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Can Cornet
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923 sheet music found
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901
Meditation for solo Cornet and Brass ensemble
Meditation for solo Cornet and Brass ensemble
#
Cornet and Orchestra
#
INTERMEDIATE/ADVANCED
#
Classical
#
Lavallée, Calixa
#
Armstrong, Angus
#
Meditation for solo Cornet and
#
Cherry Classics Music
#
SheetMusicPlus
Cornet Trumpet and Brass Ensemble - Advanced Intermediate - Digital Download Composed by Lavallée, Calixa. Arranged by Armstrong, Angus. 20th ...
(+)
Cornet Trumpet and Brass Ensemble - Advanced Intermediate - Digital Download Composed by Lavallée, Calixa. Arranged by Armstrong, Angus. 20th Century, Romantic Period, Classical Period. Score, Set of Parts, Solo Part. 36 pages. Published by Cherry Classics Music
Calixa Lavallée was a 19th Century Canadian composer best known for his stirring national anthem, O Canada. Meditation is a glorious lyrical solo in the romantic style, composed for the famous cornet virtuoso, Matthew Arbuckle and is about 4 minutes in length for advanced peformers.
This lovely arrangement for solo Cornet and Brass Ensemble by Angus Armstrong is dedicated to Karen Donnelly, veteran principal Trumpeter with the National Arts Centre Orchestra.
Instrumentation is for: Solo Cornet in B-flat, 2 Trumpets in B-flat, 2 Horns, 3 Trombones, Euphonium/Bass Trombone and Tuba.
The short performance example is a beautiful performance from Karen Donnelly as cornet soloist with the Capital Brass Ensemble.
$30.00 ≈
27.06€
Shenandoah - Cornet Solo with Brass Band
Shenandoah - Cornet Solo with Brass Band
#
Cornet and Orchestra
#
INTERMEDIATE
#
Folkloric/Traditional
#
American Folk Song
#
Hannah Hawken
#
Shenandoah - Cornet Solo with
#
Hannah Hawken
#
SheetMusicPlus
Brass Band, Cornet - Intermediate - Digital Download Composed by American Folk Song. Arranged by Hannah Hawken. Folk. Score, Set of Parts. 29 pages. ...
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Brass Band, Cornet - Intermediate - Digital Download Composed by American Folk Song. Arranged by Hannah Hawken. Folk. Score, Set of Parts. 29 pages. Published by Hannah Hawken
Showcase your cornet soloist with this arrangement of the beautiful American folk song, "Shenandoah".
The accompaniment parts are simple yet effective so it is accessible to all levels of ensemble from Youth Band to Championship Section.
It is a piece that will be at home in any setting including formal concerts and outdoor events.
$19.99 ≈
18.03€
Gabrieli: Canzon per Sonar Ch. 179 for Double Brass Choir à 12
Gabrieli: Canzon per Sonar Ch. 179 for Double Brass Choir à 12
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Canzon per Sonar Ch.
#
jmsgu3
#
SheetMusicPlus
Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1227832 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP....
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Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1227832 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 72 pages. Jmsgu3 #823794. Published by jmsgu3 (A0.1227832). Minimum instrumentation: 4 Cornets in Bb, 4 Horns in F, 2 Tenor Trombones, and 2 Bass Trombones.InnovationsGabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian' e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used particular notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes, there was probably a third group near the main altar.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance.First WorksFinally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). Furthermore, these compositions indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges characterized by instrumental accompaniment. Gabrieli's later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here, the instruments are an essential part of the presentation—also, only parts marked Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance.
$47.95 ≈
43.24€
A Breeze from Alabama arr Siddons Cornet Part
A Breeze from Alabama arr Siddons Cornet Part
#
Trumpet
#
INTERMEDIATE
#
Ragtime
#
Scott Joplin
#
James Siddons
#
A Breeze from Alabama arr Sidd
#
James Siddons Music and Writings
#
SheetMusicPlus
Trumpet Solo - Level 3 - Digital Download SKU: A0.972644 Composed by Scott Joplin. Arranged by James Siddons. Concert,Folk,Holiday,Patriotic,Ragtime. Ind...
