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Exercise in E Minor
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You've selected:
Exercise in E Minor
intermediate
Sheetmusic to print
61 sheet music found
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1
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51
Apoyando and picado exercises in E minor for flamenco and classical guitarists
Apoyando and picado exercises in E minor for flamenco and classical guitarists
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Guitar notes and tablatures
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INTERMEDIATE
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Flamenco
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Fingerstyle/Fingerpicking
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Eugen Sedko
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Apoyando and picado exercises
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Eugen Sedko
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SheetMusicPlus
Guitar Tab - Intermediate - Digital Download Composed by Eugen Sedko. Method, Etudes and Exercises, Technique Training, World, Folk. 2 pages. Published by ...
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Guitar Tab - Intermediate - Digital Download Composed by Eugen Sedko. Method, Etudes and Exercises, Technique Training, World, Folk. 2 pages. Published by Eugen Sedko
New apoyando/picado exercises that I hope it will be interesting to play. Sincerely speaking, I don't like exercises because they are mostly for technique and there is no music. I wanted to create exercises that would be interesting for me, the musical exercises. I am satisfied with this work - now I have more good exercises for myself and I share it with you. Each exercise is made like a cycle. You can practice some important technique elements - left hand transitions that are common in flamenco guitar music, with p/h/glissando. These patterns are also useful as guitar licks for flamenco fusion improvisation. Enjoy!
$3.99 ≈
3.69€
Meditative Etude, No. 1 in E Minor - French Horn & Piano
Meditative Etude, No. 1 in E Minor - French Horn & Piano
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French Horn and Piano
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INTERMEDIATE
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James Michael Stevens
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James Michael Stevens
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Meditative Etude, No. 1 in E M
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James M Stevens Music ASCAP
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SheetMusicPlus
French Horn,Piano - Level 3 - Digital Download SKU: A0.573392 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Sacred,W...
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French Horn,Piano - Level 3 - Digital Download SKU: A0.573392 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Sacred,Wedding. Score and part. 8 pages. James M Stevens Music ASCAP #5377075. Published by James M Stevens Music ASCAP (A0.573392). Written April 12, 2020, this is an original French horn & piano composition in the key of E minor which is an arpeggiation exercise for the right hand in the piano combined with a soaring melody in the horn. There is a separate french horn part in the score and the piano part as seen can serve as a stand alone solo. The accompaniment track as heard is available under Meditative Etude, No. 1 Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the music department chairman of Welch College
$6.99 ≈
6.46€
Meditative Etude, No. 1 in E Minor - English Horn & Piano
Meditative Etude, No. 1 in E Minor - English Horn & Piano
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English horn, Piano
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INTERMEDIATE
#
James Michael Stevens
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James Michael Stevens
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Meditative Etude, No. 1 in E M
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James M Stevens Music ASCAP
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SheetMusicPlus
English Horn,Piano - Level 3 - Digital Download SKU: A0.573393 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,...
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English Horn,Piano - Level 3 - Digital Download SKU: A0.573393 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,Sacred,Wedding. Score and part. 8 pages. James M Stevens Music ASCAP #5377111. Published by James M Stevens Music ASCAP (A0.573393). Written April 12, 2020, this is an original English horn & piano composition in the key of E minor which is an arpeggiation exercise for the right hand in the piano combined with a soaring melody in the horn. There is a separate English horn part in the score and the piano part as seen can serve as a stand alone solo. The accompaniment track as heard is available under Meditative Etude, No. 1 Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the music department chairman of Welch College
$6.99 ≈
6.46€
Meditative Etude, No. 1 in E Minor - Alto Flute & Piano
Meditative Etude, No. 1 in E Minor - Alto Flute & Piano
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Flute and Piano
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INTERMEDIATE
#
James Michael Stevens
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James Michael Stevens
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Meditative Etude, No. 1 in E M
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James M Stevens Music ASCAP
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SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.573395 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,Sacred,...
