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You've selected:
Row North Music
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Sheetmusic to print
14 sheet music found
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1
The Far North Land
The Far North Land
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Concert band
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EASY
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Gregory Hoepfner
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The Far North Land
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 2 - Digital Download SKU: IZ.CBS166-S Composed by Gregory Hoepfner. Score. 17 pages. Imagine Music - Digital #CBS166-S. Published by...
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Concert band - Grade 2 - Digital Download SKU: IZ.CBS166-S Composed by Gregory Hoepfner. Score. 17 pages. Imagine Music - Digital #CBS166-S. Published by Imagine Music - Digital (IZ.CBS166-S). 9 x 12 in inches.My father enjoyed singing, particularly when the family went on road trips. One of our favorite songs that he sang was TheFar North Land. Several years ago, my sister recorded our father singing this song for use on the soundtrack of one of hermovies. Years later I transcribed the song from that recording and used it as the foundation for this piece. My aunts tell methey recall my father singing this song when he was a boy growing up in Minnesota, and that they referred to it as Fletch'ssong. It was only while working on this piece that I discovered that Duncan, Clear Water and Bear Skin are actual lakes inthe border lakes region where Minnesota meets Canada.The original arrangement, for string quartet, was premiered by the OdeonQuartet on October 21, 2003, at Seattle's TownHall.
$10.00 ≈
$13.85
The Far North Land
The Far North Land
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Concert band
#
EASY
#
Gregory Hoepfner
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The Far North Land
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 2 - Digital Download SKU: IZ.CBS166 Composed by Gregory Hoepfner. Score and Parts. 45 pages. Imagine Music - Digital #CBS166. Publis...
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Concert band - Grade 2 - Digital Download SKU: IZ.CBS166 Composed by Gregory Hoepfner. Score and Parts. 45 pages. Imagine Music - Digital #CBS166. Published by Imagine Music - Digital (IZ.CBS166). 9 x 12 in inches.My father enjoyed singing, particularly when the family went on road trips. One of our favorite songs that he sang was TheFar North Land. Several years ago, my sister recorded our father singing this song for use on the soundtrack of one of hermovies. Years later I transcribed the song from that recording and used it as the foundation for this piece. My aunts tell methey recall my father singing this song when he was a boy growing up in Minnesota, and that they referred to it as Fletch'ssong. It was only while working on this piece that I discovered that Duncan, Clear Water and Bear Skin are actual lakes inthe border lakes region where Minnesota meets Canada.The original arrangement, for string quartet, was premiered by the OdeonQuartet on October 21, 2003, at Seattle's TownHall.
$60.00 ≈
$83.10
Contemporary Fiddle Tunes from the Northeast of Ireland
Contemporary Fiddle Tunes from the Northeast of Ireland
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Violin
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EASY
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Celtic/Irish
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Rowan Leslie
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Contemporary Fiddle Tunes from
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Fiddle - Beginning - Intermediate - Digital Download Composed by Rowan Leslie. Celtic / Irish. E-book. 156 pages. Mel Bay Publications - Digital Shee...
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Fiddle - Beginning - Intermediate - Digital Download Composed by Rowan Leslie. Celtic / Irish. E-book. 156 pages. Mel Bay Publications - Digital Sheet Music #30670EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619119970.
This unique collection celebrates the contemporary fiddle music of northeast Ireland, much of it for the first time in print. Not surprisingly, given its location and long history of traditional music, the fiddle music of this region shares some characteristics with Scottish music, yet it has its own distinct style. For those who are not familiar with this ruggedly attractive part of Ireland, this book will introduce you to some of its music and musicians. The tunes presented here, collected by County Antrim fiddler, Rowan Leslie, have all been written relatively recently by local musicians. Each tune is offered in two versionsone with the barebones melody and suggested accompaniment chords, and a second with ornamentation, articulation and bowing details. All tune types from northeast Ireland are represented, including jigs and reels, polkas and hornpipes, marches, barn dances and waltzes, plus set dances and slow airs. Moreover, the biographical sketches and backstories provided for each composer and tune demonstrate how the land itself, along with personal experiences and relationships, influence the fiddle music of northeast Ireland.
