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Ask Violin
Not classified 190

Piano & keyboards
Piano Trio: piano, violin, cello 20
C Instruments 8
Piano Quartet: piano, violin, viola, cello 6
Piano solo 4
Piano Quartet: piano, 2 violins, cello 4

Piano Quintet: piano, 2 violins, viola, cello 4
Piano, Vocal and Guitar 2
Piano Accompaniment 2
1 Piano, 4 hands 1
Piano, Voice 1
Easy Piano 1

+ 6 instrumentations

- Retract

Guitars
Guitar 1
Mandolin 1

Voice
Choral SATB 14
Choral 3-part 6
Choral TTBB 3
Choral SSAATTBB 2
Baritone voice, Piano 2

Choral Unison 1
Choral SSAA 1
Choral 2-part 1

+ 3 instrumentations

- Retract

Woodwind
Clarinet, Violin (duet) 6
Flute, Violin, Piano 4
Flute, Violin 3
Flute and Piano 3
Oboe, Piano (duet) 2

Alto Saxophone and Piano 2
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 1
Clarinet, Cello, Piano (trio) 1
Flute 1
Flute, Clarinet, Violin (trio) 1
Clarinet and Piano 1
Tenor Saxophone and Piano 1

+ 7 instrumentations

- Retract

Woodbrass
Trombone and Piano 1
Trumpet, Trombone (duet) 1
French Horn and Piano 1
Trumpet, Piano 1

Strings
String Quartet: 2 violins, viola, cello 191
Violin 103
Violin and Piano 98
Violin, Cello (duet) 68
2 Violins (duet) 67

String Trio: violin, viola, cello 51
Violin, Viola (duet) 46
String Trio: 3 violins 28
String trio 24
String Trio: 2 violins, viola 24
Cello, String Bass (duet) 19
String Trio: 2 violins, cello 17
Violin (band part) 16
Violin, Double bass (duet) 13
String Quintet: 2 violins, viola, cello, bass 6
String Quintet: 2 violins, viola, 2 cellos 4
Cello, Piano 4
String Quintet: 2 violins, 2 violas, cello 3
Violin ensemble 2
Harp, Violin (duet) 2
Violin, Guitar (duet) 2
Cello 1
Viola, Piano 1
2 Cellos (duet) 1
Piano Trio: Violin, Viola, Piano 1
4 Cellos 1
2 Harps (duet) 1
String quartet: 4 violins 1
Harp 1

+ 24 instrumentations

- Retract

Percussion & orchestra
String Orchestra 31
Orchestra 14
Chamber Orchestra 3

Concert band 1
Orchestra, Violin 1

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Ask Violin

Chamber Orchestra

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3 sheet music found

Requiem-CV19 (10-minute musical presentation) (Vocal Quartet - (SATB)

Requiem-CV19 (10-minute musical presentation) (Vocal Quartet - (SATB) #Chamber Orchestra #INTERMEDIATE #Stephen DeCesare #Second movement: #Requiem-CV19 #Exultet Music #SheetMusicPlus

Chamber Orchestra - Level 3 - Digital Download SKU: A0.628795 Composed by Stephen DeCesare. 20th Century,Contemporary,Film/TV,Opera. Score and parts. 43 ...(+)

Chamber Orchestra - Level 3 - Digital Download SKU: A0.628795 Composed by Stephen DeCesare. 20th Century,Contemporary,Film/TV,Opera. Score and parts. 43 pages. Exultet Music #6230563. Published by Exultet Music (A0.628795). A ten-minute musical presentation about the pandemic that has swept the world over. First movement: Covid 19: starts off on New Year's Eve of 2019 and progresses into a more dramatic turn when the Covid 19 pandemic hit the world. Second movement: Mask/Anti-Mask: One of the hottest topics in today's headlines: To Mask or Not to Mask. This piece comes out as a canon on four viewpoints on the subject. Third Movement: The Lord Is My Shepherd: for all those lives that were lost due to the pandemic. Can be performed live or virtually. Scored for a Vocal Quartet (SATB), Timpani, Violin, Cymbals and Piano accompaniment. .