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Flute,Piano - Level 3 - Digital Download SKU: A0.573395 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,Sacred,Wedding. Score and part. 8 pages. James M Stevens Music ASCAP #5453519. Published by James M Stevens Music ASCAP (A0.573395). This is an original alto flute & piano composition in the key of E minor which is an arpeggiation exercise for the right hand in the piano combined with a soaring melody in the flute. There is a separate flute part in the score and the piano part as seen can serve as a stand alone solo. The accompaniment track as heard is available under Meditative Etude, No. 1 Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the music department chairman of Welch College
$6.99 ≈
6.46€
Meditative Etude, No. 1 in E Minor - Alto Sax & Piano
Meditative Etude, No. 1 in E Minor - Alto Sax & Piano
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Alto Saxophone and Piano
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INTERMEDIATE
#
James Michael Stevens
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James Michael Stevens
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Meditative Etude, No. 1 in E M
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James M Stevens Music ASCAP
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.573394 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easte...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.573394 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,Sacred,Wedding. Score and part. 8 pages. James M Stevens Music ASCAP #5453493. Published by James M Stevens Music ASCAP (A0.573394). Written April 12, 2020, this is an original alto sax & piano composition in the key of E minor which is an arpeggiation exercise for the right hand in the piano combined with a soaring melody in the saxophone There is a separate alto sax part in the score and the piano part as seen can serve as a stand alone solo. The accompaniment track as heard is available under Meditative Etude, No. 1 Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the music department chairman of Welch College
$6.99 ≈
6.46€
Meditative Etude, No. 1 in E Minor - Violin & Piano
Meditative Etude, No. 1 in E Minor - Violin & Piano
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Violin and Piano
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INTERMEDIATE
#
James Michael Stevens
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James Michael Stevens
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Meditative Etude, No. 1 in E M
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano,Violin - Level 3 - Digital Download SKU: A0.573390 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,...
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Piano,Violin - Level 3 - Digital Download SKU: A0.573390 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Sacred,Wedding. 8 pages. James M Stevens Music ASCAP #5375451. Published by James M Stevens Music ASCAP (A0.573390). Written April 12, 2020, this is an original violin & piano composition in the key of E minor which is an arpeggiation exercise for the right hand in the piano combined with a soaring melody in the violin. There is a separate violin part in the score and the piano part as seen can serve as a stand alone solo. The accompaniment track as heard is available under Meditative Etude, No. 1 Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the music department chairman of Welch College.
$6.99 ≈
6.46€
Meditative Etude, No. 1 in E Minor
Meditative Etude, No. 1 in E Minor
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Piano solo
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INTERMEDIATE
#
James Michael Stevens
#
James Michael Stevens
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Meditative Etude, No. 1 in E M
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.573389 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Sa...
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Piano Solo - Level 3 - Digital Download SKU: A0.573389 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Sacred,Wedding. Score. 4 pages. James M Stevens Music ASCAP #5375123. Published by James M Stevens Music ASCAP (A0.573389). Written April 12, 2020, this is original piano composition in the key of E minor which is an arpeggiation exercise for the right hand. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
$4.99 ≈
4.61€
Brahms Waltz No.4 in E minor
Brahms Waltz No.4 in E minor
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Harp
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INTERMEDIATE
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Classical
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Johannes Brahms
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James Strange
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Brahms Waltz No.4 in E minor
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Penny Music Co.
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SheetMusicPlus
Harp - Level 3 - Digital Download SKU: A0.897022 Composed by Johannes Brahms. Arranged by James Strange. Concert,Holiday,Jewish,Romantic Period,Wedding. ...
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Harp - Level 3 - Digital Download SKU: A0.897022 Composed by Johannes Brahms. Arranged by James Strange. Concert,Holiday,Jewish,Romantic Period,Wedding. Score. 3 pages. Penny Music Co. #3569083. Published by Penny Music Co. (A0.897022). Johannes Brahms (1833-97) was a Romantic German composer and virtuoso pianist, who maintained a classical sense of form in his works. He composed for piano, organ, orchestra, chamber ensemble, voice and chorus. This waltz has been arranged from the original piano score for harp. It presents a melodic scalic study and an effective sight reading exercise, whilst providing a great model for developing use of efficient pedal changes.
