All site ▾
All site▾
Free sheet music
Sheet music books
Digital sheet music
Musical equipment
My account
(log-in)
¥
¥
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music ▾
▽ INSTRUMENTS
ACCORDION
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET M…
BOOKS
BOUZOUKI
CELLO - VIOLO…
CHARANGO
CHOIR - VOCAL
CLARINET
CORNET
DOBRO - GUIT.…
DOUBLE BASS
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEORB
MANDOLIN
MARCHING BAND
MARIMBA
OBOE
ORCHESTRA - B…
ORGAN - ORGAO
OTHER INSTRUM…
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLA DA GAMB…
VIOLIN - FIDD…
XYLOPHONE
ZITHER
NEW ADDITIONS
|
GENRES
|
20th century
Afro-americans
Ballad
Baroque
Bluegrass
Blues
Brazilian/Choro
Celtic
Celebrations
Classical
Classical modern
Contemporary
National Anthems
Jazz
New age
Opera
Ragtime
Renaissance
Romantic
Sonata
Tango
Traditional
Waltz
Occitan song
Song
Chinese traditional
Ethnic
Klezmer
Flamenco
Folk
Japanese traditional
March
Medieval
Musette
Orientale
Pasodoble
French popular
Popular Dance
Reggae
Swing
Latin/World
INSTRUCTIONAL
:
Blank sheet music
Children
Dictionaries
Instructional methods
Music theory
Musicology
Rhythmic Solfege
Solfeges
Studies
SACRED
:
African Hymns
Chassidic
Christian
Christmas
Gospel
Gregorian
Israeli
Sacred Hymns
Wedding
DIFFICULTY
|
Beginner
Easy
Intermediate
Intermediate/advanced
Advanced
TOP DOWNLOADS
|
TOP DOWNLOADS
TOP 100 SOCIAL RANKING
COMPOSERS
|
Member composers
Historical composers
All composers
INSTRUMENTATIONS
|
SOLO
DUET
TRIO
QUARTET
QUINTET
ENSEMBLE
ALL
ADVANCED SEARCH
|
Digital Sheet Music
HOME
|
NEW ADDITIONS
|
PIANO
|
Piano sheet music
Piano solo
Piano, Voice, Guitar
Piano duet
Easy Piano
Piano Method
Methods
Studies
Organ sheet music
Organ solo
Organ duet
INSTRUMENTAL
|
Strings
Violin
Viola
Cello
Doublebass
Harp
Woodwinds
Flute
Clarinet
Oboe
Saxophone
Bassoon
Brass
Trumpet
Horn
Trombone
Tuba
Guitar
Guitar Tabs
Piano, Voice, Guitar
Bass
Folk
Accordion
Banjo
Dulcimer
Ukulele
Mandolin
Chamber music
String quartet
Wind quintet
Brass quintet
Handbells
ORCHESTRA
|
Concert Band
Jazz Ensemble
Jazz combo
Brass band
Marching band
Methods
Orchestra
String orchestra
CHOIR / VOICE
|
Choir
SATB
TTBB
SSAA
3-parts
2-parts
Voice
Piano, Voice, Guitar
Piano, Voice
Voice solo
Voice duet
GENRES
|
20th century
Asian
Bluegrass
Blues
Broadway / Musicals
Celtic
Christmas
Classical
Children
Country
Fingerpicking
Flamenco
Folk Rock
French songs
Funk
Gospel
Halloween
Instructional
Instructional - Studies
Jazz
Klezmer
Latin / World
Latin Pop
Medieval / Renaissance
Metal / Hard
Movie / TV
Movie Walt Disney
New Age
Patriotic
Pop
Reggae
Rock
Rock Alt.
