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Wild and Free
Not classified 13

Piano & keyboards
Piano solo 34
Easy Piano 12
Piano, Voice 11
Piano, Vocal and Guitar 4
C Instruments 4

Accordion 1
1 Piano, 4 hands 1

+ 2 instrumentations

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Guitars
Guitar 22
Ukulele 12
Bass guitar 10

Voice
Choral SATB 13
Choral 3-part 7
Voice solo 6
Choral TTBB 5
Choral 2-part 3

Vocal duet, Piano 1
Choral Unison 1
Choral SSAA 1

+ 3 instrumentations

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Woodwind
Saxophone 65
Flute 22
Clarinet 20
Recorder 16
Oboe 4

Alto Saxophone 2
Tenor Saxophone 2
2 Flutes (duet) 1
Saxophone Quartet: 4 saxophones 1
Flute and Piano 1
3 Clarinets (trio) 1
Clarinet Quartet: 4 clarinets 1

+ 7 instrumentations

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Woodbrass
Trumpet 22
Trombone 21
Tuba 4
French horn 3
Euphonium 3

Brass Quintet: 2 trumpets, horn, trombone, tuba 1
Brass quartet : 2 trumpets, trombone, tuba 1

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Strings
Cello 17
Violin 17
String Quartet: 2 violins, viola, cello 14
Viola 13
Violin and Piano 2

Violin, Cello (duet) 2
Harp 1
String Trio: violin, viola, cello 1
String Trio: 2 violins, cello 1
2 Cellos (duet) 1

+ 5 instrumentations

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Percussion & orchestra
Drums 23
Chamber Orchestra 2

String Orchestra 2
Brass ensemble 1
Concert band 1

Jazz Ensemble 1
Orchestra 1

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Wild and Free

Chamber Orchestra

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2 sheet music found

Carson Cooman: Shining Space: Quintet for Horn and Strings (2006)

Carson Cooman: Shining Space: Quintet for Horn and Strings (2006) #Chamber Orchestra #ADVANCED #Carson Cooman #Carson Cooman: Shining Space: #Musik Fabrik Music Publishing #SheetMusicPlus

Chamber Orchestra - Level 5 - Digital Download SKU: A0.533698 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik ...(+)

Chamber Orchestra - Level 5 - Digital Download SKU: A0.533698 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik Music Publishing #3038887. Published by Musik Fabrik Music Publishing (A0.533698). Shining Space: Quintet for Horn and Strings (2006) was commissioned by and is dedicatedto Hazel Dean Davis and Stephen Hackbarth on the occasion of their marriage, June 24, 2006.The work was premiered by James Sommerville, horn with Sarah Kapustin and FrancescaAnderegg, violins, Nathan Burke, viola, and Peter Lorenzo Anderegg, cello.The basic musical material for the work is a set of intervals which is gradually â€œexpandedoutwardâ€ â€“ moving from close dissonance to luminous consonance. This could be seen torepresent a sense of freedom, growth, and a bright future.The first movement, Bright Morning Sky, begins vibrantly with ecstatic ringing in the higherstrings. The cello presents the workâ€™s basic pitch material in dramatic gestures. The hornthen enters: first abortively and then affirmatively â€“ changing the texture to focus on itself.The horn continues lyrical melodic development while the strings react, dissipating theirinitial energy. Nervous tremolos in the strings start to build back energy again, leading to awild climax. The music then relaxes into the next section marked â€œSlow, suspended.â€ Thehorn and strings interact melodically, supported by luminous harmonies. The nervoustremolos return, regaining energy towards the coda. The work ends with the ecstatic ringingof the opening â€“ but,this time, the harmonic material is open and bright.The second movement, I Am the Vine, is serene and expressive â€“ consisting of a series ofcanons which develop, break-off, and start again. The canons are almost always in twovoices â€“ representing two lives intertwining.The third movement, Chasing Windflower, returns to the energy of the opening movement.However, the harmonic language begins this time with the open sonorities. Darker colors(from the first movement) continue to interject, but are always overwhelmed by a sense offree-wheeling excitement. The work presses on to an ecstatic coda â€“ with a sense ofunfettered joy.ï»¿

$38.95 ≈ $52.73

Concertino - for clarinet, mandolin and symphony orchestra

Concertino - for clarinet, mandolin and symphony orchestra #Chamber Orchestra #Klezmer #Ofer Ben-Amots #praise Him in the heights #Concertino - for clarinet, man #The Composer's Own Press #SheetMusicPlus

Chamber Orchestra - Digital Download SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own...(+)

Chamber Orchestra - Digital Download SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029. Published by The Composer's Own Press (A0.944032). CONCERTINO, for Clarinet, Mandolin, and Orchestra CONCERTINO was officially commissioned in 2011 by the Geneva Chamber Orchestra. The composition explores the sound combination of two, seemingly opposing, instruments and sound characters: the clarinet and the mandolin. Thus, the three-movement work is a short double-concerto for clarinet and mandolin, accompanied by a chamber orchestra. The first movement, titled Psalm 148 and is a mixture of a coronation fanfare and a wild improvisatory-like dance. The music is based on the structure and ideas expressed in the 148th Psalm. For the transformation of this Psalmodic text into music I was concerned with two elements: first, the linguistic pulse of the ancient Biblical Hebrew gives the music its ever-changing meters and vibrant rhythms. The second element was the poetic concept presented in the text: Heaven vs. Earth, Universe vs. Planet, or Heights vs. Depths. The contrasting nature of these elements is described in the following verses: Hallelujah, Praise ye the LORD from the heavens; praise Him in the heights. (Psalm 148, verse 1) Praise the LORD from the earth, ye sea-monsters, and all deeps. (Psalm 148, verse 7) Finally, both Heaven and Earth join in praise together: Let them praise the name of the LORD, for His name alone is exalted; His glory is above the earth and heaven. (Psalm 148, verse 13) The musical expression of these contraries is reflected and the use of high-range and soprano instruments (flutes, clarinet, trumpets, violins) versus low-range instruments (trombone, bassoons, cellos and basses.) The second movement, Romacero Viejo (and old love song) is a slow, lyrical dirge-like melody in a Sephardic Judeo-spanish style. In this movement the mandolin plays in the manner of an Oud â€“ a traditional pear-shaped Arabic lute. The harmony sits mostly on a single pedal note while the clarinet imitates the chant with rhythmically free ornatmental patterns. The third and final movement, Allegro con brio, is a festive klezmer dance with a traditional Bulgar (or Freylech) rhythm, where the regular 8/8 meter is constantly divided into the irregular count of: 3+3+2. In the middle of this movement the two soloists play a cadenza, which allows them to present their contrasting yet complementary instrumental characters. The movement is titled The Geneva Bulgar in honor of the City of Geneva and the wonderful memories I have been carrying with me ever since my time there as a young student at the Conservatoire de Musique. Total duration: ca. 23 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com

$54.00 ≈ $73.11