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This Is My Garden
Not classified 28

Piano & keyboards
Piano solo 52
Piano, Voice 19
Piano, Vocal and Guitar 4
Organ 2
Easy Piano 1

Piano Quartet: piano, violin, viola, cello 1

+ 1 instrumentations

- Retract

Guitars
2 Guitars (duet) 2
Guitar notes and tablatures 1
Guitar 1

Voice
Choral SATB 8
Choral SSAA 3
Choral Unison 2
Choral 3-part 2
Vocal duet 1

Woodwind
Saxophone Quartet: 4 saxophones 5
Flute and Piano 3
Flute, Oboe, Clarinet, Bassoon 3
Flute 2
2 Flutes (duet) 2

Clarinet Quartet: 4 clarinets 2
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 1
Flute and Guitar 1
2 Saxophones (duet) 1
Clarinet and Piano 1
2 Clarinets (duet) 1
2 Oboes (duet) 1
Flute ensemble 1
Harmonica 1

+ 9 instrumentations

- Retract

Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba 4
Brass quartet : 2 trumpets, trombone, tuba 4
Brass Quartet: 4 trombones 2
Tuba and Piano 2
Brass Quartet 1

Strings
Harp 21
String Quartet: 2 violins, viola, cello 7
2 Violins (duet) 3
Harp, Flute (duet) 2
Cello (band part) 2

2 Cellos (duet) 2
2 Violas (duet) 2
Violin and Piano 2
Violin 1
Cello 1
2 Violins, Piano 1
2 Harps (duet) 1
Violin, Cello (duet) 1
String Trio: violin, viola, cello 1

+ 9 instrumentations

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Percussion & orchestra
Chamber Orchestra 3

String Orchestra 2
Jazz combo 2
Marimba 1
Orchestra 1

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This Is My Garden

Chamber Orchestra

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Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)

Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas) #Chamber Orchestra #Ofer Ben-Amots #Songs from the Pomegranate Gar #The Composer's Own Press #SheetMusicPlus

Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own...(+)

Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas â€“ Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composerâ€™s notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: ×—×™×“×•×© â€“ ×¤×™×¨×•×© â€“ ×©×™×ž×•×¨ â€“ ×—×™×¤×•×©). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judÃ©o-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato â€˜sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato â€˜sta el hijo del rey (The Kingâ€™s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha Bâ€™Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation. Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com

$54.00 ≈ 49.89€

Dreams - Score Only

Dreams - Score Only #Chamber Orchestra #INTERMEDIATE #Juan Guerra GonzÃ¡lez #Dreams - Score Only #Juan Carlos Guerra Gonzalez #SheetMusicPlus

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1317400 Composed by Juan Guerra GonzÃ¡lez. 21st Century,Classical. 96 pages. Juan Carlos Guerra ...(+)

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1317400 Composed by Juan Guerra GonzÃ¡lez. 21st Century,Classical. 96 pages. Juan Carlos Guerra Gonzalez #906062. Published by Juan Carlos Guerra Gonzalez (A0.1317400). DREAMS (for Symphony Orchestra)SCORE ONLYÂ Please visit www.juancarlosguerra.com/dreams to buy or rent the parts.Â Scored for1 Flute1 Oboe1 Clarinet in Bb1 Basoon2 Percussion Players:Â 1 TimpaniViolin IViolin IIViolaVioloncelloDouble BassAn easy-to-read to read and fascinating piece for a symphony orchestra with a reduced number of winds and no brass. It can be suited ideally in any setting.Program Noteâ€œDreamsâ€ is a suite for symphony orchestra in three movements. The work was kindly commissioned by Dr. Luis VÃquez, conductor of the University of Rhode Islandâ€™s Symphony Orchestra and to whom this work is being dedicated alongside with his wife Melissa. The titles of the movements come from either an specific dream, or other topics about dreaming that I discovered in the process of writing the work.Â I. Cherry trees in the morningNature has always inspired me. Every year during spring my family has the tradition to visit the Brooklyn Botanic Garden to experience the cherry blossoms. I usually do not remember many of my dreams but in this particular dream I was in Japan under an esplanade of cherry trees. I remember how amazed I feel and is for sure one of my most memorable dreams.Â II. DreamcatcherWhile I was writing the initial ideas of for the work I came across a Journal that explored how the use of a particular chord helped reduce nightmares in patients suffering from nightmare disorders. In the study, patients were exposed to the chord C69 (A C Major with the added 6th and 9th) during therapeutic sessions. This chord is used at the beginning of the movement as it moves to explore different sonorities. In this movement you might be able to hear a representation of the â€œheartbeatâ€ played by the bass drum and timpani, then a more â€œstressfulâ€ section will come to represent a nightmare followed again by another repetition of the C69 chord. If you feel relaxed during the performance, it is on purpose!Â III. A Dance in the desertDreams, in my case, are usually a mix of different non-related things. For the final movement, I decided to use that idea. I started this dance with a â€œorientalâ€ style and them throughout the middle of the movement I moved it to a waltz that was influenced by my grandfather. He used to have a small orchestra and he used to play waltzes during events and private parties.I hope the music takes you through a journey of musical emotions.Juan Guerra GonzÃ¡lez

$159.99 ≈ 147.81€

Hancock Shaker Village (2001) for mezzo-soprano and string quartet

Hancock Shaker Village (2001) for mezzo-soprano and string quartet #Chamber Orchestra #INTERMEDIATE/ADVANCED #Thomas Oboe Lee #Hancock Shaker Village #Thomas Oboe Lee #SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download SKU: A0.869267 Composed by Thomas Oboe Lee. 20th Century,Christian,Classical,Contemporary,Romantic Period....(+)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.869267 Composed by Thomas Oboe Lee. 20th Century,Christian,Classical,Contemporary,Romantic Period. Score and parts. 43 pages. Thomas Oboe Lee #30957. Published by Thomas Oboe Lee (A0.869267). Program note. First of all, my enormous gratitude to Deborah Leath Rentz for the source material: Songs and the Spirit: Hancock Shaker Village's Musical Legacy, Volume I. Transcriptions of Hancock Hymnal : 1850. In 1997, Mark Ludwig commissioned me to write a work based on a Shaker song. Ms. Rentz provided me with a lovely song, Grateful Remembrance, from her collection. The result was SEPTET: Variations on a Shaker Tune. Hancock Shaker Village is in many ways also a set of variations. It begins with a Prelude of my own devising. For the rest of the work I chose five songs from Ms. Rentz's book which provide a glimpse of a typical day for the inhabitants of this religious community. The first song, Pillar of Fire, greets the dawn and the rising sun. The second song, Glean with Care, is about the orchards and the gardens. The third, Sweet Home, is about the religious life and home. The fourth, Quick, a lively dance number, prays for God's power and grace. The last song, Farewell Dear Crossbearers, is for the dearly departed. The work is played continuously without pause between movements and is dedicated to Mark Ludwig, Deborah Leath Rentz and the Hancock Shaker Village.YouTube link: https://youtu.be/GJowUC7pDfw

$9.99 ≈ 9.23€