Sacred / Church
Soul / Rap
Tango
Traditional
Video Game
Wedding / Love
CHRISTMAS
|
All Christmas
Christmas Piano
Christmas Guitar
Christmas Voice/Choir
Halloween
DIFFICULTY
|
Beginner
Easy
Intermediate
Intermediate/advanced
Advanced
Music Sheet Library ▾
HOME
|
NEW ADDITIONS
|
PIANO
|
Piano (all)
Beginner Piano
Easy Piano
Piano Solo
PVG
Best Sellers
New additions
GUITAR
|
Guitar (all)
Beginner Guitar
Easy Guitar
Guitar TAB
Guitar (without TAB)
Best Sellers
New additions
VOICE/CHORAL
|
Choral & Voice (all)
Solo voice
Choral 2-Part
Choral 3-Part
Choral SATB
Choral TTBB
Choral SSAA
Choral UNISON
Best Sellers
New additions
INSTRUMENTATIONS
|
BEST SELLERS
|
CHRISTMAS
|
GENRES
|
20th century
African
Asian
Bluegrass
Blues
Broadway / Musical
Celtic
Christmas
Classical
Country
Children
Eastern Europe
Exams
Fingerpicking
Flamenco
Folk Rock
French songs
Funk
Gypsy jazz
Gospel
Halloween
Instructional
Instructional - Studies
Instructional - Chords/Scales
Jazz
Klezmer
Latin / World
Latin Pop
Medieval / Renaissance
Metal
Movie / TV
Movie Walt Disney
New Age
Patriotic
Pop
Reggae
Rock
Rock Alternative
Sacred / Church
Soul / Rap
Tango
Traditional
Video Games
Wedding / Love
SECTIONS
|
ARTISTS
PUBLISHERS
CLASSROOM
GIFT IDEAS
BOOKS ABOUT MUSIC
PLAY-ALONG
ADV.SEARCH
Musical Equipment ▾
GUITAR
|
KEYBOARD
|
PERCU.
|
STUDIO
|
SOFT
|
PA
|
LIGHT
|
DJ
|
MIC
|
EFFECTS
|
WINDS
|
TRAD.
|
FLIGHT
|
CABLES
|
ACC.
|
GIFT
|
BRANDS
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Etude For Two Piano solo
Not classified
2
Piano & keyboards
Piano solo
84
Easy Piano
3
2 Pianos, 4 hands
1
Guitars
Guitar
1
Voice
Woodwind
Tenor Saxophone
1
2 Flutes (duet)
1
Flute and Piano
1
Clarinet, Violin (duet)
1
Woodbrass
Euphonium, Piano (duet)
1
Brass quartet : 2 trumpets, trombone, tuba
1
Tuba and Piano
1
2 Trombones (duet)
1
Trumpet, Piano
1
Trombone and Piano
1
+ 1 instrumentations
-
Retract
Strings
Violin and Piano
2
Percussion & orchestra
Piano and Orchestra
1
Others
Home
Best Sellers
New releases
Methods
Studies
Sellers
Sellers
Americans
At Musicnotes
At Sheetmusicplus
At Virtualsheetmusic
Europeans
At Tomplay
At Prof-Editions
At Note4piano
At Noviscore
At Quickpartitions
International artists list
French artists list
Top artists
Top artists
POP
Adele
Daft Punk
Avicii
Pharrel Williams
Bruno Mars
Lily Allen
Birdy
John Legend
Passenger
Emeli Sand�
Beatles
NEW AGE / CLASSICAL
Yiruma
Ludovico Einaudi
John Williams
Piazzolla
John Rutter
Dmitri Shostakovich
Benjamin Britten
Ennio Morricone
Paul Mealor
John Rutter
Eric Whitacre
John Tavener
Christmas
Halloween
Easter
Wedding
Sacred
International Artists :
• Piano Guys, The
FREE SHEET MUSIC
185,000+ free sheet music
SHEET MUSIC LIBRARY
1,500,000+ buy and delivery
DIGITAL SHEET MUSIC
2,000,000+ buy and print
MUSICAL INSTRUMENTS
200,000+ buy and delivery
Sheet Music Membership ($37.75/year)
Digital sheet music, access after purchasing
Post mailing
Digital sheet music
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
You've selected:
Etude For Two Piano solo
Sheetmusic to print
105 sheet music found
<
1
26
51
....
101
Germaine Tailleferre: Trois Études for two pianos
Germaine Tailleferre: Trois Études for two pianos
#
2 Pianos, 4 hands
#
ADVANCED
#
achieving the physical decline
#
Germaine Tailleferre
#
Germaine Tailleferre: Trois É
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. S...
