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When Christ Was Born
Not classified 43

Piano & keyboards
C Instruments 12
Piano solo 11
Piano, Voice 9
Piano, Vocal and Guitar 8
Easy Piano 5

Organ 4
Big Note Piano 1
Piano Accompaniment 1

+ 3 instrumentations

- Retract

Guitars
Ukulele 4
Lyrics and Chords 3
Guitar 1
Melody line, (Lyrics) and Chords 1
Bass guitar 1

Voice
Choral SATB 41
Choral Unison 6
Vocal duet 3
Choral 3-part 3
Voice solo 1

Choral 1
Soprano voice, Piano 1
Vocal duet, Piano 1
Choral 2-part 1
Choral TTBB 1

+ 5 instrumentations

- Retract

Woodwind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 2
Flute, Clarinet and Bassoon. 2
Saxophone Quartet: 4 saxophones 1
Flute, Oboe, Clarinet, Bassoon 1
Flute Quartet: 4 flutes 1

Flute (band part) 1
Flute Trio: 3 flutes 1
Flute 1

+ 3 instrumentations

- Retract

Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba 3
Trumpet, Piano 1
Trumpet 1
Brass Quartet: 4 trombones 1
Tuba and Piano 1

French horn 1
Trombone 1

+ 2 instrumentations

- Retract

Strings
Violin and Piano 2
String Quartet: 2 violins, viola, cello 1
2 Violins (duet) 1
Viola, Piano 1
String Trio: 2 violins, cello 1

Percussion & orchestra
Orchestra 5
Concert band 4
Chamber Orchestra 2

Brass ensemble 1
Percussion (band part) 1

Handbells 1

+ 1 instrumentations

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When Christ Was Born

Chamber Orchestra

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2 sheet music found

Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante

Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante #Chamber Orchestra #INTERMEDIATE #Classical #Karl Friedrich Abel #Guido Menestrina #Karl Friedrich Abel - Sinfonia #Guido Menestrina #SheetMusicPlus

Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. ...(+)

Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido Menestrina #122893. Published by Guido Menestrina (A0.828700). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Adagio Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse, tacet on 2nd movement), 2 violins, viola and cello (originally basse de violon). Abel was born in KÃ¶then, a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787. One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & HÃ¤rtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. Follow the score on youtube: https://www.youtube.com/watch?v=_urGVpH7Pls.

$7.99 ≈ $10.80

La Fee Verte Bagpipe Concerto

La Fee Verte Bagpipe Concerto #Chamber Orchestra #INTERMEDIATE/ADVANCED #Christine Southworth #La Fee Verte Bagpipe Concerto #Airplane Ears Music #SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1013047 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and parts. 73 pag...(+)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1013047 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and parts. 73 pages. Airplane Ears Music #5802055. Published by Airplane Ears Music (A0.1013047). La Fee Verte (2013, 12 minutes) for chamber orchestra and Galician gaitasI first became obsessed with bagpipes when my grandfather, Boston Police Lieutenant David Moran, passed away. I was 14 years old, and at his funeral police pipers played, just before the rifles were fired. I was overwhelmed by the power of the instrument, of course compounded by my own sadness and emotion. Years later, a good friend died and another friend wrote him a requiem performed by 12 bagpipes, and after being in denial about his death the power of the sound again made be burst in to tears. Then I was out a Tanglewood at a Silk Road retreat and Osvaldo Golijov had brought a friend, Cristina Pato, to demonstrate her instrument, the Galician Gaita. I was blown away, for the first time the power of the instrument hit me with pure joy, I had never heard bagpipe played like this and by a woman, it was just spectacular! I immediately found a bagpipe teacher in Boston, and started learning Highland pipes, and a few years later, in 2010, went to Galicia and began studying the Gaita. This piece is dedicated to two great gaita players, Cristina Pato and my teacher Anton DaVila. La FÃ©e Verte was commissioned by The Silk Road Project.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com

$30.00 ≈ $40.55