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Percussion Ensemble Flute, Cello, Percussion, Viola, Piano, Double Bass
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Concerto
Concerto
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Piano and Orchestra
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ADVANCED
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. D...
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
$33.24
Auld Lang Syne for 3 part Flexible Ensemble arranged by David Catherwood (Old Lang Syne)
Auld Lang Syne for 3 part Flexible Ensemble arranged by David Catherwood (Old Lang Syne)
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Scottish Traditional
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David Catherwood
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Auld Lang Syne for 3 part Flex
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Opus 3 Music
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SheetMusicPlus
Woodwind Ensemble - Level 3 - Digital Download SKU: A0.739532 Composed by Scottish Traditional. Arranged by David Catherwood. Holiday. 15 pages. Opus 3 M...
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Woodwind Ensemble - Level 3 - Digital Download SKU: A0.739532 Composed by Scottish Traditional. Arranged by David Catherwood. Holiday. 15 pages. Opus 3 Music #6200995. Published by Opus 3 Music (A0.739532). This version of The Popular New Year's Eve Song is a straightforward arrangement for Flexible ensembles in 3 Parts and is suitable for any combination of Brass, Woodwind, Strings.It will also work well as a duet or trio with or without piano accompanimentThe key chosen is perfect to accompany singing and whilst the arrangement is suitable for school ensembles it will also work well with experienced players.The arrangement also allows for a great deal of flexibility in presentation and will sound complete with a few players, yet the scoring allows for parts for all orchestra, concert band or brass band players. A piano part is included for rehearsal/performanceA full set contains a score and a generous set of parts (with permission to copy to suit your own requirements) for the following instruments:Part 1 Melody in C (Oboe, Flute, Violin 1)Part 1 Melody in Bb (Clarinet 1 in Bb, Trumpet 1 in Bb)Part 1 Melody in Bass clef Euphonium, Baritone, Cello etc)Part 2 Harmony in C (Violin 2)Part 2 Harmony in Bb (Clarinet 2 in Bb, Trumpet 2 in Bb)Part 2 Harmony in Eb (Alto Saxophone, Eb Horn)Part 2 Harmony in F (Cor Anglais, Horn in F)Part 2 Harmony in alto clef (Viola)Part 3 Bass in C (Cello, Double Bass, Bassoon , Bass Trombone)Part 3 Bass in Eb (Baritone Saxophone, Eb Bass Tuba (treble clef)Part 3 Bass in Bb (Bb Bass Tuba, Trombone (treble clef)Optional Percussion PartPiano/Keyboard
$4.99 ≈
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Happy Birthday arranged for Flexible ensemble by David Catherwood (suitable for any combination)
Happy Birthday - Flexible ensemble by David Catherwood (suitable for any combination)
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Concert band
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EASY
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Patty Hill
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David Catherwood
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Happy Birthday - Flexible ense
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Opus 3 Music
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.739506 Composed by Patty Hill. Arranged by David Catherwood. Holiday. Score and parts. 19 pages. Opus 3...