(+)
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95 ≈
¥239.65
Concerto
Concerto
#
Piano and Orchestra
#
ADVANCED
#
Contemporary
#
Gyorgy Ligeti
#
Concerto
#
Schott Music - Digital
#
SheetMusicPlus
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. D...
(+)
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
¥174.48
Thad and Finas - Etude #13
Thad and Finas - Etude #13
#
Piano solo
#
ADVANCED
#
Jazz
#
Bruce Dudley
#
Bruce Dudley
#
Thad and Finas - Etude #13
#
Bruce Dudley
#
SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1253045 By Bruce Dudley. By Bruce Dudley. Arranged by Bruce Dudley. Jazz. Score. 7 pages. Bruce Dudley #8...
(+)
Piano Solo - Level 5 - Digital Download SKU: A0.1253045 By Bruce Dudley. By Bruce Dudley. Arranged by Bruce Dudley. Jazz. Score. 7 pages. Bruce Dudley #846791. Published by Bruce Dudley (A0.1253045). Thad and Finas (Etude #13) is based on the harmonic progression used by George Gershwin in his song, I Got Rhythm, widely known as rhythm changes. The form is AABA, divided into 8-measure phrases. The first chorus (mm. 1 -32) consists mostly of two-handed chordal textures with the melody on top in the right hand. This chorus includes harmonizations, chord voicings, and melodic shapes similar to those used by jazz composer and arranger Thad Jones. The second chorus (mm. 33 - 64) consists mainly of single solo melodic lines in the right hand with shell voicings in the left hand that lightly support the melodic lines harmonically and rhythmically. The third chorus (mm. 65 - 96) begins with melodic lines played in unison with both hands two octaves apart, a style of soloing that jazz pianist Phineas Newborn Jr. (Finas) perfected in the 1950s and 60s. In the fourth chorus, beginning in measure 97, the harmonic progression is altered in the A sections, borrowing a clever cycle of fifths progression that was first developed by jazz pianists Art Tatum and Thelonious Monk in the 1940s. Before the piece ends there is a brief moment of stride left hand accompaniment that propels the piece to an exciting conclusion.
$4.49 ≈
¥32.66
Three Etudes
Three Etudes
#
Piano solo
#
ADVANCED
#
Daniel Kidane
#
Three Etudes
#
Schott Music - Digital
#
SheetMusicPlus
Piano - difficult - Digital Download SKU: S9.Q582538 For piano. Composed by Daniel Kidane. Etudes - painting - art - painting. Downloadable. Durat...
(+)
Piano - difficult - Digital Download SKU: S9.Q582538 For piano. Composed by Daniel Kidane. Etudes - painting - art - painting. Downloadable. Duration 8'. Schott Music - Digital #Q582538. Published by Schott Music - Digital (S9.Q582538). The initial stimulus for this set of pieces was a painting by Kandinsky, Composition VII (1913). The painting represents a period when he was concerned with emotional, abstract paintings of two sorts: (a) improvisations (â??unconscious, spontaneous expression of inner character, the non-material natureâ?? that contain no recognizable objects, but coloured shapes that express feelings) and (b) compositions (â??an expression of a slowly formed inner feeling, tested and worked over repeatedlyâ?? that include recognizable objects, but ones that have been â??strippedâ?? and â??veiledâ??). Taking the latter idea as a starting point I began to mould and form a tripartite piece which conveyed the energy and colour from canvas to notes. The movement titles are derived from the number of notes in the note rows for each movement, i.e. Etude Four uses a note row made up of four notes. © Daniel Kidane, 2023.
$6.99 ≈
¥50.84
Etude 2.5 + 3.0 for Piano Solo from 25 Etudes using Symmetry, Mirroring and Intervals
Etude 2.5 + 3.0 for Piano Solo from 25 Etudes using Symmetry, Mirroring and Intervals
#
Piano solo
#
ADVANCED
#
Michael Bomier
#
Etude 2.5 + 3.0 for Piano Solo
#
Michael Butkus-Bomier
#
SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.862555 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 5 pages. Michael Butkus-B...
