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O Come Let Us Adore Him Christmas Cantata - SATB optional instruments and Piano - parts included
O Come Let Us Adore Him Christmas Cantata - SATB optional instruments and Piano - parts included
#
Piano, Vocal and Guitar
#
EASY
#
Connie Boss
#
O Come Let Us Adore Him Christ
#
Connie Boss
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801677 Composed by Connie Boss. Celtic,Christmas,Irish,Sacred. Score. 120 pages. Connie Bos...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801677 Composed by Connie Boss. Celtic,Christmas,Irish,Sacred. Score. 120 pages. Connie Boss #6414353. Published by Connie Boss (A0.801677). This lovely cantata is about how we gather together in song to celebrate the birth of Jesus. It has a Celtic feel and the songs are from several different countries - United States, Ireland, England, France, Germany, Scotland, Italy. There are 8 songs included, 2 originals, 2 medleys and 4 songs that you know and love included also. All of the songs are in SATB with an (optional) accent instrument part (choice of flute, violin or cello - parts included at the end of each score) - the score has the flute part so you can see where the accent instrument fits into the score. A simple piano part is included in each score. The voices and accent instruments help to complete the entire piece. You can also purchase individual songs on here separately if you choose to not purchase the whole cantata. However, it is a bargain to purchase the cantata. There are narration parts before each song that give a little history of the song. You can opt out of using them if desired. The titles of the songs are: 1. Baby, Jesus, Was Born Unto This Earth. (original) 2. Christ Child's Lullaby. 3. Bring a Torch Jeanette, Isabella. 4. Christmas Carols - Coventry and Wexford. 5. Good Christian Men Rejoice. 6. O Come Let Us Adore Him, Christ the Lord - (In the Bleak Midwinter, Gesu Bambino, The Snow Lay on the Ground) 7. Peace on Earth (original) 8. Sing We Now of Christmas. Take a little time to listen to the mp3 attached. It has computer voices, but you can get an idea of what it is supposed to sound like. It also has one of the instrument parts as a sample and then the piano on each one. Any questions, please email me at cdboss@cvalley.net. I'm glad to work with you. This is my 5th cantata and most recent one. You can purchase the other 4 on here - check them out. You can also purchase in book form any of these on Amazon. I have background accompaniment to these songs. If you purchase a book and would like them, please email me with proof of purchase and I will email them back to you. .
$7.00 ≈
¥50.92
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
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Various
#
Alastair Lodge
#
Chording to the Dance Masters
#
Wold Meridian
#
SheetMusicPlus
Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phale...
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Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman Susato. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733808. Published by Wold Meridian (A0.1133711). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00 ≈
¥87.30
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
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Various
#
Alastair Lodge
#
Chording to the Dance Masters
#
Wold Meridian
#
SheetMusicPlus
Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, ...
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Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Phalese, Thoinot Arbeau, Tielman Susato, and William Cornysh. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733832. Published by Wold Meridian (A0.1133721). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances.  You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00 ≈
¥87.30
Local Hero - Wild Theme
Local Hero - Wild Theme
#
Flute and Guitar
#
INTERMEDIATE
#
Dire Straits
#
Derek Hasted
#
Local Hero - Wild Theme
#
Derek Hasted
#
SheetMusicPlus
Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.1275340 By Dire Straits. By Mark Knopfler. Arranged by Derek Hasted. Film/TV,Pop. 13 ...
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Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.1275340 By Dire Straits. By Mark Knopfler. Arranged by Derek Hasted. Film/TV,Pop. 13 pages. Derek Hasted #867223. Published by Derek Hasted (A0.1275340). LOCAL HERO - WILD THEME - FLUTE and GUITAR DUETSuits Classical, Acoustic or Electric GuitarDerek Hasted writes Rightly described as an astonishingly beautiful piece, this music from the film Local Hero actually features twice on the soundtrack album, in different keys with different solo instruments.My arrangement for flute and classical guitar exploits the sustain of the flute and the soft tones of  nylon strings and works well at a slightly more modest pace compared to the original. I’ve taken the theme from the closing soundtrack version, where the melody is clear and powerful. My arrangement includes one or two little bits of Mark Knopfler’s quasi-improvised variations on the tune. There are no dynamics, but the changing texture of the accompaniment creates the illusion of dynamic changes and you are welcome to add phrasing and dynamics to make the performance “yoursâ€.The guitar part is a little challenging at speed but this will suit confident intermediate players.This enjoyable concert item has a wonderfully captivating melody that the audience will be humming all the way home...I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99 ≈
¥36.30
Up I arose in verno tempore for flute and guitar
Up I arose in verno tempore for flute and guitar
#
Flute and Guitar
#
INTERMEDIATE
#
Anon
#
David Warin Solomons
#
Up I arose in verno tempore fo
#
David Warin Solomons
#
SheetMusicPlus
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.577532 Composed by Anon. Arranged by David Warin Solomons. Classica...
