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Adagio from Flute, Orchestra
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You've selected:
Adagio from Flute, Orchestra
Sheetmusic to print
37 sheet music found
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1
26
Adagio and Fugue D minor
Adagio and Fugue D minor
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String Orchestra
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ADVANCED
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Wilhelm Friedemann Bach
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Adagio and Fugue D minor
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Schott Music - Digital
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SheetMusicPlus
2 Flutes and String Orchestra - advanced - Digital Download SKU: S9.Q1099 Composed by Wilhelm Friedemann Bach. This edition: score. Concertino. Downloada...
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2 Flutes and String Orchestra - advanced - Digital Download SKU: S9.Q1099 Composed by Wilhelm Friedemann Bach. This edition: score. Concertino. Downloadable, Score. Duration 8 minutes. Schott Music - Digital #Q1099. Published by Schott Music - Digital (S9.Q1099). Key: D minor.Though A.E. Brachvogel's portrayal of the failed genius in his biography about W.F. Bach drew an impressive picture of the inner turmoil of the eldest Bach son's personality, it is rather unproductive for the understanding of his music. However, legends often or mostly contain a core of truth: There is no doubt that the highly gifted musician failed because of the overwhelming example of his father (as composer) particularly since he was on the threshold from one epoch to another. In the adagio, both flute parts rising above the string orchestra are assigned a quality of expression that can already be related to the sentimental age whereas the second movement, a more or less strict string fugue, is rooted in the tradition-conscious baroque period.
$16.99
Symphony No.1 "Forgotten Lands", Movement V. Adagio, Vivace
Symphony No.1 "Forgotten Lands", Movement V. Adagio, Vivace
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Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Doug Clyde
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SATB Choir. Score &
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Symphony No.1 "Forgotten Lands
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ALBEDO MUSIC
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.713228 Composed by Doug Clyde. Contemporary. Score and parts. 40 pages. ALBEDO MUSIC #2551065. Publis...
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Full Orchestra - Level 4 - Digital Download SKU: A0.713228 Composed by Doug Clyde. Contemporary. Score and parts. 40 pages. ALBEDO MUSIC #2551065. Published by ALBEDO MUSIC (A0.713228). Symphony No. 1 Forgotten Lands- Movement V. Adagio, Vivace (Full Orchestra): Doug Clyde. Song: Movement V. Adagio, Vivace. Album: Symphony No. 1. Artist: ALBEDO. Composer: Doug Clyde. © 2012 by ALBEDO MUSIC. AMSM61. The fifth movement of a five movement Symphony based on the music from Forgotten Lands. Full Orchestra & SATB Choir. Score & Parts- Piccolo, Flute 1, Flute 2, Oboe 1, Oboe 2, English Horn, Clarinet in Bb 1, Clarinet in Bb 2, Bass Clarinet, Bassoon 1, Bassoon 2, Contrabassoon, Horn in F 1, Horn in F 3, Horn in F 2 & 4, Trumpet in Bb 1, Trumpet in Bb 2, Trumpet in Bb 3, Trombone 1, Trombone 2 & Bass Trombone, Contrabass Trombone & Contrabass Tuba or Bass Tuba, Timpani, Percussion (Bass Drum, Snare Drum, Tam-Tam), Harp, Piano, Organ, Soprano, Alto, Tenor, Bass, Violin I, Violin II, Viola, Cello, Contrabass
$29.99
Symphony No.1 "Forgotten Lands", Movement II. Adagio, Andante
Symphony No.1 "Forgotten Lands", Movement II. Adagio, Andante
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Orchestra
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Doug Clyde
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Symphony No.1 "Forgotten Lands
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ALBEDO MUSIC
#
SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.712780 Composed by Doug Clyde. Contemporary. Score and parts. 38 pages. ALBEDO MUSIC #2551057. Publis...
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Full Orchestra - Level 4 - Digital Download SKU: A0.712780 Composed by Doug Clyde. Contemporary. Score and parts. 38 pages. ALBEDO MUSIC #2551057. Published by ALBEDO MUSIC (A0.712780). Symphony No. 1 Forgotten Lands- Movement II. Adagio, Andante (Full Orchestra): Doug Clyde. Song: Movement II. Adagio, Andante. Album: Symphony No. 1. Artist: ALBEDO. Composer: Doug Clyde. © 2012 by ALBEDO MUSIC. AMSM58. The second movement of a five movement Symphony based on the music from Forgotten Lands. Full Orchestra. Score & Parts- Piccolo / Soprano Recorder, Flute 1, Flute 2, Oboe 1, Oboe 2, Clarinet in Bb 1, Clarinet in Bb 2, Bassoon 1, Bassoon 2, Harp 1, Harp 2, Celesta, Violin I, Violin II, Viola, Cello, Contrabass.