(+)
Piano Solo - Level 5 - Digital Download SKU: A0.862555 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 5 pages. Michael Butkus-Bomier #2034473. Published by Michael Butkus-Bomier (A0.862555). When using the intervals of a 4th and a tritone as material for a non-jazz piece, one has to be careful not to make the music sound like jazz, as this particular interval set comprises the essential dominant chord voicing for most jazz pianists. G-C#-F#, for instance, as a representation of A13 or A7. So, this piece uses complete symmetry, mirroring and topographically equivalent fingerings throughout, so as to avoid this problem. Admittedly, the spellings are not easy to decipher. They often use the flatted form of a note in one clef, and the sharped form of that same musical alphabet letter in the other. This is to avoid endless naturals, as the half-step motion, so typical of movement between 4ths and tritones, necessitates. Arpeggiated figures, block chords, and even some delicious chimes at the close make this piece more than a mere display of intervallic and pianistic options. It has a feeling all its own, as the sequential chromatic meandering up from the lower end of the keyboard to the upper shows each color in turn, all the while keeping to the strict rules that these etudes were constructed under.This is the last of the groups of two interval pieces. Running time is just under 3 mins. MBB.
$2.25 ≈
¥16.36
An American in Valencia - Trumpet Solo with Band (piano reduction)
An American in Valencia - Trumpet Solo with Band (piano reduction)
#
Trumpet, Piano
#
INTERMEDIATE
#
Contemporary
#
Gregory Fritze
#
An American in Valencia - Trum
#
Musica Nova USA
#
SheetMusicPlus
Composed by Gregory Fritze. 21st Century, Contemporary Classical, Neo-Classical, Repertoire, Recital. Piano Reduction, Solo Part. 39 pages. Published ...
(+)
Composed by Gregory Fritze. 21st Century, Contemporary Classical, Neo-Classical, Repertoire, Recital. Piano Reduction, Solo Part. 39 pages. Published by Musica Nova USA
An American in Valencia was commissioned by the United States Army Band “Pershing’s Own” in Washington, DC in 1999. The Premiere Performance was May 22, 1999 at the Casa de Cultura in L’Alcudia (Valencia), Spain by Rafael Sanz-Espirt conducting La Filharmonica Band. Woodrow English, Principal Trumpet the U. S. Army Band "Pershing's Own" as was the soloist.
The piece is in three movements in a Spanish style suggesting the grand gesture of Bull fighting.The trumpet soloist portrays a toreador with the splendor of the corrida. The first movement represents theentrance of the toreador with all of the fanfare and showmanship as he bows to the audience. The second movement is a love song in a waltz tempo. The third movement starts with the raging bull coming out ofit’s corral, ready for the fight. The trumpet soloist is able to contain the bull with dashing melodic figures and a cadenza leading to the final bow in victory.
An American in Valencia was awarded Finalist in the Band Composition Competition of the American Prize in 2017. One of only two Concertos with Band awarded that year. It is recorded on Mark Records with Rafael Sanz-Espirt conducting La Filharmonica Band. Woodrow English is the soloist.
Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists. He has won over fifty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest 2017, First Prize Winner of Reneé Fisher Composition Prize, First Prize Winner in Concurso Bienal de Composición de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d’Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in 1991 TUBA International Etude Composition Competition, the IBLA Grand Prize (Italy), several awards from The American Prize, Composition Awards from Standard Awards Panel of American Society of Composers, Authors, and Publishers and many others. His compositions include works published by several publishers in the United States, South America and Europe and have been performed extensively throughout the world.
He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanish composers around the world. He is the only composer who has been commissioned six times by Spanish bands for Certamen competitions, with each band winning first prize.
He has thirty-three compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00 ≈
¥145.46
Etude 0.5 + 1.5 for Piano Solo from 25 Etudes using Symmetry, Mirroring and Intervals
Etude 0.5 + 1.5 for Piano Solo from 25 Etudes using Symmetry, Mirroring and Intervals
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Michael Bomier
#
Etude 0.5 + 1.5 for Piano Solo
#
Michael Butkus-Bomier
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.862540 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 6 pages. Michael Butkus-B...
