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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Sheetmusic to print
7 sheet music found
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1
Wind Quintet - One Rule
Wind Quintet - One Rule
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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ADVANCED
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Mike Lyons
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Wind Quintet - One Rule
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Lyons Music Services
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Serv...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. Published by Lyons Music Services (A0.767553). This brand-new piece for wind quintet came about through the coronavirus lockdown and my observations of our UK politicians and how they behaved (One rule for them...) In terms of the music, each line is related to other lines through patterns of 5, 7 or 9 beats (or half beats). Each repetition of the pattern starts with all the instruments in that particular group playing on the first beat. As the music progresses and develops, motifs appear out of the combinations of these beats with each other. Gradually, these patterns and motifs develop melodies which then form the backbone of the piece. The first section (I hesitate to use the term movement) labelled Plotting develops a character of wiliness. It represents, in its twisting strands, the plotting of politicians to aggrandise themselves. The bottom 3 parts form an 'undercurrent' to the music as the 5,7 and 9 beat counts overlap and process. The flute and oboe, meanwhile, generate the first melodic strand - which becomes important in the later movements. The opening quaver patterns are passed around the whole ensemble, keeping the rhythmic pulse going. It slips between the anchoring notes of the lower 3 parts, as well as being essential to the development of the flute and oboe melodic material and stopping the bassoon part being too boring! The long winding, rising and falling line on the oboe and flute is deliberately ambiguous in its tonality, leading one to feel it strives upwards, but then loses its way. The frequent dissonances as this line crosses itself in the other parts represents the effect of all the plotting on ordinary people. Before letter B, there are a couple of brief hints of Dies Irae, but I didn’t want that idea to dominate too much. After B and into C, we get the day-to-day chitchat in Westminster, with interjections from many voices proclaiming their message, trying to persuade their colleagues and just leading to confusion and tonal extremism. From letter C to the end of the section is an extended accel/stretto as the discussion gets more heated. Section 2 is titled Scheming. The tempo is faster than the previous section, but the pace is slower. More motives have formed and developed organically out of the rhythm and pitch patterns. The 5/7/9 cross rhythms are now at double speed, giving a fiercer drive to the music. The bassoon and horn, for now, adhere to the longer pulse of the first section, providing something of a harmonic underpinning. At bar 101, the long but now slightly broken narrative line of the first movement returns in modified form. This now provides a backdrop for the rhythmic bartering and ‘back and forth’ of the political day. The section reaches a climax as the political bickering becomes rowdier. Section 3 begins in a relatively happy mood. The bassoon has a jolly capering little motif, later taken up by other members of the ensemble. There are hints of English folk tune-ness in the resulting conversation, perhaps emphasised by the overlays of this pleasant melody from letter D. Letter E is a ‘turning point’ as all the rhythmic pulses finally align again. This is the first time all five parts have played on the same beat since the opening. At Letter G, a pulsing drone is added to the mix, using the quaver version of the pulse. Perhaps representing the soring of politicians. There is a parallel drone added at letter H, these drones use the 5 (bassoon) and 7 (horn) beat pulses. The result is a solid underpinning of the rhythmic and melodic ideas in the upper 3 parts. After letter I comes a reprise of the spritely bassoon motif with dissonant harmonies as the discussion becomes more heated. The little semiquaver figures have the rhythm Mr. Speaker as members of the house shout for attention. In the repeat bars, we hear the Speaker shout Order! Letter J provides an altered reprise of the begi.
