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Josef Strauss
Not classified 12

Piano & keyboards
Piano solo 8
Organ 2

Guitars
Guitar 1

Voice
Choral TTBB 2

Woodwind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 7
Flute, Oboe, Clarinet, Bassoon 6
Saxophone Quartet: 4 saxophones 4
Clarinet Ensemble 4
Flute ensemble 4

Clarinet Quartet: 4 clarinets 3
Clarinet Quintet: 5 clarinets 2
Flute, Clarinet (duet) 2
Saxophone Quintet: 5 Saxophones 2
2 Clarinets (duet) 1
2 Recorders (duet) 1
Flute Quintet : 5 flutes 1
Flute Quartet: 4 flutes 1

+ 8 instrumentations

- Retract

Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba 10
Brass quartet : 2 trumpets, trombone, tuba 4
Brass Quartet: 2 trumpets, horn, trombone 3
Horn Ensemble 1

Strings
String Quartet: 2 violins, viola, cello 6
Violin and Piano 3
Violin (band part) 2
String Quintet: 2 violins, viola, cello, bass 1
Cello, Piano 1

Viola (band part) 1

+ 1 instrumentations

- Retract

Percussion & orchestra
Concert band 14
String Orchestra 9
Orchestra 3
Chamber Orchestra 2

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Josef Strauss

Chamber Orchestra

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2 sheet music found

Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion

Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion #Chamber Orchestra #INTERMEDIATE/ADVANCED #Classical #Johann Strauss Jr #Aaron Meier #Olga-Polka, Op. 196 #Aaron Meier #SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and pa...(+)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: â€¢ Approximate length: 3:30 minutes â€¢ 1st Violins: In m. 1, trill a half step from a Dâ™ to a Dâ™® â€¢ 2nd Violins: â€ƒ- At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B â€ƒ- At m. 72-75, emphasize the Eâ™ in the div. â€¢ Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link â†“) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese premiÃ¨re, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, nÃ©e Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.

$3.99 ≈ 3.58€

Serenade for flute, horn and orchestra

Serenade for flute, horn and orchestra #Chamber Orchestra #INTERMEDIATE #Classical #Anton Emil Titl #James Strauss #Serenade for flute, horn and o #James Strauss #SheetMusicPlus

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1035228 Composed by Anton Emil Titl (1809 - 1882 ). Arranged by James Strauss. Romantic Period. Sc...(+)

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1035228 Composed by Anton Emil Titl (1809 - 1882 ). Arranged by James Strauss. Romantic Period. Score and parts. 30 pages. James Strauss #5873421. Published by James Strauss (A0.1035228). AntonÃn Emil Titl Was born October 2, 1809 in Pernstein, and died in January 21, 1882 in Vienna was an Austrian composer. Titl had been the military bandmaster in Prague since 1835. In 1840 he was hired as the successor of Heinrich Proch to the theater in Josefstadt, where he stayed until 1846. From 1850 until his retirement in 1870 he worked at the Burgtheater as Kapellmeister. As a composer, Titl created numerous songs and stage music for both of the above theaters. His greatest success was the Singspiel Der Zauberschleier by Franz Xaver Told, which contained the song A Wirtsg'schÃ¤ft, which was extremely popular at the time, is really not bad.In 1898 the Titlgasse in Vienna-Hietzing was named after him. Titl's Serenade was composed for flute and horn with orchestra or piano accompaniment. With a lilting Bel Canto style in 12/8, its lyric melody features passages of filigree work that will excite and challenge the musician's technical as well as expressive capabilities. The piece is ideal for contest or recital for the intermediate player. This edition for flute, horn and orchestra is based in 2 sources , a set or parts published in 1896 by the French publisher E. GALLET plate n. G.5688 and a manuscript of the parts from Austrian National Library and has been carefully arranged and edited by James Strauss. All the discrepancies between the sources were corrected and for the very first time in a Full Score format.

$30.00 ≈ 26.89€