$3.99 ≈
3.69€
Pitch Only - Treble Clef (Sight Reading Exercise Book)
Pitch Only - Treble Clef (Sight Reading Exercise Book)
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Instructional
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Nathan Petitpas - Dots and Bea
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Pitch Only - Treble Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,O...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - Digital Download SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00 ≈
9.24€
Three Part Invention No. 7 BWV 793 in E minor
Three Part Invention No. 7 BWV 793 in E minor
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Piano solo
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INTERMEDIATE
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Classical
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Johann Sebastian Bach
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Arte Nova Music Lab
#
Three Part Invention No. 7 BWV
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Arte Nova Music Lab
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.742448 Composed by Johann Sebastian Bach. Arranged by Arte Nova Music Lab. Baroque. Score. 4 pages. Arte ...
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Piano Solo - Level 3 - Digital Download SKU: A0.742448 Composed by Johann Sebastian Bach. Arranged by Arte Nova Music Lab. Baroque. Score. 4 pages. Arte Nova Music Lab #3873957. Published by Arte Nova Music Lab (A0.742448). The Inventions and Sinfonias, BWV 772–801, also known as the Two- and Three-Part Inventions, are a collection of thirty short keyboard compositions by Johann Sebastian Bach (1685–1750): 15 inventions, which are two-part contrapuntal pieces, and 15sinfonias, which are three-part contrapuntal pieces. They were originally written as musical exercises for his students.Taken from https://en.wikipedia.org/wiki/Inventions_and_Sinfonias_(Bach)
$4.99 ≈
4.61€
Etude in E Minor
Etude in E Minor
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Guitar
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INTERMEDIATE
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Studies
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Tomas Ericsson
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Etude in E Minor
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Tomas Ericsson
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SheetMusicPlus
Composed by Tomas Ericsson. 21st Century, Etudes and Exercises, Repertoire. Solo Part. 1 pages. Published by Tomas Ericsson...
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Composed by Tomas Ericsson. 21st Century, Etudes and Exercises, Repertoire. Solo Part. 1 pages. Published by Tomas Ericsson
$3.00 ≈
2.77€
Etude in E Minor with Tablature
Etude in E Minor with Tablature
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Guitar notes and tablatures
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INTERMEDIATE
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Studies
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Tomas Ericsson
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Etude in E Minor with Tablatur
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Tomas Ericsson
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SheetMusicPlus
Composed by Tomas Ericsson. 21st Century, Etudes and Exercises, Repertoire. Solo Part, Tablature. 2 pages. Published by Tomas Ericsson...
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Composed by Tomas Ericsson. 21st Century, Etudes and Exercises, Repertoire. Solo Part, Tablature. 2 pages. Published by Tomas Ericsson
$3.00 ≈
2.77€
Donut Etudes vol. 3: Don’t Step in the Holes! – Baritone Saxophone Quartet
Donut Etudes vol. 3: Don’t Step in the Holes! – Baritone Saxophone Quartet
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Saxophone (band part)
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INTERMEDIATE
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Instructional
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Baritone Saxophone Solo - Level 3 - Digital Download SKU: A0.784333 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288...
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Baritone Saxophone Solo - Level 3 - Digital Download SKU: A0.784333 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288657. Published by Slide Ride (A0.784333). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00 ≈
4.62€
Donut Etudes vol. 3: Don’t Step in the Holes! – Cello Quartet
Donut Etudes vol. 3: Don’t Step in the Holes! – Cello Quartet
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Cello (band part)
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INTERMEDIATE
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Instructional
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Cello Solo - Level 3 - Digital Download SKU: A0.784341 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288685. Publishe...
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Cello Solo - Level 3 - Digital Download SKU: A0.784341 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288685. Published by Slide Ride (A0.784341). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00 ≈
4.62€
Donut Etudes vol. 3: Don’t Step in the Holes! – Oboe Quartet
Donut Etudes vol. 3: Don’t Step in the Holes! – Oboe Quartet
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Oboe (band part)
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INTERMEDIATE
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Instructional
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Oboe Solo - Level 3 - Digital Download SKU: A0.784326 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288643. Published...
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Oboe Solo - Level 3 - Digital Download SKU: A0.784326 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288643. Published by Slide Ride (A0.784326). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00 ≈
4.62€
Invention No. 1 in A minor for two voices
Invention No. 1 in A minor for two voices
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Piano solo
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INTERMEDIATE
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Robert W
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Invention No. 1 in A minor for
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Padgett Music Llc
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1140562 Composed by Robert W. Padgett. Baroque,Classical,Contest,Early Music,Festival. Score. 2 pages. Pa...