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Concert Band - Level 2 - Digital Download SKU: A0.739506 Composed by Patty Hill. Arranged by David Catherwood. Holiday. Score and parts. 19 pages. Opus 3 Music #6065645. Published by Opus 3 Music (A0.739506). This version of Happy Birthday is a straightforward arrangement for Flexible ensemble and is suitable for any combination of Brass, Woodwind, Strings. The key chosen is perfect to accompany singing and whilst the arrangement is suitable for school ensembles it will also work well with experienced players. The arrangement also allows for a great deal of flexibility in presentation and will sound complete with a few players, yet the scoring allows for parts for all orchestra, concert band or brass band players - Will also be useful for String Quartets, Brass ensembles etc..A full set contains a score and a generous set of parts (with permission to copy to suit your own requirements) for the following instruments:Part 1 in C (Oboe, Violin 1)Part 1 in C (Flute)Part 1 in Bb (Clarinet 1 in Bb, Trumpet 1 in Bb)Part 2 in C (Violin 2)Part 2 in Bb (Clarinet 2 in Bb, Trumpet 2 in Bb)Part 2 in Eb (Alto Saxophone, Eb Horn)Part 2 in F (Cor Anglais, Horn in F)Part 3 in C (Bassoon 1, Trombone)Part 3 in Eb (Alto Saxophone, Eb Horn)Part 3 in F (Horn in F)Part 3 in alto clef (Viola)Part 3 in Bb (Tenor Saxophone, Bb Trombone (treble clef)Part 4 in C (Cello, Double Bass, Bassoon 2, Bass Trombone)Part 4 in Eb (Baritone Saxophone, Eb Bass Tuba (treble clef)Part 4 in Bb (Bb Bass Tuba (treble clef)PercussionPiano/KeyboardGuitar (melody & chords)
$7.50 ≈
$10.39
Game Of Thrones
Game Of Thrones
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Percussion Ensemble
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INTERMEDIATE
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Film/TV
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Ramin Djawadi
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Flávio Régis Cun
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Game Of Thrones
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Flavio Regis Cunha
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SheetMusicPlus
Piano Accompaniment, Flute, Violin, Viola, Cello, Double Bass, Timpani, Drums, Multi- Percussion, Percussion Ensemble, Voice, Soprano Voice, Alto Voice...
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Piano Accompaniment, Flute, Violin, Viola, Cello, Double Bass, Timpani, Drums, Multi- Percussion, Percussion Ensemble, Voice, Soprano Voice, Alto Voice, Tenor Voice, Bass Voice, Choir, 2 flutes, percussion, Choir, harpsichord (piano optional) and strings - Intermediate - Digital Download By Ramin Djawadi. Arranged by Flávio Régis Cunha. Score, Set of Parts. 55 pages. Published by Flavio Regis Cunha
This is a powerful arrangement of Game of Thrones for a small and pliable ensemble of two flutes, percussion, Choir, harpsichord (piano optional) and strings. You can use it to make a big impact on weddings, business presentations, parties, celebrations, and music concerts. Your group will vibrate with the vibrancy and great impact that this music can cause on the public. The level is intermediate and quite affordable.
Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunha
$49.99 ≈
$69.26
Silent Night for Flexible ensemble arranged by David Catherwood
Silent Night for Flexible ensemble arranged by David Catherwood
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Concert band
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EASY
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Christmas
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Franz Xaver Gruber
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David Catherwood
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Silent Night for Flexible ense
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Opus 3 Music
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.739456 Composed by Franz Xaver Gruber. Arranged by David Catherwood. Christmas. Score and parts. 19 pag...
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Concert Band - Level 2 - Digital Download SKU: A0.739456 Composed by Franz Xaver Gruber. Arranged by David Catherwood. Christmas. Score and parts. 19 pages. Opus 3 Music #3883023. Published by Opus 3 Music (A0.739456). Silent Night for Flexible ensembleThe arrangement allows for a great deal of flexibility in presentation and will sound complete with as few as four players yet the scoring allows for expansion up to a full symphonic orchestra, concert band or brass bandAs with all music available from Opus 3 Music this arrangement has been well tried and tested in performance A full set contains a score and a generous set of parts (with permission to copy to suit your own requirements) for the following instruments:Part 1 in C (Flute, Oboe 1, Violin 1)Part 1 in Bb (Clarinet 1 in Bb, Trumpet/Cornet 1 in Bb)Part 2 in C (Oboe 2, Violin 2)Part 2 in Bb (Clarinet 2 in Bb, Trumpet/Cornet 2 in Bb)Part 2 in Eb (Ato Saxophone, Eb Horn)Part 3 in C (Bassoon 1, Trombone)Part 3 in Eb (Alto Saxophone, Eb Horn)Part 3 in F (Horn in F)Part 3 in alto clef (Viola)Part 3 in Bb (Tenor Saxophone, Bb Trombone/Baritone (treble clef)Part 4 in C (Cello, Double Bass, Bassoon 2, Bass Trombone)Part 4 in Eb (Baritone Saxophone, Eb Bass Tuba (treble clef)Part 4 in Bb (Euphonium, Bb Bass Tuba (treble clef)PercussionPiano (with guitar chords)
