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Bee Choir, Piano, Organ
Not classified 47

Piano & keyboards
Piano, Vocal and Guitar 50
Piano, Voice 10
Piano solo 5
Organ, Piano (duet) 2
Organ 2

Easy Piano 1

+ 1 instrumentations

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Guitars

Voice
Choral SATB 57
Choral Unison 13
Choral 2-part 13
Choral 3-part 11
Choral TTBB 3

Vocal duet, Piano 3
High voice 3
Choral 1
Choral SSAA 1

+ 4 instrumentations

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Woodwind
Clarinet and Piano 3
Saxophone Quartet: 4 saxophones 2
Tenor Saxophone and Piano 1
Alto Saxophone and Piano 1
Flute Quartet: 4 flutes 1

Clarinet Quartet: 4 clarinets 1

+ 1 instrumentations

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Woodbrass
Trumpet, Piano 1
Brass Quartet: 4 horns 1
2 Tubas (duet) 1
Tuba and Piano 1

Strings
Violin and Piano 3
String Quartet: 2 violins, viola, cello 1
Viola, Piano 1

Percussion & orchestra
Orchestra 2
Chamber Orchestra 2

Concert band 2
Brass ensemble 1

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Bee Choir, Piano, Organ

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2 sheet music found

Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie

Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie #Chamber Orchestra #ADVANCED #Carson Cooman #Carson Cooman: The Acts of the #Musik Fabrik Music Publishing #SheetMusicPlus

Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Mu...(+)

Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical â€œTheophilusâ€), yet they are unusual for being composed in such contrasting genres. Lukeâ€™sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesaboutâ€”and speeches fromâ€”the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christâ€™s ascension is narratedandâ€”following an orchestral Sinfoniaâ€”the chorus sings words of Jesus from the Sermon on the Plain in Lukeâ€™sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faithâ€”a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiahâ€œHeaven is my throneâ€¦â€, the end of the narrative is remarkable for two reasons: firstly, Stephenâ€™s final wordsmirror those of Christ on the cross in Lukeâ€™s gospelâ€”where Jesus forgives his executioners and prays â€œFather, intoyour hands I commend my spiritâ€ (Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephenâ€™s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiahâ€”whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saulâ€™sConversion is followed here by a Christological poem found in Paulâ€™s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Lukeâ€™s realistic assessment that in spite of Paulâ€™s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Lukeâ€™s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paulâ€™s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,â€œSpirit of mercy, truth, and loveâ€ is an eighteenth century poem that e.

$25.95 ≈ £19.81

America the Beautiful - String Quartet or Group Score and Parts PDF

America the Beautiful - String Quartet or Group Score and Parts PDF #Chamber Orchestra #EASY #Patriotic #Samuel A #Brendan Elliget MAGA 537 #America the Beautiful - String #BJE Music #SheetMusicPlus

Chamber Orchestra - Level 2 - Digital Download SKU: A0.750975 Composed by Samuel A. Ward 1895. Arranged by Brendan Elliget MAGA 537. Patriotic. Score and...(+)

Chamber Orchestra - Level 2 - Digital Download SKU: A0.750975 Composed by Samuel A. Ward 1895. Arranged by Brendan Elliget MAGA 537. Patriotic. Score and parts. 12 pages. BJE Music #5789233. Published by BJE Music (A0.750975). America the Beautiful is an American patriotic song. The lyrics were written by Katharine Lee Bates, and the music was composed by church organist and choirmaster Samuel A. Ward at Grace Episcopal Church in Newark, New Jersey. The two never met. Bates originally wrote the words as a poem, Pikes Peak, first published in the Fourth of July edition of the church periodical The Congregationalist in 1895. At that time, the poem was titled America for publication. Ward had originally written the music, Materna, for the hymn O Mother dear, Jerusalem in 1882, though it was not first published until 1892. Ward's music combined with the Bates poem was first published in 1910 and titled America the Beautiful. The song is one of the most popular of the many U.S. patriotic songs. [Wikipedia]It has been arranged here for a String Quartet or Group [Key of C] including a Violin 3 which doubles the Viola part with appropriate range changes. There is also an optional Piano Part (Not shown on the score).The MP3 was recorded with NotePerformer 3.Grade = 2.5 Duration = 1:40 mins (2 verses)

$7.50 ≈ £5.72