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Cry for Love Piano and Orchestra
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Cry for Love Piano and Orchestra
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1
An American in Valencia - Trumpet Solo with Band (piano reduction)
An American in Valencia - Trumpet Solo with Band (piano reduction)
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Trumpet, Piano
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INTERMEDIATE
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Contemporary
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Gregory Fritze
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An American in Valencia - Trum
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Musica Nova USA
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SheetMusicPlus
Composed by Gregory Fritze. 21st Century, Contemporary Classical, Neo-Classical, Repertoire, Recital. Piano Reduction, Solo Part. 39 pages. Published ...
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Composed by Gregory Fritze. 21st Century, Contemporary Classical, Neo-Classical, Repertoire, Recital. Piano Reduction, Solo Part. 39 pages. Published by Musica Nova USA
An American in Valencia was commissioned by the United States Army Band “Pershing’s Own” in Washington, DC in 1999. The Premiere Performance was May 22, 1999 at the Casa de Cultura in L’Alcudia (Valencia), Spain by Rafael Sanz-Espirt conducting La Filharmonica Band. Woodrow English, Principal Trumpet the U. S. Army Band "Pershing's Own" as was the soloist.
The piece is in three movements in a Spanish style suggesting the grand gesture of Bull fighting.The trumpet soloist portrays a toreador with the splendor of the corrida. The first movement represents theentrance of the toreador with all of the fanfare and showmanship as he bows to the audience. The second movement is a love song in a waltz tempo. The third movement starts with the raging bull coming out ofit’s corral, ready for the fight. The trumpet soloist is able to contain the bull with dashing melodic figures and a cadenza leading to the final bow in victory.
An American in Valencia was awarded Finalist in the Band Composition Competition of the American Prize in 2017. One of only two Concertos with Band awarded that year. It is recorded on Mark Records with Rafael Sanz-Espirt conducting La Filharmonica Band. Woodrow English is the soloist.
Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists. He has won over fifty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest 2017, First Prize Winner of Reneé Fisher Composition Prize, First Prize Winner in Concurso Bienal de Composición de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d’Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in 1991 TUBA International Etude Composition Competition, the IBLA Grand Prize (Italy), several awards from The American Prize, Composition Awards from Standard Awards Panel of American Society of Composers, Authors, and Publishers and many others. His compositions include works published by several publishers in the United States, South America and Europe and have been performed extensively throughout the world.
He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanish composers around the world. He is the only composer who has been commissioned six times by Spanish bands for Certamen competitions, with each band winning first prize.
He has thirty-three compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00 ≈
£15.69
Tannhäuser und der Sängerkrieg auf Wartburg
Tannhäuser und der Sängerkrieg auf Wartburg
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Classical
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Richard Wagner
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Tannhäuser und der Sängerkri
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Schott Music - Digital
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SheetMusicPlus
Digital Download SKU: S9.Q25917 Vocal Score based on the Richard Wagner Complete Edition edited by Wolfgang M. Wagner. Composed by Richard Wagner....
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Digital Download SKU: S9.Q25917 Vocal Score based on the Richard Wagner Complete Edition edited by Wolfgang M. Wagner. Composed by Richard Wagner. This edition: vocal/piano score. Erstveröffentlichung - Oper - Theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q25917. Published by Schott Music - Digital (S9.Q25917). German • French.An important addition to Schott's newly published orchestral material is the first publication of piano scores for the ten major operas by Richard Wagner in all major versions. For the first time, we offer the stages and interested opera lovers piano scores as urtext editions that were designed according to uniform editorial criteria.•The score is aligned with the performance material of the Complete Edition. •All piano scores have study numbers and continuous measure numbers for rehearsal and study practice. •The editors are renowned musicologists from the circles of those working on the Richard Wagner Complete Edition who contribute detailed information on the respective editions to the critical prefaces.