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.577532 Composed by Anon. Arranged by David Warin Solomons. Classical,Renaissance,World. Score and parts. 6 pages. David Warin Solomons #1985945. Published by David Warin Solomons (A0.577532). Instrumental duo based on an anonymous 15th century macaronic song about a girl who was made pregnant, and then abandoned, by a cleric. The melody is taken by the guitar in with variations in the middle, while the melody instrument has a countermelody, and then, in the final section, the melody instruments provides a few divisions. The sound sample is an electronic preview For interest here are the words of the original song with my translation of the Latin bits: Up I arose in verno tempore [in springtime] and found a maiden sub quadam arbore [under some tree] that did complain in suo pectore [in her bosom] saying I feel puerum movere [the little boy moving] Adieu pleasures antiquo tempore, [in times gone by] full oft with you solebam ludere. [I used to play] but for my sins mihi deridere [they hold me in derision] with right good cause incipio flere [I start to weep] Now what shall I say meis parentibus, [to my parents] because I lay with quidam clericus [some man of the cloth] They will beat me cum virgis et fustibus [with sticks and clubs] and me sore chaste coram omnibus [in front of everybody] With the said child quid faciam [what shall I do] shall I it keep vel interficiam [or kill it] If I slay it quo loco fugiam [where shall I flee to] I shall lose God et vitam eternam [and eternal life].
$6.00 ≈
¥43.65
Up I arose in verno tempore for alto flute and guitar
Up I arose in verno tempore for alto flute and guitar
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Flute and Guitar
#
INTERMEDIATE
#
Anon
#
David Warin Solomons
#
Up I arose in verno tempore fo
#
David Warin Solomons
#
SheetMusicPlus
Instrumental Duet Alto Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.577527 Composed by Anon. Arranged by David Warin Solomons. Cla...
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Instrumental Duet Alto Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.577527 Composed by Anon. Arranged by David Warin Solomons. Classical,Renaissance,World. Score and parts. 6 pages. David Warin Solomons #1985931. Published by David Warin Solomons (A0.577527). Instrumental duo based on an anonymous 15th century macaronic song about a girl who was made pregnant, and then abandoned, by a cleric. The melody is taken by the guitar in with variations in the middle, while the melody instrument has a countermelody, and then, in the final section, the melody instruments provides a few divisions. The sound sample is an electronic preview For interest here are the words of the original song with my translation of the Latin bits: Up I arose in verno tempore [in springtime] and found a maiden sub quadam arbore [under some tree] that did complain in suo pectore [in her bosom] saying I feel puerum movere [the little boy moving] Adieu pleasures antiquo tempore, [in times gone by] full oft with you solebam ludere. [I used to play] but for my sins mihi deridere [they hold me in derision] with right good cause incipio flere [I start to weep] Now what shall I say meis parentibus, [to my parents] because I lay with quidam clericus [some man of the cloth] They will beat me cum virgis et fustibus [with sticks and clubs] and me sore chaste coram omnibus [in front of everybody] With the said child quid faciam [what shall I do] shall I it keep vel interficiam [or kill it] If I slay it quo loco fugiam [where shall I flee to] I shall lose God et vitam eternam [and eternal life].
$6.00 ≈
¥43.65
Easy Pieces for Violin and Guitar - No. 8 Andantino Grazioso
Easy Pieces for Violin and Guitar - No. 8 Andantino Grazioso
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Violin, Guitar (duet)
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BEGINNER
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Mauro Giuliani
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Arte Nova Music Lab
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Easy Pieces for Violin and Gui
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Arte Nova Music Lab
#
SheetMusicPlus
Small Ensemble Flute,Guitar,Oboe,Violin - Level 1 - Digital Download SKU: A0.742438 Composed by Mauro Giuliani. Arranged by Arte Nova Music Lab. Classica...
