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You've selected:
8 Chansons
intermediate
Sheetmusic to print
23 sheet music found
<
1
F. Poulenc: La Belle Jeunesse from 8 Chansons Gaillardes for Violin and Piano
F. Poulenc: La Belle Jeunesse from 8 Chansons Gaillardes for Violin and Piano
#
Violin and Piano
#
INTERMEDIATE
#
Francis Poulenc
#
Clara Obsidian
#
F. Poulenc: La Belle Jeunesse
#
Clara Obsidian
#
SheetMusicPlus
Piano,Violin - Level 3 - Digital Download SKU: A0.1461627 Composed by Francis Poulenc. Arranged by Clara Obsidian. 20th Century,Romantic Period. 8 pages....
(+)
Piano,Violin - Level 3 - Digital Download SKU: A0.1461627 Composed by Francis Poulenc. Arranged by Clara Obsidian. 20th Century,Romantic Period. 8 pages. Clara Obsidian #1040371. Published by Clara Obsidian (A0.1461627). The Chansons Gaillardes (Ribald songs), are a song cycle of eight pieces composed by Francis Poulenc in 1925–1926.Originally writted for medium voice and piano, the seventh piece of the set has been arranged for Violin and Piano of intermediate difficulty.Pieces one to six, and eight are also available individually or as a complete set of 8.Full Score and Parts-------------------------------------------.
$3.99 ≈
3.66€
F. Poulenc: La Belle Jeunesse from 8 Chansons Gaillardes for Viola and Piano
F. Poulenc: La Belle Jeunesse from 8 Chansons Gaillardes for Viola and Piano
#
Viola, Piano
#
INTERMEDIATE
#
Francis Poulenc
#
Clara Obsidian
#
F. Poulenc: La Belle Jeunesse
#
Clara Obsidian
#
SheetMusicPlus
Piano,Viola - Level 3 - Digital Download SKU: A0.1461625 Composed by Francis Poulenc. Arranged by Clara Obsidian. 20th Century,Romantic Period. Score and...
(+)
Piano,Viola - Level 3 - Digital Download SKU: A0.1461625 Composed by Francis Poulenc. Arranged by Clara Obsidian. 20th Century,Romantic Period. Score and part. 8 pages. Clara Obsidian #1040369. Published by Clara Obsidian (A0.1461625). The Chansons Gaillardes (Ribald songs), are a song cycle of eight pieces composed by Francis Poulenc in 1925–1926.Originally writted for medium voice and piano, the seventh piece of the set has been arranged for Viola and Piano of intermediate difficulty.Pieces one to six, and eight are also available individually or as a complete set of 8.Full Score and Parts-------------------------------------------.
$3.99 ≈
3.66€
F. Poulenc: La Belle Jeunesse from 8 Chansons Gaillardes for Cello and Piano
F. Poulenc: La Belle Jeunesse from 8 Chansons Gaillardes for Cello and Piano
#
Cello, Piano
#
INTERMEDIATE
#
Francis Poulenc
#
Clara Obsidian
#
F. Poulenc: La Belle Jeunesse
#
Clara Obsidian
#
SheetMusicPlus
Cello,Piano - Level 3 - Digital Download SKU: A0.1461624 Composed by Francis Poulenc. Arranged by Clara Obsidian. 20th Century,Romantic Period. Score and...
(+)
Cello,Piano - Level 3 - Digital Download SKU: A0.1461624 Composed by Francis Poulenc. Arranged by Clara Obsidian. 20th Century,Romantic Period. Score and part. 8 pages. Clara Obsidian #1040368. Published by Clara Obsidian (A0.1461624). The Chansons Gaillardes (Ribald songs), are a song cycle of eight pieces composed by Francis Poulenc in 1925–1926.Originally writted for medium voice and piano, the seventh piece of the set has been arranged for Cello and Piano of intermediate difficulty.Pieces one to six, and eight are also available individually or as a complete set of 8.Full Score and Parts-------------------------------------------.