$29.99
Shchostakobich - Adagio from The Limpid Stream for viola solo
Shchostakobich - Adagio from The Limpid Stream for viola solo
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String Orchestra
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Shchostakovich
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Dmitrii Shchukin
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Shchostakobich - Adagio from T
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Dmitrii Shchukin
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SheetMusicPlus
String Orchestra - Digital Download SKU: A0.924661 Composed by Shchostakovich. Arranged by Dmitrii Shchukin. 20th Century,Pop. Score and parts. 24 pages....
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String Orchestra - Digital Download SKU: A0.924661 Composed by Shchostakovich. Arranged by Dmitrii Shchukin. 20th Century,Pop. Score and parts. 24 pages. Dmitrii Shchukin #3874233. Published by Dmitrii Shchukin (A0.924661). Shchostakobich - Adagio for viola solo from The Limpid Stream ballet, arranged for a chamber orchestra with flute, oboe and clarinet.
$20.00
Beethoven: Adagio from Sonata Pathetique for Flute & Piano
Beethoven: Adagio from Sonata Pathetique for Flute & Piano
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Flute and Piano
#
INTERMEDIATE
#
Classical
#
Ludwig van Beethoven
#
James M
#
piano concertos 1-5
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Beethoven: Adagio from Sonata
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.549636 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Roma...
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Flute,Piano - Level 3 - Digital Download SKU: A0.549636 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516309. Published by jmsgu3 (A0.549636). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
Beethoven: Adagio from Sonata Pathetique for Alto Flute & Piano
Beethoven: Adagio from Sonata Pathetique for Alto Flute & Piano
#
Flute and Piano
#
INTERMEDIATE
#
Classical
#
Ludwig van Beethoven
#
James M
#
piano concertos 1-5
#
Beethoven: Adagio from Sonata
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.549643 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Roma...
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Flute,Piano - Level 3 - Digital Download SKU: A0.549643 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516599. Published by jmsgu3 (A0.549643). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Adagio Rubato
Adagio Rubato
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String Orchestra
#
BEGINNER
#
Classical
#
Joe Wiedemann
#
Adagio Rubato
#
Joe Wiedemann
#
SheetMusicPlus
String Orchestra - Level 1 - Digital Download SKU: A0.1011592 Composed by Joe Wiedemann. Classical,Romantic Period. Score and parts. 17 pages. Joe Wiedem...
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String Orchestra - Level 1 - Digital Download SKU: A0.1011592 Composed by Joe Wiedemann. Classical,Romantic Period. Score and parts. 17 pages. Joe Wiedemann #4283113. Published by Joe Wiedemann (A0.1011592). Designed to highlight acoustic elements of your venue, Adagio Rubato is arranged for string orchestra PLUS string quartet (or 1st chair players), and flute, English horn/Oboe, Fr. Horn, and Synthesizer. Strings may be separated from the quartet and other players by space or position, for a stereo effect that works well in a cathedral or large setting. The Synth part adds depth and modern context, as an equal player, rather than soloist. It also offers the most flexibility for custom sound creation.Contact WiedemannMusic.com for parts.
$10.95
Adagio Sostenuto from "Piano Concerto No. 2" for Flute and Piano
Adagio Sostenuto from "Piano Concerto No. 2" for Flute and Piano
#
Flute and Piano
#
INTERMEDIATE
#
Sergei Rachmaninoff
#
Diego Marani
#
Adagio Sostenuto from "Piano C
#
Diego Marani
#
SheetMusicPlus
Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1220905 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Film/T...
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Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1220905 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Film/TV,Instructional,Romantic Period. Score and part. 10 pages. Diego Marani #817247. Published by Diego Marani (A0.1220905). The Piano Concerto No. 2 in C minor, Op. 18, is a concerto for piano and orchestra composed by Sergei Rachmaninov between June 1900 and April 1901. No other concerto by Rachmaninoff was as popular with audiences and pianists alike as his Second Concerto ant it is one of the most often performed concertos in the repertoire. Numerous films borrow themes from the composition and it has also inspired numerous songs, like two ones recorded by Frank Sinatra and Eric Carmen's 1975 ballad All by Myself (sung also by Celine Dion).This arrangement for flute with piano of the marvelous and very famous second movement is suitable for classroom, repertoire and recital.
