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Piano Quartet: piano, violin, viola, cello 1
Piano Quartet: piano, 2 violins, cello 1
Organ, Trumpet (duet) 1
Piano Quintet: piano, 2 violins, viola, cello 1

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Guitar 60
Guitar notes and tablatures 52
Melody line, (Lyrics) and Chords 39
Lyrics and Chords 17
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Bass guitar 5
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2 Guitars (duet) 1
4 Guitars (Quartet) 1
Mandolin 1
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Dulcimer 1

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Voice
Choral SATB 160
Choral TTBB 44
Choral 3-part 39
Choral SSAA 21
Voice solo 9

Choral 8
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Vocal duet, Piano 6
High voice 3
Alto voice, Piano 2
Soprano voice 1
Tenor voice, Piano 1
Baritone voice, Piano 1
Soprano voice, Orchestra 1
Choral SSAATTBB 1

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Flute 27
2 Saxophones (duet) 27
Clarinet 23
Saxophone Quartet: 4 saxophones 22
Alto Saxophone 21

Tenor Saxophone 21
Flute and Piano 21
Flute, Oboe, Clarinet, Bassoon 19
Saxophone (band part) 18
Clarinet and Piano 13
2 Clarinets (duet) 12
Oboe, Piano (duet) 12
2 Flutes (duet) 12
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 11
Clarinet Quartet: 4 clarinets 11
Oboe (band part) 11
Alto Saxophone and Piano 9
2 Oboes (duet) 8
Flute ensemble 8
Tenor Saxophone and Piano 7
Saxophone Quintet: 5 Saxophones 7
Saxophone ensemble 6
Soprano Saxophone and Piano 6
Oboe 6
2 Recorders (duet) 5
Saxophone, Clarinet (duet) 5
Flute, Clarinet (duet) 5
3 Saxophones (trio) 5
Clarinet, Trumpet (duet) 4
Clarinet, Violin (duet) 4
Baritone Saxophone, Piano 4
Clarinet Ensemble 4
Oboe, Clarinet (duet) 4
3 Clarinets (trio) 4
Recorder 4
Flute, Clarinet and Bassoon. 3
Flute Quartet: 4 flutes 3
Clarinet (band part) 3
Clarinet Quintet: 5 clarinets 3

Clarinet, Cello (duet) 3
2 Flutes, Piano 3
Baritone Saxophone 2
Flute, Violin 2
Flute, Trumpet (duet) 2
Oboe, Bassoon (duet) 2
Oboe, Flute 2
Clarinet and Viola 2
Clarinet, Harp (duet) 2
Saxophone and Guitar 2
Flute, Viola (duet) 2
Oboe, Harp 2
Saxophone and Harp 2
Soprano Saxophone 2
English Horn, Guitar (duet) 1
Oboe, Clarinet, Bassoon (trio) 1
Clarinet, Guitar (duet) 1
Oboe, Guitar (duet) 1
Flute, Clarinet, Violin (trio) 1
Flute (band part) 1
Flute, Bassoon, and Piano 1
Flute, Cello, Piano (trio) 1
Ocarina 1
Flute Quintet : 5 flutes 1
Bass Clarinet, Piano 1
Flute, Saxophone (duet) 1
Bass Clarinet 1

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Woodbrass
Trumpet 21
French horn 20
Brass Quintet: 2 trumpets, horn, trombone, tuba 16
Trombone 14
2 Trumpets (duet) 12

Tuba 12
Brass quartet : 2 trumpets, trombone, tuba 11
2 Trombones (duet) 11
Trombone and Piano 10
Trumpet, Piano 10
Tuba and Piano 8
2 French horns (duet) 8
French Horn and Piano 8
Brass Quartet: 2 trumpets, horn, trombone 6
Brass Quartet 5
Euphonium 5
Trumpet, Trombone (duet) 5
Trumpet, Saxophone (duet) 4
2 Tubas (duet) 3
Trumpet (band part) 2
Brass Quartet: 4 trombones 2
Trombone ensemble 2
English Horn, Guitar (duet) 1
French Horn and Harp 1
Trumpet, Harp 1
Euphonium, Piano (duet) 1
Trumpet ensemble 1
French horn (band part) 1

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Strings
String Quartet: 2 violins, viola, cello 55
Violin 29
Viola, Piano 23
String Trio: violin, viola, cello 22
Cello 22

Violin and Piano 22
Violin, Cello (duet) 21
Cello, Piano 20
Viola 18
2 Cellos (duet) 17
Double bass, Piano (duet) 15
2 Violins (duet) 15
2 Violas (duet) 14
2 Double basses (duet) 11
Cello, String Bass (duet) 10
String Trio: 2 violins, viola 10
String Trio: 2 violins, cello 10
Harp 9
Violin, Viola (duet) 8
Double Bass 8
2 Harps (duet) 7
String Trio: 3 violins 4
Viola (band part) 4
4 Cellos 3
Cello, Guitar (duet) 2
String trio 2
Harp, Violin (duet) 2
Viola, Cello (duet) 1
Harp, Cello (duet) 1
String Trio: 3 violas 1
Harp, Voice 1
Harp, Flute (duet) 1
String quartet: 4 violins 1
Violin, Guitar (duet) 1
Harp, Trombone (duet) 1
Viola and Harp 1
Piano Trio: Violin, Viola, Piano 1
Violin ensemble 1
Viola and Bassoon 1
String Quartet : 4 violas 1
Viola ensemble 1
String Trio: 3 cellos 1