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.862540 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 6 pages. Michael Butkus-Bomier #2034273. Published by Michael Butkus-Bomier (A0.862540). The minor third offers lots of opportunities for mirroring, in contrary motion. The half-step in this piece is treated not so much as a component interval as the distance between the two minor thirds being used at any one time. Lots of crunchies that you would not expect to have much euphony have a pleasant snap, like a fresh salad or a crisp! Diminished chords and minor seventh chords are turned upside down, and combined in unusual ways throughout. There is even a major-minor section in the middle. Half-steps often take the form of major sevenths, even sometimes displaced by two octaves. Approx running time is 2 mins 30 secs, less a a slightly slower pace. Worth doing at less than the suggested tempo, as the colors still come through. MBB.
$2.50 ≈
¥18.18
Forte Fire!
Forte Fire!
#
Easy Piano
#
BEGINNER
#
Vikki Bartholomew
#
Forte Fire!
#
SheetMusicPlus
Piano Solo, Easy Piano - Easy/Beginner - Digital Download Composed by Vikki Bartholomew. Etudes and Exercises, Technique Training, Children's Music. Sheet...
(+)
Piano Solo, Easy Piano - Easy/Beginner - Digital Download Composed by Vikki Bartholomew. Etudes and Exercises, Technique Training, Children's Music. Sheet Music Single. 2 pages. Published by Published by Vikki Bartholomew
Forte Fire is an easy piano exercise which my students LOVE to play!
The left and right hands mirror each other making the exercise very simple.
You will receive TWO sheets of music - one with finger numbers and one without numbers for pattern recognition and note reading.
Please visit www.piano-patterns.com
$1.99 ≈
¥14.47
Prelude Op.3 in C# minor, "Bells of Moscow" for Piano Solo of Rachmaninoff
Prelude Op.3 in C# minor, "Bells of Moscow" for Piano Solo of Rachmaninoff
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Sergei Rachmaninoff
#
Michael Bomier
#
Prelude Op.3 in C# minor, "Bel
#
Michael Butkus-Bomier
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.862657 Composed by Sergei Rachmaninoff. Arranged by Michael Bomier. Concert,Romantic Period,Standards. Sc...
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.862657 Composed by Sergei Rachmaninoff. Arranged by Michael Bomier. Concert,Romantic Period,Standards. Score. 5 pages. Michael Butkus-Bomier #3601985. Published by Michael Butkus-Bomier (A0.862657). The Prelude in C# minor was the bane of Rachmaninoff's existence as a performer. Audiences could NOT get enough of it, and he could not bear to play it one more time! Such is Fame and Success. Well, we Normal Humans have had to look at the traditional setting of it, in two grand staves, with enough double-accidentals to blind a scribe, and try to emulate The Master from that pirate's treasure map. No longer. Here is a single-grand staff setting, with only the most minor modifications to accommodate the average hand, and spellings that show the true nature of the chords. The single best aspect of our setting here is the Total Elimination of the crossed-hand octaves throughout. When I realized these were only three or four-note triads, and not a pile of interlocking harmonies, I determined to make things clearer, for myself, and other players. The low notes all correspond to Rachmaninoff's bassline, except for one passage near the end. Only TWO octave doublings have been removed to make a smaller leap from the former lower grand staff to the upper. When I was a young student, this sort of music was baffling to my eyes, but not my ears. Now we can all see it and play it for what it is, an early masterwork, based on S.R.'s training in harmony from the Moscow Conservatory. A note can be the root, 3rd, 5th, 7th, and even 9th of some chord. They are all on display here, with a nice summation at the end, in quietude. MBB.
$3.99 ≈
¥29.02
Etude 3.0 from 25 Etudes for Piano using Mirroring, Symmetry, and Intervals
Etude 3.0 from 25 Etudes for Piano using Mirroring, Symmetry, and Intervals
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Michael Bomier
#
Etude 3.0 from 25 Etudes for P
#
Michael Butkus-Bomier
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.862535 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 6 pages. Michael Butkus-B...