$35.00 ≈
£26.33
Oot-kwa-tah, Dance of the Seven Children for Woodwind Quintet
Oot-kwa-tah, Dance of the Seven Children for Woodwind Quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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ADVANCED
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Brett L
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Oot-kwa-tah, Dance of the Seve
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Sonata Grendel Publishing
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.837507 Composed by Brett L. Wery. Concert,Contemporary. Score and pa...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.837507 Composed by Brett L. Wery. Concert,Contemporary. Score and parts. 26 pages. Sonata Grendel Publishing #5997463. Published by Sonata Grendel Publishing (A0.837507). M45 is the Messier catalog number for an open star cluster better known as the Pleiades. Originally for chamber orchestra, Oot-kwa-tah is dedicated to SUNY Schenectady County Community College on the forty-fifth anniversary of the college’s establishment as part of the State University of New York. The college sits on land that was once part of the Mohawk nation of the Iroquois Confederacy. Oot-kwa-tah is inspired by the Iroquois legend of M45, the Pleiades star cluster. The Iroquois tell a story about seven children who met each day and danced for hours at a time instead of doing chores. An old man appeared to them one day as they danced. He shone magnificently like silver and was clad from head to toe in brilliant white feathers. The old man warned them to stop dancing lest something terrible happen to them. Ignoring the old man’s warning and growing more and more hungry and lightheaded the children began to rise into the air. If only they had listened to me, the old man thought. As the children’s parents gathered, one little boy heard his father’s voice below. The little boy looked down and saw his father. At that instant he fell back to earth. The other children continued to float higher and higher into the sky to become the Pleiades star cluster. The Iroquois call them Oot-kwa-tah and are reminded of these reckless children each time they see a falling star. Duration: 5:00
$24.95 ≈
£18.77
Course of Empire
Course of Empire
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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ADVANCED
#
Kyle Vanderburg
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Course of Empire
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NoteForge
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.1448781 Composed by Kyle Vanderburg. 21st Centur...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.1448781 Composed by Kyle Vanderburg. 21st Century,Classical. 58 pages. NoteForge #1028595. Published by NoteForge (A0.1448781). Course of Empire takes its title and theme from a series of paintings by Thomas Cole. Over the course of these five paintings, an imaginary city rises and falls. A large boulder atop a cliff watches the scenes unfold: a wild and untamed landscape in the first painting; an agrarian, peaceful, arcadian state in the second; a decadent celebration in the third; the sack and destruction of the city in the fourth; and the ruins in the last.I tried to work unifying musical motives throughout the quintet. The first movement, The State of Nature, begins with a twelve-tone texture. There is no sense of tonal hierarchy or pitch center. The music is in a state of balance, adhering to a natural system not discernable to the listener. The bassoon introduces the main motive representing the cliff, a pastoral sort of hiccup.The second movement, Daydreams of Arcadia, begins with and develops the cliff motive, and has a more defined tonality. There is more action throughout the movement, as we’re led to the peaceful beginnings of civilization. The Empire motive, a series of syncopated chords, shows up toward the end of the movement: This is the beginning of the end, where our imaginary city makes the change from existing in harmony with nature to conquering it.The third movement, Fulfillment of Empire, begins with a cliff motive that has been added to, almost to the point of unrecognizability. Scenes of empire are shown musically, from a grand parade, to a show of naval forces, to the temple that occupies most of the painting. The Empire theme returns, expanded upon, but somehow sounding a little overextended.The fourth movement, The Fall, alternates between unfriendly chords (and noises) and the Empire motive. Every iteration of the Empire motive gets a little weaker, as the foundations of the civilization are destroyed. The movement ends with a lone flute.Movement five, Redemption, features some scenes that are familiar, but are now in ruins. The movement slips slowly back into the twelve-tone texture from the beginning. The Empire motive, or something like it, makes a brief appearance and passes through the ensemble, starting in the upper voices and sinking into the lower.
