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Etude In C Minor
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You've selected:
Etude In C Minor
intermediate
Sheetmusic to print
57 sheet music found
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1
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51
Etude in C Minor Op. 10 No. 4
Etude in C Minor Op. 10 No. 4
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Piano solo
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INTERMEDIATE
#
Classical
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Frederic Chopin
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Patrizia Luraschi
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Etude in C Minor Op. 10 No. 4
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NOWO
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.974660 Composed by Frederic Chopin. Arranged by Patrizia Luraschi. Instructional,Romantic Period,Standard...
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Piano Solo - Level 3 - Digital Download SKU: A0.974660 Composed by Frederic Chopin. Arranged by Patrizia Luraschi. Instructional,Romantic Period,Standards. Score. 7 pages. NOWO #6353339. Published by NOWO (A0.974660). New note assignment for the two hands. Wide beat spacing. Rhythmic accuracy improvements. Writing of the embellishments in full. Score optimized for live performances. Accurate metronome indications. Elegant graphics.
$2.99 ≈
$4.06
Chopin Etude Op. 25 No. 12 in C Minor Ocean
Chopin Etude Op. 25 No. 12 in C Minor Ocean
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Piano solo
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INTERMEDIATE
#
Classical
#
Frederic Chopin
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Public Domain
#
Chopin Etude Op. 25 No. 12 in
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John Travos
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1196715 Composed by Frederic Chopin. Arranged by Public Domain. Romantic Period. Score. 8 pages. John Tra...
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Piano Solo - Level 3 - Digital Download SKU: A0.1196715 Composed by Frederic Chopin. Arranged by Public Domain. Romantic Period. Score. 8 pages. John Travos #795878. Published by John Travos (A0.1196715). Chopin Etude Op. 25 No. 12 in C Minor Ocean. High-quality printable.
$4.85 ≈
$6.59
Franz Simandl Étude no. 10 in C minor (Moderato maestoso) for Two Double Basses
Franz Simandl Étude no. 10 in C minor (Moderato maestoso) for Two Double Basses
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2 Double basses (duet)
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INTERMEDIATE
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Franz Simandl
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M
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Franz Simandl Étude no. 10 in
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Mat Kim
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SheetMusicPlus
Instrumental Duet Double Bass,Instrumental Duet - Level 3 - Digital Download SKU: A0.921458 Composed by Franz Simandl. Arranged by M. Kim. 20th Century,I...
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Instrumental Duet Double Bass,Instrumental Duet - Level 3 - Digital Download SKU: A0.921458 Composed by Franz Simandl. Arranged by M. Kim. 20th Century,Instructional,Romantic Period. Score and parts. 6 pages. Mat Kim #6342801. Published by Mat Kim (A0.921458). An arrangement of Simandl's Étude no. 10 in C minor (Moderato maestoso) for two double basses. Two versions are included; in the solo version, the lead line stays in the part of double bass I, while in the duet version the lead line switches parts at moments indicated by a double bar line.
$9.99 ≈
$13.57
Chopin- Étude Op. 10, No. 12 in C minor 'Revolutionary'
Chopin- Étude Op. 10, No. 12 in C minor 'Revolutionary'
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Piano solo
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INTERMEDIATE
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Classical
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Frederic Chopin
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Harry Sebastian
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Chopin- Étude Op. 10, No. 12
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Harry Sebastian
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.895453 Composed by Frederic Chopin. Arranged by Harry Sebastian. Romantic Period. Score. 7 pages. Harry S...
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Piano Solo - Level 3 - Digital Download SKU: A0.895453 Composed by Frederic Chopin. Arranged by Harry Sebastian. Romantic Period. Score. 7 pages. Harry Sebastian #6404463. Published by Harry Sebastian (A0.895453). Chopin- Étude Op. 10, No. 12 in C minor 'Revolutionary'.
$3.60 ≈
$4.89
Chopin-Etude Op.10 No.12 in c minor,Revolutionary,for piano
Chopin-Etude Op.10 No.12 in c minor,Revolutionary,for piano
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Piano solo
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INTERMEDIATE
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Classical
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Frederic Chopin
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MSM
#
Chopin-Etude Op.10 No.12 in c
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Open Cloud
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.659444 Composed by Frederic Chopin. Arranged by MSM. Classical,Romantic Period. Score. 17 pages. Open Clo...