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.862535 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 6 pages. Michael Butkus-Bomier #2033351. Published by Michael Butkus-Bomier (A0.862535). Etude 3.0, the last of the single-interval material. tritones are rather easier to mirror, and otherwise make symmetrical than other intervals. Thus this piece is 100% mirrored, symmetrical, and topographically identical hand-to-hand. There are many structures which are also inversions, played simultaneously. Diminished 7ths, Dom7 b5 chords, even fifths with the tritone sandwiched in between the two halves of the fifths, are in evidence here. There are rhythmic syncopations and shifting accents. All in all a real showpiece of perpetuum mobile dissonance which makes sense even to the listener or player accustomed to Romantic literature. It's a gallop! Approx running time is 4 mins 20 secs. Two-interval pieces are next in line. MBB.
$2.50 ≈
¥18.18
Etude "Three Hands"
Etude "Three Hands"
#
Piano solo
#
ADVANCED
#
Peter Saltzman
#
Etude "Three Hands"
#
Salt Muse, Inc
#
SheetMusicPlus
Instrumental Solo,Piano and Keyboard - Level 5 - Interactive Download SKU: A0.1162887 By Peter Saltzman. By Peter Saltzman. This edition: Interactive Dow...
(+)
Instrumental Solo,Piano and Keyboard - Level 5 - Interactive Download SKU: A0.1162887 By Peter Saltzman. By Peter Saltzman. This edition: Interactive Download. Classical,Jazz. Individual part. 8 pages. Duration 196. Salt Muse, Inc #4nxW5iY27ChHy497Z90vlj. Published by Salt Muse, Inc (A0.1162887). Key: F minor.No, it's not really for three hands; it just feels and (at times) sounds like it. This etude was supposed to be an R&B tune. When I first came up with the melody (1992), I tried to write lyrics. But nothing worked. I then tried to make it a band instrumental, with electric guitar taking the lead. Nah, too corny sounding. But I liked the tune. So I persisted and tried it as a solo piano piece. The thing is this: it retains its provenance as a piece for band because the two hands are basically acting as the band. Nothing unusual about that with regard to solo piano: it's always kind of a band or orchestra. What's different here is the left hand is usually playing both the tune and bass line. The right hand, when it joins the party at measure nine, acts like the backup singer (or maybe the guitar that was supposed to take the lead.) Remember that the bottom staff, as indicated, is always 8vb, except for the last measure. And should you take up the challenge to learn this, it is fatiguing but worth the effort.
$4.95 ≈
¥36.00
Morning Etude
Morning Etude
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Jane Stave-Viemeister
#
Morning Etude
#
Stave-Viemeister
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1280280 Composed by Jane Stave-Viemeister. 21st Century,Classical,Contest,Festival. Score. 4 pages. Stave...
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1280280 Composed by Jane Stave-Viemeister. 21st Century,Classical,Contest,Festival. Score. 4 pages. Stave-Viemeister #871701. Published by Stave-Viemeister (A0.1280280). Carl Czerny was a great piano teacher in his day, writing hundreds of studies still played by students working to improve their technique.This piece hornors the athleticism of his etudes. This cheery etude in A major provides contrary motion arpeggios and a brief two against three rhythm as challenges for the advancing student. Harmonically, Morning Etude takes you on a journey through major and minor arpeggios to a satisfying conclusion.
$4.95 ≈
¥36.00
Etude 2.0 + 3.0 for Piano Solo from 25 Etudes using Symmetry, Mirroring and Intervals
Etude 2.0 + 3.0 for Piano Solo from 25 Etudes using Symmetry, Mirroring and Intervals
#
Piano solo
#
ADVANCED
#
Michael Bomier
#
Etude 2.0 + 3.0 for Piano Solo
#
Michael Butkus-Bomier
#
SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.862554 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 4 pages. Michael Butkus-B...
(+)
Piano Solo - Level 5 - Digital Download SKU: A0.862554 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 4 pages. Michael Butkus-Bomier #2034471. Published by Michael Butkus-Bomier (A0.862554). A major third and a tritone together create a quintessentially modern-sounding cluster. And so, this unit is used in its unadulterated state throughout. The rhythm is divided into groups of three, deliberately set within a 4/4 time signature, so as to create an effect of hemiola and of syncopation that would not be evident were it set in a triple meter. The clusters play as solid blocks, then divide into two parts, then three. Then the note-values are made twice as small, and the music really takes off ! This is by FAR the most typically modern of all the etudes in the set, as far as rhythmic complexity, percussiveness, and a lack of traditional melody. Running time is just over 2 mins. MBB.
