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You've selected:
At The End Of The Day Wind ensemble
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Sheetmusic to print
63 sheet music found
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Wind Quintet - One Rule
Wind Quintet - One Rule
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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ADVANCED
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Mike Lyons
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Wind Quintet - One Rule
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Lyons Music Services
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Serv...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. Published by Lyons Music Services (A0.767553). This brand-new piece for wind quintet came about through the coronavirus lockdown and my observations of our UK politicians and how they behaved (One rule for them...) In terms of the music, each line is related to other lines through patterns of 5, 7 or 9 beats (or half beats). Each repetition of the pattern starts with all the instruments in that particular group playing on the first beat. As the music progresses and develops, motifs appear out of the combinations of these beats with each other. Gradually, these patterns and motifs develop melodies which then form the backbone of the piece. The first section (I hesitate to use the term movement) labelled Plotting develops a character of wiliness. It represents, in its twisting strands, the plotting of politicians to aggrandise themselves. The bottom 3 parts form an 'undercurrent' to the music as the 5,7 and 9 beat counts overlap and process. The flute and oboe, meanwhile, generate the first melodic strand - which becomes important in the later movements. The opening quaver patterns are passed around the whole ensemble, keeping the rhythmic pulse going. It slips between the anchoring notes of the lower 3 parts, as well as being essential to the development of the flute and oboe melodic material and stopping the bassoon part being too boring! The long winding, rising and falling line on the oboe and flute is deliberately ambiguous in its tonality, leading one to feel it strives upwards, but then loses its way. The frequent dissonances as this line crosses itself in the other parts represents the effect of all the plotting on ordinary people. Before letter B, there are a couple of brief hints of Dies Irae, but I didn’t want that idea to dominate too much. After B and into C, we get the day-to-day chitchat in Westminster, with interjections from many voices proclaiming their message, trying to persuade their colleagues and just leading to confusion and tonal extremism. From letter C to the end of the section is an extended accel/stretto as the discussion gets more heated. Section 2 is titled Scheming. The tempo is faster than the previous section, but the pace is slower. More motives have formed and developed organically out of the rhythm and pitch patterns. The 5/7/9 cross rhythms are now at double speed, giving a fiercer drive to the music. The bassoon and horn, for now, adhere to the longer pulse of the first section, providing something of a harmonic underpinning. At bar 101, the long but now slightly broken narrative line of the first movement returns in modified form. This now provides a backdrop for the rhythmic bartering and ‘back and forth’ of the political day. The section reaches a climax as the political bickering becomes rowdier. Section 3 begins in a relatively happy mood. The bassoon has a jolly capering little motif, later taken up by other members of the ensemble. There are hints of English folk tune-ness in the resulting conversation, perhaps emphasised by the overlays of this pleasant melody from letter D. Letter E is a ‘turning point’ as all the rhythmic pulses finally align again. This is the first time all five parts have played on the same beat since the opening. At Letter G, a pulsing drone is added to the mix, using the quaver version of the pulse. Perhaps representing the soring of politicians. There is a parallel drone added at letter H, these drones use the 5 (bassoon) and 7 (horn) beat pulses. The result is a solid underpinning of the rhythmic and melodic ideas in the upper 3 parts. After letter I comes a reprise of the spritely bassoon motif with dissonant harmonies as the discussion becomes more heated. The little semiquaver figures have the rhythm Mr. Speaker as members of the house shout for attention. In the repeat bars, we hear the Speaker shout Order! Letter J provides an altered reprise of the begi.
