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Jun Hee Lim
Not classified 15

Piano & keyboards
Accordion 13
Piano solo 10
C Instruments 3
Piano, Voice 2
Easy Piano 1

Organ 1

+ 1 instrumentations

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Guitars
Bass guitar 2
Mandolin 1
Melody line, (Lyrics) and Chords 1

Voice
Choral 3-part 1
Voice solo 1

Woodwind
Saxophone 30
Recorder 12
Flute 12
Clarinet 12
Oboe 8

Clarinet (band part) 2
Oboe (band part) 1

+ 2 instrumentations

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Woodbrass
Trumpet 12
Trombone 10
French horn 6
Euphonium 6
Tuba 6

Trombone (band part) 2
French horn (band part) 1
Tuba (band part) 1
Trumpet (band part) 1

+ 4 instrumentations

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Strings
Violin (band part) 3
Cello, Piano 1
Doublebass (band part) 1
Violin 1
2 Violins (duet) 1

Viola (band part) 1
Viola, Piano 1

+ 2 instrumentations

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Percussion & orchestra
Orchestra 5
Percussion (band part) 2
Chamber Orchestra 1

Drums 1

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Jun Hee Lim

Chamber Orchestra

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Carson Cooman: Shining Space: Quintet for Horn and Strings (2006)

Carson Cooman: Shining Space: Quintet for Horn and Strings (2006) #Chamber Orchestra #ADVANCED #Carson Cooman #Carson Cooman: Shining Space: #Musik Fabrik Music Publishing #SheetMusicPlus

Chamber Orchestra - Level 5 - Digital Download SKU: A0.533698 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik ...(+)

Chamber Orchestra - Level 5 - Digital Download SKU: A0.533698 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik Music Publishing #3038887. Published by Musik Fabrik Music Publishing (A0.533698). Shining Space: Quintet for Horn and Strings (2006) was commissioned by and is dedicatedto Hazel Dean Davis and Stephen Hackbarth on the occasion of their marriage, June 24, 2006.The work was premiered by James Sommerville, horn with Sarah Kapustin and FrancescaAnderegg, violins, Nathan Burke, viola, and Peter Lorenzo Anderegg, cello.The basic musical material for the work is a set of intervals which is gradually â€œexpandedoutwardâ€ â€“ moving from close dissonance to luminous consonance. This could be seen torepresent a sense of freedom, growth, and a bright future.The first movement, Bright Morning Sky, begins vibrantly with ecstatic ringing in the higherstrings. The cello presents the workâ€™s basic pitch material in dramatic gestures. The hornthen enters: first abortively and then affirmatively â€“ changing the texture to focus on itself.The horn continues lyrical melodic development while the strings react, dissipating theirinitial energy. Nervous tremolos in the strings start to build back energy again, leading to awild climax. The music then relaxes into the next section marked â€œSlow, suspended.â€ Thehorn and strings interact melodically, supported by luminous harmonies. The nervoustremolos return, regaining energy towards the coda. The work ends with the ecstatic ringingof the opening â€“ but,this time, the harmonic material is open and bright.The second movement, I Am the Vine, is serene and expressive â€“ consisting of a series ofcanons which develop, break-off, and start again. The canons are almost always in twovoices â€“ representing two lives intertwining.The third movement, Chasing Windflower, returns to the energy of the opening movement.However, the harmonic language begins this time with the open sonorities. Darker colors(from the first movement) continue to interject, but are always overwhelmed by a sense offree-wheeling excitement. The work presses on to an ecstatic coda â€“ with a sense ofunfettered joy.ï»¿

$38.95 ≈ 36.01€