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Small Ensemble Flute,Guitar,Oboe,Violin - Level 1 - Digital Download SKU: A0.742438 Composed by Mauro Giuliani. Arranged by Arte Nova Music Lab. Classical,Concert,Standards. Score and parts. 6 pages. Arte Nova Music Lab #3690883. Published by Arte Nova Music Lab (A0.742438). Mauro Giuliani ( July 27 , 1781 – May 8 , 1828 ) was an Italian guitarist and composer , and is reckoned by many to be one of the leading guitar virtuosos of the 19th century.Although born in Bisceglie , Giuliani's center of study was in Barletta where he moved with his brother Nicola in the first years of his life. His first instrumental training was on the cello an instrument which he never completely abandoned and he probably also studied the violin . Subsequently he devoted himself to the guitar, becoming a very skilled performer on it in a short time. The names of his teachers are unknown, and we cannot be sure of his exact movements in Italy. Taken from http://maurogiuliani.free.fr/en/
$5.00 ≈
¥36.37
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Instructional
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 1 - Eighths
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Hor...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - Digital Download SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00 ≈
¥72.75
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
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Choral SATB
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INTERMEDIATE
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Stuart Brown
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An Omani Dance Suite - COMPLET
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Stuart Brown Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brow...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15½ minutes. It consists of a Pavane, Bourée, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/
$30.00 ≈
¥218.24
Over The Waves (Sobre Las Olas) - guitar duet
Over The Waves (Sobre Las Olas) - guitar duet
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2 Guitars (duet)
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BEGINNER
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Various
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Derek Hasted
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Over The Waves
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Derek Hasted
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SheetMusicPlus
Guitar,Instrumental Duet - Level 1 - Digital Download SKU: A0.850624 By Various. By Juventino Rosas. Arranged by Derek Hasted. Classical,Film/TV,Standard...
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Guitar,Instrumental Duet - Level 1 - Digital Download SKU: A0.850624 By Various. By Juventino Rosas. Arranged by Derek Hasted. Classical,Film/TV,Standards. 15 pages. Derek Hasted #457295. Published by Derek Hasted (A0.850624). OVER THE WAVES - GUITAR DUETFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.There is also a version for Flute and Guitar published separatelyThis is the tune that everyone has heard, and no-one knows its name... It makes it perfect for concerts!Derek Hasted writes It’s featured in Octopussy and Mary Poppins, it’s been on Sesame Street, it’s famous for being Trapeze Music in circus scenes. You might even recognise it from a Chet Atkins guitar record, on which this arrangement is styled.This arrangement is based on one I wrote for my Guitar Workshop - it's really easy to play...There are two versions of the Part Score in this edition...Version 1 is ideal for a Student/Teacher duet - the Teacher plays the chords, and the student takes the tune.Version 2 is great for a performance at any level between two players with comparable tone and volume - it’s written as a Call & Response version, which, just like the circus trapeze artists, move from left to right, crossing over in mid-air...I always keep fingering to a minimum, but skilled players will find the melody line fits almost perfectly into VII position.I hope you enjoy playing this piece
$2.99 ≈
¥21.75
Easy Pieces for Violin and Guitar. No 1 Sostenuto
Easy Pieces for Violin and Guitar. No 1 Sostenuto
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Violin, Guitar (duet)
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EASY
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Mauro Giuliani
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Arte Nova Music Lab
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Easy Pieces for Violin and Gui
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Arte Nova Music Lab
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SheetMusicPlus
Small Ensemble Flute,Guitar,Oboe,Violin - Level 2 - Digital Download SKU: A0.742435 Composed by Mauro Giuliani. Arranged by Arte Nova Music Lab. Classica...