$25.00 ≈ 22.52€

One Second to the Future - Guitar Orchestra

One Second to the Future - Guitar Orchestra #Chamber Orchestra #INTERMEDIATE/ADVANCED #Brent C Robitaille #One Second to the Future - Gui #Brent C Robitaille #SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Ro...(+)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677. Published by Brent C Robitaille (A0.1412646). One Second to the Future (Guitar Orchestra) Composer: Brent Robitaille Â â€¢ â€œOne Second to the Futureâ€ is a two-movement piece for either a single or optional double guitar orchestra with four separate parts for electric guitar and classical guitar. Two optional steel string guitar and electric bass parts are available but may be substituted if these instruments are unavailable. The total score will be around 500 measures with a running time of approximately 12-15 minutes. The piece is quite approachable for intermediate-level guitarists, with the more challenging sections arranged for the 1st and 2nd parts of the electric and classical guitar. Three overhead mics from the stage will be used to spatialize the sound into a stereo or surround sound system. Â â€¢ The first movement starts with a fixed audio shortwave recording from the Canadian time signal shortwave station CHU, gently fading in for approximately 20 seconds before the guitar orchestra begins with natural and artificial harmonics. Â â€¢ The second fixed audio track gently enters around the 1:00-minute mark. This track was recorded using eight amplified and non-amplified guitars in altered tunings with eight separate microphones to integrate into stereo or surround sound. The guitar's open strings were left to vibrate sympathetically as the volume increased and struck on the headstock with various rubber and metal sticks, violin bows or paint brushes to get the strings vibrating. The resulting wave files were then imported into a sampling program and filtered into the overtone series with â€œCâ€ as the fundamental, emphasising the first 14 partials. This recording will be used intermittently throughout the first movement, acting primarily as a background pad. Â Â â€¢ At approximately 3:00 minutes into the first movement, the players are asked to use a glass or metal slide to tap out rhythms based on the international Morse code. Several other standard slide guitar techniques are also integrated into this section. See instructions in the score. The first movement ends with both fixed audio tracks fading away. Â â€¢ The second movement integrates a more traditional guitar playing and composition approach. Its bulk is at a robust tempo of 160 bpm and uses several rhythmic and timbral techniques, including sul tasto, sul ponticello, harmonics, golpe, string snaps, and the further use of guitar slides. Â â€¢ Midway through the second movement, a rallentando proceeds to a section indicated by the tempo mark â€œslow motion.â€ At this point, a third fixed audio recording of a single vibrating guitar string slowed down by 3000% will fade in. The orchestra is instructed to play with this recording in slow motion or approximately 30 bpm. See score for details. The orchestra eventually returns to the original tempo to finish the 2nd movement. Â Technical RequirementsÂ â€¢ Three mono or stereo mics from the orchestra will be required and blended with the stereo or surround sound.Â â€¢ A standard guitar delay and distortion pedal for electric guitar parts one and two is required.Â â€¢ Glass and metal guitar slides are required. Â Â To download the fixed audio tracks, go here:Â https://soundcloud.com/kalymi/sets/one-second-to-the-future-guitar-orchestra-fixed-audio-tracksÂ For fixed audio track information and information, contact me at:info@brentrobitaille.com.

$75.00 ≈ 67.55€

Be Thou My Vision

Be Thou My Vision #Chamber Orchestra #EASY #Celtic/Irish #Traditional Irish Folk Tune #Robert Myers #Be Thou My Vision #WheatMyer Music #SheetMusicPlus

Chamber Orchestra - Level 2 - Digital Download SKU: A0.1342596 Composed by Traditional Irish Folk Tune. Arranged by Robert Myers. Celtic,Irish,Sacred,Tra...(+)

Chamber Orchestra - Level 2 - Digital Download SKU: A0.1342596 Composed by Traditional Irish Folk Tune. Arranged by Robert Myers. Celtic,Irish,Sacred,Traditional. 60 pages. WheatMyer Music #928096. Published by WheatMyer Music (A0.1342596). From hymnary.org:Â SLANE is an old Irish folk tune associated with the ballad With My Love on the Road in Patrick W. Joyce's Old Irish Folk Music and Songs (1909). It became a hymn tune when it was arranged by David Evans (PHH 285) and set to the Irish hymn Be Thou My Vision published in the Church Hymnary (1927). SLANE is named for a hill in County Meath, Ireland, where St. Patrick's lighting of an Easter fireâ€“an act of defiance against the pagan king Loegaire (fifth century)â€“led to his unlimited freedom to preach the gospel in Ireland.This setting of SLANE takes a variations approach to the tune with three recognizable but distinct interpretations. The first is an intimate and contemplative interpretation, followed by a jig, which is fitting for the tune's Irish background, and the third is a majestic chorale. Snippets of Guide Me, O Thou Great Jehovah (CWM RHONDDA) appear during interludes.This arrangement was written for a smaller ensemble, recognizing that few church orchestras have a symphonic size string section. It features alto flute and solo violin carrying the melody or providing colorful counterpoint. Â Other than these featured players other instruments are hardly asked to carry an independent line. Doubling is prevalent allowing for a lot of flexibility in instrumentation and coverage of missing parts or the director may specify strategic tacets to present additional color and texture. Optional doubling parts are provided for alto (dbls. alto flt.) and tenor saxophone (dbls. Cl. 3).

$75.00 ≈ 67.55€