Download Digital Sheet Music of themes. Chords are for Woodwind Quintet: flute, oboe, bassoon, clarinet, horn

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themes. Chords are
Not classified 33

Piano & keyboards
Piano, Vocal and Guitar 12
Piano solo 9
C Instruments 7
Easy Piano 7
Organ 4

Piano, Voice 2
Piano Accompaniment 1

+ 2 instrumentations

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Guitars
Piano, Guitar (duet) 6
Melody line, (Lyrics) and Chords 5
Guitar 3
Lyrics and Chords 2
Guitar (band part) 1

Voice
Alto voice, Piano 13
Tenor voice, Piano 13
Baritone voice, Piano 13
Soprano voice, Piano 13
Choral SATB 9

Choral 3-part 4
Choral TTBB 2
Choral 2-part 2
Choral Unison 2

+ 4 instrumentations

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Woodwind
Saxophone Quintet: 5 Saxophones 6
Flute and Piano 5
Flute 5
Oboe (band part) 5
Clarinet 5

Alto Saxophone 4
Clarinet and Piano 4
Alto Saxophone and Piano 3
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 3

Oboe, Piano (duet) 3
Tenor Saxophone and Piano 2
Flute Quintet : 5 flutes 2
Clarinet Ensemble 2
2 Flutes (duet) 2
3 Clarinets (trio) 1
Flute Trio: 3 flutes 1
2 Clarinets (duet) 1
Flute, Oboe, Clarinet, Bassoon 1
Saxophone Quartet: 4 saxophones 1
Oboe 1
Flute, Clarinet (duet) 1
Clarinet Quartet: 4 clarinets 1

+ 17 instrumentations

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Woodbrass
Brass quartet : 2 trumpets, trombone, tuba 6
Trombone 5
French horn 4
Trombone and Piano 3
Trumpet 3

French Horn and Piano 3
Trumpet, Piano 3
Tuba 3
Trombone ensemble 2
Trumpet ensemble 2
Euphonium, Piano (duet) 1
Brass Quartet: 4 trombones 1

+ 7 instrumentations

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Strings
Violin 9
Violin and Piano 8
Cello, Piano 6
Cello 5
Viola, Piano 4

Viola 3
Viola (band part) 2
String Quartet: 2 violins, viola, cello 2
Violin ensemble 2
Harp 2
Double Bass 1
Piano Trio: Violin, Viola, Piano 1

+ 7 instrumentations

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Percussion & orchestra
String Orchestra 4
Orchestra 2
Brass ensemble 1
Concert band 1

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themes. Chords are

Woodwind Quintet: flute, oboe, bassoon, clarinet, horn

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3 sheet music found

Saint-Saëns: Le Carnaval des Animaux (The Carnival of the Animals) V. L'Éléphant - wind quintet

Saint-Saëns: Le Carnaval des Animaux (The Carnival of the Animals) V. L'Éléphant - wind quintet #Woodwind Quintet: flute, oboe, bassoon, clarinet, horn #INTERMEDIATE #Classical #Camille Saint-Saens #Ray Thompson #Saint-Saëns: Le Carnaval des #RayThompsonMusic #SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.553834 Composed by Camille Saint-Saens. Arranged...(+)

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.553834 Composed by Camille Saint-Saens. Arranged by Ray Thompson. Contemporary,Romantic Period,Standards. 7 pages. RayThompsonMusic #4897109. Published by RayThompsonMusic (A0.553834). The Carnival of the AnimalsÂ (Le carnaval des animaux) is a humorous musical suite of fourteen movementsÂ by the French RomanticÂ composer Camille Saint-SaÃ«ns. The work was written for private performance by an ad hocÂ ensemble of two pianos and other instruments, and lasts around 25 minutes.Originally scored Double bass and piano: this section is marked Allegro pomposo, the perfect caricature for an elephant. The piano plays a waltz-like triplet figure while the bass hums the melody beneath it. Like Tortues, this is also a musical joke-the thematic material is taken from the Scherzo from Mendelssohn's incidental music to A Midsummer Night's DreamÂ and Berlioz's Dance of the Sylphs from The Damnation of Faust. The two themes were both originally written for high, lighter-toned instruments (flute and various other woodwinds, and violin, accordingly); the joke is that Saint-SaÃ«ns moves this to the lowest and heaviest-sounding instrument in the orchestra, the double bass.Arranged her for standard wind quintetI have given the tune to the bassoon with the horn taking the 8 bars of the Dance of the Sylphs music.The Â notes of the chords are given to the other 3 instruments but not always tutti _ wind players have to breath!

$9.95 ≈ £7.60

Largo (from "Symphony No. 9") ("From the New World") (Db) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Cla

Largo (from "Symphony No. 9") ("From the New World") (Db) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Cla #Woodwind Quintet: flute, oboe, bassoon, clarinet, horn #INTERMEDIATE #Classical #Sacred music #Antonin Dvorak #Regis Bookshar #Largo #Regis Bookshar #SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.813842 Composed by Antonin Dvorak. Arranged by R...(+)

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.813842 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533959. Published by Regis Bookshar (A0.813842). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Woodwind Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:â€ƒâ€ƒâ€ƒâ€ƒI am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:â€ƒâ€ƒI have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, he has made quite a few other arrangements of this.

$15.00 ≈ £11.46