$19.99 ≈
$27.69
Civil War Fiddle Tunes - Songs of the North
Civil War Fiddle Tunes - Songs of the North
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traditional various Public Dom
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Craig Duncan
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Civil War Fiddle Tunes - Songs
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Craig Duncan Music
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SheetMusicPlus
Small Ensemble Banjo,Flute,Guitar,Violin - Level 2 - Digital Download SKU: A0.768166 Composed by traditional various Public Domain. Arranged by Craig Dun...
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Small Ensemble Banjo,Flute,Guitar,Violin - Level 2 - Digital Download SKU: A0.768166 Composed by traditional various Public Domain. Arranged by Craig Duncan. Country,Folk,Instructional,Standards,Traditional. Score and parts. 16 pages. Craig Duncan Music #4988497. Published by Craig Duncan Music (A0.768166). 14 tunes lead sheets Abe's Retreat, Battle of Bull Run,The Battle Cry of Freedom, Grafted into the Army, Hard Times Come Again no More, John Brown's Dream, John Brown's March, Kingdom Coming/The Year of Jubilo, Lincoln and Liberty, Marching Along, Marching through Georgia, The New York Volunteer, Sixty Three is the Jubilee, Weeping Sad and Lonely, When Johnny Comes Marching Home.
$9.99 ≈
$13.84
When We Were Two Little Boys
When We Were Two Little Boys
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Choral SATB
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EASY
#
Theodore F
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Stephen DeCesare
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When We Were Two Little Boys
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Exultet Music
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.620203 Composed by Theodore F. Morse. Arranged by Stephen DeCesare. Folk,Instructional,Standards...
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.620203 Composed by Theodore F. Morse. Arranged by Stephen DeCesare. Folk,Instructional,Standards,Traditional. Octavo. 10 pages. Exultet Music #3218841. Published by Exultet Music (A0.620203). One of the popular songs by American composer Theodore Morse which describes the story of two boys who grow up to fight for the North in the American Civil War has been freshly arranged for Soprano Solo, Tenor Solo, Boy Solo, SATB and Piano accompaniment. Featured in the musical: The American Civil War which is also available on this site. Accessible and appropriate for any school or concert setting. .
$3.99 ≈
$5.53
The Lord bless you and keep you
The Lord bless you and keep you
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Choral SATB
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EASY
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Peter Lutkin
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The Lord bless you and keep yo
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Seolta Music Limited
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1292844 Composed by Peter Lutkin. A Cappella,Christian,Sacred. 2 pages. Seolta Music Limi...
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Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1292844 Composed by Peter Lutkin. A Cappella,Christian,Sacred. 2 pages. Seolta Music Limited #883201. Published by Seolta Music Limited (A0.1292844). Peter Lutkin's celebrated benediction The Lord bless you and keep you for SATB choir. A comÂposÂer and conÂductÂor, LutÂkin stuÂdied muÂsic in EuÂrope. He served as church orÂganÂist at St. CleÂment’s and St. James, ChiÂcaÂgo, IlÂliÂnois, in the 1880’s and 1890’s. Around 1895, he foundÂed the School of MuÂsic at NorthÂwestÂern UnÂiÂverÂsiÂty. He alÂso helped found the AmerÂiÂcan Guild of OrÂganÂists and the North Shore FesÂtivÂal in ChiÂcaÂgo. He is remembered largely for this one short piece of choral music.To browse the full range of choral music from Seolta Publishing please click here.
$2.50 ≈
$3.46
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Choral TTBB
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EASY
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & H
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octa...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
$5.53
Feliz Navidad
Feliz Navidad
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Violin, Cello (duet)
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EASY
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Clay Walker
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Sarah Cellobat Chaffee
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Feliz Navidad
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Sarah Cellobat Chaffee
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SheetMusicPlus
Cello,Instrumental Duet,Violin - Level 2 - Digital Download SKU: A0.526393 By Clay Walker. By Jose Feliciano. Arranged by Sarah Cellobat Chaffee. Christm...