$9.50 ≈
$13.16
Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
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Chamber Orchestra
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ADVANCED
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Carson Cooman
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Carson Cooman: Cerulean: Doubl
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533592 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 87 pages. Musik Fabrik ...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533592 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 87 pages. Musik Fabrik Music Publishing #3029401. Published by Musik Fabrik Music Publishing (A0.533592). Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemblewas commissioned by the Carnegie Mellon School of Music for percussionists Cory Cousins,Mike Perdue, and the Carnegie Mellon Contemporary Ensemble, Walter Morales, director.The work is dedicated to them and to Howard Stokar. The work is inspired by the ocean,particularly its greatest depths.The work is in two movements, played without break. The two movements explore the samemusical material (a specific collection of twelve pitches) in two very different ways. In thefirst movement, the material is presented often in row forms -- and harmonies derived from it.In the second movement, a more free approach is used to the material and it becomes moremotivic and gestural.The first movement, Different Purposes, is inspired by the vast diversity of deep-sea life.Musical objects interact with each other and ideas transform each other. Many of these deepseacreatures live in very isolated and solitary environments at the ocean's lowest points.They each exist and pursue their own purposes without any awareness of what else ishappening around them. However, despite this, they are all existing within a commonenvironmental system and are thus achieving goals together on a larger level.The second movement, Different Porpoises, is inspired by porpoises and other sea-creatureswho surface, thus providing a link to human land-bound life. The marimba establishes arhythmic ostinato which (although passed around) remains steady throughout most of themovement.InstrumentationFluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in FPiano2 Solo Percussion:I: marimba, crotales, suspended cymbal, 2 spokes/bellsII: vibraphone (with motor), tubular bells, 3 bowls (indef. pitches),medium-size water gong (i.e., gong with bucket of water),3 roto-toms, conga, bass drum(each percussionist needs two bows)Violin IViolin IIViolaCello(All players except for the two solo percussion also playoracle rods in addition to their instruments.)The full score without the solo parts is also available for sale.. The parts are on rental from the publisher
$21.95 ≈
$30.41
Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
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Chamber Orchestra
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ADVANCED
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Contemporary
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Carson Cooman
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Carson Cooman: Cerulean: Doubl
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533591 Composed by Carson Cooman. Contemporary. Score and parts. 66 pages. Musik Fabrik Music Publ...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533591 Composed by Carson Cooman. Contemporary. Score and parts. 66 pages. Musik Fabrik Music Publishing #3029399. Published by Musik Fabrik Music Publishing (A0.533591). Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemblewas commissioned by the Carnegie Mellon School of Music for percussionists Cory Cousins,Mike Perdue, and the Carnegie Mellon Contemporary Ensemble, Walter Morales, director.The work is dedicated to them and to Howard Stokar. The work is inspired by the ocean,particularly its greatest depths.The work is in two movements, played without break. The two movements explore the samemusical material (a specific collection of twelve pitches) in two very different ways. In thefirst movement, the material is presented often in row forms -- and harmonies derived from it.In the second movement, a more free approach is used to the material and it becomes moremotivic and gestural.The first movement, Different Purposes, is inspired by the vast diversity of deep-sea life.Musical objects interact with each other