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15 sheet music found
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1
Dreams of Love No. 3 for Oboe and Piano
Dreams of Love No. 3 for Oboe and Piano
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Oboe, Piano (duet)
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EASY
#
Classical
#
Franz Liszt
#
Diego Marani
#
Dreams of Love No. 3 for Oboe
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Diego Marani
#
SheetMusicPlus
Oboe,Piano - Level 2 - Digital Download SKU: A0.1102115 Composed by Franz Liszt. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standa...
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Oboe,Piano - Level 2 - Digital Download SKU: A0.1102115 Composed by Franz Liszt. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards,Wedding. Score and part. 10 pages. Diego Marani #705513. Published by Diego Marani (A0.1102115). Liebesträume (German for Dreams of Love) is a set of three solo piano works by Franz Liszt, published in 1850. Liebestraum No. 3 (also called Nocturne) is the last of the three that Liszt wrote and the most popular. This easy/intermediate arrangement for oboe with piano is suitable for classroom, repertoire, recital, wedding or simply for a beautiful encore.
$8.99 ≈
8.12€
Ave Maria von Arcadelt
Ave Maria von Arcadelt
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Organ
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EASY
#
Classical
#
Franz Liszt
#
Ave Maria von Arcadelt
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Schott Music - Digital
#
SheetMusicPlus
Organ - easy to intermediate - Digital Download SKU: S9.Q22586 Composed by Franz Liszt. This edition: Sheet music. Downloadable. Schott Music - Digital #...
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Organ - easy to intermediate - Digital Download SKU: S9.Q22586 Composed by Franz Liszt. This edition: Sheet music. Downloadable. Schott Music - Digital #Q22586. Published by Schott Music - Digital (S9.Q22586). Franz Liszt composed his lyrical-meditative organ fantasia on the Ave Maria von Arcadelt in Rome in 1863. In contrast to his major virtuoso works, this charming genre piece can even be easily played on smaller (double-manual) instruments, even without swell-organ and reeds. The 'Liszt organ' at the village church of Denstedt near Weimar, which was built by the Peternell brothers in 1859/60 and has survived in its original state, may be used as an example. It did not become known until in 1927 that the Ave Maria attributed to Jakob Arcadelt (around 1505-1568) was a revised version by the composer Pierre-Louis-Philippe Dietsch (1808–1865) who used the melody of Arcadelt's chanson Nous voyons que les hommes which he then harmonized into his own Romantic four-part choral setting and to which he added the sacred text as a contrafactum. Our separate edition wants to make this rather 'poetic', yet quite easy-to-play organ work without any major technical difficulties accessible to a large circle of interested people.
$10.99 ≈
9.93€
Liebestraum (Latin ballad remix)
Liebestraum (Latin ballad remix)
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Piano solo
#
EASY
#
Classical
#
Franz Liszt
#
Anne Britt
#
Liebestraum
#
Anne Britt
#
SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.741191 Composed by Franz Liszt. Arranged by Anne Britt. Latin,Romantic Period. Score. 3 pages. Anne Britt...
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Piano Solo - Level 2 - Digital Download SKU: A0.741191 Composed by Franz Liszt. Arranged by Anne Britt. Latin,Romantic Period. Score. 3 pages. Anne Britt #3533977. Published by Anne Britt (A0.741191). Liebestraum, which is German for Dreams of Love, is a set of three solo pieces composed by Franz Liszt and published in 1850. They were originally written to set to music three poems depicting different types of love: saintly or religious love, romantic love, and mature, unconditional love. Liebestraum No. 3 has become the most popular of the set, and this arrangement for early intermediate piano offers an updated setting that is much easier to play, but still captures the soaring melody and beautiful harmonies of the original. 3 pages. Performance time: approximately 1:40.Included in the Piano Remixes: Classics Vol. 1 early intermediate songbook: https://www.sheetmusicplus.com/title/22083334Visit the publisher's website for contact info and some free sheet music downloads: https://annebrittmusic.com/
$3.99 ≈
3.60€
Saint-Saens: The Swan for Soprano Sax & Piano
Saint-Saens: The Swan for Soprano Sax & Piano
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Soprano Saxophone and Piano
#
EASY
#
Camille Saint-Saëns
#
James M
#
Saint-Saens: The Swan for Sopr
#
jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie...