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Cello,Instrumental Duet,Violin - Level 2 - Digital Download SKU: A0.526393 By Clay Walker. By Jose Feliciano. Arranged by Sarah Cellobat Chaffee. Christmas,Holiday,Latin,Pop,Rock. 5 pages. Sarah Cellobat Chaffee #6637989. Published by Sarah Cellobat Chaffee (A0.526393). Feliz Navidad was originally written in 1970 by Puerto Rican singer-songwriter Jose Feliciano, with simple, heartfelt lyrics expressing the joy he felt at his family Christmas celebrations back in Puerto Rico. The song has since become a beloved Christmas classic, and it has also become one of the most downloaded and aired songs in North America -- so you really can't go wrong having this one in your gig books! This Cellobat arrangement for violin and cello duet maintains the joyful upbeat tempo, catchy melody, and danceable groove of the original, and it's definitely just as much fun to play as it is to listen to; you're sure to get your audience singing along. This will be a great one for Christmas parties, cocktail hour, solo & ensemble contests, or any other event that needs some festive cheer! This is a simple, easy-intermediate-level arrangement that makes a big impact; it will be easily playable for students and sightreadable for professionals. Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat
$7.99 ≈
$11.07
Feliz Navidad
Feliz Navidad
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Violin, Viola (duet)
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EASY
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Clay Walker
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Sarah Cellobat Chaffee
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Feliz Navidad
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Sarah Cellobat Chaffee
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SheetMusicPlus
Instrumental Duet,Viola,Violin - Level 2 - Digital Download SKU: A0.1317386 By Clay Walker. By Jose Feliciano. Arranged by Sarah Cellobat Chaffee. Christ...
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Instrumental Duet,Viola,Violin - Level 2 - Digital Download SKU: A0.1317386 By Clay Walker. By Jose Feliciano. Arranged by Sarah Cellobat Chaffee. Christmas,Holiday,Latin,Multicultural,Pop,World. 5 pages. Sarah Cellobat Chaffee #906048. Published by Sarah Cellobat Chaffee (A0.1317386). *INSTRUMENTATION: VIOLIN & VIOLA DUET*Feliz Navidad was originally written in 1970 by Puerto Rican singer-songwriter Jose Feliciano, with simple, heartfelt lyrics expressing the joy he felt at his family Christmas celebrations back in Puerto Rico. The song has since become a beloved Christmas classic, and it has also become one of the most downloaded and aired songs in North America -- so you really can't go wrong having this one in your gig books! This Cellobat arrangement for violin and viola duet maintains the joyful upbeat tempo, catchy melody, and danceable groove of the original, and it's definitely just as much fun to play as it is to listen to; you're sure to get your audience singing along. This will be a great one for Christmas parties, cocktail hour, solo & ensemble contests, or any other event that needs some festive cheer! This is a simple, easy-intermediate-level arrangement that makes a big impact; it will be easily playable for students and sightreadable for professionals.Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$6.99 ≈
$9.68
Batonebo (Arr. LJohnson)
Batonebo (Arr. LJohnson)
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Choral 2-part
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EASY
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Traditional Georgian
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Leanne Johnson
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Batonebo
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Blokes Notes Music Director
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SheetMusicPlus
Choral Choir (TB) - Level 2 - Digital Download SKU: A0.1103912 Composed by Traditional Georgian. Arranged by Leanne Johnson. Children,Folk,Multicultural,...
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Choral Choir (TB) - Level 2 - Digital Download SKU: A0.1103912 Composed by Traditional Georgian. Arranged by Leanne Johnson. Children,Folk,Multicultural,Religious,World. Octavo. 2 pages. Blokes Notes Music Director #707196. Published by Blokes Notes Music Director (A0.1103912). This gentle healing song is a traditional Georgian (country north of Turkey) song aimed at pleasing the spirits, Batonebi, sung in the room of a child, down with illness. Sung as a spiritual chant your audience will be drawn in to the peacefulness and beauty of these Georgian harmonies with its occasional dissonances. Easy level , the bassline creates typical Georgian drone effect while the other parts move in sweet 3rds. Also available for SSA This is another arrangement written for and successfully performed by Blokes Notes a non-auditioned community men’s choir in Port Macquarie Australia, raising eyebrows since 2009.