$2.00 ≈
¥14.55
Sky In Motion - Piano Solo (with Art Cover)
Sky In Motion - Piano Solo (with Art Cover)
#
Easy Piano
#
EASY
#
Film/TV
#
Arthur Breur
#
Sky In Motion - Piano Solo
#
Floating Home Music
#
SheetMusicPlus
Piano Solo - Digital Download Composed by Arthur Breur. 21st Century, Contemporary Classical, Etudes and Exercises. Sheet Music Single. 7 pages. Publis...
(+)
Piano Solo - Digital Download Composed by Arthur Breur. 21st Century, Contemporary Classical, Etudes and Exercises. Sheet Music Single. 7 pages. Published by Floating Home Music
(This is the same sheet music as https://www.sheetmusicplus.com/title/sky-in-motion-piano-solo-digital-sheet-music/20702712 but with a the photographic cover page.)
Note from the composer:
"This is piece was composed for and dedicated to my friend, the Persian composer Sepehr Keyhani. Originally titled 'In Motion', I added 'Sky' to the title because I learned that 'Sepehr' means 'sky'—it seemed appropriate. The feel is very movie score, and once I knew that the piece was going to have that feel, I ran with it—even finishing the composition by adding a solo intro line that (in a movie) would be played over the last two clever spoken lines from the two protagonists. Note: The S-E-P-E-H-R motif appears 42 times in the piece, not including partial or modified appearances."
(Advanced left hand with long reaches.)
$6.00 ≈
¥43.64
La Campanella - Franz Liszt - Piano Solo
La Campanella - Franz Liszt - Piano Solo
#
Piano solo
#
ADVANCED
#
Classical
#
Franz Liszt
#
Diamond S Music
#
La Campanella - Franz Liszt -
#
Diamond S Music
#
SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.790156 Composed by Franz Liszt. Arranged by Diamond S Music. Classical,Concert,Romantic Period. Score. 19...
(+)
Piano Solo - Level 5 - Digital Download SKU: A0.790156 Composed by Franz Liszt. Arranged by Diamond S Music. Classical,Concert,Romantic Period. Score. 19 pages. Diamond S Music #5745053. Published by Diamond S Music (A0.790156). La Campanella - Franz Liszt - Piano Solo.La Campanella (The Little Bell) , The third Grande Etude of Paganini in G# minor, S.141. by Franz Liszt. Its melody comes from the final movement of Niccolò Paganini's Violin Concerto No. 2 in B minor, where the tune was reinforced metaphorically by a 'little handbell'. The étude is famous for being one of the most difficult pieces ever written for piano. It is played at a brisk allegretto tempo and features right hand jumps between intervals larger than one octave, sometimes even stretching for two whole octaves within the time of a sixteenth note. As a whole, the étude can be practiced to increase dexterity and accuracy at large jumps on the piano, along with agility of the weaker fingers of the hand. Other similar arrangements and selections from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$6.99 ≈
¥50.84
Arpeggio Attitude Etude
Arpeggio Attitude Etude
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Mark A
#
Arpeggio Attitude Etude
#
Mark A. Galang
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.944547 Composed by Mark A. Galang. 20th Century. Score. 2 pages. Mark A. Galang #4854319. Published by Ma...
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.944547 Composed by Mark A. Galang. 20th Century. Score. 2 pages. Mark A. Galang #4854319. Published by Mark A. Galang (A0.944547). An original advanced piano etude by Mark A. Galang. It's training for playing rapid right-hand arpeggios and sixths for the left hand.To train both hands with both exercises, simply transpose the RH part an octave (or two octaves) lower and play with left hand then transpose LH part up one or two octaves then play with RH. Also learn the etude in all 12 keys for maximum benefit.
$3.99 ≈
¥29.02
Duetto from 25 Etudes - Opus 47 No. 15
Duetto from 25 Etudes - Opus 47 No. 15
#
Piano solo
#
INTERMEDIATE
#
Jose Valladares
#
Jose Valladares
#
Duetto from 25 Etudes - Opus 4
#
Circlesquare Music
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1368451 By Jose Valladares. By Stephen Heller. Arranged by Jose Valladares. 19th Century. Score. 2 pages....