$3.99 ≈
3.66€
F. Poulenc: Sérénade from 8 Chansons Gaillardes for Violin and Piano
F. Poulenc: Sérénade from 8 Chansons Gaillardes for Violin and Piano
#
Violin and Piano
#
INTERMEDIATE
#
Francis Poulenc
#
Clara Obsidian
#
F. Poulenc: Sérénade from 8
#
Clara Obsidian
#
SheetMusicPlus
Piano,Violin - Level 3 - Digital Download SKU: A0.1461632 Composed by Francis Poulenc. Arranged by Clara Obsidian. 20th Century,Romantic Period. 5 pages....
(+)
Piano,Violin - Level 3 - Digital Download SKU: A0.1461632 Composed by Francis Poulenc. Arranged by Clara Obsidian. 20th Century,Romantic Period. 5 pages. Clara Obsidian #1040376. Published by Clara Obsidian (A0.1461632). The Chansons Gaillardes (Ribald songs), are a song cycle of eight pieces composed by Francis Poulenc in 1925–1926.Originally writted for medium voice and piano, the eighth piece of the set has been arranged for Violin and Piano of intermediate difficulty.Pieces one to seven are also available individually or as a complete set of 8.Full Score and Parts-------------------------------------------.
$3.99 ≈
3.66€
F. Poulenc: Couplets Bachiques from 8 Chansons Gaillardes for Cello and Piano
F. Poulenc: Couplets Bachiques from 8 Chansons Gaillardes for Cello and Piano
#
Cello, Piano
#
INTERMEDIATE
#
Francis Poulenc
#
Clara Obsidian
#
F. Poulenc: Couplets Bachiques
#
Clara Obsidian
#
SheetMusicPlus
Cello,Piano - Level 3 - Digital Download SKU: A0.1461611 Composed by Francis Poulenc. Arranged by Clara Obsidian. 20th Century,Romantic Period. Score and...
(+)
Cello,Piano - Level 3 - Digital Download SKU: A0.1461611 Composed by Francis Poulenc. Arranged by Clara Obsidian. 20th Century,Romantic Period. Score and part. 7 pages. Clara Obsidian #1040355. Published by Clara Obsidian (A0.1461611). The Chansons Gaillardes (Ribald songs), are a song cycle of eight pieces composed by Francis Poulenc in 1925–1926.Originally writted for medium voice and piano, the fifth piece of the set has been arranged for Cello and Piano of intermediate difficulty.Pieces one to four and six to eight are also available individually or as a complete set of 8.Full Score and Parts----------------------------------------------------.
$3.99 ≈
3.66€
F. Poulenc: Couplets Bachiques from 8 Chansons Gaillardes for Viola and Piano
F. Poulenc: Couplets Bachiques from 8 Chansons Gaillardes for Viola and Piano
#
Viola, Piano
#
INTERMEDIATE
#
Francis Poulenc
#
Clara Obsidian
#
F. Poulenc: Couplets Bachiques
#
Clara Obsidian
#
SheetMusicPlus
Piano,Viola - Level 3 - Digital Download SKU: A0.1461612 Composed by Francis Poulenc. Arranged by Clara Obsidian. 20th Century,Romantic Period. Score and...
(+)
Piano,Viola - Level 3 - Digital Download SKU: A0.1461612 Composed by Francis Poulenc. Arranged by Clara Obsidian. 20th Century,Romantic Period. Score and part. 7 pages. Clara Obsidian #1040356. Published by Clara Obsidian (A0.1461612). The Chansons Gaillardes (Ribald songs), are a song cycle of eight pieces composed by Francis Poulenc in 1925–1926.Originally writted for medium voice and piano, the fifth piece of the set has been arranged for Viola and Piano of intermediate difficulty.Pieces one to four and six to eight are also available individually or as a complete set of 8.Full Score and Parts----------------------------------------------------.