$35.00
Oot-kwa-tah, Dance of the Seven Children for Woodwind Quintet
Oot-kwa-tah, Dance of the Seven Children for Woodwind Quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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ADVANCED
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Brett L
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Oot-kwa-tah, Dance of the Seve
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Sonata Grendel Publishing
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.837507 Composed by Brett L. Wery. Concert,Contemporary. Score and pa...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.837507 Composed by Brett L. Wery. Concert,Contemporary. Score and parts. 26 pages. Sonata Grendel Publishing #5997463. Published by Sonata Grendel Publishing (A0.837507). M45 is the Messier catalog number for an open star cluster better known as the Pleiades. Originally for chamber orchestra, Oot-kwa-tah is dedicated to SUNY Schenectady County Community College on the forty-fifth anniversary of the college’s establishment as part of the State University of New York. The college sits on land that was once part of the Mohawk nation of the Iroquois Confederacy. Oot-kwa-tah is inspired by the Iroquois legend of M45, the Pleiades star cluster. The Iroquois tell a story about seven children who met each day and danced for hours at a time instead of doing chores. An old man appeared to them one day as they danced. He shone magnificently like silver and was clad from head to toe in brilliant white feathers. The old man warned them to stop dancing lest something terrible happen to them. Ignoring the old man’s warning and growing more and more hungry and lightheaded the children began to rise into the air. If only they had listened to me, the old man thought. As the children’s parents gathered, one little boy heard his father’s voice below. The little boy looked down and saw his father. At that instant he fell back to earth. The other children continued to float higher and higher into the sky to become the Pleiades star cluster. The Iroquois call them Oot-kwa-tah and are reminded of these reckless children each time they see a falling star. Duration: 5:00
$24.95
Dolly Suite (for Wind Sextet)
Dolly Suite (for Wind Sextet)
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE/ADVANCED
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Classical
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Gabriel Faure
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Philip Le Bas
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Dolly Suite
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Philip Le Bas
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.818162 Composed by Gabriel Faure. Arranged by Philip Le Bas. 20th Ce...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.818162 Composed by Gabriel Faure. Arranged by Philip Le Bas. 20th Century. Score and parts. 113 pages. Philip Le Bas #3590141. Published by Philip Le Bas (A0.818162). Faure’s piano duet entitled Dolly Suite is here arranged by Philip Le Bas for a wind sextet, consisting of a standard wind quintet (flute, oboe, clarinet, horn and bassoon) plus bass clarinet. The bass clarinet gives the music more sonority and it allows the arranger more opportunity to bring out Faure’s sumptuous harmonies. Dolly was the nickname of the baby daughter of Emma Bardac, with whom Faure had a long-running affair, and each of the pieces has a slightly different association with childhood.1) The Berceuse (lullaby) is best remembered as the theme tune to the BBC’s Listen with Mother, and its tune is indelibly marked into the memories of generations of radio listeners between 1950 and 1982. It was written for Dolly’s first birthday. (An alternative part for clarinet in A is available for this movement, to avoid the otherwise slightly tricky key signature of F sharp major!)2) Mi-a-ou has nothing to do with cats, but is a version of Dolly’s first attempts to pronounce the name of her brother Raoul. Written for her second birthday, it is a delicate and playful scherzo with lots of cross-rhythms for the instruments.3) Le Jardin de Dolly is regarded by some as the best piece in the collection, with its gorgeous tune and unexpected harmonies, creating an impressionistic picture of a beautiful, peaceful French garden.4) Kitty-Valse again has nothing to do with cats but with the family dog Ketty, who whirls round and round, in unrelenting cheerfulness.5) In Tendresse Faure introduces more chromatic harmonies, used in his later works. As its name and its key of D flat suggests, the music here seems to express deep and shifting emotions associated with intimate relationships, while retaining a sense of calm and comfort throughout.6) The last piece, Le Pas Espagnole is a thrilling journey across the border into the exotic Spanish world of dance. There is much in common with Chabrier’s Espana, and here the wind players can enjoy playing at full tilt in an exciting and tuneful end to the suite.