•The prefaces are printed in three languages (German, English, French). •The uniform appealing cover design with reproductions of paintings from the Wagner era emphasizes the serial character of the edition.TANNHÄUSERFor the Richard Wagner Complete Edition, the editors Egon Voss, Peter Jost and Reinhard Strohm as well as Cristina UrchueguÃa have researched and presented Tannhäuser's genesis and history of more than thirty years, which also took about thirty years of scientific work, on 2,959 pages in eight volumes. With the present piano score, the findings gathered therein shall now also to be made accessible for the musical practice. (Wolfgang M. Wagner, quoted from the foreword to the new Tannhäuser piano score)The piano score unites for the first time all four stages of the work (the score as of 1845, the score as of 1860, the Paris version as of 1861/62 with the complete French text of this version, and the Vienna version as of 1875) in a single excerpt for rehearsal and study practice, thus allowing the comparison of the versions, without sacrificing practicability.All variants are printed one after the other in the chronological sequence of the action on the stage, so that each of them can be explored in their context of action by simply turning over the pages. Only two variants rejected before the Paris premiere were printed separately in the appendix. A fascinating insight into Richard Wagner's thinking in terms of stage practice and into his very precise ideas of tonal balance, scenic details and role-conception are made possible by the quotations printed in key passages from his work On the Performance of Tannhäuser, published in 1852.For example, soon after the world premiere, Wagner suggested the deletion of bars in the orchestral part in the 4th scene of Act I, reasoning that […] due to the tremendous woodenness and self-consciousness of our usual supernumeraries, the impression of overwhelming liveliness, which was intended by me and which was to imply a heightening of the mood led up to by the liveliest manifestations of life, was not achieved. (piano reduction, p. 221)In the big ensemble scene at the end of Act II, Wagner puts in a comment at a certain passage, referring to the conductor and his great responsibility for tonal balance:The exclamations 'Ach, erbarm' dich mein!' require such a piercing emphasis that he [the performer of Tannhauser] as a mere, well-trained singer is not enough; it is but the highest dramatic art that has to provide him the energy of pain and desperation for an expression that must seem to break forth from the most gruesome depths of an awfully woeful heart, like a cry for salvation. The conductor has to ensure that the implied success is made possible for the principal singer by the most discrete accompaniment of the other singers as well as of the orchestra. (piano reduction, p. 367)3 (3. auch Picc.) · 2 · 2 · Bassklar. [nicht in Pariser F.] · 2 - 2 Ventilhr. · 2 Waldhr. · 3 Ventiltrp. · 3 · 1 [Pariser F.: Ophicléïde] - P. S. (Trgl. · Beck. · Tamb. · gr. Tr. · Tamt. [Pariser F.] · Kast. [Pariser/Wiener F.) (2-3 Spieler) - Str. Auf dem Theater: 2 Picc. [P/W: 1] · 4 Fl. [P/W: 2] · 4 Ob. [P/W: 2] · Engl. Hr. · 6 Klar. [P/W: 3] · 4 Fg. [P: 2, W: 0] - 12 Wald-Hr. · 12 Trp. [P: 9] · 4 Pos. [P/W: 4 Hr.] - Trgl. · Beck. · Tamb. · Kast. [nur in P] - Hfe. [in P/W].
$53.99 ≈
£42.35
What A Wonderful World
What A Wonderful World
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Piano solo
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INTERMEDIATE/ADVANCED
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Louis Armstrong
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Timothy Stapay
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What A Wonderful World
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1438013 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Timothy Stapay. Broadway,Fi...
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Piano Solo - Level 4 - Digital Download SKU: A0.1438013 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 6 pages. Timothy Stapay #1018085. Published by Timothy Stapay (A0.1438013). When it comes to timeless classics, few songs can compare to “What a Wonderful World” by Louis Armstrong’s Orchestra and Chorus. Released in 1967, this beautiful melody has transcended decades, touching the hearts of millions across the globe. After it was heard in the film Good Morning, Vietnam, it was reissued as a single in 1988, and rose to number 32 on the Billboard Hot 100. Armstrong's recording was inducted to the Grammy Hall of Fame in 1999.In a world often plagued by strife and uncertainty, the song serves as a gentle reminder to focus on the positive aspects of life. It urges us to look beyond our differences and embrace the beauty that surrounds us. It celebrates the wonders of nature, the innocence of children, and the power of love, instilling a renewed sense of appreciation for the world we live in.I see trees of green, red roses tooI see them bloom for me and youAnd I think to myself what a wonderful worldI see skies of blue and clouds of whiteThe bright blessed day, the dark sacred nightAnd I think to myself what a wonderful worldThe colors of the rainbow so pretty in the skyAre also on the faces of people going byI see friends shaking hands saying how do you doThey're really saying I love youI hear babies crying, I watch them growThey'll learn much more than I'll never knowAnd I think to myself what a wonderful worldYes I think to myself what a wonderful world.
