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Mai Brass choir
Sheetmusic to print
275 sheet music found
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Apollo 13: Main Theme (James Horner) - Brass Band
Apollo 13: Main Theme (James Horner) - Brass Band
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Brass ensemble
#
INTERMEDIATE
#
Film/TV
#
James Horner
#
Rob Bushnell
#
Apollo 13: Main Theme
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RBMusic
#
SheetMusicPlus
Trumpet, Trombone, Tuba, Horn in F, Euphonium, Brass Choir or Ensemble, Timpani, Vibraphone, Soprano Cornet, Cornet, Flugelhorn, Tenor Horn, Baritone,...
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Trumpet, Trombone, Tuba, Horn in F, Euphonium, Brass Choir or Ensemble, Timpani, Vibraphone, Soprano Cornet, Cornet, Flugelhorn, Tenor Horn, Baritone, Brass Band, Snare Drum - Intermediate - Digital Download By James Horner. Arranged by Rob Bushnell. Score, Set of Parts. 44 pages. Published by RBMusic
Starring Tom Hanks, Kevin Bacon, Bill Paxton, Gary Sinise and Ed Harris, the 1995 American film Apollo 13 tells the story of the aborted 1970 Apollo 13 lunar mission that turned into a struggle to get the three astronauts aboard home safely. The screenplay was adapted from the book Lost Moon: The Perilous Voyage of Apollo 13 by astronauts Jim Lovell and Jeffrey Kluger. It was nominated for nine Academy Awards (winning for Best Film Editing and Best Sound).
The iconic and moving score to Apollo 13 was composed and conducted by James Horner. It was nominated for an Academy Award nomination for Best Original Score.
This arrangement of the Main Theme is for the UK-style brass band, with alternative parts for horns in F and bass-clef lower brass. A recording from the original soundtrack can be found on YouTube: https://www.youtube.com/watch?v=WTSmtKDvnWQ.
$49.99 ≈
45.11€
Champs Elysees - Zaz - Brass Quintet
Champs Elysees - Zaz - Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
#
Contemporary
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Zaz
#
Thomas Graf
#
Champs Elysees - Zaz - Brass Q
#
Thomas Graf - the-hit-factory.com
#
SheetMusicPlus
Brass Quintet, Brass Choir or Ensemble - Intermediate - Digital Download By Zaz. Arranged by Thomas Graf. Score, Set of Parts. 27 pages. Published by T...
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Brass Quintet, Brass Choir or Ensemble - Intermediate - Digital Download By Zaz. Arranged by Thomas Graf. Score, Set of Parts. 27 pages. Published by Thomas Graf - the-hit-factory.com
World famous song about the world famous City - Paris! Enjoy!
Instrumentation: Tpt 1/2 in Bb/C, Horn in F/Eb/Bb, Trombone in C/Bb, Tuba/Bass in Bb
Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much!
Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N...
Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic
Video: https://www.youtu.be/Y6bI4Xudf64.
$14.99 ≈
13.53€
Baba Yetu - From Video Game Civilization IV (orig. key) - Brass Quintet
Baba Yetu - From Video Game Civilization IV (orig. key) - Brass Quintet
#
Brass Quintet: 2 trumpets, horn, trombone, tuba
#
INTERMEDIATE
#
Film/TV
#
Thomas Graf
#
Baba Yetu - From Video Game Ci
#
Thomas Graf - the-hit-factory.com
#
SheetMusicPlus
Trumpet, Trombone, Tuba, Horn in F, Euphonium, Brass Quintet, Brass Choir or Ensemble - Intermediate - Digital Download Arranged by Thomas Graf. Scor...
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Trumpet, Trombone, Tuba, Horn in F, Euphonium, Brass Quintet, Brass Choir or Ensemble - Intermediate - Digital Download Arranged by Thomas Graf. Score, Set of Parts. 19 pages. Published by Thomas Graf - the-hit-factory.com
Baba Yetu (Our Father in Swahili) is the title number of the computer game Civilization IV. In 2011, Baba Yetu won the Grammy Award for Best Instrumental Arrangement Accompanying Vocalist(s). This was the first time that music from a video game had been nominated for a Grammy Award. Great Emotion guaranteed!