$3.99 ≈
3.66€
F. Poulenc: Sérénade from 8 Chansons Gaillardes for Cello and Piano
F. Poulenc: Sérénade from 8 Chansons Gaillardes for Cello and Piano
#
Cello, Piano
#
INTERMEDIATE
#
Francis Poulenc
#
Clara Obsidian
#
F. Poulenc: Sérénade from 8
#
Clara Obsidian
#
SheetMusicPlus
Cello,Piano - Level 3 - Digital Download SKU: A0.1461629 Composed by Francis Poulenc. Arranged by Clara Obsidian. 20th Century,Romantic Period. Score and...
(+)
Cello,Piano - Level 3 - Digital Download SKU: A0.1461629 Composed by Francis Poulenc. Arranged by Clara Obsidian. 20th Century,Romantic Period. Score and part. 5 pages. Clara Obsidian #1040373. Published by Clara Obsidian (A0.1461629). The Chansons Gaillardes (Ribald songs), are a song cycle of eight pieces composed by Francis Poulenc in 1925–1926.Originally writted for medium voice and piano, the eighth piece of the set has been arranged for Cello and Piano of intermediate difficulty.Pieces one to seven are also available individually or as a complete set of 8.Full Score and Parts-------------------------------------------.
$3.99 ≈
3.66€
F. Poulenc: Sérénade from 8 Chansons Gaillardes for Viola and Piano
F. Poulenc: Sérénade from 8 Chansons Gaillardes for Viola and Piano
#
Viola, Piano
#
INTERMEDIATE
#
Francis Poulenc
#
Clara Obsidian
#
F. Poulenc: Sérénade from 8
#
Clara Obsidian
#
SheetMusicPlus
Piano,Viola - Level 3 - Digital Download SKU: A0.1461630 Composed by Francis Poulenc. Arranged by Clara Obsidian. 20th Century,Romantic Period. Score and...
(+)
Piano,Viola - Level 3 - Digital Download SKU: A0.1461630 Composed by Francis Poulenc. Arranged by Clara Obsidian. 20th Century,Romantic Period. Score and part. 5 pages. Clara Obsidian #1040374. Published by Clara Obsidian (A0.1461630). The Chansons Gaillardes (Ribald songs), are a song cycle of eight pieces composed by Francis Poulenc in 1925–1926.Originally writted for medium voice and piano, the eighth piece of the set has been arranged for Viola and Piano of intermediate difficulty.Pieces one to seven are also available individually or as a complete set of 8.Full Score and Parts-------------------------------------------.
$3.99 ≈
3.66€
F. Poulenc: Couplets Bachiques from 8 Chansons Gaillardes for Violin and Piano
F. Poulenc: Couplets Bachiques from 8 Chansons Gaillardes for Violin and Piano
#
Violin and Piano
#
INTERMEDIATE
#
Francis Poulenc
#
Clara Obsidian
#
F. Poulenc: Couplets Bachiques
#
Clara Obsidian
#
SheetMusicPlus
Piano,Violin - Level 3 - Digital Download SKU: A0.1461615 Composed by Francis Poulenc. Arranged by Clara Obsidian. 20th Century,Romantic Period. 7 pages....
(+)
Piano,Violin - Level 3 - Digital Download SKU: A0.1461615 Composed by Francis Poulenc. Arranged by Clara Obsidian. 20th Century,Romantic Period. 7 pages. Clara Obsidian #1040359. Published by Clara Obsidian (A0.1461615). The Chansons Gaillardes (Ribald songs), are a song cycle of eight pieces composed by Francis Poulenc in 1925–1926.Originally writted for medium voice and piano, the fifth piece of the set has been arranged for Violin and Piano of intermediate difficulty.Pieces one to four and six to eight are also available individually or as a complete set of 8.Full Score and Parts----------------------------------------------------.
$3.99 ≈
3.66€
F. Poulenc: 8 Chansons Gaillardes for Violin and Piano
F. Poulenc: 8 Chansons Gaillardes for Violin and Piano
#
Violin and Piano
#
INTERMEDIATE
#
Francis Poulenc
#
Clara Obsidian
#
F. Poulenc: 8 Chansons Gaillar
#
Clara Obsidian
#
SheetMusicPlus
Piano,Violin - Level 3 - Digital Download SKU: A0.1462710 Composed by Francis Poulenc. Arranged by Clara Obsidian. 20th Century,Romantic Period. 36 pages...