(+)
Trumpet Solo - Level 3 - Digital Download SKU: A0.972644 Composed by Scott Joplin. Arranged by James Siddons. Concert,Folk,Holiday,Patriotic,Ragtime. Individual part. 3 pages. James Siddons Music and Writings #3124103. Published by James Siddons Music and Writings (A0.972644). Although published as a piano solo (1902), A Breeze from Alabama is subtitled March and Two Step and has a dedication on the cover to P. G. Lowery (Perry George Lowery, 1871-1942), World's Challenging Colored Cornetist and Band Master. Thus, A Breeze from Alabama may well have been conceived as a march for military band but published only as a piano solo. No band arrangement by Joplin is known to exist, but Joplin could have done this, as he himself was a cornetist as well as pianist, and had played cornet in bands like Lowery's many times. Drawing on this information, the present arrangement by James Siddons (2017) is based on the following assumptions: 1. A Breeze from Alabama originated as a march (in march-trio form) for military band. 2. The 1902 publication for piano solo by Scott Joplin is a piano reduction of that band work. The melodic lines intended for cornet solo are generally discernible in the piano reduction. 3. A setting for piano duet (or ensemble) keeps this work in the tradition of ragtime piano while also emulating the fulsome tone colors of brass instruments to a degree that a solo piano cannot do. Thus this arrangement is not a solo-and-accompaniment setting, but a setting for large ensemble with soloist. It is collaborative music, akin to a concerto. This is the part for cornet in Bb (or trumpet). A performance also requires the piano duet score (also playable as a piano ensemble), and the full score if a conductor participates. The audio track posted here has the piano music only, and is for rehearsal by the cornet soloist. A cadenza for the cornet, composed by James Siddons, begins at measure 116 in the score and part, and at 2 mins, 44 secs in the audio recording. In the audio track, five seconds of silence begin at 2 mins, 44 secs. To practice the cadenza, press the pause button on your media player. To rehearse without playing the cadenza, simply wait out the brief silence. At 2 mins, 49 secs, the piano music resumes at measure 120 of the score or cornet part.
$5.00 ≈
4.51€
The Maid of the Mist for Bb Cornet ((Trumpet, Flugel, Baritone, Euphonium TC) & Wind Dectet
The Maid of the Mist for Bb Cornet ((Trumpet, Flugel, Baritone, Euphonium TC) & Wind Dectet
#
Herbert L
#
Keith Terrett
#
The Maid of the Mist for Bb Co
#
Keith Terrett
#
SheetMusicPlus
Woodwind Ensemble - Level 5 - Digital Download SKU: A0.747073 Composed by Herbert L. Clarke. Arranged by Keith Terrett. 20th Century,Traditional. 40 page...
(+)
Woodwind Ensemble - Level 5 - Digital Download SKU: A0.747073 Composed by Herbert L. Clarke. Arranged by Keith Terrett. 20th Century,Traditional. 40 pages. Keith Terrett #6199053. Published by Keith Terrett (A0.747073). The Maid of the Mist in an arrangement for solo Cornet (Trumpet, Flugel, Baritone, Euphonium TC) & Wind Dectet of a fun light piece creating a great showpiece for the cornet. It is named after the sight-seeing boats for tourists in Niagara Falls. Set as a polka, there is much opportunity for the soloist to display quick fingers and light triple tonguing.To create a clean new edition, dynamics and articulations were made more consistent in the parts. Counter melodies were added to enhance the arrangement.American composer and Cornet player Herbert L. Clarke was one of the first soloists to combine a pyrotechnic technique with a lush, romantic sound. His virtuoso-with-a-heart' style set the standard for Cornet (and later Trumpet) players for the next several generations. He, along with Jean Baptiste Arban and Frank Simon, is considered to be one of the finest Cornetists in history. Many of Clarke's compositions are still regularly performed, including: 'The Maid of the Mist', 'Sounds of the Hudson', 'The Bride of the Waves', 'Stars in a Velvety Sky', 'From the Shores of the Mighty Pacific', 'The Debutante and Southern Cross'. 'The Maid of the Mist' was composed ca. 1912 and is one of about 50 pieces Clarke wrote to display his virtuosity in concerts. 'Maid of the Mist' is the name of a tourist boat that visitors to Niagara Falls can ride to view the falls up-close.