$6.99
Come Hear the Bells - In Dulci Jubilo
Come Hear the Bells - In Dulci Jubilo
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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Traditional
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Dana Taylor
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Come Hear the Bells - In Dulci
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Dana Taylor Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.987755 Composed by Traditional. Arranged by Dana Taylor. Christian,Christmas,Clas...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.987755 Composed by Traditional. Arranged by Dana Taylor. Christian,Christmas,Classical,Contemporary. 22 pages. Dana Taylor Music #3056197. Published by Dana Taylor Music (A0.987755). In Dulci Jubilo was first published in 1400, then modified often. The current version if relatively modern, and the one that most hymnals use. I've used the 6/4 dancing form more than the chant. Both are beautiful, but this is more in the spirit of Come Hear the Bells. The bassoon has a cantus firmus at mm 29, and is otherwise featured.This is the fourth of five Christmas carols for woodwind quintet, in various styles. They share the themes of coming together and heeding the call of bells to celebrate the holidays.They would work separately running between 2 and 3 minutes or all together for about 13 minutes. So they would give your winds a chance to shine in contrast to your full ensemble. They would also fit nicely as holiday music at the local airport or in the lobby before your concert.They are intended for advanced high school, college or community musicians.Check out my other works here at SMP or on my website: DanaTaylorMusic.com.2017 Chamber Music Contest Entry - PD Arrangement
$12.00
5 Famous Songs by Bach for Woodwind Quintet
5 Famous Songs by Bach for Woodwind Quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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BEGINNER
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Classical
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Bach, Martin Luther
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Ander
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where it is also known a.
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5 Famous Songs by Bach for Woo
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 1 - Digital Download SKU: A0.957284 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaiss...
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Woodwind Ensemble,Woodwind Quintet - Level 1 - Digital Download SKU: A0.957284 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748165. Published by Woods Only, Arrangements (A0.957284). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for woodwind quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11896992: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11898993: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900074: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901035: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190269Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; where it is also known a.
$39.99
Bach Fuga BWV 539 For Woodwind Quintet
Bach Fuga BWV 539 For Woodwind Quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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ADVANCED
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Classical
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Bach Fuga BWV 539 For Woodwind
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Luis Anjos Teixeira
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroqu...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00
Silent Night (Bb) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Clar, 1 Hrn, 1 Bassoon)
Silent Night (Bb) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Clar, 1 Hrn, 1 Bassoon)
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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Christmas
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the 1840's, the song was well
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Franz Xaver Gruber
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Regis Bookshar
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Silent Night
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.813981 Composed by Franz Xaver Gruber. Arranged ...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.813981 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 7 pages. Regis Bookshar #6635887. Published by Regis Bookshar (A0.813981). Woodwind Quintet - Intermediate - Digital Download. This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$5.00
Parry: Lady Radnor's Suite VI. Gigue - wind quintet
Parry: Lady Radnor's Suite VI. Gigue - wind quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE/ADVANCED
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Charles Hubert Hastings Parry
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Ray Thompson
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Parry: Lady Radnor's Suite VI.
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.553727 Composed by Charles Hubert Hastings Parry...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.553727 Composed by Charles Hubert Hastings Parry. Arranged by Ray Thompson. 20th Century,Holiday,Wedding. 9 pages. RayThompsonMusic #3583193. Published by RayThompsonMusic (A0.553727). Sir Charles Hubert Hastings Parry, 1st Baronet (27 February 1848 – 7 October 1918) was an English composer, teacher and historian of music.Parry's first major works appeared in 1880. As a composer he is best known for the choral song Jerusalem, his 1902 setting for the coronation anthem I was glad, the choral and orchestral ode Blest Pair of Sirens, and the hymn tune Repton, which sets the words Dear Lord and Father of Mankind. His orchestral works include five symphonies and a set of Symphonic Variations.The following is taken from All Music....Helen, Countess of Rador was the wife of the Fifth Earl of Longford Castle, Salisbury and was a close personal friend of Hubert Parry. She was unique in many ways, but perhaps the most intriguing aspect of her personality was her insistence upon doing things not normally viewed as acceptable ways for a proper Victorian Lady to entertain herself. One of these activities was commissioning works for a seventy-two piece chamber orchestra which she then conducted in a public performance in London. The Lady Radnor Suite is one such work, and Lady Radnor and her chamber orchestra gave the first performance June 29, 1894 at St. James Hall. Parry patterned the work on the early classical orchestral suite of dance movements, and the six movements all demonstrate the influence of antiquity. Each traditional dance style is preserved with great care, while Parry's own particularly English harmonic language marks them as more contemporary.This movt. is arranged for wind quintet.Other mvts are availableI have also arrangements of another suite by Parry on this site: The English Suite
$9.95
Parry: Lady Radnor's Suite IV. Bourrée - wind quintet
Parry: Lady Radnor's Suite IV. Bourrée - wind quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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Charles Hubert Hastings Parry
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Ray Thompson
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Parry: Lady Radnor's Suite IV.