(+)
Piano,Violin - Level 3 - Digital Download SKU: A0.1462710 Composed by Francis Poulenc. Arranged by Clara Obsidian. 20th Century,Romantic Period. 36 pages. Clara Obsidian #1041457. Published by Clara Obsidian (A0.1462710). The Chansons Gaillardes (Ribald songs), are a song cycle of eight pieces composed by Francis Poulenc in 1925–1926. Originally writted for voice and piano, the series has been arranged for Violin and Piano with a difficulty range of late beginner to intermediate level.1. La Maîtresse volage2. Chanson à boire3. Madrigal4. Invocation aux Parques5. Couplets bachiques6. L'Offrande7. La Belle Jeunesse8. Sérénade (Listen to 'Sample Audio')Full Score and PartsAlso available as individual titles, or for Cello or Viola-----------------------------------.
$12.99 ≈
11.90€
F. Poulenc: 8 Chansons Gaillardes for Cello and Piano
F. Poulenc: 8 Chansons Gaillardes for Cello and Piano
#
Cello, Piano
#
INTERMEDIATE
#
Francis Poulenc
#
Clara Obsidian
#
F. Poulenc: 8 Chansons Gaillar
#
Clara Obsidian
#
SheetMusicPlus
Cello,Piano - Level 3 - Digital Download SKU: A0.1462708 Composed by Francis Poulenc. Arranged by Clara Obsidian. 20th Century,Romantic Period. Score and...
(+)
Cello,Piano - Level 3 - Digital Download SKU: A0.1462708 Composed by Francis Poulenc. Arranged by Clara Obsidian. 20th Century,Romantic Period. Score and part. 36 pages. Clara Obsidian #1041453. Published by Clara Obsidian (A0.1462708). The Chansons gaillardes (Ribald songs), are a song cycle of eight pieces composed by Francis Poulenc in 1925–1926. Originally writted for voice and piano, the series has been arranged for Cello and Piano with a difficulty range of late beginner to intermediate level.1. La Maîtresse volage2. Chanson à boire3. Madrigal4. Invocation aux Parques5. Couplets bachiques6. L'Offrande7. La Belle Jeunesse8. Sérénade (Listen to 'Sample Audio')Full Score and PartsAlso available as individual titles, or for Violin or Viola-----------------------------------
$12.99 ≈
11.90€
F. Poulenc: 8 Chansons Gaillardes for Viola and Piano
F. Poulenc: 8 Chansons Gaillardes for Viola and Piano
#
Viola, Piano
#
INTERMEDIATE
#
Francis Poulenc
#
Clara Obsidian
#
F. Poulenc: 8 Chansons Gaillar
#
Clara Obsidian
#
SheetMusicPlus
Piano,Viola - Level 3 - Digital Download SKU: A0.1462711 Composed by Francis Poulenc. Arranged by Clara Obsidian. 20th Century,Romantic Period. Score and...
(+)
Piano,Viola - Level 3 - Digital Download SKU: A0.1462711 Composed by Francis Poulenc. Arranged by Clara Obsidian. 20th Century,Romantic Period. Score and part. 36 pages. Clara Obsidian #1041458. Published by Clara Obsidian (A0.1462711). The Chansons gaillardes (Ribald songs), are a song cycle of eight pieces composed by Francis Poulenc in 1925–1926. Originally writted for voice and piano, the series has been arranged for Viola and Piano with a difficulty range of late beginner to intermediate level.1. La Maîtresse volage2. Chanson à boire3. Madrigal4. Invocation aux Parques5. Couplets bachiques6. L'Offrande7. La Belle Jeunesse8. Sérénade (Listen to 'Sample Audio')Full Score and PartsAlso available as individual titles, or for Violin or Cello-----------------------------------.