$15.99 ≈
14.42€
Canzon a4
Canzon a4
#
Samuel Scheidt
#
Marc Donatelle
#
Canzon a4
#
Marc Donatelle
#
SheetMusicPlus
String Ensemble Viola - Level 3 - Digital Download SKU: A0.1474780 Composed by Samuel Scheidt. Arranged by Marc Donatelle. Chamber,Classical,Early Music,...
(+)
String Ensemble Viola - Level 3 - Digital Download SKU: A0.1474780 Composed by Samuel Scheidt. Arranged by Marc Donatelle. Chamber,Classical,Early Music,Renaissance. 16 pages. Marc Donatelle #1052367. Published by Marc Donatelle (A0.1474780). The Canzon a 4 was taken from Scheidt’s Ludi Musici (1621). Although labeled Canzon Cornetto in some modern editions, it was likely composed for viola da gamba. This arrangement for viola da braccio (sorry-I couldn’t help myself…) shows the mixture of styles of the late Renaissance and the new virtuosity of the Italians.
$15.00 ≈
13.53€
Gabrieli: Canzon per Sonar Ch 179 for Double Brass Choir à 10
Gabrieli: Canzon per Sonar Ch 179 for Double Brass Choir à 10
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Canzon per Sonar Ch
#
jmsgu3
#
SheetMusicPlus
Brass Ensemble Cornet,Horn,Trombone - Level 3 - Digital Download SKU: A0.1227819 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Con...
(+)
Brass Ensemble Cornet,Horn,Trombone - Level 3 - Digital Download SKU: A0.1227819 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Renaissance,Traditional. Score and Parts. 44 pages. Jmsgu3 #823781. Published by jmsgu3 (A0.1227819). Minimum instrumentation: 4 cornets in Bb, 4 French Horms in F, 2 Trombones. See also arrangement à 12 which includes 2 Bass Trombones.InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
43.24€
Gabrieli: Canzon per Sonar Ch. 178 for Brass Choir à 10
Gabrieli: Canzon per Sonar Ch. 178 for Brass Choir à 10
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Canzon per Sonar Ch.
#
jmsgu3
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SheetMusicPlus
Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1228233 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP....
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Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1228233 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 54 pages. Jmsgu3 #824153. Published by jmsgu3 (A0.1228233). Minimum instrumentation: 4 Cornets in Bb, 4 French Horns in F, 1 Tenor Trombone, 1 Bass Trombone.InnovationsGabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was instead the first to indicate them, such as in his Sonata Pian' e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used particular notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes, there was probably a third group near the main altar.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can sound perfectly in balance in contrast.First WorksFinally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges shown by instrumental accompaniment. Gabrieli's later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here, the instruments are an essential part of the presentation—also, only parts marked Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moved to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller units for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
43.24€
Gabrieli: Canzon per Sonar à 10 Ch. 177 for Brass Choir
Gabrieli: Canzon per Sonar à 10 Ch. 177 for Brass Choir
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Giovanni Gabrieli
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James M
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1 Bass Trombone
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Gabrieli: Canzon per Sonar à
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jmsgu3
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SheetMusicPlus
Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1229556 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP....
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Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1229556 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Early Music,Renaissance,Traditional,Wedding. 43 pages. Jmsgu3 #825055. Published by jmsgu3 (A0.1229556). Minimum instrumentation: 4 Cornets in Bb, 4 Horns in F, 1 Tenor Trombone & 1 Bass Trombone.InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
43.24€
Candy 'n Cake
Candy 'n Cake
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Gert Th
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Glockenspiel) - Latin Perc
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Candy 'n Cake
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Gert Th. Walter
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 5 - Digital Download SKU: A0.1133431 Composed by Gert Th. Walter. Christmas,Halloween,Holiday. Brass Band. 74 pages. Gert Th. Walter #733589. Published by Gert Th. Walter (A0.1133431). Are you looking for modern and spirited Christmas music for your Brass Band (British)? Here you go! Eb Soprano Cornet - Solo Bb Cornets 1.2.3.4 - Repiano Bb Cornet - 2nd Bb Cornets 1.2 - 3rd Bb Cornets 1.2 / Bb Flugel Hr - Solo Eb Hr - 1st Eb Hr - 2nd Eb Hr / 1st Bb Baritone - 2nd Bb Baritone / 1st Bb Tromb.- 2nd Bb Tromb. - Bass Tromb. / Bb Euphoniums 1.2 - Eb Basses 1.2 - Bb Basses 1.2 / Mallet Perc. (Marimba, Xylophon & Glockenspiel) - Latin Perc. - Drum Set. Renewed © 2023 MusikVerlag Gert Walter, Germany. All Rights Reserved. Please also visit our website: https://www.musikverlaggertwalter.de And now have fun making music!