$9.99
Beethoven: Adagio from Sonata Pathetique for Bass Flute & Piano
Beethoven: Adagio from Sonata Pathetique for Bass Flute & Piano
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Classical
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549644 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Con...
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Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549644 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 16 pages. Jmsgu3 #3516861. Published by jmsgu3 (A0.549644). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95
Adagio BWV 974 from Concerto in D Minor after Marcello for flute or violin and piano
Adagio BWV 974 from Concerto in D Minor after Marcello for flute or violin and piano
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Flute and Piano
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INTERMEDIATE/ADVANCED
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BACH–MARCELLO
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Klas Krantz
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Adagio BWV 974 from Concerto i
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Amadeus Music
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SheetMusicPlus
Flute,Piano - Level 4 - Digital Download SKU: A0.532624 By BACH–MARCELLO. By Bach, Marcello. Arranged by Klas Krantz. Baroque,Classical,Film/TV,We...
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Flute,Piano - Level 4 - Digital Download SKU: A0.532624 By BACH–MARCELLO. By Bach, Marcello. Arranged by Klas Krantz. Baroque,Classical,Film/TV,Wedding. Score and part. 7 pages. Amadeus Music #6630191. Published by Amadeus Music (A0.532624). 2 alternative violin 1 parts included: sul G/low and easy unornamented part.Johann Sebastian Bach (1685–1750) was a German composer, organist, harpsichordist, violist, and violinist whose ecclesiastical and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity.Known from Fifty Shades of Grey.
$5.95
Adagio BWV 974 from Concerto in D Minor after Marcello for flute or violin and guitar
Adagio BWV 974 from Concerto in D Minor after Marcello for flute or violin and guitar
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Flute and Guitar
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INTERMEDIATE/ADVANCED
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BACH–MARCELLO
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Klas Krantz
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Adagio BWV 974 from Concerto i
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Amadeus Music
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SheetMusicPlus
Flute,Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.532625 By BACH–MARCELLO. By Bach, Marcello. Arranged by Klas Krantz. Baroque,C...
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Flute,Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.532625 By BACH–MARCELLO. By Bach, Marcello. Arranged by Klas Krantz. Baroque,Classical,Film/TV,Wedding. 8 pages. Amadeus Music #6630883. Published by Amadeus Music (A0.532625). 2 alternative violin parts included: sul G/low and easy unornamented part.Johann Sebastian Bach (1685–1750) was a German composer, organist, harpsichordist, violist, and violinist whose ecclesiastical and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity.Known from Fifty Shades of Grey.
$5.95
Adagio BWV 974 from Concerto in D Minor after Marcello for wind quartet
Adagio BWV 974 from Concerto in D Minor after Marcello for wind quartet
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Flute, Oboe, Clarinet, Bassoon
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INTERMEDIATE/ADVANCED
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Classical
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BACH–MARCELLO
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Klas Krantz
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Adagio BWV 974 from Concerto i
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Amadeus Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.1171161 By BACH–MARCELLO. By Bach, Marcello. A...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.1171161 By BACH–MARCELLO. By Bach, Marcello. Arranged by Klas Krantz. Baroque,Classical. 9 pages. Amadeus Music #771499. Published by Amadeus Music (A0.1171161). Unornamented (easy) flute part included.Johann Sebastian Bach (1685–1750) was a German composer, organist, harpsichordist, violist, and violinist whose ecclesiastical and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity.Known from Fifty Shades of Grey.
$11.95
Adagio from Concerto for Oboe and Violin in C Minor - Reconstruction after Concerto for 2 Harpsichor
Adagio from Concerto for Oboe and Violin in C Minor - Reconstruction after Concerto for 2 Harpsichor
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Classical
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Johann Sebastian Bach
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Wilfried Fischer - Edited by F
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Adagio from Concerto for Oboe
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Flavio Regis Cunha
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SheetMusicPlus
Large Ensemble Flute,Guitar,Harmonica,Oboe,Piano Accompaniment,Soprano Recorder,Violin - Level 4 - Digital Download SKU: A0.597545 Composed by Johann Seb...