and ideas transform each other. Many of these deepseacreatures live in very isolated and solitary environments at the ocean's lowest points.They each exist and pursue their own purposes without any awareness of what else ishappening around them. However, despite this, they are all existing within a commonenvironmental system and are thus achieving goals together on a larger level.The second movement, Different Porpoises, is inspired by porpoises and other sea-creatureswho surface, thus providing a link to human land-bound life. The marimba establishes arhythmic ostinato which (although passed around) remains steady throughout most of themovement.InstrumentationFluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in FPiano2 Solo Percussion:I: marimba, crotales, suspended cymbal, 2 spokes/bellsII: vibraphone (with motor), tubular bells, 3 bowls (indef. pitches),medium-size water gong (i.e., gong with bucket of water),3 roto-toms, conga, bass drum(each percussionist needs two bows)Violin IViolin IIViolaCello(All players except for the two solo percussion also playoracle rods in addition to their instruments.)The solo parts plus the full score are available for sale. The parts are on rental from the publisher
$17.95 ≈
$24.87
In the Hall of the Mountain King for Flexible School Ensemble/Orchestra
In the Hall of the Mountain King for Flexible School Ensemble/Orchestra
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Classical
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Edvard Grieg
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David Burndrett
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In the Hall of the Mountain Ki
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David Burndrett
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SheetMusicPlus
Large Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Multi-Percussion,Oboe,Piano Accompaniment,Recorder,Timpani,Trombone,Trumpet,Tuba,Viola,Violin,Xylop...
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Large Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Multi-Percussion,Oboe,Piano Accompaniment,Recorder,Timpani,Trombone,Trumpet,Tuba,Viola,Violin,Xylophone - Level 1 - Digital Download SKU: A0.558685 Composed by Edvard Grieg. Arranged by David Burndrett. Romantic Period. Score and parts. 40 pages. David Burndrett #4633289. Published by David Burndrett (A0.558685). This flexible arrangement works well as a concert piece or just for fun!I have tried to arrange this so that many various standards can take part.I have added an violin three part, which is the same as the viola part, if you do not have any viola players.I have also added an optional piano part.Download includes the score and all of the parts.
$14.95 ≈
$20.71
Haydn Rocks! for Flexible School Ensemble/Orchestra
Haydn Rocks! for Flexible School Ensemble/Orchestra
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Classical
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Franz Joseph Haydn
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David Burndrett
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Haydn Rocks! for Flexible Scho
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David Burndrett
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SheetMusicPlus
Large Ensemble Alto Saxophone,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Flute,Hand Percussion,Horn,Oboe,Piano Accompaniment,Trombone,Trumpet,Tuba,Viola,Violin...
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Large Ensemble Alto Saxophone,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Flute,Hand Percussion,Horn,Oboe,Piano Accompaniment,Trombone,Trumpet,Tuba,Viola,Violin - Level 1 - Digital Download SKU: A0.558687 Composed by Franz Joseph Haydn. Arranged by David Burndrett. Classical,Pop,Rock. Score and parts. 32 pages. David Burndrett #4634495. Published by David Burndrett (A0.558687). This flexible arrangement works well as a concert piece or just for fun!I have tried to arrange this so that many various standards can take part.I have added an violin three part, which is the same as the viola part, if you do not have any viola players.I have also added an optional piano part.Download includes the score and all of the parts.
$12.95 ≈
$17.94
Jingle Bells (Jazzy Style!) for Flexible School Ensemble/Orchestra
Jingle Bells (Jazzy Style!) for Flexible School Ensemble/Orchestra
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Christmas
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James Pierpont
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David Burndrett
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Jingle Bells
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David Burndrett
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SheetMusicPlus
Large Ensemble Alto Saxophone,Bassoon,Cello,Clarinet,Double Bass,Flute,Harp,Horn,Multi-Percussion,Oboe,Piano,Trombone,Trumpet,Tuba,Viola,Violin - Level 1 - Digi...