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452273. Published by jmsgu3 (A0.549121). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing. The Carnival of the Animals The Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is one of the most popular of the fourteen movements. In its entirety, it lasts about 25 minutes. Saint-Saëns Background Charles-Camille Saint-Saëns (1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, including his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is important to realize that Saint-Saëns was certainly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut albeit at ten years old. Another key point to remember is that he expressly studied at the Paris Conservatoire, then in spite of reality conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were after all markedly in demand - not only in Europe but above all in the Americas all in all as well. Youth A point often overlooked is that in his youth, Saint-Saëns was certainly excited about the modern music of the day. He was in essence fond of the music of his contemporaries, in particular, Schumann, Liszt, and for the most part Wagner. In contrast, however, his own compositions seemed in fact largely confined within the conservative classical tradition. Be that as it may, he was at the same time nevertheless, in fact, a scholar of musical history. Criticism On the whole, his conservatism in fact ultimately brought him into frequent conflict in his later years with composers of the impressionist and in particular the dodecaphonic schools of musical thought.  A point often overlooked is that he included neoclassical elements in his music contrary to some critics. Furthermore, in so doing he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly so, as a non-progressive reactionary henceforth around the time of his passing. Legacy To sum up, Saint-Saëns taught for a short time in Paris, where his students included namely Gabriel Fauré. To clarify, Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95 ≈
29.76€
Ave Maria
Ave Maria
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Clarinet
#
EASY
#
Classical
#
Franz Schubert
#
Fabio Eduardo de Oliveira
#
Ave Maria
#
Fabio Eduardo
#
SheetMusicPlus
B-Flat Clarinet Solo - Level 2 - Digital Download SKU: A0.1172603 Composed by Franz Schubert. Arranged by Fabio Eduardo de Oliveira. Baroque,Classical,We...
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B-Flat Clarinet Solo - Level 2 - Digital Download SKU: A0.1172603 Composed by Franz Schubert. Arranged by Fabio Eduardo de Oliveira. Baroque,Classical,Wedding. Individual part. 2 pages. Fabio Eduardo #772835. Published by Fabio Eduardo (A0.1172603). FREE DOWNLOAD PLAYBACKÂ https://www.fabioeduardomusiconline.com/freedownloadEllen's Third Song, was composed by Franz Schubert in 1825 as part of his Op. 52, a setting of seven songs from Walter Scott's 1810 popular narrative poem The Lady of the Lake, loosely translated into German. It is one of Schubert's most popular works. Beyond the song as originally composed by Schubert, it is often performed and recorded by many singers under the title Ave Maria (the Latin name of the prayer Hail Mary, and also the opening words and refrain of Ellen's song, a song which is itself a prayer to the Virgin Mary), in musically simplified arrangements and with various lyrics that commonly differ from the original context of the poem. It was arranged in three versions for piano by Franz Liszt.
$1.99 ≈
1.80€
Ave Maria
Ave Maria
#
Trumpet
#
EASY
#
Classical
#
Franz Schubert
#
Fabio Eduardo de Oliveira
#
Ave Maria
#
Fabio Eduardo
#
SheetMusicPlus
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1172610 Composed by Franz Schubert. Arranged by Fabio Eduardo de Oliveira. Baroque,Classical,Wed...
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1172610 Composed by Franz Schubert. Arranged by Fabio Eduardo de Oliveira. Baroque,Classical,Wedding. Individual part. 2 pages. Fabio Eduardo #772842. Published by Fabio Eduardo (A0.1172610). FREE DOWNLOAD PLAYBACKÂ https://www.fabioeduardomusiconline.com/freedownloadEllen's Third Song, was composed by Franz Schubert in 1825 as part of his Op. 52, a setting of seven songs from Walter Scott's 1810 popular narrative poem The Lady of the Lake, loosely translated into German. It is one of Schubert's most popular works. Beyond the song as originally composed by Schubert, it is often performed and recorded by many singers under the title Ave Maria (the Latin name of the prayer Hail Mary, and also the opening words and refrain of Ellen's song, a song which is itself a prayer to the Virgin Mary), in musically simplified arrangements and with various lyrics that commonly differ from the original context of the poem. It was arranged in three versions for piano by Franz Liszt.
