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No Moon At All
Not classified 12

Piano & keyboards
Piano, Vocal and Guitar 17
Piano solo 16
Piano, Voice 5
Easy Piano 4
C Instruments 4

Organ 1

+ 1 instrumentations

- Retract

Guitars
Melody line, (Lyrics) and Chords 7
Guitar Ensemble 1

Voice
Choral SATB 11
Choral 3-part 2
Choral 2-part 2
Choral TTBB 1
Vocal duet, Piano 1

Woodwind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 1
Clarinet Ensemble 1

Woodbrass
Tuba ensemble 1
Brass Quintet: 2 trumpets, horn, trombone, tuba 1

Strings
Harp 7
String Quartet: 2 violins, viola, cello 1
Cello 1

Percussion & orchestra
Orchestra 13
Brass ensemble 2
Chamber Orchestra 2

String Orchestra 1

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No Moon At All

Chamber Orchestra

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Mountains Of The Moon

Mountains Of The Moon #Chamber Orchestra #INTERMEDIATE #The Grateful Dead #Lee Johnson #Mountains Of The Moon #Lee Johnson Music #SheetMusicPlus

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1181592 By The Grateful Dead. By Jerry Garcia and Robert Hunter. Arranged by Lee Johnson. 20th Cen...(+)

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1181592 By The Grateful Dead. By Jerry Garcia and Robert Hunter. Arranged by Lee Johnson. 20th Century,Chamber,Contemporary,Contest,Festival,Folk. Score and Parts. 40 pages. Lee Johnson Music #781381. Published by Lee Johnson Music (A0.1181592). MOUNTAINS of the MOON - for string orchestra and harp - is inspired by and written in tribute to the music of the Grateful Dead and comes from the world-renowned Dead Symphony no. 6 by composer and arranger Lee Johnson. It is a modern cross-over symphony recorded by the Russian National Orchestra and conducted by Lee Johnson that charted at #20 on Billboardâ€™s Best Classical Albums. Dead Symphony no. 6 has been performed by the Baltimore Symphony Orchestra, The Cabrillo Festival Orchestra, The Indianapolis Symphony Orchestra, The California Symphony Orchestra, and many others both professional and academic. It has been broadcast on Sirius/XM, WNYC, NPR, and dozens of syndicated radio programs and stations.Â Each movement may be purchased and performed separately.If your orchestra would like to do a complete performance of Dead Symphony no. 6, simply use the following order:If I Had the World To GiveSt. StephenHere Comes SunshineMountains of the MoonBlues for AllahSugar MagnoliaTo Lay Me DownBird SongChina DollDead Overture and FinaleFor more information on composer Lee Johnson please visit:Â www.leejohnsonmusic.comKings Bishop Productions YouTube ChannelÂ Â

$49.99 ≈ £39.08

TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)

TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF) #Chamber Orchestra #ADVANCED #Classical #Georg Philipp Telemann #Sneakwood Editions #TELEMANN – VIOLIN CONCERTO I #Sneakwood Editions #SheetMusicPlus

Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Scor...(+)

Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÃœu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in â€˜La Bizarreâ€™ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called â€˜Relingâ€™ in certain regions of Germany, whence the concertoâ€™s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, â€˜a-a, a-aâ€™, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins â€˜forgetâ€™ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemannâ€™s music. If we knew that a satirist was at work in this â€˜Relingeâ€™ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos â€˜smack of Franceâ€™ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all â€˜sullen old heartâ€™ a little joke at the expense of the relevant concertos of a certain Italian composerâ€¦ â€“ Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com

$18.00 ≈ £14.07