$69.90 ≈
63.04€
Can You Feel The Love Tonight
Can You Feel The Love Tonight
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Walt Disney
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Elton John
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Adrian Horn
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Solo Cornets
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Can You Feel The Love Tonight
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AJH Brass
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - Digital Download SKU: A0.629885 By Elton John. By Elton John and Tim Rice. Arranged by Adrian Horn. Broadway,Film/TV,Musical/Show. Brass Band. 39 pages. AJH Brass #238971. Published by AJH Brass (A0.629885). Can You Feel The Love Tonight. Elton John & Tim Rice's popular song from The Lion King. Arranged for Brass Band by Adrian Horn Score and all parts are in the PDF. Score; Solo Cornets; Soprano Cornet; Repiano Cornet; 2nd Cornets; 3rd Cornets; Flugel Horn; Solo Horn (Eb); 1st Horn (Eb); 2nd Horn (Eb); 1st Baritone; 2nd Baritone; Solo Trombone; 2nd Trombone; Bass Trombone; Euphoniums; Eb Bass; Bb Bass; Drum Kit; Percussion.
$24.99 ≈
22.54€
Four Canadian Sketches (Brass Band)
Four Canadian Sketches (Brass Band)
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Mike Lyons
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Four Canadian Sketches
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Lyons Music Services
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 5 - Digital Download SKU: A0.767031 Composed by Mike Lyons. 20th Century,Contemporary,Multicultural,Patriotic,World. Brass Band. 185 pages. Lyons Music Services #46377. Published by Lyons Music Services (A0.767031). This is an arrangement for Brass Band of my Flute Octet of the same name. It will need at least a 1st section band to handle the last movement. This might be a good piece to use in an entertainments contest. There is quite a bit for the percussion to do which took some doing as the original had none. The four movements represent my thoughts about Canada and its people. 1. March for the Frontiersmen: Canada has a lot of wilderness that has not been spoiled by man. This movement represents the rugged frontiersmen pushing through the Canadian forests. 2. The Great White Cold: I imagined the bitter freezing cold and icy beauty of Canadian winters (not that I have ever experienced such) and I used some slightly unusual techniques to create the impression of a cold wind blowing across the arctic scenery. 3. Campfire Songs: I had this vision of the great outdoors with Canadian families going camping in the mountainous regions sitting round their campfire at night and singing songs. I had no idea at the time whether Canadians were campfire songsters or what kinds of songs they might choose, so I selected a number of ’folk’ songs from the Great Canadian Tune Book and incorporated them into this movement. 4. The New Found Land: This movement moves to Canada’s eastern seaboard and I imagined new emigrants to the country arriving at a busy harbour and seeing all the hustle and bustle of a lively community and sea port. With some difficulty the debarkees find their land legs but then become absorbed in the lively new world to which they have moved.
$40.00 ≈
36.08€
6 Easy Dixieland Tunes - Bb Trumpet/Cornet or Trombone/Euphonium t.c. & Piano
6 Easy Dixieland Tunes - Bb Trumpet/Cornet or Trombone/Euphonium t.c. & Piano
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Trumpet, Piano
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BEGINNER
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Jazz
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American Traditional, Mark W
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Francesco Leone
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6 Easy Dixieland Tunes - Bb Tr
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Glissato Edizioni Musicali
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SheetMusicPlus
Composed by American Traditional, Mark W. Sheafe, and Thornton W. Allen. Arranged by Francesco Leone. Instructional,Jazz,Standards. Score and part. 24...