$1.99 ≈
1.80€
Ave Maria
Ave Maria
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Trombone
#
EASY
#
Classical
#
Franz Schubert
#
Fabio Eduardo de Oliveira
#
Ave Maria
#
Fabio Eduardo
#
SheetMusicPlus
Trombone Solo - Level 2 - Digital Download SKU: A0.1172600 Composed by Franz Schubert. Arranged by Fabio Eduardo de Oliveira. Baroque,Classical,Wedding. ...
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Trombone Solo - Level 2 - Digital Download SKU: A0.1172600 Composed by Franz Schubert. Arranged by Fabio Eduardo de Oliveira. Baroque,Classical,Wedding. Individual part. 2 pages. Fabio Eduardo #772832. Published by Fabio Eduardo (A0.1172600). FREE DOWNLOAD PLAYBACKÂ https://www.fabioeduardomusiconline.com/freedownloadEllen's Third Song, was composed by Franz Schubert in 1825 as part of his Op. 52, a setting of seven songs from Walter Scott's 1810 popular narrative poem The Lady of the Lake, loosely translated into German. It is one of Schubert's most popular works. Beyond the song as originally composed by Schubert, it is often performed and recorded by many singers under the title Ave Maria (the Latin name of the prayer Hail Mary, and also the opening words and refrain of Ellen's song, a song which is itself a prayer to the Virgin Mary), in musically simplified arrangements and with various lyrics that commonly differ from the original context of the poem. It was arranged in three versions for piano by Franz Liszt.
$1.99 ≈
1.80€
Schubert: Moment Musicaux for Baritone Horn & Piano
Schubert: Moment Musicaux for Baritone Horn & Piano
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Classical
#
Franz Schubert
#
James M
#
Schubert: Moment Musicaux for
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jmsgu3
#
SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 2 - Digital Download SKU: A0.552841 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Rom...
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Baritone Horn TC,Euphonium,Piano - Level 2 - Digital Download SKU: A0.552841 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447443. Published by jmsgu3 (A0.552841). Baritone Horn version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Alto Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$32.95 ≈
29.76€
Ave Maria
Ave Maria
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Cello
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EASY
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Classical
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Franz Schubert
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Fabio Eduardo de Oliveira
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Ave Maria
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Fabio Eduardo
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SheetMusicPlus
Cello Solo - Level 2 - Digital Download SKU: A0.1172602 Composed by Franz Schubert. Arranged by Fabio Eduardo de Oliveira. Baroque,Classical,Wedding. Ind...
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Cello Solo - Level 2 - Digital Download SKU: A0.1172602 Composed by Franz Schubert. Arranged by Fabio Eduardo de Oliveira. Baroque,Classical,Wedding. Individual part. 2 pages. Fabio Eduardo #772834. Published by Fabio Eduardo (A0.1172602). FREE DOWNLOAD PLAYBACKÂ https://www.fabioeduardomusiconline.com/freedownloadEllen's Third Song, was composed by Franz Schubert in 1825 as part of his Op. 52, a setting of seven songs from Walter Scott's 1810 popular narrative poem The Lady of the Lake, loosely translated into German. It is one of Schubert's most popular works. Beyond the song as originally composed by Schubert, it is often performed and recorded by many singers under the title Ave Maria (the Latin name of the prayer Hail Mary, and also the opening words and refrain of Ellen's song, a song which is itself a prayer to the Virgin Mary), in musically simplified arrangements and with various lyrics that commonly differ from the original context of the poem. It was arranged in three versions for piano by Franz Liszt.
$1.99 ≈
1.80€
Ave Maria
Ave Maria
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Tenor Saxophone
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EASY
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Classical
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Franz Schubert
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Fabio Eduardo de Oliveira
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Ave Maria
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Fabio Eduardo
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SheetMusicPlus
Tenor Saxophone Solo - Level 2 - Digital Download SKU: A0.1172608 Composed by Franz Schubert. Arranged by Fabio Eduardo de Oliveira. Baroque,Classical,We...
