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Pal Young
Not classified 35

Piano & keyboards
Easy Piano 18
Piano solo 13
Piano, Voice 7
1 Piano, 4 hands 4
Piano, Vocal and Guitar 3

C Instruments 2
Piano Quintet: piano, 2 violins, viola, cello 1

+ 2 instrumentations

- Retract

Guitars
Bass guitar 1
Guitar notes and tablatures 1
Guitar 1

Voice
Choral Unison 15
Choral SATB 9
Soprano voice 3
Choral 2-part 3
Vocal duet 2

Alto voice, Piano 2
Choral SSAA 1
Choral SSATB 1
Choral 3-part 1
Soli, Mixted choir and accompaniment 1

+ 5 instrumentations

- Retract

Woodwind
Clarinet and Piano 4
Flute and Piano 4
Alto Saxophone and Piano 3
Tenor Saxophone and Piano 2
Oboe, Piano (duet) 2

Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 1
2 Flutes (duet) 1
Flute 1
Clarinet 1
Soprano Saxophone and Piano 1
Saxophone Quartet: 4 saxophones 1
Saxophone (band part) 1
Oboe (band part) 1

+ 8 instrumentations

- Retract

Woodbrass
Trombone and Piano 2
Trumpet, Piano 1
Trombone ensemble 1
3 Trombones (trio) 1
Tuba and Piano 1

Trombone, Organ 1
Brass Quintet: 2 trumpets, horn, trombone, tuba 1

+ 2 instrumentations

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Strings
String Quartet: 2 violins, viola, cello 3
2 Cellos (duet) 2
String Trio: 2 violins, cello 2
Harp 2
Viola, Piano 1

Violin and Piano 1
Cello, Orchestra 1
Violin, Cello (duet) 1
String Trio: violin, viola, cello 1
Violin, Viola (duet) 1

+ 5 instrumentations

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Percussion & orchestra
Concert band 33
String Orchestra 9
Orchestra 6
Handbells 3
Jazz Ensemble 3

Chamber Orchestra 2

Brass ensemble 1

+ 2 instrumentations

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International Artists :
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Pal Young

Chamber Orchestra

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2 sheet music found

Les Indes Galantes - Prologue (Overture)

Les Indes Galantes - Prologue (Overture) #Chamber Orchestra #ADVANCED #Jean Phillipe Rameau #Arte Nova Music Lab #Les Indes Galantes - Prologue #Arte Nova Music Lab #SheetMusicPlus

Chamber Orchestra - Level 5 - Digital Download SKU: A0.742472 Composed by Jean Phillipe Rameau. Arranged by Arte Nova Music Lab. Baroque,Concert,Standard...(+)

Chamber Orchestra - Level 5 - Digital Download SKU: A0.742472 Composed by Jean Phillipe Rameau. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 15 pages. Arte Nova Music Lab #4600759. Published by Arte Nova Music Lab (A0.742472). Les Indes galantes (French: The Amorous Indies) OpÃ©ra-ballet with a prologue and two entrÃ©es. Choreography: Louis DuprÃ©. Music: Jean-Philippe Rameau. Libretto: Louis Fuzelier. Sets: Giovanni-NiccolÃ² Servandoni. First performance: 23 August 1735, ThÃ©Ã¢tre de l'AcadÃ©mie de Musique, Paris. Principals: David Dumoulin, Louis DuprÃ©, M. le Breton, M. Javellier, Marie SallÃ©. The premiere, including only the prologue and the first two of its four entrÃ©es (acts), was staged by the AcadÃ©mie Royale de Musique at itstheatre in the Palais-Royal in Paris on 23 August 1735, starring the leading singers of the OpÃ©ra, Marie Antier, Marie PÃ©lissier, Mlle ErrÃ©mans, Mlle Petitpas, Denis-FranÃ§ois Tribou, Pierre JÃ©lyotte, and Claude-Louis-Dominique ChassÃ© de Chinais, and the dancers Marie SallÃ© and Louis DuprÃ©. Michel Blondy provided the choreography. The ballet's Premier Menuet was used in the soundtrack of the 2006 film Marie Antoinette. Prologue: The palace of Hebe in the background and her gardens in the wings Hebe, goddess of youth, summons her followers to take part in a festival (Air: Vous, qui d'HÃ©bÃ© suivez les lois). Young French, Spanish, Italians and Poles rush to celebrate with a series of dances, including a musette. The ballet is interrupted by the noise of drums and trumpets. It is Bellona, goddess of war, who arrives on the stage accompanied by warriors bearing flags. Bellona calls on the youths to seek out military glory (Air and chorus: La Gloire vous appelle). Hebe prays to Cupid (L'Amour) to use his power to hold them back. Cupid descends on a cloud with his followers. He decides to abandon Europe in favour of the Indies, where love is more welcome. Taken from https://en.wikipedia.org/wiki/Les_Indes_galantes

$20.00 ≈ ¥143.16

Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante

Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante #Chamber Orchestra #INTERMEDIATE #Classical #Karl Friedrich Abel #Guido Menestrina #Karl Friedrich Abel - Sinfonia #Guido Menestrina #SheetMusicPlus

Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. ...(+)

Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido Menestrina #122893. Published by Guido Menestrina (A0.828700). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Adagio Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse, tacet on 2nd movement), 2 violins, viola and cello (originally basse de violon). Abel was born in KÃ¶then, a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787. One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & HÃ¤rtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. Follow the score on youtube: https://www.youtube.com/watch?v=_urGVpH7Pls.

$7.99 ≈ ¥57.19