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.553724 Composed by Charles Hubert Hastings Parry...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.553724 Composed by Charles Hubert Hastings Parry. Arranged by Ray Thompson. 20th Century,Holiday,Wedding. 9 pages. RayThompsonMusic #3578175. Published by RayThompsonMusic (A0.553724). Sir Charles Hubert Hastings Parry, 1st Baronet (27 February 1848 – 7 October 1918) was an English composer, teacher and historian of music.Parry's first major works appeared in 1880. As a composer he is best known for the choral song Jerusalem, his 1902 setting for the coronation anthem I was glad, the choral and orchestral ode Blest Pair of Sirens, and the hymn tune Repton, which sets the words Dear Lord and Father of Mankind. His orchestral works include five symphonies and a set of Symphonic Variations.The following is taken from All Music....Helen, Countess of Rador was the wife of the Fifth Earl of Longford Castle, Salisbury and was a close personal friend of Hubert Parry. She was unique in many ways, but perhaps the most intriguing aspect of her personality was her insistence upon doing things not normally viewed as acceptable ways for a proper Victorian Lady to entertain herself. One of these activities was commissioning works for a seventy-two piece chamber orchestra which she then conducted in a public performance in London. The Lady Radnor Suite is one such work, and Lady Radnor and her chamber orchestra gave the first performance June 29, 1894 at St. James Hall. Parry patterned the work on the early classical orchestral suite of dance movements, and the six movements all demonstrate the influence of antiquity. Each traditional dance style is preserved with great care, while Parry's own particularly English harmonic language marks them as more contemporary.This move is arranged for wind quintet.I have also arrangements of another suite by Parry on this site: The English Suite
$9.95
Parry: Lady Radnor's Suite I. Prelude - wind quintet
Parry: Lady Radnor's Suite I. Prelude - wind quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE/ADVANCED
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Charles Hubert Hastings Parry
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Ray Thompson
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Parry: Lady Radnor's Suite I.