$3.00 ≈
$4.16
Almost May for Piano Solo
Almost May for Piano Solo
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Piano solo
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EASY
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Heidi Savoie
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Heidi Savoie
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Almost May for Piano Solo
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Heidi Savoie
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,...
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Piano Solo - Level 2 - Digital Download SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Score. 1 pages. Heidi Savoie #960870. Published by Heidi Savoie (A0.1376326). This is a solo piano arrangement of Almost May, best suited for an early intermediate player. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax.
$3.99 ≈
$5.53
Almost May Lead Sheet
Almost May Lead Sheet
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C Instruments
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EASY
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Heidi Savoie
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Heidi Savoie
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Almost May Lead Sheet
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Heidi Savoie
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SheetMusicPlus
C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructiona...
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C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. Heidi Savoie #960874. Published by Heidi Savoie (A0.1376331). This is a lead sheet for any instrument for the song Almost May. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$2.99 ≈
$4.14
LONDONDERRY AIR (DANNY BOY) early intermediate
LONDONDERRY AIR (DANNY BOY) early intermediate
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String Orchestra
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EASY
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Contemporary
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Irish Air
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Vincent Vitale
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LONDONDERRY AIR
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Vincent Vitale
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SheetMusicPlus
String Orchestra - Level 2 - Digital Download SKU: A0.835570 Composed by Irish Air. Arranged by Vincent Vitale. Contemporary. Score and parts. 10 pages. ...
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String Orchestra - Level 2 - Digital Download SKU: A0.835570 Composed by Irish Air. Arranged by Vincent Vitale. Contemporary. Score and parts. 10 pages. Vincent Vitale #5310583. Published by Vincent Vitale (A0.835570). LONDONDERRY AIR (DANNY BOY) is an old Irish melody that originated in County Londonderry (also known as County Derry) in Northern Ireland. This beautiful melody is arranged for beginning Intermediate string players and beyond and utilizes many embellished chords giving it a more modern sound. This arrangement will certainly be a crowd favorite. If this composition appeals to you please consider the many others in this string series by typing VINCENT VITALE in the search bar located on the home page. I hope you and your students enjoy performing this piece. As always I thank you very much for your consideration and wish you and your students much musical success.
$22.00 ≈
$30.47
Land Of A Thousand Dances
Land Of A Thousand Dances
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Marching band
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EASY
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Wilson Pickett
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Kael McDonald
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Land Of A Thousand Dances
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Kael McDonald
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SheetMusicPlus
Marching Band - Level 2 - Digital Download SKU: A0.1203062 By Wilson Pickett. By Chris Kenner. Arranged by Kael McDonald. 20th Century,Blues,Jazz. Score ...
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Marching Band - Level 2 - Digital Download SKU: A0.1203062 By Wilson Pickett. By Chris Kenner. Arranged by Kael McDonald. 20th Century,Blues,Jazz. Score and parts. 13 pages. Kael McDonald #801747. Published by Kael McDonald (A0.1203062). Do you remember Cannibal & the Headhunters or Wilson Pickett? They were the artists from the golden age that brought this crowd-pleasing R&B anthem to international attention, and that attention has never waned. Here it is for yet another generation to groove on!Land of A Thousand Dances is a song that was released in 1968 by Wilson Pickett, arranged by Kael McDonald. I used the help of the University of Northern Colorado's version to make mine. I wrote all the percussion on my own. It has all your standard pep band instruments. As well as all standard parts for percussion, minus cymbals. All rights reserved by Kael McDonald Music 2023.****SOUNDCLOUD LINK FOR AUDIO****https://on.soundcloud.com/HdjWx.
$50.00 ≈
$69.25
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Row North Music
