Download Digital Sheet Music of The Heart of It All: Viola for Chamber Orchestra

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The Heart of It All: Viola
Not classified 63

Piano & keyboards
Piano Quintet: piano, 2 violins, viola, cello 3
Piano Quartet: piano, violin, viola, cello 1
Piano, Vocal and Guitar 1

Guitars

Voice

Woodwind
Flute, Oboe, Clarinet, Bassoon 2
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 1
Clarinet 1
Saxophone Quartet: 4 saxophones 1
Clarinet and Viola 1

Baritone Saxophone, Piano 1

+ 1 instrumentations

- Retract

Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba 1
Brass Quartet 1

Strings
String Quartet: 2 violins, viola, cello 142
Viola, Piano 45
String Quintet: 2 violins, viola, cello, bass 34
Viola 25
String Trio: violin, viola, cello 20

2 Violas (duet) 19
Violin, Viola (duet) 15
Viola (band part) 11
String Quintet: 2 violins, 2 violas, cello 3
String Quintet: 2 violins, viola, 2 cellos 3
2 Violas, Piano 2
Viola, Cello (duet) 2
String Trio: 2 violins, viola 2
Violin and Piano 2
Violin, Cello (duet) 1
Violin 1

+ 11 instrumentations

- Retract

Percussion & orchestra
String Orchestra 18
Orchestra 6
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard 4
Concert band 2
Chamber Orchestra 2

Flexible Instrumentation 2

+ 1 instrumentations

- Retract

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The Heart of It All: Viola

Chamber Orchestra

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2 sheet music found

TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)

TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF) #Chamber Orchestra #ADVANCED #Classical #Georg Philipp Telemann #Sneakwood Editions #TELEMANN – VIOLIN CONCERTO I #Sneakwood Editions #SheetMusicPlus

Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Scor...(+)

Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÃœu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in â€˜La Bizarreâ€™ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called â€˜Relingâ€™ in certain regions of Germany, whence the concertoâ€™s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, â€˜a-a, a-aâ€™, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins â€˜forgetâ€™ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemannâ€™s music. If we knew that a satirist was at work in this â€˜Relingeâ€™ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos â€˜smack of Franceâ€™ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all â€˜sullen old heartâ€™ a little joke at the expense of the relevant concertos of a certain Italian composerâ€¦ â€“ Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com

$18.00 ≈ 16.68€

Dreams - Score Only

Dreams - Score Only #Chamber Orchestra #INTERMEDIATE #Juan Guerra GonzÃ¡lez #Dreams - Score Only #Juan Carlos Guerra Gonzalez #SheetMusicPlus

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1317400 Composed by Juan Guerra GonzÃ¡lez. 21st Century,Classical. 96 pages. Juan Carlos Guerra ...(+)

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1317400 Composed by Juan Guerra GonzÃ¡lez. 21st Century,Classical. 96 pages. Juan Carlos Guerra Gonzalez #906062. Published by Juan Carlos Guerra Gonzalez (A0.1317400). DREAMS (for Symphony Orchestra)SCORE ONLYÂ Please visit www.juancarlosguerra.com/dreams to buy or rent the parts.Â Scored for1 Flute1 Oboe1 Clarinet in Bb1 Basoon2 Percussion Players:Â 1 TimpaniViolin IViolin IIViolaVioloncelloDouble BassAn easy-to-read to read and fascinating piece for a symphony orchestra with a reduced number of winds and no brass. It can be suited ideally in any setting.Program Noteâ€œDreamsâ€ is a suite for symphony orchestra in three movements. The work was kindly commissioned by Dr. Luis VÃquez, conductor of the University of Rhode Islandâ€™s Symphony Orchestra and to whom this work is being dedicated alongside with his wife Melissa. The titles of the movements come from either an specific dream, or other topics about dreaming that I discovered in the process of writing the work.Â I. Cherry trees in the morningNature has always inspired me. Every year during spring my family has the tradition to visit the Brooklyn Botanic Garden to experience the cherry blossoms. I usually do not remember many of my dreams but in this particular dream I was in Japan under an esplanade of cherry trees. I remember how amazed I feel and is for sure one of my most memorable dreams.Â II. DreamcatcherWhile I was writing the initial ideas of for the work I came across a Journal that explored how the use of a particular chord helped reduce nightmares in patients suffering from nightmare disorders. In the study, patients were exposed to the chord C69 (A C Major with the added 6th and 9th) during therapeutic sessions. This chord is used at the beginning of the movement as it moves to explore different sonorities. In this movement you might be able to hear a representation of the â€œheartbeatâ€ played by the bass drum and timpani, then a more â€œstressfulâ€ section will come to represent a nightmare followed again by another repetition of the C69 chord. If you feel relaxed during the performance, it is on purpose!Â III. A Dance in the desertDreams, in my case, are usually a mix of different non-related things. For the final movement, I decided to use that idea. I started this dance with a â€œorientalâ€ style and them throughout the middle of the movement I moved it to a waltz that was influenced by my grandfather. He used to have a small orchestra and he used to play waltzes during events and private parties.I hope the music takes you through a journey of musical emotions.Juan Guerra GonzÃ¡lez

$159.99 ≈ 148.29€