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Piano Solo - Level 3 - Digital Download SKU: A0.659444 Composed by Frederic Chopin. Arranged by MSM. Classical,Romantic Period. Score. 17 pages. Open Cloud #3662201. Published by Open Cloud (A0.659444). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Chopin (Chopin,Frédéric)，1810-1849，for Piano, published by More Sheet Music Press.
$3.99 ≈
$5.42
Etudes in the Third Octave (version for C recorders)
Etudes in the Third Octave (version for C recorders)
#
Recorder
#
INTERMEDIATE
#
James Devor
#
Etudes in the Third Octave
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JDevor Music, LLC
#
SheetMusicPlus
Recorder Solo - Level 3 - Digital Download SKU: A0.1374642 Composed by James Devor. Contemporary,Early Music,Renaissance. Individual part. 10 pages. JDev...
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Recorder Solo - Level 3 - Digital Download SKU: A0.1374642 Composed by James Devor. Contemporary,Early Music,Renaissance. Individual part. 10 pages. JDevor Music, LLC #959170. Published by JDevor Music, LLC (A0.1374642). Etude in the Third Octavefor improving solo recorder playing (version for C recorders)The intention of this book is to introduce the third octave of the recorder to intermediate and advanced students no matter their age. The first section introduces each chromatic pitch from Bb6 to G6 (the highest possible pitch on a standard soprano recorder) in a pedagogically appropriate fashion. Each etude should be practiced slowly at first, focusing on correct fingering, phrasing and articulation prior to attaining full tempo. All of these etudes are purposefully composed using a variety of rhythmic and harmonic materials. On some of the fingering charts, ‘bell’ is included underneath the fingering. This indicates that the bell is to be closed either by pushing it up against the leg or the use of a bell key. Throughout the musical examples this is also reminded to the student by the usage of the ‘+’ sign.The second and third sections take students through recommended exercises in octaves, fifths, and major/minor scales. The goal here is to practice clean and swift transitions between notes, especially when in distant registers.The last section comprises two page-long ‘Grand Etudes’, which each reinforce and combine material from earlier in this book. Each one is about a minute long and uses the entire range of the instrument. When practicing these, be sure to attempt to keep the sound of the recorder consistent across both low and high registers.
$5.99 ≈
$8.13
Etude 0.5 + 3.0 for the Left Hand Alone, from 25 Etudes using Symmetry, Mirroring and Intervals
Etude 0.5 + 3.0 for the Left Hand Alone, from 25 Etudes using Symmetry, Mirroring and Intervals
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Piano solo
#
INTERMEDIATE
#
Michael Bomier
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Etude 0.5 + 3.0 for the Left H
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.862545 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 1 pages. Michael Butkus-B...
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Piano Solo - Level 3 - Digital Download SKU: A0.862545 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 1 pages. Michael Butkus-Bomier #2034365. Published by Michael Butkus-Bomier (A0.862545). What set of piano etudes would be complete without a selection for the Left Hand alone! This one uses half-steps and tritones, not the usual component parts of a tuneful melody. Yet, the left-hand 5th finger or thumb plays an almost child-like tune, on mostly white keys, while the half-steps and tritones swirl about, above or below the melody. The song is in C major, and shifts to A minor, then back to C major. The embellishments are utterly chromatic, and essentially pre-determined by the intervals used. A short piece, running time is less than a minute. Pedal or not, as you see fit. And, Bring out the Melody, of course! MBB.
$1.99 ≈
$2.70
A Minor Etude #1
A Minor Etude #1
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Piano solo
#
INTERMEDIATE
#
Linda Schooley
#
A Minor Etude #1
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Linda Schooley
#
SheetMusicPlus
Instrumental Solo,Piano - Level 3 - Interactive Download SKU: A0.1377748 Composed by Linda Schooley. This edition: Interactive Download. Children. Indivi...