$12.99 ≈
11.90€
Paladilhe-L'oiseleur amour,from 'Deux chansons de Guy de Maupassant',in G Major
Paladilhe-L'oiseleur amour,from 'Deux chansons de Guy de Maupassant',in G Major
#
Piano, Voice
#
INTERMEDIATE
#
Classical
#
Paladilhe
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OSM Press
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Paladilhe-L'oiseleur amour,fro
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Open Cloud
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1383720 Composed by Paladilhe (Émile Paladilhe). Arranged by OSM Press. Classical. Score. 8 pa...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1383720 Composed by Paladilhe (Émile Paladilhe). Arranged by OSM Press. Classical. Score. 8 pages. Open Cloud #968176. Published by Open Cloud (A0.1383720).
$5.99 ≈
5.49€
Deux Chansons d'amour
Deux Chansons d'amour
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Piano solo
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INTERMEDIATE
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Contemporary
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Russell Olesh
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Deux Chansons d'amour
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Russell Olesh
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SheetMusicPlus
Composed by Russell Olesh. Romantic Period, Contemporary Classical, Valentine's Day, Pop, Anniversary. 8 pages. Published by Russell Olesh...
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Composed by Russell Olesh. Romantic Period, Contemporary Classical, Valentine's Day, Pop, Anniversary. 8 pages. Published by Russell Olesh
$6.99 ≈
6.40€
Op. 1, No. 8: Illusions perdues from Songs of Gouvy, V2 (Downloadable)
Op. 1, No. 8: Illusions perdues from Songs of Gouvy, V2 (Downloadable)
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Piano, Voice
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INTERMEDIATE
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MeeAe Cecilia Nam and Theodore
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Op. 1, No. 8: Illusions perdue
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-32E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer M...
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Voice and piano - Medium - Digital Download SKU: MQ.8492-32E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer Music Company - Digital #8492-32E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-32E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00 ≈
2.75€
Op. 45, No. 8: Mon bel et doux tourment from Songs of Gouvy, V2 (Downloadable)
Op. 45, No. 8: Mon bel et doux tourment from Songs of Gouvy, V2 (Downloadable)
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Piano, Voice
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INTERMEDIATE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 8: Mon bel et doux
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-08E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer M...
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Voice and piano - Medium - Digital Download SKU: MQ.8492-08E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-08E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-08E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00 ≈
2.75€
8 Chansons
8 Chansons
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Recorder Quartet
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INTERMEDIATE
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Pierre Attaingnant
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8 Chansons
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Schott Music - Digital
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SheetMusicPlus
SATB recorders - intermediate - Digital Download SKU: S9.Q15869 Composed by Pierre Attaingnant. This edition: performance score. Original Music for Recor...
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SATB recorders - intermediate - Digital Download SKU: S9.Q15869 Composed by Pierre Attaingnant. This edition: performance score. Original Music for Recorder. Downloadable, performance score. Schott Music - Digital #Q15869. Published by Schott Music - Digital (S9.Q15869).
$12.99 ≈
11.90€
Renaissance Guitar Music for Fingerstyle Ukulele
Renaissance Guitar Music for Fingerstyle Ukulele
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Renaissance Guitar Music for F
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar - Intermediate - Digital Download SKU: M0.31089MEB Classical. Ebook and online audio. 77 pages. Mel Bay Publications - Digital Sheet Music #31089M...
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Guitar - Intermediate - Digital Download SKU: M0.31089MEB Classical. Ebook and online audio. 77 pages. Mel Bay Publications - Digital Sheet Music #31089MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.31089MEB). ISBN 9781513477619. 8.75X11.75 inches.This book presents 37 pieces of Renaissance guitar music transcribed for solo fingerstyle ukulele together with the author’s recordings of every transcription. Moreover, a generous introduction provides a brief history of the Renaissance guitar, tips on period ornamentation and musicianship, recommended recordings, and invaluable resources for further research of your own.Throughout Europe, the Renaissance guitar was a popular instrument in the middle of the sixteenth century. Its composers left us a treasure-trove of music, from rustic dances to chansons and elaborate fantasias. Five-hundred years later, this music fits beautifully on the Renaissance guitar’s musical descendant, the ukulele.The Renaissance guitar and the ukulele share an almost identical tuning. As the transcriptions in this book are written in standard notation and tablature, any type of ukulele, from soprano to baritone—as well as the top four strings of the guitar— can be used to play them. Most of the pieces are in standard gCEA or GCEA tuning; the seven pieces in the second section of the book, however, require low-G tuning to render the counterpoint as written. It’s also possible for guitar and baritone uke players to read the tablature provided. The music will sound a perfect 4th lower than the notation, but as there was no standard pitch in the time of the Renaissance guitar, modern players should feel no obligation to play this music at fixed pitch. If you wish to read from the tablature and sound in the same key as the notation for ensemble purposes, guitar and baritone uke players merely need to place a capo at the fifth fret. With a certain sense of historical irony, the music of the Renaissance guitar is here reborn on modern fretted instruments.