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.553725 Composed by Charles Hubert Hastings Parry...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.553725 Composed by Charles Hubert Hastings Parry. Arranged by Ray Thompson. 20th Century,Holiday. 9 pages. RayThompsonMusic #3578623. Published by RayThompsonMusic (A0.553725). Sir Charles Hubert Hastings Parry, 1st Baronet (27 February 1848 – 7 October 1918) was an English composer, teacher and historian of music.Parry's first major works appeared in 1880. As a composer he is best known for the choral song Jerusalem, his 1902 setting for the coronation anthem I was glad, the choral and orchestral ode Blest Pair of Sirens, and the hymn tune Repton, which sets the words Dear Lord and Father of Mankind. His orchestral works include five symphonies and a set of Symphonic Variations.The following is taken from All Music....Helen, Countess of Rador was the wife of the Fifth Earl of Longford Castle, Salisbury and was a close personal friend of Hubert Parry. She was unique in many ways, but perhaps the most intriguing aspect of her personality was her insistence upon doing things not normally viewed as acceptable ways for a proper Victorian Lady to entertain herself. One of these activities was commissioning works for a seventy-two piece chamber orchestra which she then conducted in a public performance in London. The Lady Radnor Suite is one such work, and Lady Radnor and her chamber orchestra gave the first performance June 29, 1894 at St. James Hall. Parry patterned the work on the early classical orchestral suite of dance movements, and the six movements all demonstrate the influence of antiquity. Each traditional dance style is preserved with great care, while Parry's own particularly English harmonic language marks them as more contemporary.This movt. is arranged for wind quintet.I have also arrangements of another suite by Parry on this site: The English Suite
$9.95
Six Quartets (arranged for Wind Quintet) No 1 1st Movement
Six Quartets (arranged for Wind Quintet) No 1 1st Movement
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE/ADVANCED
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Classical
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Giocchino Rossinl
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Friedrich Berr, Adrian Barnes
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dreadful
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Six Quartets
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Cammerayguy
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.1017701 Composed by Giocchino Rossinl. Arranged by Friedrich Berr, Adrian Barnes....
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.1017701 Composed by Giocchino Rossinl. Arranged by Friedrich Berr, Adrian Barnes. Classical. 36 pages. Cammerayguy #6216705. Published by Cammerayguy (A0.1017701). When Rossini discovered these quartets that he wrote when he was 12 he described them as : Six dreadful sonatas composed by me at the country estate of my friend Agostino Triossi, when I was at a most infantile age, not even having taken a lesson in accompaniment, the whole composed and copied out in three days. These delightful sonate a quattro are the earliest of his works to have survived and they have been in the repertoire ever since he wrote them. They were first published in an arrangement for string quartet. A version for wind quartet followed in 1828/9. This arrangement is for Wind Quintet with the addition of an oboe part. This provides a wider range of textures and also provides an opportunity to share the thematic material between all the players.
$10.00
LORD, WHO THROUGHOUT THESE FORTY DAYS - Wind Quintet
LORD, WHO THROUGHOUT THESE FORTY DAYS - Wind Quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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Anthony Giamanco
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LORD, WHO THROUGHOUT THESE FOR
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Whole Tone Press
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.774064 Arranged by Anthony Giamanco. Christian,Concert,Easter,Sacred. 23 pages. W...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.774064 Arranged by Anthony Giamanco. Christian,Concert,Easter,Sacred. 23 pages. Whole Tone Press #6638599. Published by Whole Tone Press (A0.774064). Expertly arranged for wind quintet, this work, based on the well-known hymn, ST. FLAVIAN, captures the somber mood of the forty-day journey through the Lenten season. Following the opening march-like fanfare, the familiar melody enters in the oboe above the drone of the horn and bassoon. Then the bassoon takes the melody, transposing it to F Dorian, then, briefly to G Mixolydian. At the key change, the melody returns to its original form, now taken up by the clarinet. The opening fanfare returns in an abbreviated form in the coda as the piece ends quietly on a D6/9 chord. Particularly appropriate for Lenten services, this short work can be played during the prelude, the offering, or as a meditation during communion.Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His music also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channel
$5.50
Come Hear the Bells - Carol of the Bells
Come Hear the Bells - Carol of the Bells
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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Christmas
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Leontovich
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Dana Taylor
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Come Hear the Bells - Carol of