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Small Ensemble Flute,Guitar,Oboe,Violin - Level 2 - Digital Download SKU: A0.742435 Composed by Mauro Giuliani. Arranged by Arte Nova Music Lab. Classical,Concert,Standards,World. Score and parts. 6 pages. Arte Nova Music Lab #3686381. Published by Arte Nova Music Lab (A0.742435). Mauro Giuseppe Sergio Pantaleo Giuliani (27 July 1781 – 8 May 1829) was an Italian guitarist, cellist, singer, andcomposer. He was a leading guitar virtuoso of the early 19th century. Although born in Bisceglie, Giuliani's center of study was in Barletta where he moved with his brother Nicola in the first years of his life. His first instrumental training was on the cello-an instrument which he never completely abandoned-and he probably also studied the violin. Subsequently, he devoted himself to the guitar, becoming a very skilled performer on it in a short time. The names of his teachers are unknown, and we cannot be sure of his exact movements in Italy. Taken from https://en.wikipedia.org/wiki/Mauro_Giuliani
$5.00 ≈
¥36.37
Copacabana (at The Copa)
Copacabana (at The Copa)
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Flute and Guitar
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ADVANCED
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Barry Manilow
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Dawson Music UK
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Copacabana
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Dawson Music UK
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SheetMusicPlus
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 5 - Digital Download SKU: A0.1077874 By Barry Manilow. By Barry Manilow, Bruce Sussman, and Jack...
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 5 - Digital Download SKU: A0.1077874 By Barry Manilow. By Barry Manilow, Bruce Sussman, and Jack Feldman. Arranged by Dawson Music UK. Classical,Latin,Pop. Score and parts. 24 pages. Dawson Music UK #681951. Published by Dawson Music UK (A0.1077874). This is an advanced arrangement of Copacabana for flute and classical guitar. The flute takes the melody throughout and the guitar accompanies. The flute part is embellished in places for added flare using extended techniques such as bends and glissandi. The guitar part is arranged using traditional Latin American rhythmic patterns and incorporates percussive techniques which are explained in the score. Both parts are therefore advanced in playing level making this a very fun concert repertoire piece. The flute part is also available separately. Follow the link to a full performance on YouTube, or contact me directly for further information at simon@dawsonmusic.co.uk. www.dawsonmusic.co.uk.
$6.99 ≈
¥50.85
Es es es und es for 2 flutes and guitar
Es es es und es for 2 flutes and guitar
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Flute and Guitar
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INTERMEDIATE
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Traditional
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David Warin Solomons
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Es es es und es for 2 flutes a
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.576831 Composed by Traditional. Arranged by David Warin Solomons. C...
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.576831 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Folk,World. Score and parts. 11 pages. David Warin Solomons #442537. Published by David Warin Solomons (A0.576831). This is one of several instrumental duo arrangements of the German travelling apprentices' song Es es es und es in which the melody instruments take turns to play the tune and a countermelody. A version with piano accompaniment is also available. The pdf file contains score and parts. The sound sample is an electronic preview.
$5.00 ≈
¥36.37
Duo Sonata No. 03 for Guitar and Flute/Violin "Blue Sonatine"
Duo Sonata No. 03 for Guitar and Flute/Violin "Blue Sonatine"
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Flute and Guitar
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INTERMEDIATE
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Ken Turley
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Duo Sonata No. 03 for Guitar a
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Ken Turley
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SheetMusicPlus
Flute,Guitar,Violin - Level 3 - Digital Download SKU: A0.926002 Composed by Ken Turley. 20th Century,Blues,Jazz. 24 pages. Ken Turley #4832635. Published...
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Flute,Guitar,Violin - Level 3 - Digital Download SKU: A0.926002 Composed by Ken Turley. 20th Century,Blues,Jazz. 24 pages. Ken Turley #4832635. Published by Ken Turley (A0.926002). While in a traditional sonata-like form, the musical content is definitely blues influenced. The opening movement is quiet and gentle, the second fun and energetic, the third begins contemplatively then takes off. Moderately challenging for experienced players, this will liven up any performance. The audio clip is the 2nd movement and is computer generated.
$7.00 ≈
¥50.92
Tria paidia voliotika - Τρία παιδιά ΒολιÏŽτικα (Three young men from Volos) flute and guitar
Tria paidia voliotika - Τρία παιδιά ΒολιÏŽτικα (Three young men from Volos) flute and guitar
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Flute and Guitar
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BEGINNER
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Traditional
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David Warin Solomons
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Tria paidia voliotika - ΤρÎ
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 1 - Digital Download SKU: A0.578150 Composed by Traditional. Arranged by David Warin Solomons. F...