$25.00 ≈
£18.81
Liszt: Weihnachtsbaum (Christmas Tree) No.4 Adeste Fideles (March of the Three Wise Men of the East)
Liszt: Weihnachtsbaum (Christmas Tree) No.4 Adeste Fideles (March of the Three Wise Men of the East)
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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ADVANCED
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Christmas
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Franz Liszt
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Ray Thompson
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Liszt: Weihnachtsbaum
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.553634 Composed by Franz Liszt. Arranged by Ray Thompson. Christian,Christmas,Rom...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.553634 Composed by Franz Liszt. Arranged by Ray Thompson. Christian,Christmas,Romantic Period,Sacred. 19 pages. RayThompsonMusic #3371795. Published by RayThompsonMusic (A0.553634). Weihnachtsbaum (English: Christmas Tree; French: Arbre de Noel) is a suite of 12 pieces written by Franz Liszt in 1873–76, with revisions in 1881. The suite exists in versions for solo piano and piano four-hands. Weihnachtsbaum does not demand great virtuosity, and it has been described as a distant relation of Schumann’s Kinderszenen and Debussy’s Children’s Corner. It occupies an unusual place in Liszt’s output, and it may be for these reasons that it has received relatively little attention from performers. Liszt dedicated Weihnachtsbaum to his first grandchild Daniela von Bülow (1860-1940; daughter of Cosima and Hans von Bülow). Daniela had accompanied her grandfather to Rome due to his frail condition. The first performance was on Christmas Day 1881 in Daniela’s Rome hotel room. This was the day on which her mother Cosima always celebrated her birthday, although she was actually born on Christmas Eve.This is No 4. Adeste Fideles (O come all ye Faithful) Arranged for wind dectet: a somewhat different version than the usual carol. with additional instruments (clarinet and bass clarinet as optional alternatives for one of the oboes and one of the bassoons.Transposed from the original key of A into Bb to make it easier to perform
$9.95 ≈
£7.49
Wind Quintet - Courtly Dances
Wind Quintet - Courtly Dances
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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ADVANCED
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Mike Lyons
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Wind Quintet - Courtly Dances
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Lyons Music Services
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767471 Composed by Mike Lyons. Concert,Contemporary,Standards. 37 pages. Lyons Mu...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767471 Composed by Mike Lyons. Concert,Contemporary,Standards. 37 pages. Lyons Music Services #4610379. Published by Lyons Music Services (A0.767471). Basically it is a set of three dances loosely described as Allemande, Courante and Jygg. Orchestration is for wind quintet Flute, Oboe, Clarinet in Bb, Horn in F and Bassoon.The style of the first one is marcato, with a touch of irony! The bassoon leads with an Alberti pattern followed by the first melodic idea stated on the horn. This motif is eventually taken up by all the instruments. The melody then morphs into a lovely little B-section melody on the flute with an oboe obbligato before the DS. Surprisingly simple, but 3 mins long.Movement 2 plays on the meaning of courante (running). It's in 3, as courantes were. Each instrument has an important role in keeping the music flowing - even the bassoon and horn. The middle section has a mournful bassoon melody with weaving contrapuntal lines from all the others. There's a bridge into the DS and the first section is repeated, leading eventually to the short coda.Movement 3 is the hardest movement. It's in 9/8 with lots of dynamism. It also has a few modern touches. After the short (2 bars) 12/8 section, there is a Berlioz-esque dance of the witches type of fever about the music. Then DS to fine
$10.99 ≈
£8.27
Triton's Shuffle
Triton's Shuffle
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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ADVANCED
#
Roger Fletcher
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Give it a listen!
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Triton's Shuffle
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Roger Fletcher Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.1027870 Composed by Roger Fletcher. 20th Century,Jazz. 32 pages. Roger Fletcher M...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.1027870 Composed by Roger Fletcher. 20th Century,Jazz. 32 pages. Roger Fletcher Music #5996707. Published by Roger Fletcher Music (A0.1027870). This Sax Quintet (SATTB) is a happy, quirky little shuffle based on an exploration of tritones and triplets, with room for the Soprano Sax to stretch out and improvise. Give it a listen!
$11.99 ≈
£9.02
Con Alma
Con Alma
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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ADVANCED
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Jazz
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Dizzy Gillespie
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Caleb Murray
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Con Alma
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Caleb Murray
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.882903 By Dizzy Gillespie. By Dizzy Gillespie. Arranged by Caleb Murray. Jazz. 66...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.882903 By Dizzy Gillespie. By Dizzy Gillespie. Arranged by Caleb Murray. Jazz. 66 pages. Caleb Murray #4598315. Published by Caleb Murray (A0.882903). Here is my Hip Hop Version of the Dizzy Gillespie tune, Con Alma. There is a saxophone choral, solos, and plenty of dense, beautiful chords. It gets a little trippy, but this advanced tune is a fun and challenging tune for saxophone quintet (featuring tenor saxophone) and rhythm section.
$50.00 ≈
£37.62
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