Instrumentation: Tpt 1/2 in Bb/C, Horn in F/Eb/Bb, Trombone in C/Bb, Tuba/Bass in Bb/Eb
Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic
$20.00 ≈
18.05€
Star Trek: Picard Main Title
Star Trek: Picard Main Title
#
Brass ensemble
#
INTERMEDIATE
#
Film/TV
#
Jeff Russo
#
Star Trek: Picard Main Title
#
Glumangate Publishing
#
SheetMusicPlus
Brass Choir or Ensemble - Intermediate - Digital Download By Jeff Russo. Score, Set of Parts. 28 pages. Published by Glumangate Publishing...
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Brass Choir or Ensemble - Intermediate - Digital Download By Jeff Russo. Score, Set of Parts. 28 pages. Published by Glumangate Publishing
An arrangement for Brass Band for the main title theme from the latest Star Trek series.
$19.99 ≈
18.04€
Gabrieli: Canzon in Echo a 12 Ch. 192 for Triple Brass Choir
Gabrieli: Canzon in Echo a 12 Ch. 192 for Triple Brass Choir
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Brass Quartet: 2 trumpets, horn, trombone
#
INTERMEDIATE
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Canzon in Echo a 12
#
jmsgu3
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226321 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Cha...
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226321 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 48 pages. Jmsgu3 #822323. Published by jmsgu3 (A0.1226321). Minimum instrumentation: 3 Brass Quartets - 6 trumpets in C (or cornets) 3 French Horns in F, and 3 trombones. InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
43.27€
Gabrieli: Canzona in Echo Ch. 180 for Double Brass Choir
Gabrieli: Canzona in Echo Ch. 180 for Double Brass Choir
#
Brass Quartet: 2 trumpets, horn, trombone
#
INTERMEDIATE
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Canzona in Echo Ch.
#
jmsgu3
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226488 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Cha...
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226488 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #822490. Published by jmsgu3 (A0.1226488). Minimum instrumentation: 4 Trumpets (or Cornets), 4 French Horns, 2 Tenor Trombones, and 2 Bass Trombones.InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
43.27€
Recordare (from "Requiem") (F) (Brass Choir - 3 Trp, 2 Hrn, 2 Trb, 1 Tuba)
Recordare (from "Requiem") (F) (Brass Choir - 3 Trp, 2 Hrn, 2 Trb, 1 Tuba)
#
Brass Quartet
#
INTERMEDIATE/ADVANCED
#
Classical
#
Wolfgang Amadeus Mozart
#
Regis Bookshar
#
Recordare
#
Regis Bookshar
#
SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1112860 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christia...
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Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1112860 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 40 pages. Regis Bookshar #714817. Published by Regis Bookshar (A0.1112860). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Brass Choir - Advanced/Intermediate - Digital Download. Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Brass Choir, consisting of 3 Bb Trumpets, 2 French Horns, 2 Trombones and 1 Tuba, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (40 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Brass Choir, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$40.00 ≈
36.10€
Three Renaissance Dances for Antiphonal Brass Choir
Three Renaissance Dances for Antiphonal Brass Choir
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Tielman Susato
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Charles Decker
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Three Renaissance Dances for A
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Charles Decker Music Press
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SheetMusicPlus
Brass Band Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.817168 Composed by Tielman Susato. Arranged by Charles Decker. Class...
