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You've selected:
2 Trumpets
Clarinet Quartet: 4 clarinets
Sheetmusic to print
5 sheet music found
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1
The Liberty Bell arranged for Clarinet Quartet
The Liberty Bell - Clarinet Quartet
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Clarinet Quartet: 4 clarinets
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INTERMEDIATE/ADVANCED
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Hugh Levey
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Hugh Levey
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The Liberty Bell - Clarinet Qu
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woodwindly.com
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1463974 By Hugh Levey. By John Philip Sousa. Arranged by Hugh Levey. 19th Century...
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Clarinet Quartet,Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1463974 By Hugh Levey. By John Philip Sousa. Arranged by Hugh Levey. 19th Century,Film/TV,Holiday,March,Patriotic. 52 pages. Woodwindly.com #1042685. Published by woodwindly.com (A0.1463974). Clarinet Quartet: Clarinet 1 (Bb or Eb)Clarinet 2 (Bb)Clarinet 3 (Bb)Clarinet 4 (Bass Clarinet or Bb)The Liberty Bell is ideal for any concert programmes that have an American, patriotic, or military focus. In the UK it will be a popular addition to Film & TV based programmes because of the march's use as the theme for Monty Python's Flying Circus.Sousa’s The Liberty Bell (March) for Military Band was published in 1893 and became an immediate hit. It was originally scored for: 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, cymbals, bass drum, snare drum, and strings. However, it is often performed today by a standard Military Band, consisting of woodwind, brass, and percussion sections. An abbreviated version of Liberty Bell was used as the theme tune for the British television comedy sketch show, Monty Python’s Flying Circus, which ran from 1969 to 1974.This arrangement for Clarinet Quartet consists of the whole March with its Trio section. The dynamic shaping is based on that used by The President’s Own Band, but the dynamic markings are largely editorial.
$13.50 ≈
12.10€
Sovereign King - Clarinet Quartet Score and Parts PDF
Sovereign King - Clarinet Quartet Score and Parts PDF
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Clarinet Quartet: 4 clarinets
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INTERMEDIATE
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Mainz Gesangbuch
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Brendann Elliget MAGA 537
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Sovereign King - Clarinet Quar
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BJE Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.750833 Composed by Mainz Gesangbuch (1870). Arranged by Brendann Elliget...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.750833 Composed by Mainz Gesangbuch (1870). Arranged by Brendann Elliget MAGA 537. Christian,Christmas,Concert. 7 pages. BJE Music #3684587. Published by BJE Music (A0.750833). This is an arrangement of the tune ICH GLAUB AN GOTT (To Jesus Christ Our Sovereign King) by Mainz Gesangbuch (1870)featuring an introduction by 3 clarinets of the 4 clarinets. Originally written for two trumpets and organ. Each part could be played by more than one player in a clarinet choir. The Bass clarinet could also be played on a Bb Clarinet as well. A full orchestral or Concert Band score is also available featuring 2 or 3 trumpets. If you use this arrangement, please let me know how it goes! The MP3 was recorded with NotePerformer 3.Grade = 3 Duration = 2:10 mins.Grade = 3 Duration = 2:10 mins.
$7.00 ≈
6.27€
Two Brahms Quartets for Clarinet Quartet
Two Brahms Quartets for Clarinet Quartet
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Clarinet Quartet: 4 clarinets
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EASY
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Classical
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Johannes Brahms
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Adam Lenhart
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Two Brahms Quartets for Clarin
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Adam Lenhart
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Download SKU: A0.949373 Composed by Johannes Brahms. Arranged by Ada...
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Woodwind Ensemble,Woodwind Quartet Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Download SKU: A0.949373 Composed by Johannes Brahms. Arranged by Adam Lenhart. Romantic Period. 47 pages. Adam Lenhart #5289711. Published by Adam Lenhart (A0.949373). In this arrangement, two of Brahms most famous and beautiful quartets have been set to clarinet quartet with piano or organ accompaniment. Included is Wie lieblich sind deine Wohnungen (How lovely are thy dwellings), the fourth movement from A German Requiem, to words of the Holy Scriptures, Op. 45, and Der Gang zum Liebchen (Journey to thy beloved) from Three Quartets, Op. 31. These quartets have been arranged to be performed by all levels of musicians in a variety of settings. Includes full score and individual parts for both quartets.*Included is a third Bb Clarinet part, which can be used in the absence or substitution of an Eb Alto Clarinet.This set of quartets is also available for the following chamber ensembles:Flute Quartet (4 Flutes with opt. Piccolo)Flute Choir (Piccolo, Concert, Alto and Bass Flute)Oboe Quartet (Oboe, Violin, Viola and Cello)Clarinet Quartet (2 Bb Clarinets, Alto and Bass Clarinet; or 3 Bb Clarinets and Bass Clarinet)Saxophone Quartet (Soprano, Alto, Tenor and Baritone Saxophone; or 2 Alto Saxophones, Tenor and Baritone Saxophone)Brass Quartet (2 Bb Trumpets, F Horn and Trombone)Woodwind Quartet (Flute, Oboe, Bb Clarinet and Bassoon)String Quartet (2 Violins, Viola and Cello)---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$9.99 ≈
8.95€
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Clarinet Quartet
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Clarinet Quartet
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Clarinet Quartet: 4 clarinets
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INTERMEDIATE
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Instructional
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Bass Clarinet Solo - Level 3 - Digital Download SKU: A0.784329 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288649. ...
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Bass Clarinet Solo - Level 3 - Digital Download SKU: A0.784329 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288649. Published by Slide Ride (A0.784329). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00 ≈
4.48€
Donut Etudes vol. 3: Don’t Step in the Holes! – Clarinet Quartet
Donut Etudes vol. 3: Don’t Step in the Holes! – Clarinet Quartet
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Clarinet Quartet: 4 clarinets
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INTERMEDIATE
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Instructional
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Clarinet Solo - Level 3 - Digital Download SKU: A0.784327 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288647. Publi...
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Clarinet Solo - Level 3 - Digital Download SKU: A0.784327 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288647. Published by Slide Ride (A0.784327). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
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