Download Digital Sheet Music of Life Is a Musical for Woodwind Quintet: flute, oboe, bassoon, clarinet, horn

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Life Is a Musical
Not classified 51

Piano & keyboards
Piano solo 26
Piano, Voice 7
Organ 5
Piano Quartet: piano, violin, viola, cello 1
1 Piano, 6 hands 1

2 Pianos, 4 hands 1

+ 1 instrumentations

- Retract

Guitars
Guitar 3
Mandolin 1
2 Guitars (duet) 1

Voice
Choral SATB 13
Choral SSAATTBB 2
Tenor voice 1
Choral 3-part 1
Choral TTBB 1

Woodwind
Clarinet Quartet: 4 clarinets 4
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 3

Saxophone Quintet: 5 Saxophones 3
Clarinet Ensemble 2
Alto Saxophone 2

Clarinet 2
Clarinet Quintet: 5 clarinets 2
Flute 2
Oboe, Piano (duet) 1
Clarinet, Violin (duet) 1
Flute, Oboe, Clarinet, Bassoon 1
Saxophone and Organ 1
3 Clarinets (trio) 1
Alto Saxophone and Piano 1
Flute, Violin 1
Clarinet and Viola 1
Saxophone ensemble 1
Flute and Piano 1
5 Recorders 1

+ 14 instrumentations

- Retract

Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba 5
Horn Ensemble 1
Trombone and Piano 1
2 Euphoniums and 2 Tubas 1
Euphonium, Piano (duet) 1

Trumpet, Piano 1
Brass Quartet: 2 trumpets, horn, trombone 1
French Horn and Piano 1
Trumpet 1
Trumpet ensemble 1
Tuba and Piano 1

+ 6 instrumentations

- Retract

Strings
String Quartet: 2 violins, viola, cello 6
Violin and Piano 5
2 Violins (duet) 3
Cello, Piano 3
2 Violas (duet) 2

Violin 2
2 Cellos (duet) 1
String Trio: 2 violins, cello 1
Viola 1

+ 4 instrumentations

- Retract

Percussion & orchestra
Orchestra 14
Chamber Orchestra 5
Concert band 2
Percussion Ensemble 1
Brass ensemble 1

Marimba 1
String Orchestra 1

+ 2 instrumentations

- Retract

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Life Is a Musical

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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn

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3 sheet music found

Blast - Score Only

Blast - Score Only #Woodwind Quintet: flute, oboe, bassoon, clarinet, horn #ADVANCED #Amos Elkana #Blast - Score Only #Amos Elkana #SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.1356476 Composed by Amos Elkana. 21st Century,Chamber,Contemporary. 17 pages. Amo...(+)

Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.1356476 Composed by Amos Elkana. 21st Century,Chamber,Contemporary. 17 pages. Amos Elkana #941147. Published by Amos Elkana (A0.1356476). Blast, for woodwind quintet, is a reflection of my continuous exploration of both musical innovation and current realities. This piece follows my previous compositions, including Que sais-je?, Echoes of EÃkosi, Roots and Mostly Cloudy, each embodying my commitment to creating music that resonates with contemporary experiences while being rooted in a rich musical tradition. The title Blast emerged from a confluence of meanings and personal reflections. It alludes to the fundamental act of blowing into wind instruments, forming the essence of this quintet. This direct, physical engagement with the instruments creates a visceral connection between the musicians and their art, mirroring the intimate connection I strive to maintain with my creative process. However, the title also carries a deeper, more poignant significance. Living in Tel Aviv, I am constantly reminded of the harsh realities of conflict, where the sounds of blasts are a grim reminder of the ongoing strife in our region. As someone who deeply opposes war and champions human rights and peace, Blast is my artistic response to these troubling times. It is an expression of my longing for a world where the creative and life-affirming act of making music can overpower the destructive sounds of conflict.

$10.00

Danse Macabre by Camille Saint-Saens for Woodwind Quintet

Danse Macabre by Camille Saint-Saens for Woodwind Quintet #Woodwind Quintet: flute, oboe, bassoon, clarinet, horn #ADVANCED #Classical #Camille Saint-Saens #Ander #Danse Macabre by Camille Saint #Woods Only, Arrangements #SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.1296281 Composed by Camille Saint-Saens. Arranged by Ander. 19th Century,Chamber,...(+)

Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.1296281 Composed by Camille Saint-Saens. Arranged by Ander. 19th Century,Chamber,Halloween,Romantic Period,Thriller. 52 pages. Woods Only, Arrangements #886525. Published by Woods Only, Arrangements (A0.1296281). We present to you an exclusive arrangement of the masterpiece â€œDanse Macabreâ€, composed by the renowned French composer Camille Saint-SaÃ«ns. In this special arrangement for Woodwind Quintet, we used the version for piano and violin as a base, maintaining fidelity to the original version. This piece is perfect for terror and Halloween themed events, as well as being an excellent didactic material for teachers. We recommend its execution by professional and experienced musicians. â€œDanse Macabreâ€ is a work that evokes the universality of death, with death summoning all strata of life to dance until dawn. This arrangement captures this essence, providing a unique and exciting musical experience. Acquire this exclusive arrangement and bring your performance to life with the magic of â€œDanse Macabreâ€. Let the music tell your story and enchant your audience. Secure your sheet music now and be part of this unforgettable dance.

$9.99

Bach Fuga BWV 539 For Woodwind Quintet

Bach Fuga BWV 539 For Woodwind Quintet #Woodwind Quintet: flute, oboe, bassoon, clarinet, horn #ADVANCED #Classical #Johann Sebastian Bach #Luis Anjos Teixeira #Bach Fuga BWV 539 For Woodwind #Luis Anjos Teixeira #SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroqu...(+)

Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the â€žArt of playing the silence and the Art of the â€žduration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-â€žplease play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This â€žGhost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice â€žtakes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.

$25.00