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.1368451 By Jose Valladares. By Stephen Heller. Arranged by Jose Valladares. 19th Century. Score. 2 pages. Circlesquare Music #952798. Published by Circlesquare Music (A0.1368451). Stephen Heller was a Hungarian pianist, teacher, and composer who lived during the 19th century, a period teeming with musical innovation and talent. Born in 1813, Heller was a contemporary of famous composers like Chopin and Liszt, and although he might not be as widely recognized as some of his peers, his contribution to piano literature, especially in the realm of studies and lyrical pieces, is significant.The term Duetto generally refers to a musical composition for two performers. In the context of Heller's work, a Duetto would likely be a piece for piano four-hands or for two pianos, designed to be played by two pianists. Heller's music is known for its lyrical quality, expressive depth, and technical refinement, and these qualities would likely be evident in his Duetto..
$8.99 ≈
¥65.39
Chapter Two Etude
Chapter Two Etude
#
Piano solo
#
Contemporary
#
MICHAEL TARRO
#
Chapter Two Etude
#
michael Tarro
#
SheetMusicPlus
Piano Solo - Digital Download SKU: A0.902677 Composed by MICHAEL TARRO. Contemporary. Score. 2 pages. Michael Tarro #6717059. Published by michael Tarro ...
(+)
Piano Solo - Digital Download SKU: A0.902677 Composed by MICHAEL TARRO. Contemporary. Score. 2 pages. Michael Tarro #6717059. Published by michael Tarro (A0.902677). Chapter Two Etude is a flowing uptempo classical piece. Â it was the very first piece of music that I had written following heart surgery,. Felt like it was Chapter Two of my life. Michael Tarro is an author for Hal Leonard and Santorella Publications. Additional music scores written and arranged by Michael Tarro are available through this website: https://www.sheetmusicplus.com/search?Ntt=Michael+Tarro+music.
$4.99 ≈
¥36.29
Chromatic Waltz Etude in C for Intermediate Piano
Chromatic Waltz Etude in C for Intermediate Piano
#
Piano solo
#
INTERMEDIATE
#
Sibylle Kuder
#
Chromatic Waltz Etude in C for
#
Sibylle Kuder
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1373288 Composed by Sibylle Kuder. Contest,Festival,Instructional,Traditional. Score. 2 pages. Sibylle Ku...
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.1373288 Composed by Sibylle Kuder. Contest,Festival,Instructional,Traditional. Score. 2 pages. Sibylle Kuder #957633. Published by Sibylle Kuder (A0.1373288). Short, two-page Etude to practice chromatic scale patterns. The counting is easy as the LH provides the beat. The note-reading could be challenging for someone new to chromatic scales. However, there are no sharps or flats in the key signature which instantly eliminates one possible challenge. Technically it is not as difficult as it may seem at first as most of the triplet chromatic scale patterns are less than a measure long, providing frequent chances for the RH to rest or at least breathe. However, like with any passage work, it is important to not press / push into the keys. While the harmony of the first two lines is very traditional, using chord progressions that an (early) intermediate pianist would be familiar with, from the 3rd line on there are frequent modulations and surprise key changes which may pose a challenge for a pianist who has not as much experience with that. Musical / interpretation challenges could be to keep it light, to shape the many short melodic patterns, and to play with a smile.
$2.99 ≈
¥21.75
Jazz-Etude
Jazz-Etude
#
Piano solo
#
INTERMEDIATE
#
Fishel Pustilnik
#
Fishel Pustilnik
#
Pop Piano Paradise
#
Jazz-Etude
#
F & N Enterprise
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.632195 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Children,Film/TV,Jazz,Pop. Score. 3 pa...
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.632195 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Children,Film/TV,Jazz,Pop. Score. 3 pages. F & N Enterprise #2335859. Published by F & N Enterprise (A0.632195). Piano piece from famous Volume 2 of Jazz & Pop Piano Paradise. The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$1.99 ≈
¥14.47
<
1
26
51
....
101
Etude For Two Piano solo
