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Oboe Renaissance
Not classified 175

Piano & keyboards
C Instruments 2
Piano, Vocal and Guitar 2
Piano solo 1

Guitars

Voice
Choral SATB 3

Woodwind
Flute, Oboe, Clarinet, Bassoon 142
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 118
Oboe, Piano (duet) 33
Oboe, Clarinet, Bassoon (trio) 12
2 Oboes (duet) 11

Flute, Oboe, Bassoon 10
Oboe (band part) 10
Flute, Oboe (duet) 10
Oboe, Bassoon (duet) 8
Oboe, Guitar (duet) 5
Saxophone Quartet: 4 saxophones 4
Oboe, Bassoon and Piano 4
Oboe 4
Saxophone Quintet: 5 Saxophones 4
Flute, Oboe, Clarinet (trio) 4
Oboe, Clarinet (duet) 3
Oboe ensemble 2
Oboe, Flute 2
4 Oboes 1
2 Recorders (duet) 1
Oboe, Clarinet and Piano (Trio) 1
Flute, Clarinet (duet) 1
Alto Saxophone and Piano 1
Flute and Piano 1
Flute (band part) 1
English Horn, Guitar (duet) 1
Clarinet, Guitar (duet) 1
3 Saxophones (trio) 1
Recorder Quartet 1
Flute and Guitar 1
Oboe, Cello 1
Descant (Soprano) Recorder 1
2 Oboes, Piano 1

+ 28 instrumentations

- Retract

Woodbrass
Brass Quartet: 2 trumpets, horn, trombone 4
Brass Quintet: 2 trumpets, horn, trombone, tuba 4
Trombone and Piano 1
Trumpet, Piano 1
English Horn, Guitar (duet) 1

Trumpet ensemble 1

+ 1 instrumentations

- Retract

Strings
String Quartet: 2 violins, viola, cello 5
String Quintet: 2 violins, viola, cello, bass 4
Violin and Piano 2
Harp 2

Percussion & orchestra
Concert band 11
Chamber Orchestra 4

Orchestra 3
Marimba 2
Vibraphone 1

Jazz Ensemble 1
School Ensemble 1

+ 2 instrumentations

- Retract

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Oboe Renaissance

Chamber Orchestra

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4 sheet music found

Three Laments of Heloise for Chamber Orchestra

Three Laments of Heloise for Chamber Orchestra #Chamber Orchestra #INTERMEDIATE/ADVANCED #Dosia McKay #Three Laments of Heloise for C #Gavia Music #SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. ...(+)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloiseâ€™s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweetâ€¦ They are always there before my eyes, bringing with them awakened longingsâ€¦ The second movement If Not With You, My Heart Is Nowhere, expresses Heloiseâ€™s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloiseâ€™s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).

$100.00 ≈ ¥701.11

Missa Ad Placitum - Agnus Dei II for Woodwind Septet

Missa Ad Placitum - Agnus Dei II for Woodwind Septet #Chamber Orchestra #EASY #Claude Le jeune #Cristiano Vecchi #Missa Ad Placitum - Agnus Dei #Cristiano Vecchi #SheetMusicPlus

Chamber Orchestra - Level 2 - Digital Download SKU: A0.963562 Composed by Claude Le jeune. Arranged by Cristiano Vecchi. Instructional,Renaissance,Sacred...(+)

Chamber Orchestra - Level 2 - Digital Download SKU: A0.963562 Composed by Claude Le jeune. Arranged by Cristiano Vecchi. Instructional,Renaissance,Sacred. Score and parts. 63 pages. Cristiano Vecchi #6491553. Published by Cristiano Vecchi (A0.963562). A mystical fugue in seven voices, with fascinating harmonical nuances, published in 1607.In his mature work Claude Le Jeune applied classical prosody to obtain a greater intelligibility of the lyrics; in this arrangement phrasing and accents, not present in the original, have been added to mantain this peculiar prosody; also have been added dynamic indications to enhance expression and formal architecture. The score has been written for: Flute, Oboe, En. Horn, Clar. in Bb, Bass Clar., Fr. Horn, Bassoon (Woodwind Quintet + Bass Clar. + En. Horn), anyway 52 extra parts are included to cover a large number of combinations (Woodwinds with Saxophones, Brass, Strings), very useful for classroom exercitations or for recitals where is required a more symphonic sound with doubling. Duration: 2'30.MP3 also available on this website.My entire production on my Youtube Channel: https://www.youtube.com/channel/UCe9Kd87V90fbPsUBU5gaXKw/playlists

$4.99 ≈ ¥34.99

Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only

Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only #Chamber Orchestra #ADVANCED #Christian contemporary #Sacred music #Carson Cooman #Carson Cooman: Symphony No. 3, #Musik Fabrik Music Publishing #SheetMusicPlus

Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Mus...(+)

Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, â€œAve Maris Stellaâ€ (2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute â€“ as both an important American composer and a significantcontributor to Americaâ€™s contemporary musical life.The workâ€™s basic source material is the plainchant Ave maris stella (â€œHail, star of the seaâ€) â€“appropriate because of Duquesneâ€™s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe workâ€™s tone â€“ becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as â€œan underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.â€ The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up â€“ as in a pentimento.At various points, one can begin to hear the original plainchant â€œpeek outâ€ in subtle ways.The opening section of the movement obsesses again and again on what sounds like aâ€œbeginningâ€ â€“ as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked â€œsinister.â€ After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at theâ€œbeginningâ€ again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly â€“ in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movementâ€™stransformations, and â€œmotetâ€ sections â€“ using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)ï»¿This is the score only. The complete parts and each seperate part are also available as seperate items.

$25.95 ≈ ¥181.94