+ 37 instrumentations

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Percussion & orchestra
Concert band 52
Marching band 41
String Orchestra 28
Drums 28
Jazz Ensemble 24

Orchestra 22
Brass ensemble 14
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Jazz combo 5
Snare drums 4
Drum (band part) 2
Chamber Orchestra 2
Xylophone 2
Vibraphone 1
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Clarinet Quintet: 5 clarinets

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Mister Sandman

Mister Sandman #Clarinet Quintet: 5 clarinets #INTERMEDIATE #Pop music #The Chordettes #Vanessa Klassen #Mister Sandman #Vanessa Klassen #SheetMusicPlus

Clarinet Quintet,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.1269023 By The Chordettes. By Pat Ballard. Arranged by Vanessa Klas...(+)

Clarinet Quintet,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.1269023 By The Chordettes. By Pat Ballard. Arranged by Vanessa Klassen. Pop. 19 pages. Vanessa Klassen #861559. Published by Vanessa Klassen (A0.1269023). Mister Sandman was written by Pat Ballard in 1954. It was recorded by several artists including The Chordettes, whose version this arrangement is based on. The title and lyrics refer to a folklore character, the Sandman, who puts people to sleep and inspires beautiful dreams by sprinkling magical sand onto their eyes. The dream The Chordettes ask for in the song is a potential lover, or dreamboat.This arrangement for clarinet quintet has been transposed up a half step to better suit Bâ™ clarinets. The four voices of The Chordettes are represented in the Bâ™ clarinet parts with the accompanying upright bass in the bass clarinet part. All accented notes should be played as bell tones. There is also an optional part for tenor saxophone, which adds short jazzy interjections.

$12.99

Pennsylvania 6-5000

Pennsylvania 6-5000 #Clarinet Quintet: 5 clarinets #INTERMEDIATE #Jerry Gray, Carl Sigma #Carl Sigman and Jerry Gray #Keith Terrett #Pennsylvania 6-5000 #Keith Terrett #SheetMusicPlus

Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1437299 Composed by Carl Sigman and Jerry Gray. Arr...(+)

Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1437299 Composed by Carl Sigman and Jerry Gray. Arranged by Keith Terrett. Instructional,Jazz,Multicultural,Standards,World. 27 pages. Keith Terrett #1017368. Published by Keith Terrett (A0.1437299). An arrangement of Pennsylvania 6-5000 for Clarintet Quintet. By Jerry Gray, Carl Sigma.Pennsylvania 6-5000 (also written Pennsylvania Six-Five Thousand) is a 1940 swing jazz and pop standard recorded by Glenn Miller and His Orchestra as a Bluebird 78 rpm single. The music was by Jerry Gray and the lyrics by Carl Sigman.Many big band musicians played in Hotel Pennsylvania's Cafe Rouge in New York City, including the Glenn Miller Orchestra.The hotel's telephone number, Pennsylvania 6-5000, inspired the Glenn Miller 1940 Top 5 Billboard hit of the same name, which had a 12-week chart run.[2] The instrumental was recorded on April 28, 1940 at the RCA Victor Studios at 155 East 24th Street in New York City. The 78 single was released in June, 1940 as RCA Victor Bluebird 78 B-10754-A backed with Rug Cutter's Swing. The song was also an advertisement for attendance at the band's live performances, as a call could be put through to Hotel Pennsylvania’s venue the Cafe Rouge for a reservation.Johnny Best played the improvised trumpet solo on the recording. The Carl Sigman lyrics were not used, only the refrain was shouted by the band after the ringing of the telephone.Two different sheet music covers were released with different photos of Glenn Miller.The song became a jazz and big band standard also recorded by the Andrews Sisters, Judy Garland and Martha Raye in a duet, the Brian Setzer Orchestra, Jimmy Mundy and His Orchestra (1959), Louise Gold, Kathy Miller, Martin Brushane Big Band, the Blue Moon Big Band (1999), in a 1976 Carol Burnett Show episode in a tribute to Glenn Miller, Syd Lawrence, Michael Maxwell and His Orchestra, Richard Hunt and Jerry Nelson (Bobby Benson and the Baby Band) in The Muppet Show (1979, Episode 319), Fud Candrix and His Orchestra, Jerry Gray, Mina, Lou Haskins, Jack Livingston, Raquel Rastenni (1941) in Copenhagen, Starlight Orchestra, Klaus Wunderlich, New 101 Strings Orchestra, Heptet, Meco, Tex Beneke, The Modernaires, Jack Million Band, Al Pierson Big Band, BBC Big Band Orchestra, SWR Big Band, and by Captain Cook und seine singenden Saxophone in 2012.Fats Waller's arrangement of the song for piano was published in the UK songbook Francis & Day's Album of Fats Waller: Musical Rhythms in the 1940s.

$14.99

Watermelon Man for Clarinet Quintet & Opt. Drumset

Watermelon Man for Clarinet Quintet & Opt. Drumset #Clarinet Quintet: 5 clarinets #INTERMEDIATE #Jazz #Herbie Hancock #Keith Terrett #Watermelon Man for Clarinet Qu #Music for all Occasions #SheetMusicPlus

By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions ...(+)

By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.

A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).

Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).

Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.

The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.

Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B

Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.

On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.

This version was often featured on The Weather Channel's Local on the 8s segments.

The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.

A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.

$14.99