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Another In The Fire
Not classified 16

Piano & keyboards
Piano solo 13
Piano, Voice 6
Piano, Vocal and Guitar 5
Easy Piano 1

Guitars
Melody line, (Lyrics) and Chords 3
Guitar notes and tablatures 2

Voice
Choral SATB 4
Choral 3-part 2
Choral SSAA 2

Woodwind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 4
Clarinet 4
Clarinet (band part) 3
Flute and Piano 3
Alto Saxophone 3

Flute 3
Oboe, Piano (duet) 2
Baritone Saxophone, Piano 1
Clarinet, Cello (duet) 1
Soprano Saxophone and Piano 1
Flute, Oboe, Clarinet, Bassoon 1
Tenor Saxophone and Piano 1
English horn, Piano 1
Flute, harp and violin 1
Saxophone Quartet: 4 saxophones 1
Oboe (band part) 1
Flute, Oboe, Clarinet (trio) 1

+ 12 instrumentations

- Retract

Woodbrass
Trumpet 3
French horn (band part) 2
Trombone (band part) 2
Trumpet (band part) 2
Tuba (band part) 1

Trumpet, Piano 1
Trombone and Piano 1
English horn, Piano 1

+ 3 instrumentations

- Retract

Strings
String Quartet: 2 violins, viola, cello 5
Violin (band part) 3
Violin 3
Violin and Piano 2
Viola (band part) 1

Doublebass (band part) 1

+ 1 instrumentations

- Retract

Percussion & orchestra
Concert band 22
Orchestra 7
Jazz Ensemble 7
Jazz combo 3
Chamber Orchestra 3

Percussion (band part) 2
String Orchestra 1
Brass ensemble 1

+ 3 instrumentations

- Retract

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Another In The Fire

Chamber Orchestra

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3 sheet music found

Variations on a Rossini Theme op.Posth

Variations on a Rossini Theme op.Posth #Chamber Orchestra #Classical #Frederik FranÃ§ois Chopin #James Strauss #Variations on a Rossini Theme #James Strauss #SheetMusicPlus

Chamber Orchestra - Digital Download SKU: A0.1035224 Composed by Frederik FranÃ§ois Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Sco...(+)

Chamber Orchestra - Digital Download SKU: A0.1035224 Composed by Frederik FranÃ§ois Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33 pages. James Strauss #5806027. Published by James Strauss (A0.1035224). Unless your name is Mozart, Mendelssohn or Korngold, the first compositional steps are always the hardest. Chopin was probably no older than 14 when he set to work on a set of variations for piano and flute. Already in love with opera, he decided on the happy- ending aria, Non piÃ¹ mesta (No longer sad) from Rossiniâ€™s opera Cinderella. As the curtain comes down, Cinderella gleefully warbles, No longer sad beside the fire shall I sit alone, singing; my long years of heartache were but a streak of lightning, a dream, a game. We are unsure what actually prompted Chopin to select this for his unique combination of flute and piano, but it was most likely written for the composerâ€™s father who was a capable amateur flute player. In the end, the piece was probably dedicated to JÃ³zef Cichowski, a close friend of his fathers and an amateur flautist as well. We are indeed fortunate that this early piece of Chopin juvenilia has actually survived, as Jozef Nowakowski, one of the composerâ€™s friends, kept the single manuscript copy as a memento. For one reason or another, the work did not appear in print until 1953. This charming and fluent set of variations presents the theme and four decorated versions of the original tune. Added triplet figuration enlivens the first variation, while the second relies on a florid bel canto style to embellish the theme. Rapid downward arpeggios propel variation three, and the concluding variant displays rapid staccato figuration. Stylistically, there is nothing in this composition to suggest Chopinâ€™s hand. You certainly wonâ€™t hear Chopinâ€™s fingerprint in the piano part, as all the interesting bits are given to the flute. In addition, itâ€™s the only Chopin piano part that can comfortably be played by most amateurs. Clearly, the future poet of the piano had a long way to go! Here in a Flute and orchestra version.