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Composed by American Traditional, Mark W. Sheafe, and Thornton W. Allen. Arranged by Francesco Leone. Instructional,Jazz,Standards. Score and part. 24 pages. Glissato Edizioni Musicali #6625401. Published by Glissato Edizioni Musicali
6 Easy Dixieland Tunes - Bb Trumpet/Cornet or Trombone/Euphonium t.c. & Piano, great ideas for beginners, comfortable range and key
(complete parts). Contents:
1. Down By The Riverside – trad. (*key Eb)
2. Joshua Fight The Battle of Jerico – trad. (*key C min.)
3. Just A Closer Walk With Thee – trad. (*key Bb)
4. Swing Low, Sweet Chariot - trad. (*key Eb)
5. Washington and Lee Swing – Mark W. Sheafe and Thornton W. Allen. (*key Bb)
6. When The Saints Go Marching In - trad. (*key Eb).
* Concert key.
$12.90 ≈
11.63€
Guthrie: Canzona a6 for Brass Sextet
Guthrie: Canzona a6 for Brass Sextet
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James M
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Guthrie: Canzona a6 for Brass
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jmsgu3
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SheetMusicPlus
Brass Ensemble Bass Trombone,Cornet,Horn - Level 4 - Digital Download SKU: A0.1324834 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary. 10...
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Brass Ensemble Bass Trombone,Cornet,Horn - Level 4 - Digital Download SKU: A0.1324834 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary. 105 pages. Jmsgu3 #913046. Published by jmsgu3 (A0.1324834). The Brass Canzona holds significant importance in music history as it influenced the development of instrumental music and later musical genres. The Canzona, derived from the Franco-Flemish and Parisian chansons, was an instrumental form characterized by livelier, rhythmic material and distinct sections. Brass canzonas, such as Giovanni Gabrieli's La Spiritata, were composed to maximize the resonance of instruments and the performance space, often performed by various combinations of trombones and trumpets. These canzonas influenced the evolution of the fugue in the Baroque era and were direct ancestors of the 17th-century sonata da chiesa. Additionally, the ensemble canzonas of Gabrieli and Girolamo Frescobaldi led the way to the trio sonata, a dominant chamber genre of the Baroque era. Therefore, the Brass Canzona's significance lies in its influence on the evolution of instrumental music and its contribution to the development of later musical forms. While modern renditions may encounter challenges related to the range of parts and achieving a balanced sound with the organ or other instruments, they continue to provide valuable insights into Canzona's historical context and musical qualities. Therefore, modern Brass Canzonas are essential for preserving and interpreting this influential musical form, contributing to the development of instrumental music and later musical genres.
$39.95 ≈
36.03€
Canzon in Echo Duodecimi toni a 10 for Brass Ensemble
Canzon in Echo Duodecimi toni a 10 for Brass Ensemble
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Brass quartet : 2 trumpets, trombone, tuba
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ADVANCED
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Giovanni Gabrieli
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Fabrizio Bugani
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Canzon in Echo Duodecimi toni
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.792809 Composed by Giovanni Gabrieli. Arranged by Fabrizio Bugani. Baroque...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.792809 Composed by Giovanni Gabrieli. Arranged by Fabrizio Bugani. Baroque,Classical,Renaissance. Score and parts. 57 pages. Gordon Cherry #6623467. Published by Gordon Cherry (A0.792809). Canzon in Echo Duodecimi Toni á 10 was published as part of Gabrieli's Sacre Symphoniae of 1597, a collection of pieces including motets, canzonas, and sonatas for various instrumental groups. Gabrieli used the layout of his musical home, the San Marco Church in Venice with its two choir lofts facing each other, to create the first spatial or antiphonal music for early brass instruments, cornetti, and sackbuts.Maestro Fabrizio Bugani has done a wonderful job of editing this almost 4-minute work for a double brass choir of 10 instruments (two brass quintets). Included are numerous substitute parts which include Trumpets in C, Horns, and Alto Trombones. If one wishes a pure cylindrical choir; that can be achieved by using the Alto Trombones in place of the conical Horns.This edition is appropriate for moderately advanced performers and is pitched in the key of B-flat, down a step from the original.Instrumentation is for double brass quintets of 4 B-flat Trumpets, 2 Horns and 4 Trombones.