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Dana Taylor Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.987753 Composed by Leontovich (1916). Arranged by Dana Taylor. Christian,Christma...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.987753 Composed by Leontovich (1916). Arranged by Dana Taylor. Christian,Christmas,Contemporary. 18 pages. Dana Taylor Music #3056067. Published by Dana Taylor Music (A0.987753). Here is the second of five Christmas carols for woodwind quintet, in various styles. They share the themes of coming together and heeding the call of bells to celebrate the holidays.They would work seperately running between 2 and 3 minutes or all together for about 13 minutes. So they would give your winds a chance to shine in contrast to your full ensemble. They would also fit nicely as holiday music at the local airport or in the lobby before your concert.They are intended for advanced high school, college or community musicians.Check out my other works here at SMP or on my website: DanaTaylorMusic.com.2017 Chamber Music Contest Entry - PD Arrangement
$12.00
Come Hear the Bells - I Heard the Bells
Come Hear the Bells - I Heard the Bells
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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John Baptiste Calkin, Henry Wa
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Dana Taylor
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Come Hear the Bells - I Heard
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Dana Taylor Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.987756 Composed by John Baptiste Calkin, Henry Wadsworth Longfellow. Arranged by ...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.987756 Composed by John Baptiste Calkin, Henry Wadsworth Longfellow. Arranged by Dana Taylor. Christian,Christmas,Contemporary. 14 pages. Dana Taylor Music #3056201. Published by Dana Taylor Music (A0.987756). Here is the fifth of five Christmas carols for woodwind quintet, in various styles. They share the themes of coming together and heeding the call of bells to celebrate the holidays.They would work separately running between 2 and 3 minutes or all together for about 13 minutes. So they would give your winds a chance to shine in contrast to your full ensemble. They would also fit nicely as holiday music at the local airport or in the lobby before your concert.They are intended for advanced high school, college or community musicians.Check out my other works here at SMP or on my website: DanaTaylorMusic.com.2017 Chamber Music Contest Entry - PD Arrangement
$12.00
Come Hear the Bells - Bring a Torch, Jeannette Isabella
Come Hear the Bells - Bring a Torch, Jeannette Isabella
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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Traditional French
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Dana Taylor
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Come Hear the Bells - Bring a
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Dana Taylor Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.987754 Composed by Traditional French. Arranged by Dana Taylor. Christian,Christm...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.987754 Composed by Traditional French. Arranged by Dana Taylor. Christian,Christmas,Contemporary. 26 pages. Dana Taylor Music #3056165. Published by Dana Taylor Music (A0.987754). Here is the third of five Christmas carols for woodwind quintet, in various styles. They share the themes of coming together and heeding the call of bells to celebrate the holidays.They would work separately running between 2 and 3 minutes or all together for about 13 minutes. So they would give your winds a chance to shine in contrast to your full ensemble. They would also fit nicely as holiday music at the local airport or in the lobby before your concert.They are intended for advanced high school, college or community musicians.Check out my other works here at SMP or on my website: DanaTaylorMusic.com.2017 Chamber Music Contest Entry - PD Arrangement
$12.00
Saboly: Noël Provencal "Un Flambeau, Jeanette, Isabelle!" - wind quintet
Saboly: Noël Provencal "Un Flambeau, Jeanette, Isabelle!" - wind quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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Nicolas Saboly
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Ray Thompson
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Saboly: Noël Provencal "Un Fl
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1155564 Composed by Nicolas Saboly. Arranged by ...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1155564 Composed by Nicolas Saboly. Arranged by Ray Thompson. Christian,Christmas,Religious,Romantic Period. 15 pages. RayThompsonMusic #755861. Published by RayThompsonMusic (A0.1155564). Arranged standard wind quintet. Un Flambeau, Jeanette, Isabelle! is a Provençal Christmas song from the 17th century. This song was first published in 1553 in France. The music is attributed to Nicolas Saboly and the text to Émile Blémont. The song tells the story of two farmers, Jeannette and Isabelle, who are going to milk their cows in a crib in Bethlehem, and find Jesus sleeping in hay. The two women run to Bethlehem to announce to the inhabitants the coming of Christ and the inhabitants come with their torches to see this for themselves. The painter Georges de La Tour painted a Nativity called The Newborn Inspired by the Song. Originally, the song was not a Christmas song but a dance song for the nobles. Little known in France today, it is most often interpreted by Anglo-Saxons on the occasion of the Christmas holidays, especially in the United States. The English version is entitled Bring a torch, Jeanette, Isabella!. This arrangement for wind quintet (in the key of Bb) has 5 verses (with different arrangements) There is a bridge passage at the start, end and between each verse. It is based on a version of the carol found in book of French Carols collected by Julien Tiersot. (Noëls Français) published by Heugel