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Tenor Saxophone Solo - Level 2 - Digital Download SKU: A0.1172608 Composed by Franz Schubert. Arranged by Fabio Eduardo de Oliveira. Baroque,Classical,Wedding. Individual part. 2 pages. Fabio Eduardo #772840. Published by Fabio Eduardo (A0.1172608). FREE DOWNLOAD PLAYBACKÂ https://www.fabioeduardomusiconline.com/freedownloadEllen's Third Song, was composed by Franz Schubert in 1825 as part of his Op. 52, a setting of seven songs from Walter Scott's 1810 popular narrative poem The Lady of the Lake, loosely translated into German. It is one of Schubert's most popular works. Beyond the song as originally composed by Schubert, it is often performed and recorded by many singers under the title Ave Maria (the Latin name of the prayer Hail Mary, and also the opening words and refrain of Ellen's song, a song which is itself a prayer to the Virgin Mary), in musically simplified arrangements and with various lyrics that commonly differ from the original context of the poem. It was arranged in three versions for piano by Franz Liszt.
$1.99 ≈
1.80€
Ave Maria
Ave Maria
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Saxophone (band part)
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EASY
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Classical
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Franz Schubert
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Fabio Eduardo de Oliveira
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Ave Maria
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Fabio Eduardo
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SheetMusicPlus
Soprano Saxophone Solo - Level 2 - Digital Download SKU: A0.1172606 Composed by Franz Schubert. Arranged by Fabio Eduardo de Oliveira. Baroque,Classical,...
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Soprano Saxophone Solo - Level 2 - Digital Download SKU: A0.1172606 Composed by Franz Schubert. Arranged by Fabio Eduardo de Oliveira. Baroque,Classical,Wedding. Individual part. 2 pages. Fabio Eduardo #772838. Published by Fabio Eduardo (A0.1172606). FREE DOWNLOAD PLAYBACKÂ https://www.fabioeduardomusiconline.com/freedownloadEllen's Third Song, was composed by Franz Schubert in 1825 as part of his Op. 52, a setting of seven songs from Walter Scott's 1810 popular narrative poem The Lady of the Lake, loosely translated into German. It is one of Schubert's most popular works. Beyond the song as originally composed by Schubert, it is often performed and recorded by many singers under the title Ave Maria (the Latin name of the prayer Hail Mary, and also the opening words and refrain of Ellen's song, a song which is itself a prayer to the Virgin Mary), in musically simplified arrangements and with various lyrics that commonly differ from the original context of the poem. It was arranged in three versions for piano by Franz Liszt.
$1.99 ≈
1.80€
Schubert: Moment Musicaux for Alto Sax & Piano
Schubert: Moment Musicaux for Alto Sax & Piano
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Alto Saxophone and Piano
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EASY
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Classical
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Franz Schubert
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James M
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Schubert: Moment Musicaux for
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549015 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period...
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549015 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447439. Published by jmsgu3 (A0.549015). Alto Sax version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Alto Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$32.95 ≈
29.76€
Schubert: Moment Musicaux for Baritone Sax & Piano
Schubert: Moment Musicaux for Baritone Sax & Piano
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Baritone Saxophone, Piano
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EASY
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Classical
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Franz Schubert
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James M
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Schubert: Moment Musicaux for
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549018 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Pe...
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549018 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447449. Published by jmsgu3 (A0.549018). Baritone Sax version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Bari Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$32.95 ≈
29.76€
Classics for the Developing Pianist Study Guide Book 5
Classics for the Developing Pianist Study Guide Book 5
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Easy Piano
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EASY
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Classical
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Ingrid Jacobson Clarfield an
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Classics for the Developing Pi
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Ingrid Jacobson Clarfield and Phyllis Alpert Lehre
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SheetMusicPlus
Composed by Ingrid Jacobson Clarfield and Phyllis Alpert Lehrer. 20th Century, Romantic Period, Classical Period, Baroque Period. 74 pages. Published ...