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Large Ensemble Alto Saxophone,Bassoon,Cello,Clarinet,Double Bass,Flute,Harp,Horn,Multi-Percussion,Oboe,Piano,Trombone,Trumpet,Tuba,Viola,Violin - Level 1 - Digital Download SKU: A0.558688 Composed by James Pierpont. Arranged by David Burndrett. Christmas,Jazz. Score and parts. 26 pages. David Burndrett #4634685. Published by David Burndrett (A0.558688). This flexible arrangement works well as a concert piece or just for fun!I have tried to arrange this so that many various standards can take part.I have added an violin three part, which is the same as the viola part, if you do not have any viola players.I have also added an optional piano part.Download includes the score and all of the parts.
$14.95 ≈
$20.71
Little Tango for Flexible School Ensemble/Orchestra
Little Tango for Flexible School Ensemble/Orchestra
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Tango
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David Burndrett
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Little Tango for Flexible Scho
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David Burndrett
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SheetMusicPlus
Large Ensemble Alto Saxophone,Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Multi-Percussion,Oboe,Piano Accompaniment,Trombone,Trumpet,Tuba,Viola,Violin - Level...
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Large Ensemble Alto Saxophone,Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Multi-Percussion,Oboe,Piano Accompaniment,Trombone,Trumpet,Tuba,Viola,Violin - Level 1 - Digital Download SKU: A0.558681 Composed by David Burndrett. Instructional. Score and parts. 28 pages. David Burndrett #4633049. Published by David Burndrett (A0.558681). This flexible arrangement works well as a concert piece or just for fun!I have tried to arrange this so that many various standards can take part.I have added an violin three part, which is the same as the viola part, if you do not have any viola players.I have also added an optional piano part.Download includes the score and all of the parts.
$10.95 ≈
$15.17
We Wish you a Merry Christmas for Flexible School Ensemble/Orchestra
We Wish you a Merry Christmas for Flexible School Ensemble/Orchestra
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Christmas
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Traditional
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David Burndrett
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We Wish you a Merry Christmas
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David Burndrett
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SheetMusicPlus
Large Ensemble Alto Saxophone,Bassoon,Cello,Clarinet,Double Bass,Flute,Harp,Horn,Multi-Percussion,Oboe,Piano,Trombone,Trumpet,Tuba,Viola,Violin - Level 1 - Digi...
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Large Ensemble Alto Saxophone,Bassoon,Cello,Clarinet,Double Bass,Flute,Harp,Horn,Multi-Percussion,Oboe,Piano,Trombone,Trumpet,Tuba,Viola,Violin - Level 1 - Digital Download SKU: A0.558689 Composed by Traditional. Arranged by David Burndrett. Christmas,Instructional. Score and parts. 25 pages. David Burndrett #4635227. Published by David Burndrett (A0.558689). This flexible arrangement works well as a concert piece or just for fun!I have tried to arrange this so that many various standards can take part.I have added an violin three part, which is the same as the viola part, if you do not have any viola players.I have also added an optional piano part.Download includes the score and all of the parts.
$12.95 ≈
$17.94
March (Fantasia from Nutcracker) for Flexible School Ensemble/Orchestra
March (Fantasia from Nutcracker) for Flexible School Ensemble/Orchestra
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Classical
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Peter Ilyich Tchaikovsky
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David Burndrett
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March
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David Burndrett
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SheetMusicPlus
Large Ensemble Alto Saxophone,Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Multi-Percussion,Oboe,Piano Accompaniment,Recorder,Trombone,Trumpet,Tuba,Viola,Violi...
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Large Ensemble Alto Saxophone,Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Multi-Percussion,Oboe,Piano Accompaniment,Recorder,Trombone,Trumpet,Tuba,Viola,Violin - Level 1 - Digital Download SKU: A0.558684 Composed by Peter Ilyich Tchaikovsky. Arranged by David Burndrett. Instructional,Romantic Period,Standards. Score and parts. 26 pages. David Burndrett #4633059. Published by David Burndrett (A0.558684). This flexible arrangement works well as a concert piece or just for fun!I have tried to arrange this so that many various standards can take part.I have added an violin three part, which is the same as the viola part, if you do not have any viola players.I have also added an optional piano part.Download includes the score and all of the parts.