Song List
:
Branle
Allemande
Branle
Quand i’entens le perdu temps
Gaillarde
Tourdion
Bransle De Poictou
Branle
Bransle Haulbaroys
Chi dira mai
Villanesque
Bransle De Poictou
Almande tournée
Vous estes la personne
Branle
Pavane
Branle de Bourgogne I
Branle de Bourgogne III
Gaillarde
Almande le Pied de cheval
Branle gay
Le Branle precedent plus diminue
Gaillarde
Gaillarde
Pimontoyse
Lo, what it is to love
Il estoit une fillette en basse-dance
Ma bouche rit
Contreclare
La Seraphine
Prelude I
Prelude Ii
Fantasie V
Fantasia
Fantasie III
Canon
Fantasie I
$17.99 ≈
16.48€
Let All Mortal Flesh Keep Silence - trombone and piano
Let All Mortal Flesh Keep Silence - trombone and piano
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Trombone and Piano
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INTERMEDIATE
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Sacred music
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Traditional French Carol
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Todd Marchand
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Let All Mortal Flesh Keep Sile
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Con Spirito Music
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SheetMusicPlus
Piano,Trombone - Level 3 - Digital Download SKU: A0.726086 Composed by Traditional French Carol. Arranged by Todd Marchand. Christian,Sacred. Score and p...
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Piano,Trombone - Level 3 - Digital Download SKU: A0.726086 Composed by Traditional French Carol. Arranged by Todd Marchand. Christian,Sacred. Score and part. 8 pages. Con Spirito Music #4775413. Published by Con Spirito Music (A0.726086). Let All Mortal Flesh Keep Silence is a eucharistic hymn translated from the fifth-century Liturgy of St. James and set to a 17th-century French carol.In this particular liturgy (attributed to St. James the Less, first bishop of Jerusalem), a hymn of preparation and adoration is sung by the celebrating priest as the communion bread and wine is brought to the altar of the Lord. The Anglican priest and hymnodist Gerard Moultrie (1829-1885) translated and paraphrased the hymn, whose opening words are based on the words of the prophets Habakkuk (But the Lord is in his holy temple; let all the earth keep silence before him. 2:20) and Zechariah (Be silent, all flesh, before the Lord, for he has roused himself from his holy dwelling. 2:13).Ralph Vaughan Williams, editor of the English Hymnal of 1906, adapted a French carol dating from the 17th century and published in Chansons Populaires des Provinces de France (1860) for Moultrie's text, naming the hymn tune PICARDY for the region of France from which it is thought to originate.Contemporary, jazz-flavored harmonies characterize this arrangement for trombone and piano.©2019 Todd Marchand / ConSpiritoMusic.com
$6.00 ≈
5.50€
Op. 45, No. 16: Je sens fleurir les plaisirs… from Songs of Gouvy, V2 (Downloadable)
Op. 45, No. 16: Je sens fleurir les plaisirs… from Songs of Gouvy, V2 (Downloadable)
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Piano, Voice
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INTERMEDIATE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 16: Je sens fleuri
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-16E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer M...
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Voice and piano - Medium - Digital Download SKU: MQ.8492-16E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer Music Company - Digital #8492-16E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-16E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00 ≈
2.75€
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1
8 Chansons