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Instrumental Solo,Piano - Level 3 - Interactive Download SKU: A0.1377748 Composed by Linda Schooley. This edition: Interactive Download. Children. Individual part. 1 pages. Duration 20. Linda Schooley #58MdZE70CUOYCXuBXJtQeX. Published by Linda Schooley (A0.1377748). Key: C major.A short piece in A Minor - a study of the chords in A Minor.
$5.00 ≈
$6.79
Nocturne in E Minor Op. Poth for Viola & Piano
Nocturne in E Minor Op. Poth for Viola & Piano
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Viola, Piano
#
INTERMEDIATE
#
Classical
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Chopin, Fre'de'ric
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Kamada, Mikio
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Nocturne in E Minor Op. Poth f
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ACORDO Sheet Music
#
SheetMusicPlus
Piano,Viola - Level 3 - Digital Download SKU: A0.778019 Composed by Chopin, Fre'de'ric (1810-1849). Arranged by Kamada, Mikio. Romantic Period. Score and...
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Piano,Viola - Level 3 - Digital Download SKU: A0.778019 Composed by Chopin, Fre'de'ric (1810-1849). Arranged by Kamada, Mikio. Romantic Period. Score and part. 6 pages. ACORDO Sheet Music #4846985. Published by ACORDO Sheet Music (A0.778019). This small piece is now well known as Nocturne, however, there is no description of Nocturne on his original score. It was written for Ludwika (his elder sister)’s etude for playing concerto No.2 Op.21, in 1830 when he was 20 years old. It was substantially an improvisation, but full of melancholic beauty. This piece has a short intermediate part supposed to be unfinished. The part has a structure of [A-B-C-B]-[A-B-C-B]-[C-B]-C in which each A/B/C corresponds to a bar. In this arrangement, this part was condensed to [A-B-C-B]-C to avoid redundant impression. The other part is faithful to the original notes.
$5.30 ≈
$7.20
Khachaturian Etude in C minor
Khachaturian Etude in C minor
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Easy Piano
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INTERMEDIATE
#
Contemporary
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Benjamin Choupak
#
Ben Choupak
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Khachaturian Etude in C minor
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Musictake
#
SheetMusicPlus
Easy Piano - Level 3 - Digital Download SKU: A0.1317961 By Benjamin Choupak. By A. Khachaturian. Arranged by Ben Choupak. 20th Century. Score. 4 pages. M...
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Easy Piano - Level 3 - Digital Download SKU: A0.1317961 By Benjamin Choupak. By A. Khachaturian. Arranged by Ben Choupak. 20th Century. Score. 4 pages. Musictake #906653. Published by Musictake (A0.1317961).
$3.99 ≈
$5.42
A Minor Etude #2
A Minor Etude #2
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Piano solo
#
INTERMEDIATE
#
Linda Schooley
#
A Minor Etude #2
#
Linda Schooley
#
SheetMusicPlus
Instrumental Solo,Piano - Level 3 - Interactive Download SKU: A0.1377818 Composed by Linda Schooley. This edition: Interactive Download. Children. Indivi...
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Instrumental Solo,Piano - Level 3 - Interactive Download SKU: A0.1377818 Composed by Linda Schooley. This edition: Interactive Download. Children. Individual part. 1 pages. Duration 18. Linda Schooley #5QIY3cPVd5DIcxO8PKqC3N. Published by Linda Schooley (A0.1377818). Key: C major.A study piece in A Minor.
$5.00 ≈
$6.79
Franz Liszt - Etude en 12 Exercices No 8 C Minor
Franz Liszt - Etude en 12 Exercices No 8 C Minor
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Piano solo
#
INTERMEDIATE
#
Classical
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Franz Liszt
#
Patrizia Luraschi
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Franz Liszt - Etude en 12 Exer
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NOWO
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.974926 Composed by Franz Liszt. Arranged by Patrizia Luraschi. Instructional,Romantic Period,Standards. S...
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Piano Solo - Level 3 - Digital Download SKU: A0.974926 Composed by Franz Liszt. Arranged by Patrizia Luraschi. Instructional,Romantic Period,Standards. Score. 6 pages. NOWO #6655883. Published by NOWO (A0.974926). New note assignment for the two hands. Wide beat spacing. Rhythmic accuracy improvements. Writing of the embellishments in full. Score optimized for live performances. Accurate metronome indications. Elegant graphics.