$14.00 ≈
$19.40
Ode To Joy for Flexible School Ensemble/Orchestra
Ode To Joy for Flexible School Ensemble/Orchestra
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Classical
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Ludwig van Beethoven
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David Burndrett
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Ode To Joy for Flexible School
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David Burndrett
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SheetMusicPlus
Large Ensemble Alto Saxophone,Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Multi-Percussion,Oboe,Recorder,Trombone,Trumpet,Tuba,Viola,Violin - Level 1 - Digita...
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Large Ensemble Alto Saxophone,Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Multi-Percussion,Oboe,Recorder,Trombone,Trumpet,Tuba,Viola,Violin - Level 1 - Digital Download SKU: A0.558683 Composed by Ludwig van Beethoven. Arranged by David Burndrett. Classical,Instructional,Standards. Score and parts. 18 pages. David Burndrett #4633055. Published by David Burndrett (A0.558683). This flexible arrangement works well as a concert piece or just for fun!I have tried to arrange this so that many various standards can take part.I have added an violin three part, which is the same as the viola part, if you do not have any viola players.I have also added an optional piano part.Download includes the score and all of the parts.
$10.95 ≈
$15.17
Double Rainbow
Double Rainbow
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Contemporary
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Antonio Carlos Jobim
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Arthur Barbosa
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Double Rainbow
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ARTHUR BARBOSA NETO
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SheetMusicPlus
Large Ensemble Bassoon,Cello,Clarinet,Double Bass,English Horn,Flute,Marimba,Multi-Percussion,Oboe,Piano Accompaniment,Trombone,Trumpet,Viola,Violin - Digital D...
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Large Ensemble Bassoon,Cello,Clarinet,Double Bass,English Horn,Flute,Marimba,Multi-Percussion,Oboe,Piano Accompaniment,Trombone,Trumpet,Viola,Violin - Digital Download SKU: A0.988305 Composed by Antonio Carlos Jobim. Arranged by Arthur Barbosa. Contemporary. Score and parts. 49 pages. ARTHUR BARBOSA NETO #6063679. Published by ARTHUR BARBOSA NETO (A0.988305). One of the bossa nova jewels in orchestral arrangement
$20.00 ≈
$27.71
The Nutcracker Waltz of the Flowers for Chamber Ensemble, Op. 71 - Set of Parts
The Nutcracker Waltz of the Flowers for Chamber Ensemble, Op. 71 - Set of Parts
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Classical
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Peter Ilyich Tchaikovsky
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Yoon Jae Lee
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The Nutcracker Waltz of the Fl
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Ondine Press
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SheetMusicPlus
Bassoon,Cello,Clarinet,Double Bass,Flute,Harp,Horn,Oboe,Percussion,Piano,Trumpet,Viola,Violin - Level 4 - Digital Download SKU: A0.866125 Composed by Pet...
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Bassoon,Cello,Clarinet,Double Bass,Flute,Harp,Horn,Oboe,Percussion,Piano,Trumpet,Viola,Violin - Level 4 - Digital Download SKU: A0.866125 Composed by Peter Ilyich Tchaikovsky. Arranged by Yoon Jae Lee. Christmas,Holiday,Romantic Period,Standards,Traditional. 68 pages. Ondine Press #6481025. Published by Ondine Press (A0.866125). Instrumentation: 1. 1. 1. 1 – 1. 1. 0. 0 – 1 perc. pno. hrp (ad lib) – str (single players) This is a set of parts to Yoon Jae Lee's unabridged arrangement of the famous Waltz of the Flowers from Tchaikovsky's Nutcracker. The full score is available separately. Scored for a mixed chamber ensemble of 13 (or 14) instruments with top quality engraving, this is one of the only known versions of the waltz for single strings, unlike the myriad of other reduced orchestrations available. Playable by professionals and amateurs alike, this arrangement is perfect for the holidays and practical for any situation where a full orchestra is not available. The suite and entire ballet are also available for the same instrumentation. Additional string players may be added at the discretion of the performers. Perusal score: https://bit.ly/2Vet7Wu Performance: https://youtu.be/U9RjtdaHGPc?t=1082.