$9.95
The Twelve Days of Christmas - wind quintet
The Twelve Days of Christmas - wind quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE/ADVANCED
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Christmas
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Ray Thompson
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Ray Thompson
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The Twelve Days of Christmas -
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1322945 Composed by Ray Thompson. Arranged by Ra...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1322945 Composed by Ray Thompson. Arranged by Ray Thompson. 21st Century,Chamber,Christmas. 16 pages. RayThompsonMusic #911217. Published by RayThompsonMusic (A0.1322945). An original composition based on the 12 Days of Christmas, for wind quintet.The Twelve Days of Christmas is an English Christmas carol. A classic example of a cumulative song, the lyrics detail a series of increasingly numerous gifts given to the speaker by their true love on each of the twelve days of Christmas (the twelve days that make up the Christmas season, starting with Christmas Day).This is NOT a standard play through of all 12 verses.It could be a challenge for your audience to sing along to, I suggest you tell them not to try!I have added/removed/inserted bars of different length, changed the timing of entry for each new day, and generally had fun.I started the piece in the key of Bb, modulating through C, Db, D and ending in Eb!I have also added syncopation in parts. This gives the piece more interest both for the player and the listener!!The melody is carried by varying members of the quintet at different times.
$19.95
March (from "The Nutcracker Suite") (F) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Clar, 1 Hrn, 1 Bassoo
March (from "The Nutcracker Suite") (F) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Clar, 1 Hrn, 1 Bassoo
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE/ADVANCED
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Classical
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Peter Ilyich Tchaikovsky
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Regis Bookshar
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March
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.813870 Composed by Peter Ilyich Tchaikovsky. Arr...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.813870 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Christmas,Instructional,Romantic Period,Standards. 24 pages. Regis Bookshar #6612509. Published by Regis Bookshar (A0.813870). Woodwind Quintet - Advanced/Intermediate - Digital Download. This marvelous arrangement of the March from Peter Ilyich Tchaikovsky's extremely popular, The Nutcracker Suite, would be a fabulous addition to any music library and could be performed for concerts and recitals but would be most appropriate during the Holiday season. This selection has been arranged to keep all of the intensity and excitement of the original composition and is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.The Nutcracker is an 1892 two-act ballet with a score by Peter Ilyich Tchaikovsky. It has enjoyed enormous popularity since the late 1960's and is performed by countless ballet companies, primarily during the Christmas season, especially in North America. Tchaikovsky's score has become one of his most famous compositions. Some critics have called it astonishingly rich in detailed inspiration and from beginning to end, beautiful, melodious, original and characteristic. The ballet's first complete performance outside Russia took place in England in 1934. The first complete United States performance was on December 24, 1944, by the San Francisco Ballet. It was such an enormous success that the San Francisco Ballet has presented The Nutcracker every Christmas Eve and throughout the winter season, debuting new productions in 1944, 1954, 1967 and 2004. In Salt Lake City, it has been performed every year since 1963. The New York City Ballet gave its first annual performance in 1954. In addition to annual live stagings of the work, many productions have also been televised or released on home video.The Nutcracker continues to be one of Tchaikovsky's most popular compositions and contains some of his most memorable works. Tchaikovsky made a selection of eight of the numbers from the ballet before the ballet's December 1892 premiere, forming The Nutcracker Suite, Op. 71a, and is intended for concert performance. The suite was first performed, under the composer's direction, on March 19, 1892. The suite became instantly popular with almost every number encored at its premiere.Regis Bookshar thought that it would be wonderful if other instrumentalists could also have the opportunity to play some of these wonderful compositions, originally scored for a full orchestra, and has arranged two of the selections, the popular March and the Russian Dance for a wide variety of instrumental ensembles. So, in addition to this version of the March for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, he has made quite a few other arrangements of this selection for various Quintets and Octets and are readily available. If you should decide to purchase this arrangement of the March, I would highly encourage you to also consider purchasing the arrangement of the Russian Dance as well. Scheduling the March followed by the Russian Dance would be a very satisfying addition to any concert or recital. Please take the time to look for other versions of these compositions. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of the March from Tchaikovsky's marvelous holiday favorite, The Nutcracker Suite, will continue to entertain both performers and audiences alike for years to come.