$2.99 ≈
$4.06
SCRIABIN Etude Op.2 No.1 for string orchestra
SCRIABIN Etude Op.2 No.1 for string orchestra
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String Orchestra
#
INTERMEDIATE
#
Classical
#
Alexander Scriabin
#
Ian Butterworth
#
SCRIABIN Etude Op.2 No.1 for s
#
Ian Butterworth
#
SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.963699 Composed by Alexander Scriabin. Arranged by Ian Butterworth. Romantic Period. Score and Part...
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String Orchestra - Level 3 - Digital Download SKU: A0.963699 Composed by Alexander Scriabin. Arranged by Ian Butterworth. Romantic Period. Score and Parts. 11 pages. Ian Butterworth #5899705. Published by Ian Butterworth (A0.963699). One of Scriabin's early pieces, composed at the age of 15 in 1887. It has been transposed from C# minor to D minor - duration 3 mins. Copying of individual parts for sole use by the purchaser is permitted.Through his experience of teaching violin at all levels and conducting youth orchestras over many years, Ian Butterworth's compositions and arrangements have been enjoyed by youth and amateur orchestra.www.ianbutterworthmusic.co.uk
$8.99 ≈
$12.21
Donut Etudes vol. 3: Don’t Step in the Holes! - Flute Quartet
Donut Etudes vol. 3: Don’t Step in the Holes! - Flute Quartet
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Flute Quartet: 4 flutes
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INTERMEDIATE
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Instructional
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Flute Solo - Level 3 - Digital Download SKU: A0.784325 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288633. Publishe...
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Flute Solo - Level 3 - Digital Download SKU: A0.784325 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288633. Published by Slide Ride (A0.784325). Donut Etudes vol. 3: Don’t Step in the Holes!1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00 ≈
$6.79
Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet (or Baritone T.C.)
Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet (or Baritone T.C.)
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Instructional
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Small Ensemble - Level 3 - Digital Download SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Publ...
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Small Ensemble - Level 3 - Digital Download SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide Ride (A0.784334). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00 ≈
$6.79
Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
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Instructional
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Small Ensemble Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Sl...
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Small Ensemble Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288665. Published by Slide Ride (A0.784336). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00 ≈
$6.79
Donut Etudes vol. 3: Don’t Step in the Holes! – English Horn Quartet
Donut Etudes vol. 3: Don’t Step in the Holes! – English Horn Quartet
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English Horn
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INTERMEDIATE
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
English Horn Solo - Level 3 - Digital Download SKU: A0.784328 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288645. P...
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English Horn Solo - Level 3 - Digital Download SKU: A0.784328 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288645. Published by Slide Ride (A0.784328). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00 ≈
$6.79
Donut Etudes vol. 3: Don’t Step in the Holes! – Viola Quartet
Donut Etudes vol. 3: Don’t Step in the Holes! – Viola Quartet
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Viola
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INTERMEDIATE
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Instructional
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Viola Solo - Level 3 - Digital Download SKU: A0.784339 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288683. Publishe...
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Viola Solo - Level 3 - Digital Download SKU: A0.784339 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288683. Published by Slide Ride (A0.784339). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00 ≈
$6.79
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Clarinet Quartet
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Clarinet Quartet
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Clarinet Quartet: 4 clarinets
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INTERMEDIATE
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Instructional
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Bass Clarinet Solo - Level 3 - Digital Download SKU: A0.784329 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288649. ...
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Bass Clarinet Solo - Level 3 - Digital Download SKU: A0.784329 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288649. Published by Slide Ride (A0.784329). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00 ≈
$6.79
Donut Etudes vol. 3: Don’t Step in the Holes! – Bassoon Quartet
Donut Etudes vol. 3: Don’t Step in the Holes! – Bassoon Quartet
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Bassoon
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INTERMEDIATE
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Instructional
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Bassoon Solo - Level 3 - Digital Download SKU: A0.784331 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288651. Publis...
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Bassoon Solo - Level 3 - Digital Download SKU: A0.784331 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288651. Published by Slide Ride (A0.784331). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00 ≈
$6.79
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Etude In C Minor
