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OTHER INSTRUMENTS Choral SSAATTBB
Sheetmusic to print
3 sheet music found
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Toxic
Toxic
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Choral SATB
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INTERMEDIATE/ADVANCED
#
Britney Spears
#
Jason Howard
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Toxic
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Jason Howard
#
SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1265200 By Britney Spears. By Cathy Dennis, Christian Karlsson, Henrik Jonback, and Pontu...
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Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1265200 By Britney Spears. By Cathy Dennis, Christian Karlsson, Henrik Jonback, and Pontus Winnberg. Arranged by Jason Howard. A Cappella,Contemporary,Pop. Octavo. 9 pages. Jason Howard #858044. Published by Jason Howard (A0.1265200). This arrangement of Toxic is a fresh take on the popular 2000's hit! Taking inspiration from the original and several other different covers of this song, I've written out what is probably one of my favorite arrangements I've written. It's sure to challenge your performers and keep your audience engaged from start to finish!It starts with a soft drone in the Basses that continuously adds chord tones and volume to build sonic intensity and set the tone right out of the gate! We then move on to a slowed down first verse with the melody supported only by chords in the choir. Vocal Percussion leads us into a tempo change and explosive snippet of the melody before the piece hits its stride. Lots of upbeats, syncopations, and altered melodic tones throughout adds a high level of difficulty to this piece. As we get to the end of this piece, the ensemble will suddenly alter time to a half time feel that not only adds to excitement but also helps to bring the piece to a dramatic closing.This is written for Solo voice and SSAATTBB choir and a Vocal Percussionist.As with most of my arrangements I leave many of the syllables blank to encourage the director/performers to put their own spin on the arrangement with their own choice of syllables! Suggested syllables in certain spots and all necessary melodic lyrics have all been included for you!I hope that you and your group enjoys my arrangement! If you do (or even if you don't), please leave a comment and let me know! As a current full time band director who would love to be able to do this full time one day, any and all critiques are appreciated, and I'm particularly interested in formatting suggestions! If you would rather email me than leave a comment, shoot me an email at jhowardarranging@gmail.com!A little about me:My name is Jason Howard, and at the time of this publication, I'm going into my 5th year as a band director at the middle and high school levels. I have quite a bit of experience with arranging of various types of vocal and instrumental ensembles and combos. Most are for personal use, but as I get time, I hope to publish more and more for public consumption! Primarily, I focus on popular music, and I one day hope to bring important and influential classical musics to audiences and younger students everywhere!
$1.99 ≈
£1.51
I'll Never Smile Again
I'll Never Smile Again
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Tommy Dorsey & His Orchestra
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Clare Wheeler
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I'll Never Smile Again
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Clare Wheeler
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SheetMusicPlus
Choral Choir,Choral - Level 5 - Digital Download SKU: A0.1346361 By Tommy Dorsey & His Orchestra. By Ruth Lowe. Arranged by Clare Wheeler. 20th Century,A...
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Choral Choir,Choral - Level 5 - Digital Download SKU: A0.1346361 By Tommy Dorsey & His Orchestra. By Ruth Lowe. Arranged by Clare Wheeler. 20th Century,A Cappella,Film/TV,Jazz,Standards. 12 pages. Clare Wheeler #931177. Published by Clare Wheeler (A0.1346361). A beautiful and poignant love song by Ruth Lowe, reharmonised and reimagined in a more contemporary setting. This version is a cappella, SSAATB. There are other instrumentations available, including Voices & Rhythm Section, as well as Chamber Orchestra and SSAATTBB.
$7.00 ≈
£5.31
Gabrieli: Canzon Septimi Toni Ch 172 for Double Saxophone Choir
Gabrieli: Canzon Septimi Toni Ch 172 for Double Saxophone Choir
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549207 Composed by Gabrieli. Arranged by James M...
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Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549207 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 44 pages. Jmsgu3 #3462167. Published by jmsgu3 (A0.549207). Instrumentation: Double Sax Quartet (SSAATTBB) arranged antiphonally (SATB - SATB). Full Score: 28 pg. Study Score: 14 pg. Instrumental parts: 2 pg. ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
£36.38
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