$30.00 ≈
27.06€
Cotton Wool Clouds for Cornet Duet
Cotton Wool Clouds for Cornet Duet
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2 Trumpets (duet)
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EASY
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David McKeown
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Cotton Wool Clouds for Cornet
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David McKeown
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SheetMusicPlus
Trumpet Duet Trumpet - Level 2 - Digital Download SKU: A0.591500 Composed by David McKeown. Children,Concert,Contemporary,Instructional,Standards. Score....
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Trumpet Duet Trumpet - Level 2 - Digital Download SKU: A0.591500 Composed by David McKeown. Children,Concert,Contemporary,Instructional,Standards. Score. 2 pages. David McKeown #6302855. Published by David McKeown (A0.591500). Cotton Wool Clouds is a beautiful new and original composition by David McKeown arranged for two Cornets.Cotton Wool Clouds is one of a set of 10 Summer-themed duets. All 10 can be found together in 10 Easy Summer Duets for Cornet. Just copy and paste the title in the search box above to find it.Cotton Wool Clouds can be played at any time of year, in the Summer to celebrate the season, or in the Winter, to remind yourself of warmer days! The duet is mixed ability, with the top part set for players at an easy to early intermediate standard, and the bottom part to be played by a teacher or intermediate player. Playing time is around one minute; click on the link above to hear a full performance of the clarinet version on YouTube.Cotton Wool Clouds isPerfect for concert performances large and small; Fully articulated to help develop that sense of style; Great for helping with simple rhythms and keeping the pulse; Road tested with students; Fun to play; The titles provoke mental pictures that connect with the player’s musical imagination; There are thousands more duets available for all standards and styles, in many different instrumental combinations at https://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.49 ≈
2.25€
Dozing in the Deck Chair for Cornet Duet
Dozing in the Deck Chair for Cornet Duet
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2 Trumpets (duet)
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EASY
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David McKeown
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Dozing in the Deck Chair for C
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David McKeown
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SheetMusicPlus
Trumpet Duet Trumpet - Level 2 - Digital Download SKU: A0.591551 Composed by David McKeown. Children,Concert,Contemporary,Instructional,Standards. Score....
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Trumpet Duet Trumpet - Level 2 - Digital Download SKU: A0.591551 Composed by David McKeown. Children,Concert,Contemporary,Instructional,Standards. Score. 2 pages. David McKeown #6303471. Published by David McKeown (A0.591551). Dozing in the Deck Chair is a beautiful new and original composition by David McKeown arranged for two Cornets.Dozing in the Deck Chair is one of a set of 10 Summer-themed duets. All 10 can be found together in 10 Easy Summer Duets for Cornet. Just copy and paste the title in the search box above to find it.Dozing in the Deck Chair can be played at any time of year, in the Summer to celebrate the season, or in the Winter, to remind yourself of warmer days! The duet is mixed ability, with the top part set for players at an easy to early intermediate standard, and the bottom part to be played by a teacher or intermediate player. Playing time is around one minute; click on the link above to hear a full performance of the clarinet version on YouTube.Dozing in the Deck Chair isPerfect for concert performances large and small; Fully articulated to help develop that sense of style; Great for helping with simple rhythms and keeping the pulse; Road tested with students; Fun to play; The titles provoke mental pictures that connect with the player’s musical imagination; There are thousands more duets available for all standards and styles, in many different instrumental combinations at https://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.49 ≈
2.25€
Pooh Sticks, for Cornet Duet
Pooh Sticks, for Cornet Duet
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2 Trumpets (duet)
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EASY
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David McKeown
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Pooh Sticks, for Cornet Duet
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David McKeown
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SheetMusicPlus
Trumpet Duet Trumpet - Level 2 - Digital Download SKU: A0.591601 Composed by David McKeown. Children,Concert,Contemporary,Instructional,Standards. Score....