$20.00
Jessel: Die Parade der Zinnsoldaten Op.123 (Parade of the Tin Soldiers) - symphonic wind
Jessel: Die Parade der Zinnsoldaten Op.123 (Parade of the Tin Soldiers) - symphonic wind
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE/ADVANCED
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Leon Jessel
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Ray Thompson
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Jessel: Die Parade der Zinnsol
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.553729 Composed by Leon Jessel. Arranged by Ray Thompson. 20th Century,Children,C...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.553729 Composed by Leon Jessel. Arranged by Ray Thompson. 20th Century,Children,Christmas,Standards. 24 pages. RayThompsonMusic #3588401. Published by RayThompsonMusic (A0.553729). Leon Jessel, or Léon Jessel (January 22, 1871 – January 4, 1942) was a German composer of operettas and light classical music pieces. Today he is best known internationally as the composer of the popular jaunty march The Parade of the Tin Soldiers, also known as The Parade of the Wooden Soldiers. Jessel was a prolific composer who wrote hundreds of light orchestral pieces, piano pieces, songs, waltzes, mazurkas, marches, choruses, and other salon music. He achieved considerable acclaim with a number of his operettas - in particular Schwarzwaldmädel(Black Forest Girl), which remains popular to this day.Because Jessel was a Jew by birth (he converted to Christianity at the age of 23), with the rise of Nazism in the late 1920s, his composing virtually came to an end, and his musical works, which had been very popular, were suppressed and nearly forgotten.In Great Britain the piece was used for many years in BBC radio's Children's Hour to introduce the series Toytown, based on stories by S. G. Hulme Beaman. This arrangement could be performed as a lighter item in a Christmas Concert, or even as a Classical Christmas piece.It is arranged for double wind quintet and opt. bass.(double bass or tuba)
$14.95
My Love She's But a Lassie Yet (Burns) for Wind Quintet
My Love She's But a Lassie Yet (Burns) for Wind Quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE/ADVANCED
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Scottish Traditional
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Hugh Levey
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My Love She's But a Lassie Yet
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woodwindly.com
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.937284 Composed by Scottish Traditional (Burns). Arranged by Hugh Levey. Celtic,F...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.937284 Composed by Scottish Traditional (Burns). Arranged by Hugh Levey. Celtic,Folk,Holiday,Irish,Traditional,Wedding. 24 pages. Woodwindly.com #6493483. Published by woodwindly.com (A0.937284). Wind Quintet (Flute, Oboe, Clarinet, Horn, Bassoon) Duration 2 minutes 35 seconds. 23 Pages This is a fun set of variations on Robert Burns' My Love She's But a Lassie Yet) is sure to entertain in recital, at a Burns Night, St. Andrew's Night or for any occasion where there is a toast to Rabbie or to Scotland.Although Burns wrote the words of the song, he probably set them to a variation of an existing tune called Lady Badinscoth's Reel. This lively arrangement for Wind Quintet starts off with a stately ‘classical’ arrangement of My Love She’s But a Lassie Yet, but as it develops the tune combines with another traditional melody, followed by some operatic quotations, and even a five part fugue. It ends with an embellished restatement of the opening. It is great fun for all players. Â
$13.00
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