$45.00 ≈
$62.34
Moon Over The Rising Sun
Moon Over The Rising Sun
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Luis Anjos Teixeira
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Moon Over The Rising Sun
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Luis Anjos Teixeira
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SheetMusicPlus
Large Ensemble Clarinet,Flute,Harp,Horn,Multi-Percussion,Timpani,Viola,Violin - Level 3 - Digital Download SKU: A0.889417 Composed by Luis Anjos Teixeira...
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Large Ensemble Clarinet,Flute,Harp,Horn,Multi-Percussion,Timpani,Viola,Violin - Level 3 - Digital Download SKU: A0.889417 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 32 pages. Luis Anjos Teixeira #3490179. Published by Luis Anjos Teixeira (A0.889417). for the 2018 Chamber Music Contest Entry,Moon Over The Rising Sun was written very early in the morning while the night fades away giving birth to a sun rise. Conceived for a mixed ensemble of nine to 10 performers. 2 Flutes, Clarinet, Horn, guitar, Harp, Violin, Viola, 1 Timpanist, 1 or 2 Percussionists. The piece has an intime atmosphere very common in chamber music. Very easy to perform and very flexible, it is ideal for schools or when various kinds of mixed ensembles are taking place. With very few effort from the players, it has a large effect on the audience. As I said the piece is very flexible, for exemple the shakuhachi flute can be replaced by a soprano recorder or any other kind of flute with a similar register. A piano could eventually replace the harp. Due to a certain Tutti caracter on the string section, more violins, violas and cellos would easily join the group. One Cello or Double Bass „Pizzicato could reenforce the left hand on the harp part. Other wise and when possible, it should be performed as written. I also have added some interpretation symbols like fortes and pianos but only as a personal suggestion for an interpretation. Of course the artists must decide how they prefer to perform the piece and should have the last word on their performances. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus or anywhere else! This piece was inspired by some aspects of western, eastern, African and american cultures. The list of inspiring human phenomena and achievement within art and music never find an end. There is so much to learn! For now let the World play music. Music is the ultimate Universal language. Imagine we all playing music with each other. The World full of music schools and instruments instead of military camps and weapons. Millions of beautiful people with music instruments in their hands playing music with each other all around the World. Our war lords would start opening music shops for a change. And we would live much happier!!! Music Can Save The World Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. True Love Forever. Thank you very much for taking your time to read this text and to listen to the file.I hope you have a lot of fun and enjoy the music.Love ForeverSheers! Luis Anjos Teixeira
$25.00 ≈
$34.64
High Summer Wood, for flexible ensemble - Score and Parts
High Summer Wood, for flexible ensemble - Score and Parts
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Paul Burnell
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High Summer Wood, for flexible
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Paul Burnell
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SheetMusicPlus
Level 2 - Digital Download SKU: A0.1424490 Composed by Paul Burnell. 21st Century,Classical,Contemporary. 39 pages. Paul Burnell #1005683. Published by P...
