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An American Tribute
Not classified 22

Piano & keyboards
Piano solo 10
Piano, Vocal and Guitar 2
Easy Piano 2
Piano, Voice 2
Organ 2

C Instruments 1
Piano (band part) 1

+ 2 instrumentations

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Guitars
Guitar notes and tablatures 2
Guitar (band part) 2

Voice
Choral 3-part 5
Choral SATB 5
Choral 2-part 3
Alto voice, Piano 1
Choral TTBB 1

Woodwind
Saxophone (band part) 9
Alto Saxophone 3
Flute 3
Flute and Piano 2
Tenor Saxophone 1

Clarinet and Piano 1
Clarinet 1
Alto Saxophone and Piano 1
Saxophone and Organ 1
Oboe, Piano (duet) 1

+ 5 instrumentations

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Woodbrass
Trombone (band part) 5
Trumpet (band part) 3
Trumpet 3
Trombone 2
Brass Quintet: 2 trumpets, horn, trombone, tuba 1

Tuba and Organ 1
Trombone and Piano 1
Trumpet ensemble 1
French Horn and Piano 1
Brass quartet : 2 trumpets, trombone, tuba 1
French horn 1

+ 6 instrumentations

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Strings
Viola, Piano 2
Cello 2
Violin (band part) 2
Violin 2
Viola 2

Cello (band part) 2
Doublebass (band part) 2
Violin and Piano 2

+ 3 instrumentations

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Percussion & orchestra
Concert band 26
Chamber Orchestra 3

Orchestra 2
Brass ensemble 1
String Orchestra 1

Jazz combo 1
Drum (band part) 1
Jazz Ensemble 1

+ 3 instrumentations

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An American Tribute

Chamber Orchestra

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3 sheet music found

Arizona Centennial Overture - Chamber Orchestra Version

Arizona Centennial Overture - Chamber Orchestra Version #Chamber Orchestra #INTERMEDIATE/ADVANCED #Sy Brandon #Arizona Centennial Overture - #Sy Brandon #SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download SKU: A0.755102 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 107 pages. Sy Bran...(+)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.755102 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 107 pages. Sy Brandon #3384583. Published by Sy Brandon (A0.755102). Arizona Centennial Overture was commissioned by the Arizona Commission on the Arts as part of the Centennial Legacy Project to help celebrate Arizonaâ€™s centennial. There are three versions of the compositions, chamber orchestra, full orchestra, and band. The overture pays tribute to the unique blend of the various cultures that had a part in shaping Arizona into what it is today. This six and a half minute composition is divided into three main sections. The first section begins with fanfares that announce the celebration. After thirty seconds, the introduction fades into music that pays tribute to the pioneers that migrated to Arizona. The music has a rustic quality reflecting the pioneering spirit of the ranchers, farmers, miners, and merchants who came to Arizona seeking a better way of life. This section is intended to be inclusive as it is impossible to represent each culture individually in a short musical composition. The second section pays tribute to the various Native American cultures that are a large part of Arizonaâ€™s history and its present way of life. Flutes and percussion instruments are used in the beginning of this section to represent the Native American respect for nature. This quiet section evolves into a ceremonial dance that increases in intensity. Towards the end of this section one hears fragments of the pioneer melody as these culture come together. The third section is influenced by Mariachi music to recognize the Hispanic influence in Arizona. The first part uses an original rollicking tune with four beats to the measure over syncopation. The second part contains a lyrical melody with three beats to the measure accompanied by instruments playing accents that create the Hispanic sounding grouping of six notes into three groups of two alternating with two groups of three. A brief ending using the fanfares of celebration interspersed with figures from the Native American and pioneer sections brings the work to a rousing close. The score prints on legal size paper and the parts on letter.

$39.99 ≈ 37.39€

Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only

Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only #Chamber Orchestra #ADVANCED #Christian contemporary #Sacred music #Carson Cooman #Carson Cooman: Symphony No. 3, #Musik Fabrik Music Publishing #SheetMusicPlus

Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Mus...(+)

Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, â€œAve Maris Stellaâ€ (2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute â€“ as both an important American composer and a significantcontributor to Americaâ€™s contemporary musical life.The workâ€™s basic source material is the plainchant Ave maris stella (â€œHail, star of the seaâ€) â€“appropriate because of Duquesneâ€™s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe workâ€™s tone â€“ becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as â€œan underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.â€ The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up â€“ as in a pentimento.At various points, one can begin to hear the original plainchant â€œpeek outâ€ in subtle ways.The opening section of the movement obsesses again and again on what sounds like aâ€œbeginningâ€ â€“ as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked â€œsinister.â€ After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at theâ€œbeginningâ€ again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly â€“ in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movementâ€™stransformations, and â€œmotetâ€ sections â€“ using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)ï»¿This is the score only. The complete parts and each seperate part are also available as seperate items.

$25.95 ≈ 24.26€