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Trumpet Duet Trumpet - Level 2 - Digital Download SKU: A0.591601 Composed by David McKeown. Children,Concert,Contemporary,Instructional,Standards. Score. 2 pages. David McKeown #6303941. Published by David McKeown (A0.591601). Pooh Sticks is a beautiful new and original composition by David McKeown arranged for two Cornets.Pooh Sticks is one of a set of 10 Summer-themed duets. All 10 can be found together in 10 Easy Summer Duets for Cornet. Just copy and paste the title in the search box above to find it.Pooh Sticks can be played at any time of year, in the Summer to celebrate the season, or in the Winter, to remind yourself of warmer days! The duet is mixed ability, with the top part set for players at an easy to early intermediate standard, and the bottom part to be played by a teacher or intermediate player. Playing time is around one minute; click on the link above to hear a full performance of the clarinet version on YouTube.Pooh Sticks isPerfect for concert performances large and small; Fully articulated to help develop that sense of style; Great for helping with simple rhythms and keeping the pulse; Road tested with students; Fun to play; The titles provoke mental pictures that connect with the player’s musical imagination; There are thousands more duets available for all standards and styles, in many different instrumental combinations at https://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.49 ≈
2.25€
Sandcastles for Cornet Duet
Sandcastles for Cornet Duet
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2 Trumpets (duet)
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EASY
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David McKeown
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Sandcastles for Cornet Duet
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David McKeown
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SheetMusicPlus
Trumpet Duet Trumpet - Level 2 - Digital Download SKU: A0.591704 Composed by David McKeown. Children,Concert,Contemporary,Instructional,Standards. Score....
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Trumpet Duet Trumpet - Level 2 - Digital Download SKU: A0.591704 Composed by David McKeown. Children,Concert,Contemporary,Instructional,Standards. Score. 2 pages. David McKeown #6304903. Published by David McKeown (A0.591704). Sandcastles is a beautiful new and original composition by David McKeown arranged for two Cornets.Sandcastles is one of a set of 10 Summer-themed duets. All 10 can be found together in 10 Easy Summer Duets for Cornet. Just copy and paste the title in the search box above to find it.Sandcastles can be played at any time of year, in the Summer to celebrate the season, or in the Winter, to remind yourself of warmer days! The duet is mixed ability, with the top part set for players at an easy to early intermediate standard, and the bottom part to be played by a teacher or intermediate player. Playing time is around one minute; click on the link above to hear a full performance of the clarinet version on YouTube.Sandcastles isPerfect for concert performances large and small; Fully articulated to help develop that sense of style; Great for helping with simple rhythms and keeping the pulse; Road tested with students; Fun to play; The titles provoke mental pictures that connect with the player’s musical imagination; There are thousands more duets available for all standards and styles, in many different instrumental combinations at https://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.49 ≈
2.25€
Riding My Bike for Cornet Duet
Riding My Bike for Cornet Duet
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2 Trumpets (duet)
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EASY
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David McKeown
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Riding My Bike for Cornet Duet
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David McKeown
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SheetMusicPlus
Trumpet Duet Trumpet - Level 2 - Digital Download SKU: A0.591653 Composed by David McKeown. Children,Concert,Contemporary,Instructional,Standards. Score....
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Trumpet Duet Trumpet - Level 2 - Digital Download SKU: A0.591653 Composed by David McKeown. Children,Concert,Contemporary,Instructional,Standards. Score. 2 pages. David McKeown #6304673. Published by David McKeown (A0.591653). Riding My Bike is a beautiful new and original composition by David McKeown arranged for two Cornets.Riding My Bike is one of a set of 10 Summer-themed duets. All 10 can be found together in 10 Easy Summer Duets for Cornet. Just copy and paste the title in the search box above to find it.Riding My Bike can be played at any time of year, in the Summer to celebrate the season, or in the Winter, to remind yourself of warmer days! The duet is mixed ability, with the top part set for players at an easy to early intermediate standard, and the bottom part to be played by a teacher or intermediate player. Playing time is around one minute; click on the link above to hear a full performance of the clarinet version on YouTube.Riding My Bike isPerfect for concert performances large and small; Fully articulated to help develop that sense of style; Great for helping with simple rhythms and keeping the pulse; Road tested with students; Fun to play; The titles provoke mental pictures that connect with the player’s musical imagination; There are thousands more duets available for all standards and styles, in many different instrumental combinations at https://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.49 ≈
2.25€
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