaÃ¿e. After Debussyâ€™s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violinâ€™s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussyâ€™s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the SÃ©rÃ©nade begins and ends with Debussyâ€™s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles KÅ“chlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel FaurÃ©, Claude Debussy, Charles KÅ“chlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussyâ€™s unfinished works, and especially his theatre projects. His completion of Debussyâ€™s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.

$16.95 ≈ 15.66€