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Human Nature Bass
Not classified 19

Piano & keyboards
Organ 1
Piano solo 1

Guitars
Bass guitar 2
Guitar notes and tablatures 1

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Choral SATB 2
Choral SSAA 1
Vocal duet, Piano 1
Choral 2-part 1

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Flute, Oboe, Clarinet, Bassoon 3
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 2

Clarinet Ensemble 1
Clarinet, Violin (duet) 1

Woodbrass
Euphonium, Piano (duet) 1
Trombone and Piano 1

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Double Bass 4
Violin, Bassoon (duet) 1
String Quartet: 2 violins, viola, cello 1
Doublebass (band part) 1

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Jazz Ensemble 2
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Human Nature Bass

Woodwind Quintet: flute, oboe, bassoon, clarinet, horn

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2 sheet music found

Bach Fuga BWV 539 For Woodwind Quintet

Bach Fuga BWV 539 For Woodwind Quintet #Woodwind Quintet: flute, oboe, bassoon, clarinet, horn #ADVANCED #Classical #Johann Sebastian Bach #Luis Anjos Teixeira #Bach Fuga BWV 539 For Woodwind #Luis Anjos Teixeira #SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroqu...(+)

Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the â€žArt of playing the silence and the Art of the â€žduration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-â€žplease play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This â€žGhost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice â€žtakes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.

$25.00

“Ankh-Morpork” for wind quintet

“Ankh-Morpork” for wind quintet #Woodwind Quintet: flute, oboe, bassoon, clarinet, horn #INTERMEDIATE/ADVANCED #Dom Waldock #“Ankh-Morpork” for wind qu #Dominic Waldock #SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1323402 Composed by Dom Waldock. 21st Century,Ch...(+)

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1323402 Composed by Dom Waldock. 21st Century,Chamber,Classical,Contemporary,Film/TV. 17 pages. Dominic Waldock #911623. Published by Dominic Waldock (A0.1323402). â€œAnkh-Morporkâ€ for wind quintet, composed by Dom Waldock.Ankh-Morpork is the largest city on Terry Pratchettâ€™s Disc. It was originally two cities (Ankh and Morpork) separated by the River Ankh and is home to over a million inhabitants comprising of dwarfs, trolls, werewolves, zombies, golems, humans among other things. Due to the eclectic nature of Ankh-Morpork, I felt that a wind quintet would be appropriate instrumentation as its broad range of timbres and sounds can match the diverse and bustling city. Throughout the work the music travels through various scenes: from the City Watch to the Assassinâ€™s Guild and on to some of the townâ€™s famous street-theatre. A â€œclumsyâ€ theme is introduced at the start and returns later on in the coda to emphasise the haphazardness of Ankh-Morpork and its populace.

$1.99