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Summer's End
Not classified 109

Piano & keyboards
Piano solo 74
Easy Piano 17
Piano, Voice 14
Piano, Vocal and Guitar 10
Organ 5

C Instruments 4
1 Piano, 4 hands 2
Piano Trio: piano, violin, cello 2
Piano Quartet: piano, violin, viola, cello 2

+ 4 instrumentations

- Retract

Guitars
Guitar 10
Guitar notes and tablatures 9
Ukulele 2
Bass guitar 2
Guitar, Violin, Cello (trio) 1

Voice
Choral SATB 34
Choral 2-part 7
Choral 3-part 6
Choral TTBB 5
Choral SSAA 4

Choral Unison 3
Soprano voice, Piano 2
Voice solo 1
High voice 1
Alto voice, Piano 1
Baritone voice, Piano 1
Vocal duet, Piano 1
Tenor voice, Piano 1

+ 8 instrumentations

- Retract

Woodwind
Saxophone Quartet: 4 saxophones 16
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 11
Flute and Piano 9
Oboe, Piano (duet) 8
Flute, Oboe, Clarinet, Bassoon 7

Saxophone Quintet: 5 Saxophones 7
Clarinet Quartet: 4 clarinets 6
Recorder Quartet 5
Alto Saxophone and Piano 5
3 Clarinets (trio) 4
Clarinet and Piano 4
Flute Quartet: 4 flutes 3
Saxophone (band part) 3
Flute Trio: 3 flutes 3
Oboe (band part) 3
Tenor Saxophone and Piano 3
Baritone Saxophone, Piano 3
Tenor Saxophone 2
Saxophone ensemble 2
Flute and Guitar 2
Flute 2
Alto Saxophone 2
Flute, Oboe, Bassoon 2
Clarinet 2
Soprano Saxophone and Piano 2
Clarinet Quintet: 5 clarinets 2
Harmonica 1
Flute, Bassoon, and Piano 1
Bass Clarinet, Piano 1
Clarinet Ensemble 1
3 Saxophones (trio) 1
2 Flutes (duet) 1
English horn, Piano 1
Flute, Clarinet, Piano (trio) 1
Flute ensemble 1
Clarinet (band part) 1
5 Recorders 1

+ 32 instrumentations

- Retract

Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba 19
Trombone (band part) 5
Trumpet 4
Trombone and Piano 4
Euphonium, Piano (duet) 3

Trumpet (band part) 2
Trombone 2
Trumpet, Piano 1
Bass Trombone and Piano 1
Brass Quartet: 2 trumpets, horn, trombone 1
English horn, Piano 1
Brass Quartet: 4 trombones 1
French Horn and Piano 1
Tuba (band part) 1

+ 9 instrumentations

- Retract

Strings
String Quartet: 2 violins, viola, cello 25
Violin and Piano 8
String Trio: violin, viola, cello 7
2 Harps (duet) 6
Violin 5

Harp 5
Violin (band part) 4
Viola, Piano 4
Violin, Cello (duet) 4
Cello, Piano 4
Doublebass (band part) 3
Cello 3
Viola (band part) 2
2 Cellos (duet) 2
Violin, Viola (duet) 2
String Trio: 2 violins, cello 2
Cello (band part) 1
Viola and orchestra 1
Harp, Flute (duet) 1
4 Cellos 1
Double bass, Piano (duet) 1

+ 16 instrumentations

- Retract

Percussion & orchestra
Concert band 48
String Orchestra 16
Orchestra 15
Brass ensemble 7
Jazz Ensemble 5

Handbells 3
Marching band 2
Percussion (band part) 2
Chamber Orchestra 2

Drums 2
Marimba 1

+ 6 instrumentations

- Retract

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Summer's End

Chamber Orchestra

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2 sheet music found

Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion

Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion #Chamber Orchestra #INTERMEDIATE/ADVANCED #Classical #Johann Strauss Jr #Aaron Meier #Olga-Polka, Op. 196 #Aaron Meier #SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and pa...(+)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: â€¢ Approximate length: 3:30 minutes â€¢ 1st Violins: In m. 1, trill a half step from a Dâ™ to a Dâ™® â€¢ 2nd Violins: â€ƒ- At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B â€ƒ- At m. 72-75, emphasize the Eâ™ in the div. â€¢ Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link â†“) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese premiÃ¨re, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, nÃ©e Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.

$3.99 ≈ 3.61€

Carson Cooman: Quintet for Bassoon and Strings (2005–08) for bassoon and string quartet

Carson Cooman: Quintet for Bassoon and Strings (2005–08) for bassoon and string quartet #Chamber Orchestra #ADVANCED #Carson Cooman #Carson Cooman: Quintet for Bas #Musik Fabrik Music Publishing #SheetMusicPlus

Chamber Orchestra - Level 5 - Digital Download SKU: A0.533574 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 65 pages. Musik Fabrik ...(+)

Chamber Orchestra - Level 5 - Digital Download SKU: A0.533574 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3024985. Published by Musik Fabrik Music Publishing (A0.533574). Quintet for Bassoon and Strings (2005â€“08) was commissioned by The Commission Projectand is dedicated to Klaus Heymann, in tribute for his invigoration of the classical recordingindustry and his enthusiastic support for the composers of our time.The original conception for the work was devised during an extremely foggy week onNantucket Island, Massachusetts in the summer of 2005. It is music deeply connected to theocean landscape. Throughout the work, the strings often present a fog-like backdrop,through which the bassoonâ€™s color emerges like a lighthouse beaconâ€”lyrical and flexible.The work opens with a series of interlocking, nebulous figurations in the strings thatgradually build in intensity. The bassoon unfolds the workâ€™s basic melodic material in a freesolo that also increases in intensity. At the point of climax, the tempo suddenly slowsdramatically, and a tender, lyrical cantilena emerges. As this music dissolves, a bouncy andenergetic music takes the foreground. It climaxes in a bassoon cadenza. Though the bassoonhas played the leader throughout, this is the first time it is heard unaccompanied. A brief,but vigorous afterglow recalls the opening of the work. The final section emerges out of it: aseries of high, distant harmonics (perhaps harbor buoys) in the strings through which thebassoon sings a final song.

$25.95 ≈ 23.48€