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Brass Band Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.817168 Composed by Tielman Susato. Arranged by Charles Decker. Classical,Contest,Festival,Historic,Instructional,Renaissance. 29 pages. Charles Decker Music Press #6644309. Published by Charles Decker Music Press (A0.817168). They may be 500 years old, but these three Renaissance instrumental dances from Tillman Susato's 1551 collection The Third Little Music Book, prefaced with to be played on all types of musical instruments, remain appealing music for audiences and performers. These lively popular dances of the day feature homophonic setting, root position chords, primary beat stresses, and individual parts that encompass an octave or less which makes them very accessible for young or inexperienced musicians. Scoring them for two antiphonal brass quartets, each with two B-flat trumpets and two trombones with alternate substitute horn parts, creates a memorable aural and visual performance experience. Beyond brass programs or special events, feature the brass section of your band or orchestra with this lively work on your next concert. The recording is of the entire edition.See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.  For more brass quintet editions by Charles Decker use these links to Kendor Music and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$14.95 ≈
13.49€
Carnival of Venice for Brass Quintet
Carnival of Venice for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Herbert L
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Charles Decker
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Carnival of Venice for Brass Q
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Charles Decker Music Press
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SheetMusicPlus
Brass Quintet Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.817159 Composed by Herbert L. Clarke. Arranged by Charles D...
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Brass Quintet Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.817159 Composed by Herbert L. Clarke. Arranged by Charles Decker. 20th Century,Chamber,Historic,Pop. 32 pages. Charles Decker Music Press #6056663. Published by Charles Decker Music Press (A0.817159). This solo feature for a quintet's trumpeter or cornetist is from the Golden Age of concert bands at the turn of the 20th century composed by legendary Sousa Band soloist Hebert L. Clarke. Clarke's impressive setting of Carnival of Venice remains the most frequently performed version of the theme and variations cornet solo first made famous by Arban. To contrast the cornet soloist's pyrotechnics is a humorous trombone and tuba accompaniment that enlivens the listening experience. A flugelhorn/trumpet alternate part is provided for the horn part. The sound file is an actual brass quintet performance of the entire arrangement and not a computer playback of the score. If looking for more trumpet solo features with brass quintet see Charles Decker Music Press SMP editions of Sasche Concertino for Eb Cornet of 1871, and opera arias by Puccini Che Gelida Manina from La Boheme, Verdi Caro Nome from Rigoletto and Rossini Non Piu Mesta from Cinderella. Use this link to Kendor Music to see my trumpet feature brass quintet arrangements of Clarke’s Bride of the Waves and Nestico’s Portrait of a Trumpet. See more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. See also 50+ homogeneous brass group editions with Charles Decker Music Press at Sheet Music Plus for horn, trumpet and trombone ensembles. Check out the Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.  All ensemble publications include recordings of the entire edition.    For more Charles Decker brass quintet publications use these links Kendor Music and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$13.95 ≈
12.59€
Gabriel's Message (The Angel Gabriel to Heaven Came) - brass quintet, hand percussion
Gabriel's Message (The Angel Gabriel to Heaven Came) - brass quintet, hand percussion
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE
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Traditional Basque Carol
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Todd Marchand
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Gabriel's Message
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Con Spirito Music
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.726091 Composed by Traditional Basque Carol. Arranged by Todd Marchand. Ch...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.726091 Composed by Traditional Basque Carol. Arranged by Todd Marchand. Christmas,Holiday,Sacred,Traditional. Score and parts. 18 pages. Con Spirito Music #4798963. Published by Con Spirito Music (A0.726091). Gabriel's Message (The Angel Gabriel to Heaven Came) is a folk carol from the Basque Country, the region that straddles the westernmost Pyrenees Mountains in adjacent parts of northern Spain and southwestern France. A vernacular paraphrase of the 13th/14th-century Latin carol, Angelus ad virginem, the text was translated from Basque and paraphrased into English by the Anglican priest and scholar Sabine Baring-Gould (1834-1924). Commonly sung at Advent and Christmas, Gabriel's Message quotes the biblical account of the Annunciation (Luke 1:26-38) and the Magnificat (Luke 1:46-55) in its opening lines:The angel Gabriel from heaven came,his wings as drifted snow, his eyes as flame;All hail, said he, thou lowly maiden Mary,most highly favoured lady. Gloria!The Basque tune was collected and published by the French composer Charles Bordes (1863-1909) in Archives de la tradition basque (1890) and was arranged and published by the English organist/choirmaster Edgar Pettman (1866-1943) in his 1892 collection, Modern Christmas Carols. Pettman's setting remains a favorite among choirs to this day. This arrangement features each of the voices of the brass quintet on the tune and augments the ensemble with optional finger cymbals and tambourine. ©Copyright 2019 Todd Marchand / ConSpiritoMusic. Visit www.conspiritomusic.com
$15.00 ≈
13.54€
How Great Our Joy for Brass Choir/Ensemble
How Great Our Joy for Brass Choir/Ensemble
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Brass ensemble
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Public Domain
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Jeff D
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How Great Our Joy for Brass Ch
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AnderKamp Music
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SheetMusicPlus
Brass Ensemble - Digital Download SKU: A0.742674 Composed by Public Domain. Arranged by Jeff D. Anderson. Christmas,Sacred,Spiritual. Score and parts. 21...
