Download Digital Sheet Music of A Chorus Line Bass for Clarinet Quintet: 5 clarinets

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A Chorus Line Bass
Not classified 59

Piano & keyboards
Piano solo 22
Easy Piano 10
Piano, Vocal and Guitar 5
Piano, Voice 3
1 Piano, 4 hands 1

Piano Trio: piano, violin, cello 1

+ 1 instrumentations

- Retract

Guitars
Bass guitar 13
Guitar 4
Guitar notes and tablatures 3
Melody line, (Lyrics) and Chords 2
Ukulele 1

Guitar Ensemble 1

+ 1 instrumentations

- Retract

Voice
Choral SATB 85
Choral 3-part 34
Choral SSAA 31
Choral TTBB 26
Choral 2-part 10

Choral 2
Choral Unison 2
Vocal duet 1

+ 3 instrumentations

- Retract

Woodwind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 10
Saxophone Quartet: 4 saxophones 5
Bass Clarinet, Piano 3
Flute, Oboe, Clarinet, Bassoon 3
Clarinet Ensemble 3

Clarinet Quintet: 5 clarinets 2

Saxophone Quintet: 5 Saxophones 1
Clarinet Quartet: 4 clarinets 1
Saxophone ensemble 1
Flute and Guitar 1
Flute ensemble 1

+ 6 instrumentations

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Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba 4
Euphonium, Piano (duet) 1
French Horn and Piano 1
3 Trombones (trio) 1
Brass quartet : 2 trumpets, trombone, tuba 1

Trombone (band part) 1

+ 1 instrumentations

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Strings
Doublebass (band part) 11
Double bass, Piano (duet) 5
Double Bass 5
String Quartet: 2 violins, viola, cello 4
String Trio: violin, viola, cello 4

Violin, Viola (duet) 3
Violin and Piano 2
Cello, Piano 1
Violin 1
String Trio: 3 violas 1
Viola 1
String Trio: 2 violins, viola 1
String Trio: 3 violins 1
Violin, Cello (duet) 1

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Percussion & orchestra
Jazz Ensemble 11
Jazz combo 10
Chamber Orchestra 6
Handbells 6
Orchestra 6

Concert band 3
Brass ensemble 2
Marching band 1

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A Chorus Line Bass

Clarinet Quintet: 5 clarinets

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2 sheet music found

All You Need Is Love

All You Need Is Love #Clarinet Quintet: 5 clarinets #INTERMEDIATE #Rock #The Beatles #Emily Marshall #All You Need Is Love #Emily Marshall #SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - Digital Download SKU: A0.956171 By The Beatles. By John Lennon, John Winston Lennon, Paul James M...(+)

Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - Digital Download SKU: A0.956171 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by Emily Marshall. Rock. 13 pages. Emily Marshall #6037403. Published by Emily Marshall (A0.956171). All You Need Is Love - The BeatlesArranged for Clarinet Quintet (Clarinet in Bb 1-4 and Bass Clarinet in Bb)Included in the purchase is the score and full set of individual parts.Released in 1967 by English rock band, The Beatles as a non-album single. This arrangement is ideal for a high school or community clarinet quintet to take on a challenge and would be a great addition to a concert. Intermediate level, with a real test of ensemble skills and listening to other parts. Featuring a musical quotation of the French National Anthem, played in this arrangement by solo Bass Clarinet. Each Clarinet plays an integral role to this arrangement, with the Bass Clarinet holding the bass-line, Clarinet 2 playing John Lennonâ€™s opening vocals and the other parts playing the chorus. Approx. 3.5 mins. To keep up to date with my latest arrangements like my facebook page: https://www.facebook.com/EMMusicServices/

$13.99 ≈ $18.97

Watermelon Man for Clarinet Quintet & Opt. Drumset

Watermelon Man for Clarinet Quintet & Opt. Drumset #Clarinet Quintet: 5 clarinets #INTERMEDIATE #Jazz #Herbie Hancock #Keith Terrett #Watermelon Man for Clarinet Qu #Music for all Occasions #SheetMusicPlus

By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions ...(+)

By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.

A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).

Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).

Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.

The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.

Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B

Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.

On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.

This version was often featured on The Weather Channel's Local on the 8s segments.

The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.

A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.

$14.99 ≈ $20.32