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Large Ensemble Flute,Guitar,Harmonica,Oboe,Piano Accompaniment,Soprano Recorder,Violin - Level 4 - Digital Download SKU: A0.597545 Composed by Johann Sebastian Bach. Arranged by Wilfried Fischer - Edited by Flavio Regis Cunha. Baroque,Contemporary,Easter. Score and parts. 7 pages. Flavio Regis Cunha #6441577. Published by Flavio Regis Cunha (A0.597545). The concerto for two harpsichords in C minor, BWV 1060, is a concerto for two harpsichords and string orchestra by Johann Sebastian Bach. It is likely to have originated in the second half of the 1730s as an arrangement of an earlier concerto, also in C minor, for oboe and violin. That conjectural original version of the concerto, which may have been composed in Bach's Köthen years (1717–1723), is lost, but has been reconstructed in several versions known as BWV 1060R. While the extant 18th-century manuscripts present the concerto in a form for two harpsichords and strings, the assumption that it originated as concerto for violin and oboe has become widely accepted since the late 19th century. The Adagio middle movement, where the melody lines of both solo instruments imitate one another without distinction in texture and figuration, has been likened to the middle movement of Bach's double violin concerto, BWV 1043. Here we present the reconstruction for 2 Instruments in C and Piano.
$12.99
Four Impressions on Debussy (4 Piano Preludes arranged for Full Orchestra) ? Score and Parts
Four Impressions on Debussy (4 Piano Preludes - Full Orchestra) ? Score and Parts
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Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy
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Ben Trigg
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Four Impressions on Debussy
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OlivePress Music
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1370381 Composed by Claude Debussy. Arranged by Ben Trigg. 19th Century,Romantic Period. 221 pages. O...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1370381 Composed by Claude Debussy. Arranged by Ben Trigg. 19th Century,Romantic Period. 221 pages. OlivePress Music #954757. Published by OlivePress Music (A0.1370381). From Debussyâ??s Préludes, Book I:I: The Wind Over The PlainsII: The Girl With The Flaxen HairIII: Puckâ??s DanceIV: The Sunken CathedralDebussyâ??s piano music is filled with colour, texture, vibrancy, sonority. To play it is to be taken inside a sound world greater than the instrument itself. In other words, it seems to demand orchestration. Whether the fanfare call of Puckâ??s Dance, the sotto voce flurries evoking The Wind Over The Plains, or the deepest and highest reaches of the musical spectrum explored in the under-water world of The Sunken Cathedral, Debussyâ??s music seems to drop hints at obvious orchestral manoeuvres. His great skill, of course, was condensing these musical ideas to the piano. But the fruit is there fo the taking, and indeed other orchestrations exist of the complete suite of piano preludes â?? Books I and II. So, why another?This particular suite cherry-picks some of my own favourite movements from the suite, and arranges them in a â??symphonicâ?? structure to present an opening, expository movement (The Wind Over The Plains), a romantic Adagio (The Girl With The Flaxen Hair), a sprightly â??scherzoâ?? (Puckâ??s Dance), concluding with an epic finale (The Sunken Cathedral). This condensed suite may make the music more approachable for some orchestras, and offers something shorter to concert programmes wishing to feature other major works alongside, instead of performing all 24 preludes.I hope you enjoy performing this suite as much as I enjoyed arranging it.Instrumentation: Piccolo 2 Flutes 2 Oboes Cor Anglais 2 Clarinets in Bâ? Bass Clarinet in Bâ? 2 Bassoons Contrabassoon 4 Horns in F 3 Trumpets in Bâ? 2 Trombones Bass Trombone Tuba Timpani Percussion (3/4 players): Triangle, Crash Cymbals, Suspended Cymbal, Bass Drum, Tam-Tam, Glockenspiel, Tubular Bells Celesta Harp Violin 1 (divisi à 4) Violin 2 (divisi à 4) Viola (divisi à 4) Violoncello (divisi à 4) Contrabass (B extension where possible) (divisi à 4)
$99.99
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
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Silvano A
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Introduction, Theme and Variat
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Soundnotation
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SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
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Silvano A
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Introduction, Theme and Variat
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Soundnotation
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SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
Adagio BWV 974 from Concerto in D Minor after Marcello for violin/flute, cello and guitar
Adagio BWV 974 from Concerto in D Minor after Marcello for violin/flute, cello and guitar
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BACH–MARCELLO
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Klas Krantz
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Adagio BWV 974 from Concerto i
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Amadeus Music
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SheetMusicPlus
Cello,Guitar,Violin - Digital Download SKU: A0.1228121 By BACH–MARCELLO. By Bach, Marcello. Arranged by Klas Krantz. Baroque,Classical,Film/TV. 10...