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Piano Solo - Level 3 - Digital Download SKU: A0.1140562 Composed by Robert W. Padgett. Baroque,Classical,Contest,Early Music,Festival. Score. 2 pages. Padgett Music Llc #740799. Published by Padgett Music Llc (A0.1140562). This two-part invention was composed by Robert W. Padgett in 1990 as a private exercise in invertible counterpoint. The upper voice announces the motive in the tonic key of A minor that quickly overlaps itself at the octave as a brief stretto. An episode consisting of a modulation sequence arrives at a half cadence in bar 4 in E major. The motive is then inverted in bar 5 by the upper voice followed by a partial restatement of the original motive by the lower voice in bar 6. This interplay between the motive’s inversion and its original form continues through bar 10 before a new episode modulates sequentially to a cadence in bar 13 with a statement by the lower voice of the original motive in the relative key of C major. An inversion of the original episodic sequence from bar 2 follows with slight alterations that cycle through a series of contrasting keys. A second interplay begins in bar 17 between the motive’s inversion in the lower voice followed by its partial restatement in the upper voice. The exchange of motive and countermotive by the upper and lower voices is an example of invertible counterpoint. In bar 27, an extended version of the motive begins in F minor before morphing back into A minor with the same modulation formula from bar 2 that redirects to a perfect cadence in the tonic key with a final Picardi third in A major.
$2.00 ≈
1.85€
Exercise in E Minor
Exercise in E Minor
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Piano solo
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INTERMEDIATE
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Instructional
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Gert Th
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Exercise in E Minor
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Gert Th. Walter
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.683943 Composed by Gert Th. Walter. Instructional. Score. 1 pages. Gert Th. Walter #6266231. Published by...
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Piano Solo - Level 3 - Digital Download SKU: A0.683943 Composed by Gert Th. Walter. Instructional. Score. 1 pages. Gert Th. Walter #6266231. Published by Gert Th. Walter (A0.683943). Play it with classically feeling, and you will become a fine pianist.
$1.99 ≈
1.84€
Bach 1723 BWV 1013 Partita in 4 Movements for Oboe or English Horn (transposed)
Bach 1723 BWV 1013 Partita in 4 Movements for Oboe or English Horn (transposed)
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Oboe (band part)
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INTERMEDIATE
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Classical
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Johann Sebastian Bach
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R G Roth
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Bach 1723 BWV 1013 Partita in
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Rainer's Rainbow
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SheetMusicPlus
Oboe Solo - Level 3 - Digital Download SKU: A0.902196 Composed by Johann Sebastian Bach. Arranged by R G Roth. Instructional,Romantic Period. Individual ...
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Oboe Solo - Level 3 - Digital Download SKU: A0.902196 Composed by Johann Sebastian Bach. Arranged by R G Roth. Instructional,Romantic Period. Individual part. 16 pages. Rainer's Rainbow #6496199. Published by Rainer's Rainbow (A0.902196). Sometime after 1723 Bach wrote his BWV 1013 Partita for Flute. It is a piece of four unaccompanied movements including an Allemande, Corrente, a Sarabanda and a Bouree. For the first time it is offered here in the original key of G minor for oboe or English Horn in F. Enjoy this as an exercise or a recital.
$6.99 ≈
6.46€
Finger Exercise Collection for Harmonic Minor Scales
Finger Exercise Collection for Harmonic Minor Scales
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Piano solo
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INTERMEDIATE
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Instructional
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Kathryn Carpenter
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Finger Exercise Collection for
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Kathryn Carpenter
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.807540 Composed by Kathryn Carpenter. Instructional. Score. 43 pages. Kathryn Carpenter #6274489. Publish...
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Piano Solo - Level 3 - Digital Download SKU: A0.807540 Composed by Kathryn Carpenter. Instructional. Score. 43 pages. Kathryn Carpenter #6274489. Published by Kathryn Carpenter (A0.807540). Finger Exercise Collection for Harmonic Minor Scales: Keys of C, D, E, F, G and A minor:* 43 pages in length* 14 finger exercises for C,D,E,F,G, and A harmonic minor!* Includes minor chords for each key - i-iv-V chords
$5.99 ≈
5.54€
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