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Composed by Ingrid Jacobson Clarfield and Phyllis Alpert Lehrer. 20th Century, Romantic Period, Classical Period, Baroque Period. 74 pages. Published by Ingrid Jacobson Clarfield and Phyllis Alpert Lehre
The books in this series present study guides for masterworks, beginning at the early intermediate level, that the editors believe developing pianists should study and perform. Each book contains 20 study guides to pieces selected from the four main style periods. Book 5 contains selections for advanced pianists. Titles: Prelude from English Suite No. 3 in G Minor, BWV 808 (Bach) * Sinfonia from Partita No. 2 in C Minor, BWV 826 (Bach) * Air and Variations (“The Harmonious Blacksmith”) (Handel) * Sonata in E Major, K.380; L.23 (Scarlatti) * Sonata in C Minor (“Pathétique”), Op.13 (Beethoven) * Sonata in C Major, Hob.XVI/50; L.60 (I) (Haydn) * Sonata in C Major, K.330 (I) (Mozart) * Intermezzo in A Major, Op.118, No.2 (Brahms) * Fantaisie-Impromptu, Op.66 (Chopin) * Consolation No. 3 in D-flat Major, S.172 (Liszt) * Prelude in C-sharp Minor, Op.3, No.2 (Rachmaninoff) * Impromptu in A-flat Major, Op.142, No.2, Posth.; D.935 (Schubert) * Aufschwung (Soaring), Op.12, No.2 (Schumann) Sonatina, Sz.55 I. (Bartók) * Ritual Fire Dance (De Falla) * Clair de lune (Debussy) * La fille aux cheveux de lin (The Girl with the Flaxen Hair) (Debussy) * Maple Leaf Rag (Joplin)
$12.99 ≈
11.73€
Robert Orledge:Un Jour Affreux avec le Diable dans le beffroi for piano and narrator, based on themes from Debussy's "Le Diable dans le beffoir"
Robert Orledge:Un Jour Affreux avec le Diable dans le beffroi for piano and narrator, based on themes from Debussy's "Le Diable dans le beffoir"
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Easy Piano
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EASY
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Claude Debussy/Robert Orledge
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Robert Orledge:Un Jour Affreux
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo, Narrator - Advanced - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Recital, Spoken Word. Score. 3...
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Piano Solo, Narrator - Advanced - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Recital, Spoken Word. Score. 30 pages. Published by Musik Fabrik Music Publishing
I owe an enormous debt of gratitude to the celebrated pianist Nicolas Horvath for enthusiastically
bringing my Debussy works to public attention in their solo piano formats, both through his recent
recitals across France and through this Naxos Grand Piano release (GP822). In some cases these are
true piano pieces (like Toomai des éléphants), in others they are piano reductions of orchestral scores
(like Fêtes galantes), while in others they are piano solos in their own right that also exist in orchestral
versions (as in the incidental music for Le Roi Lear). Needless to say, most of these tracks are world
première recordings, and this is certainly true of A Night in the House of Usher and its companion piece Un Jour affreux avec Le Diable dans le beffroi (?A Dreadful Day with the Devil in the Belfry?) which I arranged specially for Nicolas in November 2018 as a virtuosic, almost Lisztian paraphrase-fantasy. To remind us of the plot as the dramatic scenes unfold, Un Jour affreux avec le Diable dans le beffroi, like the start of No-ja-li) has a narrator (spoken in French by Florient Azoulay on the Grand Piano recording):
[After an overture rising from the underworld, with a polka and a citation of a chldren?s folksong Savez vous plantez les choux?, a carillon rings out]: Hearing it, the Dutch villagers start to count, with the bells of the belfry / 1, 2, 3, 4, 5, 6, 7, 10, 8, 9, 11, and 12 / Perfect! / 13!?!/ The bell rang 13 times / 13! / The Devil is here where the clock should be! / Damn! / The bells are cracked. / The Devil laughs fit to burst / He pulls from the pocket of his coat, a small dancing master?s violin / ?My God!? says the devil ? and he tunes his violin slowly / The Devil leads the villagers in a fantastic and relentless jig [making jokes at the expense of concertos by Beethoven, Brahms and Tchaikovsky] / The Devil directs the villagers towards the canal ? where he jumps to the other side, laughing all the time / The villagers try to imitate him, but they fall into the water. / [In Part 2] the villagers are transported to a hedonistic and lively Italian village. They are similarly transformed: the men have crooked hats ? the women have wide open bodices! They dance a mad Tarantella / 1, 2, 3, 4, 5, 6, 7 and 13 / shouting ?Hey there! (Hola?) / Jean, the young hero, makes a fervent prayer to God against the Devil / The prayer is answered and the bell again rings normally! / The expression of the Devil changes: he shudders! / Everything goes black / The devil disappears in a brief red glow ? / And the carillon and the bells chime as usual / 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11 and 12 / Perfect! / But the Devil?s grinning face ap-
pears once again where the clock should be ? briefly
$19.95 ≈
18.02€
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