$7.99 ≈
£6.27
Edward Elgar - Salut d'Amour (Liebesgruss) - lead sheet
Edward Elgar - Salut d'Amour (Liebesgruss) - lead sheet
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C Instruments
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Classical
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Edward Elgar
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Andre Maaker
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Edward Elgar - Salut d'Amour
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SheetMusicHub
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SheetMusicPlus
C Instrument - Digital Download SKU: A0.662483 Composed by Edward Elgar. Arranged by Andre Maaker. Classical,Romantic Period,Wedding. Lead Sheet / Fake B...
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C Instrument - Digital Download SKU: A0.662483 Composed by Edward Elgar. Arranged by Andre Maaker. Classical,Romantic Period,Wedding. Lead Sheet / Fake Book. 2 pages. SheetMusicHub #271549. Published by SheetMusicHub (A0.662483). This is a lead sheet style (melody/chords/form) notation of Salute d'Amour (Liebesgruß) Op. 12 by Edward Elgar. From Wikipedia: Elgar finished the piece in July 1888, when he was romantically involved with Caroline Alice Roberts, and he called it Liebesgruss ('Love's Greeting') because of Miss Roberts' fluency in German. On their engagement she had already presented him with a poem The Wind at Dawn which he set to music and, when he returned home to London on 22 September from a holiday at the house of his friend Dr. Charles Buck in Settle, he gave her Salut d'Amour as an engagement present. The dedication was in French: à Carice. Carice was a combination of his wife's names Caroline Alice, and was the name to be given to their daughter born two years later. It was published a year later by Schott & Co., a German publisher, with offices in Mainz, London, Paris and Brussels. The first published editions were for violin and piano, piano solo, cello and piano, and for small orchestra. Few copies were sold until Schott changed the title to Salut d'Amour with Liebesgruss as a sub-title, and the composer's name as 'Ed. Elgar'. The French title, Elgar realised, would help the work to be sold not only in France but in other European countries. The first public performance was of the orchestral version, at a Crystal Palace concert on 11 November 1889, conducted by August Manns. The first recording of that version was made in 1915 for The Gramophone Company with an orchestra conducted by the composer. As a violin-and-piano piece Salut d'Amour had been recorded for The Gramophone & Typewriter Ltd (predecessor to The Gramophone Company) as early as 1901 by Jacques Jacobs, leader/director of the Trocadero Restaurant orchestra. Auguste van Biene recorded a cello transcription in 1907..
$4.00 ≈
£3.14
What Did You See? DX
What Did You See? DX
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Amphibia Cultural Legacy
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Amphibia Cultural Legacy
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What Did You See? DX
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Amphibia Cultural Legacy
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SheetMusicPlus
Strings Acoustic Guitar,Bass Drum,Bass Voice,Celesta,Clarinet,Digital Keyboard,Double Bass,Electric Bass Guitar,Electronic Keyboard,Harp,Horn,Medium-High Voice,...
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Strings Acoustic Guitar,Bass Drum,Bass Voice,Celesta,Clarinet,Digital Keyboard,Double Bass,Electric Bass Guitar,Electronic Keyboard,Harp,Horn,Medium-High Voice,Oboe,Ocarina,Percussion,Piano and Keyboard,Piccolo,Synthesizer,Tuba - Digital Download SKU: A0.1207454 Composed by Amphibia Cultural Legacy. Arranged by Amphibia Cultural Legacy. Children,Comedy,New Age,Standards,Traditional. 4 pages. Amphibia Cultural Legacy #805621. Published by Amphibia Cultural Legacy (A0.1207454). The DX version of Little Fox's popular kids' song What Did You See? has been remastered and enriched with additional orchestra instruments by the talented team at Amphibia Cultural Legacy. The result is a stunning new take on the beloved classic, sure to capture the imaginations of both children and adults alike.The new version features the original catchy lyrics that have made What Did You See? a hit among young audiences for years. However, they accompany by soaring strings, majestic brass sections, and other exciting orchestral elements that enhance the listening experience. Every detail noticed in this remastering process - every instrument shines through with crystal-clear clarity and perfect balance.
$60.00 ≈
£47.07
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Cry for Love Piano and Orchestra