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Level 2 - Digital Download SKU: A0.1424490 Composed by Paul Burnell. 21st Century,Classical,Contemporary. 39 pages. Paul Burnell #1005683. Published by Paul Burnell (A0.1424490). High Summer Wood by Paul Burnell. Composed 2023 for Flexible Ensemble (Instruments in four parts, Percussion,Voices, Piano, Guitars).Duration: 4:15 approx.Score in CThe piece may be performed by an ensemble smaller than indicated by the score. For example the piece may be performed just by Parts 1-4, or just by Percussion, Piano and Guitars, etc.Parts 1-4 are suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows:Part 1: C, Bb (Flute, Oboe, Alto Recorder, Bb Clarinet,Violin 1)Part 2: C, Bb, G (Alto Flute, Oboe,Tenor Recorder, Bb Clarinet,Violin 2)Part 3: C, Bb, Eb, F (Bb Clarinet,Tenor Recorder, Alto Saxophone,Violin 3,Viola)Part 4: C, Bb, Eb, F (Bb Clarinet, Bass Recorder, Alto Saxophone,Tenor Saxophone, Horn in F, Violin 4, Viola)Part 4 may be played or doubled an octave or two octaves lower (with Cello and Double Bass using the Bass Guitar part if convenient). String instruments may play Part 4 pizzicato.Suggestions for the Untuned Percussion part are: high hat, ride cymbal, cabasa.Suggestions for the Tuned Percussion part are: handbells, vibraphone, glockenspiel, tubular bells, toy piano - played in any suitable octave.Voices may sing at any convenient octave.The acoustic guitar part may be played by harpsichord, or harp, or an electronic keyboard using a plucked instrument sound, played an octave higher than the guitar sounds (i.e. the apparent written pitch.)Dynamics are not given, but may be devised by the ensemble or musical director according to the capabilities of the available instruments.
$3.99 ≈
$5.53
Good Christians All Rejoice Key F Vocal with Pops Orchestra
Good Christians All Rejoice Key F Vocal with Pops Orchestra
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Sacred music
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Traditional
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Daryl McKenzie
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Good Christians All Rejoice Ke
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Daryl McKenzie
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SheetMusicPlus
Large Ensemble Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drums,Flute,Horn,Oboe,Percussion,Piano,Trombone,Trumpet,Viola,Violin,Voice - Level 4 - Digital Dow...
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Large Ensemble Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drums,Flute,Horn,Oboe,Percussion,Piano,Trombone,Trumpet,Viola,Violin,Voice - Level 4 - Digital Download SKU: A0.717718 Composed by Traditional. Arranged by Daryl McKenzie. Christian,Christmas,Easter,Praise & Worship,Sacred. Score and parts. 58 pages. Daryl McKenzie #3486051. Published by Daryl McKenzie (A0.717718). Good Christians All Rejoice (In Dulci Jubilo) in the Key of F for Voice pops orchestra. Ideal for community singing. Voice, 2 Flutes, Oboe, 2 Clarinets, Bassoon, 4 Horns, 3 Trumpets, 3 Trombones, Piano, Guitar, Bass Guitar, Drums, Percussion, Violin 1, Violin 2, Viola, Cell, Contrabasses. Note: Big Band Version also available.
$59.99 ≈
$83.11
Circle of 5ths (Score and Parts)
Circle of 5ths (Score and Parts)
Piano,Flute,Oboe,Clarinet,Bassoon,Saxophone,Woodwind Ensemble,Trumpet,Trombone,Horn in F,Violin,Viola,Cello,Double Bass,Drums,Percussion Ensemble,Guitar (chords only),Bass Guitar,Concert Band,Jazz Ens
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Paul Barker
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Circle of 5ths
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SheetMusicPlus
Composed by Paul Barker. For Piano,Flute,Oboe,Clarinet,Bassoon,Saxophone,Woodwind Ensemble,Trumpet,Trombone,Horn in F,Violin,Viola,Cello,Double Bass,Drums,Percu...
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Composed by Paul Barker. For Piano,Flute,Oboe,Clarinet,Bassoon,Saxophone,Woodwind Ensemble,Trumpet,Trombone,Horn in F,Violin,Viola,Cello,Double Bass,Drums,Percussion Ensemble,Guitar (chords only),Bass Guitar,Concert Band,Jazz Ensemble,Full Orchestra,Strin
$29.95 ≈
$41.49
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Percussion Ensemble Flute, Cello, Percussion, Viola, Piano, Double Bass