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Cello,Guitar,Violin - Digital Download SKU: A0.1228121 By BACH–MARCELLO. By Bach, Marcello. Arranged by Klas Krantz. Baroque,Classical,Film/TV. 10 pages. Amadeus Music #824240. Published by Amadeus Music (A0.1228121). Johann Sebastian Bach (1685 – 1750) was a German composer, organist, harpsichordist, violist, and violinist whose ecclesiastical and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity.Known from Fifty Shades of Grey.
$9.95
Adagio BWV 974 from Concerto in D Minor after Marcello for easy flute or violin and guitar
Adagio BWV 974 from Concerto in D Minor after Marcello for easy flute or violin and guitar
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Violin, Guitar (duet)
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INTERMEDIATE
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BACH–MARCELLO
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Klas Krantz
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Adagio BWV 974 from Concerto i
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Amadeus Music
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SheetMusicPlus
Guitar,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.532631 By BACH–MARCELLO. By Bach, Marcello. Arranged by Klas Krantz. Baroque,...
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Guitar,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.532631 By BACH–MARCELLO. By Bach, Marcello. Arranged by Klas Krantz. Baroque,Classical,Film/TV. 5 pages. Amadeus Music #6632115. Published by Amadeus Music (A0.532631). Violin and guitar part included.Johann Sebastian Bach (1685–1750) was a German composer, organist, harpsichordist, violist, and violinist whose ecclesiastical and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity.Known from Fifty Shades of Grey.
$5.95
Adagio in G Minor
Adagio in G Minor
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Tomaso Giovanni Albinoni
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Dico
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Adagio in G Minor
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Dico
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SheetMusicPlus
Small Ensemble Cello,Cembalo,Clarinet,Double Bass,Flute,Oboe,Piano,Soprano Saxophone,Violin - Level 3 - Digital Download SKU: A0.842927 Composed by Tomas...
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Small Ensemble Cello,Cembalo,Clarinet,Double Bass,Flute,Oboe,Piano,Soprano Saxophone,Violin - Level 3 - Digital Download SKU: A0.842927 Composed by Tomaso Giovanni Albinoni. Arranged by Dico. Baroque,Wedding. Score and parts. 27 pages. Dico #6383989. Published by Dico (A0.842927). WEDDING SERIES - a set of popular songs and wedding standards that I have arranged for years. The formations are varied, from duos to orchestras with choir. The majority are mixed/flexible sextets in which some instruments can be replaced and the ensembles can be totally changed. Some arrangements have shortened versions. These options are provided in my catalogue.ADAGIO IN G MINOR for mixed septet.- Part 1: Flute (Oboe | Clarinet | Sop sax)- Part 2: Oboe (Flute | Clarinet | Sop sax)- Piano- Violin 1, 2- Cello- Contrabass
$20.00
Adagio in G Minor - for flexible septet
Adagio in G Minor - for flexible septet
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Various
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Dico
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Adagio in G Minor - for flexib
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Dico Ferreira
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Double Bass,Flute,Oboe,Organ,Soprano Saxophone,Violin - Level 3 - Digital Download SKU: A0.511103 By Various. By Tomaso Gio...
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Small Ensemble Cello,Clarinet,Double Bass,Flute,Oboe,Organ,Soprano Saxophone,Violin - Level 3 - Digital Download SKU: A0.511103 By Various. By Tomaso Giovanni Albinoni. Arranged by Dico. Baroque,Wedding. Score and parts. 27 pages. Dico Ferreira #122006. Published by Dico Ferreira (A0.511103). WEDDING SERIESA set of popular songs and wedding standards that I've been arranged for years (some aren't as standard, but still). The formations are varied, from duos to orchestras with chorus. Most are mixed/flexible sextets where some instruments can be replaced and, as a result, ensembles can be completely changed. Some arrangements have abbreviated versions (excerpts) and are in several keys to adapt to a wide range of voices. These options are available in my catalog.ADAGIO IN G MINOR for flexible septet.- Part 1: Flute (Oboe | Clarinet | Sop sax)- Part 2: Oboe (Flute | Clarinet | Sop sax)- Piano- Violin 1, 2- Cello- Contrabass
$16.00
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Adagio from Flute, Orchestra