$29.99 ≈ 27.01€

Concerto Grosso in F minor.

Concerto Grosso in F minor. #Chamber Orchestra #INTERMEDIATE/ADVANCED #Classical #George Frideric Handel #Arte Nova Music Lab #Concerto Grosso in F minor. #Arte Nova Music Lab #SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download SKU: A0.742491 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standa...(+)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.742491 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 77 pages. Arte Nova Music Lab #5042471. Published by Arte Nova Music Lab (A0.742491). George Frideric (or Frederick) Handel (/ËˆhÃ¦ndÉ™Ó™l/;[a] born Georg Friederich HÃ¤ndel 23 February 1685 (O.S.) [(N.S.) 5 March] â€“ 14 April 1759) was a German, later British, Baroque composer who spent the bulk of his career in London, becoming well known for his operas, oratorios, anthems, concerti grossi and organ concertos. Handel received important training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712; he became a naturalised British subject in 1727. He was strongly influenced both by the great composers of the Italian Baroque and by the middle-German polyphonic choral tradition. Within fifteen years, Handel had started three commercial opera companies to supply the English nobility with Italian opera. Musicologist Winton Dean writes that his operas show that Handel was not only a great composer; he was a dramatic genius of the first order.[6] As Alexander's Feast (1736) was well received, Handel made a transition to English choral works. After his success with Messiah (1742) he never composed an Italian opera again. Almost blind, and having lived in England for nearly fifty years, he died in 1759, a respected and rich man. His funeral was given full state honours, and he was buried in Westminster Abbey in London. Born the same year as Johann Sebastian Bach and Domenico Scarlatti, Handel is regarded as one of the greatest composers of the Baroque era, with works such as Messiah, Water Music, and Music for the Royal Fireworks remaining steadfastly popular. One of his four coronation anthems, Zadok the Priest (1727), composed for the coronation of George II, has been performed at every subsequent British coronation, traditionally during the sovereign's anointing. Another of his English oratorios, Solomon (1748), has also remained popular, with the Sinfonia that opens act 3 (known more commonly as The Arrival of the Queen of Sheba) featuring at the 2012 London Olympics opening ceremony. Handel composed more than forty opera serias in over thirty years, and since the late 1960s, with the revival of baroque music and historically informed musical performance, interest in Handel's operas has grown. Taken from https://en.wikipedia.org/wiki/George_Frideric_Handel

$30.00 ≈ 27.02€

La Fee Verte Bagpipe Concerto

La Fee Verte Bagpipe Concerto #Chamber Orchestra #INTERMEDIATE/ADVANCED #Christine Southworth #La Fee Verte Bagpipe Concerto #Airplane Ears Music #SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1013047 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and parts. 73 pag...(+)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1013047 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and parts. 73 pages. Airplane Ears Music #5802055. Published by Airplane Ears Music (A0.1013047). La Fee Verte (2013, 12 minutes) for chamber orchestra and Galician gaitasI first became obsessed with bagpipes when my grandfather, Boston Police Lieutenant David Moran, passed away. I was 14 years old, and at his funeral police pipers played, just before the rifles were fired. I was overwhelmed by the power of the instrument, of course compounded by my own sadness and emotion. Years later, a good friend died and another friend wrote him a requiem performed by 12 bagpipes, and after being in denial about his death the power of the sound again made be burst in to tears. Then I was out a Tanglewood at a Silk Road retreat and Osvaldo Golijov had brought a friend, Cristina Pato, to demonstrate her instrument, the Galician Gaita. I was blown away, for the first time the power of the instrument hit me with pure joy, I had never heard bagpipe played like this and by a woman, it was just spectacular! I immediately found a bagpipe teacher in Boston, and started learning Highland pipes, and a few years later, in 2010, went to Galicia and began studying the Gaita. This piece is dedicated to two great gaita players, Cristina Pato and my teacher Anton DaVila. La FÃ©e Verte was commissioned by The Silk Road Project.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com

$30.00 ≈ 27.02€