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Brass Ensemble - Digital Download SKU: A0.742674 Composed by Public Domain. Arranged by Jeff D. Anderson. Christmas,Sacred,Spiritual. Score and parts. 21 pages. AnderKamp Music #3242133. Published by AnderKamp Music (A0.742674). This is a big heroic arrangement of this classic Christmas carol. Grade 3Instrumentation:
$19.95 ≈
18.00€
Angels From the Realms of Glory for Brass Choir/Ensemble
Angels From the Realms of Glory for Brass Choir/Ensemble
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Brass ensemble
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Public Domain
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Jeff D
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Angels From the Realms of Glor
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AnderKamp Music
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SheetMusicPlus
Brass Ensemble - Digital Download SKU: A0.742672 Composed by Public Domain. Arranged by Jeff D. Anderson. Christmas,Sacred,Spiritual. Score and parts. 20...
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Brass Ensemble - Digital Download SKU: A0.742672 Composed by Public Domain. Arranged by Jeff D. Anderson. Christmas,Sacred,Spiritual. Score and parts. 20 pages. AnderKamp Music #3242127. Published by AnderKamp Music (A0.742672). Majestic fanfare begins this great opener. Begins huge and comes down. Grade 3Instrumentation:
$19.95 ≈
18.00€
"To God Be The Glory" for brass choir and optional percussion
"To God Be The Glory" for brass choir and optional percussion
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Brass Quartet
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INTERMEDIATE
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Sacred music
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William H
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Douglas Kuite
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"To God Be The Glory" for bras
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Douglas Kuite
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1228251 Composed by William H. Doane. Arranged by Douglas Kuite. Sacred,Traditional. 50 p...
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Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1228251 Composed by William H. Doane. Arranged by Douglas Kuite. Sacred,Traditional. 50 pages. Douglas Kuite #824369. Published by Douglas Kuite (A0.1228251). Brass choir: sacred, Christian, worship service, church, school, contest, traditional, flexible instrumentation. Â Parts: 3 Bb Trumpets, 4 F Horns, 2 Trombones / Euphoniums, Trombone 3 / Bass Trombone, Tuba, optional timpani, optional crash cymbals. Â Substitute parts: Bb Trumpet sub for Horn 1, Baritone TC sub for Trombone 1, Baritone TC sub for Trombone 2, Baritone TC sub for Trombone 3. Â For alternate parts or instrumentation, please contact dlkuitemusic@gmail.com.