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 1 - Digital Download SKU: A0.578150 Composed by Traditional. Arranged by David Warin Solomons. Folk,Multicultural,World. Score and parts. 2 pages. David Warin Solomons #3573087. Published by David Warin Solomons (A0.578150). Tria paidia voliotika - three young men from Volos have taken our sweet Annoula away up into the high mountains. This song refers to the nomadic race of the Sarakatsani - who are Greek in tradition but have spread across much of Eastern Europe - some say they are the oldest identifiable race in the area.This is the simple version, with guitar chord names for convenience - a set of Variations is also available
$6.00 ≈
¥43.65
Variations on Tria paidia voliotika (Three young men from Volos) for flute and guitar
Variations on Tria paidia voliotika (Three young men from Volos) for flute and guitar
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Flute and Guitar
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INTERMEDIATE/ADVANCED
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Traditional
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David Warin Solomons
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Variations on Tria paidia voli
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.578335 Composed by Traditional. Arranged by David Warin Solomons. 2...
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.578335 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Contemporary,Folk,Multicultural,World. Score and parts. 8 pages. David Warin Solomons #4337855. Published by David Warin Solomons (A0.578335). Tria paidia voliotika - three young men from Volos have taken our sweet Annoula away up into the high mountains. This song refers to the nomadic race of the Sarakatsani - who are Greek in tradition but have spread across much of Eastern Europe - some say they are the oldest identifiable race in the area.
$10.00 ≈
¥72.75
Silent Night (Bb) (Flute Quintet)
Silent Night (Bb) (Flute Quintet)
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Flute Quintet : 5 flutes
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INTERMEDIATE
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Christmas
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the 1840's, the song was well
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Franz Xaver Gruber
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Regis Bookshar
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Silent Night
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.813965 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,M...
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.813965 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 7 pages. Regis Bookshar #6635849. Published by Regis Bookshar (A0.813965). Flute Quintet - Intermediate - Digital Download. This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Flute Quintet, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$5.00 ≈
¥36.37
Viage for alto flute and guitar
Viage for alto flute and guitar
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Flute and Guitar
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ADVANCED
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Julietta Anne Rabens
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Viage for alto flute and guita
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Juliettamusic
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SheetMusicPlus
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 5 - Digital Download SKU: A0.867176 Composed by Julietta Anne Rabens. Concert,Contemporary. Scor...
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 5 - Digital Download SKU: A0.867176 Composed by Julietta Anne Rabens. Concert,Contemporary. Score and parts. 7 pages. Juliettamusic #1750229. Published by Juliettamusic (A0.867176). Viage for alto flute and guitar takes you on a sonic journey or voyage. It was originally commissioned by the Hoeflicker-Reedy duo. Alto flute and guitar create unique and effective sound duo, which is perfect for a contrasting piece on a recital performance. This piece is intended for intermediate-advanced players.
$12.50 ≈
¥90.93
Silent Night (Bb) (Flute Octet)
Silent Night (Bb) (Flute Octet)
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Flute ensemble
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INTERMEDIATE
#
Christmas
#
the 1840's, the song was well
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Franz Xaver Gruber
#
Regis Bookshar
#
Silent Night
#
Regis Bookshar
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.813987 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,M...
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.813987 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 11 pages. Regis Bookshar #6636631. Published by Regis Bookshar (A0.813987). Flute Octet - Intermediate - Digital Download. This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (11 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Flute Octet, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$8.00 ≈
¥58.20
Silent Night (Bb) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Clar, 1 Hrn, 1 Bassoon)
Silent Night (Bb) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Clar, 1 Hrn, 1 Bassoon)
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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Christmas
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the 1840's, the song was well
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Franz Xaver Gruber
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Regis Bookshar
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Silent Night
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.813981 Composed by Franz Xaver Gruber. Arranged ...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.813981 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 7 pages. Regis Bookshar #6635887. Published by Regis Bookshar (A0.813981). Woodwind Quintet - Intermediate - Digital Download. This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
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Take the Flute and Guitar
