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Op Traditional Pop
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Not classified 54

Piano & keyboards
Piano solo 4
Easy Piano 2

Guitars
Guitar 10

Voice

Woodwind
Saxophone Quintet: 5 Saxophones 13
2 Saxophones (duet) 9
Flute and Piano 5
2 Flutes (duet) 5
Flute Quintet : 5 flutes 4

3 Saxophones (trio) 4
Clarinet Ensemble 3
Saxophone ensemble 3
Alto Saxophone and Piano 3
Tenor Saxophone and Piano 3
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 3

2 Clarinets (duet) 3
Clarinet and Piano 3
3 Recorders (trio) 2
2 Recorders (duet) 2
Baritone Saxophone, Piano 2
Bass Clarinet, Piano 2
Oboe, Piano (duet) 2
Flute, Clarinet (duet) 2
2 Oboes (duet) 2
Soprano Saxophone and Piano 2
Clarinet, Bassoon (duet) 2
English horn, Piano 2
Flute, Oboe, Clarinet, Bassoon 1
Recorder, Piano 1
Treble (Alto) Recorder 1
Flute Trio: 3 flutes 1
Clarinet Quintet: 5 clarinets 1
Clarinet 1
2 English horns and Pianoforte 1
Clarinet Quartet: 4 clarinets 1
Saxophone Quartet: 4 saxophones 1
Oboe, Clarinet, Bassoon (trio) 1

+ 28 instrumentations

- Retract

Woodbrass
Brass quartet : 2 trumpets, trombone, tuba 9
Brass Quintet: 2 trumpets, horn, trombone, tuba 6
Trombone ensemble 3
Brass Quartet: 2 trumpets, horn, trombone 3
Trumpet ensemble 3

Trumpet, Piano 2
Euphonium, Piano (duet) 2
Trombone and Piano 2
French Horn and Piano 2
English horn, Piano 2
2 Tubas (duet) 1
2 Euphoniums (duet) 1
2 French horns (duet) 1
2 Trumpets (duet) 1
2 English horns and Pianoforte 1
2 Trombones (duet) 1

+ 11 instrumentations

- Retract

Strings
Violin and Piano 5
Cello, Piano 4
String Quartet: 2 violins, viola, cello 4
Viola, Piano 3
2 Violins (duet) 3

Violin ensemble 2
2 Violas (duet) 2
String Trio: 3 cellos 1
2 Cellos (duet) 1
2 Double basses (duet) 1
Violin, Cello (duet) 1
String Trio: 3 violas 1
String quartet: 4 violins 1
String Quartet : 4 violas 1
Viola, Cello (duet) 1
2 Violins, Piano 1
String Trio: violin, viola, cello 1
String Trio: 3 violins 1

+ 13 instrumentations

- Retract

Percussion & orchestra
Orchestra 5
String Orchestra 2
Concert band 1

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3 sheet music found

Largo (from "Symphony No. 9") ("From the New World") (Db) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Cla

Largo (from "Symphony No. 9") ("From the New World") (Db) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Cla #Woodwind Quintet: flute, oboe, bassoon, clarinet, horn #INTERMEDIATE #Classical #Sacred music #Antonin Dvorak #Regis Bookshar #Largo #Regis Bookshar #SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.813842 Composed by Antonin Dvorak. Arranged by R...(+)

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.813842 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533959. Published by Regis Bookshar (A0.813842). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Woodwind Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:â€ƒâ€ƒâ€ƒâ€ƒI am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:â€ƒâ€ƒI have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, he has made quite a few other arrangements of this.

$15.00 ≈ 13.44€

Symphony No. 5 by Beethoven for Woodwind Quintet

Symphony No. 5 by Beethoven for Woodwind Quintet #Woodwind Quintet: flute, oboe, bassoon, clarinet, horn #EASY #Classical #Ludwig van Beethoven #Ander #Symphony No. 5 by Beethoven fo #Woods Only, Arrangements #SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.1116455 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructio...(+)

Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.1116455 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,Opera,Romantic Period,Traditional. 16 pages. Woods Only, Arrangements #718099. Published by Woods Only, Arrangements (A0.1116455). This adaptation was intended for a small group of woodwind quintet, where the original essence of the piece was kept, however, with a reduction in the duration, where only the main themes of the opening were extracted. As it is simplified, it is intended for beginner students of instrumental music who want to enter orchestral music, even in a simplified and reduced form, and can be used by music teachers with their students in ensemble practice in situations such as academic recitals, didactic concerts, or assessment tests. The Symphony No. 5 in C minor, Op. 67, known as the Symphony of Destiny, by Ludwig van Beethoven, written between 1804 and 1808, is one of the most popular and best known compositions in the entire repertoire of European music. The four movements are characterized by orchestral homogeneity, being, at the same time, an example of alternation: the first movement, revealing great tension, denounced by the strings and raised to an extreme drama; the second movement reveals solemnity, in a funeral march that rises by its emotion and beauty; the third movement, a crispness; the fourth movement expresses triumph and magnificence.

$9.99 ≈ 8.95€