$19.99 ≈
18.04€
Brass Choir - Monteverdi - The Seventh Book of Madrigals (1619) - 29. Amor che deggio far
Brass Choir - Monteverdi - The Seventh Book of Madrigals (1619) - 29. Amor che deggio far
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE/ADVANCED
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Classical
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Claudio Monteverdi
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Mike Lyons
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Brass Choir - Monteverdi - The
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.767367 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Ren...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.767367 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 58 pages. Lyons Music Services #3548869. Published by Lyons Music Services (A0.767367). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts.In Amor che deggio far, the poet is pleading with his love for constancy. he feels she doesn't love him enough to be his lover forever.This is one of the longer poems set in the seventh book and has a variety of musical forms within it. It begins with an opening statment of the 3 ritornelli that will reappear after each solo, duet, trio or quartet from the soloists. In this way, the composer prepares the listener for what will come and it will therefore be familiar and recognisable in the context of the song.This ia also one of the most demanding songs in the book. It requires a set of four solo singers (Trumpet/Horn/Trombone/Tuba) a pair of obbligato violins (Eb trumpet and Bb trumpet) and a string+ keyboard continuo part (Trumpet/Horn/Euphonium/Tuba) making 10 instruments in all. I had to use an Eb trumpet as the range of the obbligato is quite adventurous for the period and covers some of the clarino range that was to become popular in the High Baroque.At 5 minutes in length, this is a great finisher for either hafl of a concert, especially as Monteverdi has reserved use of all the instruments/voices until the very end, creating a rousing finish.The seventh book continues to be a challenge. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.)Once again, this song is exquisitely crafted and travels well onto brass.
$9.98 ≈
9.01€
We Wish You a Merry Christmas for Brass Choir/Ensemble
We Wish You a Merry Christmas for Brass Choir/Ensemble
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Brass ensemble
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Christmas
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Public Domain
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Jeff D
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We Wish You a Merry Christmas
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AnderKamp Music
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SheetMusicPlus
Composed by Public Domain. Arranged by Jeff D. Anderson. Christian, Christmas, Gospel, Sacred, Spiritual. Score and parts. 18 pages. AnderKamp Music #...
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Composed by Public Domain. Arranged by Jeff D. Anderson. Christian, Christmas, Gospel, Sacred, Spiritual. Score and parts. 18 pages. AnderKamp Music #3242139. Published by AnderKamp Music
$19.95 ≈
18.00€
O Holy Night for Brass Choir/Ensemble
O Holy Night for Brass Choir/Ensemble
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Brass ensemble
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Christmas
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Sacred music
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Public Domain
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Jeff D
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O Holy Night for Brass Choir/E
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AnderKamp Music
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SheetMusicPlus
Composed by Public Domain. Arranged by Jeff D. Anderson. Christian, Christmas, Gospel, Sacred, Spiritual. Score and parts. 31 pages. AnderKamp Music #32421...
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Composed by Public Domain. Arranged by Jeff D. Anderson. Christian, Christmas, Gospel, Sacred, Spiritual. Score and parts. 31 pages. AnderKamp Music #3242137. Published by AnderKamp Music
$19.95 ≈
18.00€
Chorale Theme from the Organ Symphony (No.3, Op.78) - brass ensemble
Chorale Theme from the Organ Symphony (No.3, Op.78) - brass ensemble
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Brass ensemble
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ADVANCED
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Classical
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Camille Saint-Saens
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Austin Ralphson
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Chorale Theme from the Organ S
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Austin Ralphson
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SheetMusicPlus
Brass Ensemble - Level 5 - Digital Download SKU: A0.564262 Composed by Camille Saint-Saens. Arranged by Austin Ralphson. Romantic Period,Standards,Weddin...
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Brass Ensemble - Level 5 - Digital Download SKU: A0.564262 Composed by Camille Saint-Saens. Arranged by Austin Ralphson. Romantic Period,Standards,Wedding. Score and parts. 23 pages. Austin Ralphson #6355851. Published by Austin Ralphson (A0.564262). Saint-Saens’ 3rd Symphony features a chorale tune as a basis for the final movement, and the way this tune has been treated produces a fantastic, grand sound at the end of the piece. This arrangement for brass choir and optional percussion aspires to maintain the Maestoso grandeur of the original.
$14.99 ≈
13.53€
Les Mousseliniers (arr. for Brass Quartet)
Les Mousseliniers (arr. for Brass Quartet)
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Brass Quartet: 2 trumpets, horn, trombone
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ADVANCED
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Classical
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Laurent de Rillé
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Andrew Lamb
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Les Mousseliniers
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Andrew Lamb
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SheetMusicPlus
Brass Quartet Horn,Trombone,Trumpet - Level 5 - Digital Download SKU: A0.1307442 By Laurent de Rillé. By Laurent de Rillé. Arranged by Andrew Lamb....
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Brass Quartet Horn,Trombone,Trumpet - Level 5 - Digital Download SKU: A0.1307442 By Laurent de Rillé. By Laurent de Rillé. Arranged by Andrew Lamb. 19th Century,Chamber. 34 pages. Andrew Lamb #896725. Published by Andrew Lamb (A0.1307442). Introducing this enchanting arrangement of Les Mousseliniers for Brass Quartet by the renowned composer Laurent de Rillé, arranged by yours truly, Andrew Lamb! 🎺🎼Instrumentation: 2 Bb Trumpets/Cornets French Horn Trombone (in Bass Clef) Extra Parts: Tenor Horn in Eb (as a substitute for French Horn) Baritone/Euphonium part in Treble Clef (as a substitute for Trombone) 🎵 Level of Difficulty: Advanced 🌟 Potential Uses: Perfect for concerts, recitals, and educational purposes, this arrangement breathes new life into a classic composition, making it an ideal choice for a variety of performance settings.About the Composer: François Anatole Laurent de Rillé (24 November 1828 – 26 August 1915) was a distinguished French composer, writer, and musical theorist. His contributions to the world of music extend beyond his compositions, as he played a pivotal role in the Orphéonist movement, alongside luminaries such as Hector Berlioz and Charles Gounod.🌿 The Orphéonist Movement: Laurent de Rillé's legacy is intricately tied to the Orphéonist movement, an initiative aimed at bringing the joys of music to the masses through male choir associations. The movement takes its name from the first of these associations, the Orphéon in Paris, named after the mythical Orpheus.📚 De Rillé's Contributions: Laurent de Rillé's influence extended far beyond his compositions. He authored numerous pieces for male choirs and arranged works by esteemed composers like Verdi, Donizetti, and Rossini. His writings on organizing choirs and training their members have been instrumental in the growth of male choir societies. 🎶🎼 Les Ruines de Gaza (The Destruction of Gaza) and Les Martyres aux Arènes (Martyrs of the Arena): Though many of de Rillé's compositions have faded into obscurity, his choral works, especially Les Ruines de Gaza and Les Martyres aux Arènes, remain timeless favorites among male choir societies, a testament to the enduring quality of his music.In this arrangement of Les Mousseliniers, you have the opportunity to breathe new life into de Rillé's musical genius. Whether you're planning a concert, recital, or an educational event, this arrangement will captivate and inspire your audience. 🌟Like and subscribe for more musical enchantment, and let the timeless melodies of Laurent de Rillé shine through your Brass Quartet's performance! 🎶ðŸ‘🎺.
$5.00 ≈
4.51€
Gabrieli: Sonata Pian e Forte Ch. 175 for Brass Choir
Gabrieli: Sonata Pian e Forte Ch. 175 for Brass Choir
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Giovanni Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Brass Band Bass Trombone,Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.549208 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP...
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Brass Band Bass Trombone,Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.549208 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3464513. Published by jmsgu3 (A0.549208). A musical monument: the first composition to employ dynamics Minimum Instrumentation: 4 trumpets, 3 French Horns, 2 tenor trombones, 1 bass trombone, 1 tuba. Arranged in two antiphonal choirs. Suggested instrumentation: 8 trumpets, 9 Horns, 6 Tenor Trombones, 2 Bass Trombone, 4 Tubas. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
43.27€
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