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You've selected:
F Choir
intermediate
Sheetmusic to print
1,917 sheet music found
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1901
Ludwig Van Beethoven: Fantasie Op.80 in C minor, Finale (f.score) for choir and piano
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Choral
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INTERMEDIATE
#
Classical
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Ludwig Van Beethoven
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Virtualsheetmusic
Instantly downloadable sheet music by Ludwig van Beethoven for choir & piano of MEDIUM skill level. Contents: opus 80, op. 80, choral fantasy / classical...
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Instantly downloadable sheet music by Ludwig van Beethoven for choir & piano of MEDIUM skill level. Contents: opus 80, op. 80, choral fantasy / classical
$5.99 ≈
5.37€
Household Of Faith SATB Choir with Piano
Household Of Faith SATB Choir with Piano
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Choral SATB
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INTERMEDIATE
#
Wedding/Ballad
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Casper Lai
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Household Of Faith SATB Choir
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Casper Lai
#
SheetMusicPlus
Voice, Choir, SATB - Intermediate - Digital Download Arranged by Casper Lai. Score. 7 pages. Published by Casper Lai...
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Voice, Choir, SATB - Intermediate - Digital Download Arranged by Casper Lai. Score. 7 pages. Published by Casper Lai
The song is arranged for the wedding ceremony of two members in my fellowship. It is transcribed to F Major since the original Eb Major is too low for the bass part, and keys higher than F is not ideal for our sopranos and tenors.
I repeated the chorus after verse 2 to make the piece longer, the whole piece is around 3 min.
The piano accompaniment is not written to limit the playing, you are welcome to improvise!
The demo is from the recording of my fellowship. We are not all professionals, we got nervous and rushed a bit :(
This piece is excellent for wedding ceremony.
You are welcome to share your thought with me via email: casperlkk@gmail.com.
Thank you.
$2.50 ≈
2.24€
All you need is love - F - Beatles - Brass Quintet
All you need is love - F - Beatles - Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Rock
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The Beatles
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Thomas Graf
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All you need is love - F - Bea
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Thomas Graf - the-hit- factory.com
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SheetMusicPlus
Brass Quintet, Brass Choir or Ensemble - Intermediate - Digital Download By The Beatles. Arranged by Thomas Graf. Score, Set of Parts. 24 pages. Published ...
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Brass Quintet, Brass Choir or Ensemble - Intermediate - Digital Download By The Beatles. Arranged by Thomas Graf. Score, Set of Parts. 24 pages. Published by Thomas Graf - the-hit- factory.com
Beatles Classics, one of the best songs in music history
Instrumentation: Tpt 1 in Bb/C, Tpt 2 in Bb, Horn in F/Eb/Bb, Trombone C/Bb, Tuba/Bass in Bb
Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much!
$16.99 ≈
15.23€
COMPLETE Christmas book for easy a cappella 2-part choir (4 pieces)
COMPLETE Christmas book for easy a cappella 2-part choir (4 pieces)
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Choral 2-part
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INTERMEDIATE
#
Christmas
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French Trad
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Austin Ralphson
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COMPLETE Christmas book for ea
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Austin Ralphson
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SheetMusicPlus
Composed by French Trad., Welsh Trad., F. Gruber, J. Pierpont. Arranged by Austin Ralphson. Repertoire, Christmas, Recital. 16 pages. Published by Aus...
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Composed by French Trad., Welsh Trad., F. Gruber, J. Pierpont. Arranged by Austin Ralphson. Repertoire, Christmas, Recital. 16 pages. Published by Austin Ralphson
The four Christmas pieces in this book have been carefully arranged for 2-part junior choir:
* Jingle Bells
* Deck The Halls
* Ding Dong Merrily On High
* Silent Night
The melodies and counter-melodies are easy to learn and sound great in front of an audience. Actions and / or percussion (bells?) could be added as required.
This pack represents a huge saving on the total price of the pieces when sold separately. Licence covers purchaser to print as many copies as required, but not to distribute to others.
$7.99 ≈
7.16€
Star Trek - Voyager (Trombone Choir/Low Brass Choir)
Star Trek - Voyager (Trombone Choir/Low Brass Choir)
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Brass ensemble
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INTERMEDIATE
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Film/TV
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Jerry Goldsmith
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Patrick C
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Star Trek - Voyager
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Patrick C. Sullivan
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SheetMusicPlus
Trombone, Tuba, Euphonium, Brass Choir or Ensemble - Intermediate - Digital Download By Jerry Goldsmith. Arranged by Arranged by Patrick C. Sullivan....
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Trombone, Tuba, Euphonium, Brass Choir or Ensemble - Intermediate - Digital Download By Jerry Goldsmith. Arranged by Arranged by Patrick C. Sullivan. Score, Set of Parts. 21 pages. Published by Patrick C. Sullivan
This is a super cool version of Star Trek's Voyager! This arrangement has 10 parts. The 10th part can be played easily by a Tuba or Bass Trombone.
The 1st part starts with the first three notes being very high...although those three notes can be dropped down the octave and it will still sound great.
Parts 1 - 5 have Bass Clef and Tenor Clef versions.
As written... the ranges of the parts are as follows.
1st - D natural an octave above the staff down to B natural on the second line of the staff.
2nd - B natural an octave above the staff down to the B natural on the second line of the staff.
3rd - A natural an octave above the staff down to the B natural on the second line of the staff.
4th - B natural an octave above the staff down to the B natural on the second line of the staff.
5th - G natural an octave above the staff down to the D natural on the middle line of the staff.
6th - E natural an octave above the staff down to the G natural on the bottom line of the staff.
7th - G natural an octave above the staff down to the D natural on the middle line of the staff.
Bass 1 - G natural on the top space of the staff down to the D below the staff.
Bass 2 - F sharp on the second from the top line of the staff down to the A flat below the staff.
Tuba/Bass 3 - C natural on the second from the bottom of the staff down to the A below the staff.
$30.00 ≈
26.89€
Jupiter Chorale Theme (Flute Choir)
Jupiter Chorale Theme (Flute Choir)
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Flute ensemble
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INTERMEDIATE
#
Contemporary
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Gustav Holst
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Jupiter Chorale Theme
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SheetMusicPlus
Woodwind Choir or Ensemble - Intermediate - Digital Download Composed by Gustav Holst (1874-1934). 20th Century, Romantic Period. Score, Set of Parts...
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Woodwind Choir or Ensemble - Intermediate - Digital Download Composed by Gustav Holst (1874-1934). 20th Century, Romantic Period. Score, Set of Parts. 12 pages. Published by Lena Seeger
The beautiful chorale theme from the Jupiter movement of Holst's Orchestral Suite The Planets. Arranged for flute choir: four concert flutes, alto flute, and bass flute. In the key of F major. Features solo for alto flute.
$8.99 ≈
8.06€
Autumn, for SSA(A) choir, unaccompanied
Autumn, for SSA(A) choir, unaccompanied
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Choral 3-part
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INTERMEDIATE
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Contemporary
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Alan Bullard
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Autumn, for SSA(A) choir, unac
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Colne Edition / BullardMusic
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SheetMusicPlus
Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.1039721 Composed by Alan Bullard. 20th Century,Classical,Contemporary. Octavo. 8 pages. Colne Edi...
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Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.1039721 Composed by Alan Bullard. 20th Century,Classical,Contemporary. Octavo. 8 pages. Colne Edition / BullardMusic #644597. Published by Colne Edition / BullardMusic (A0.1039721). Autumn for SSA(A) choir: music by Alan Bullard, words by F. Politzer. 'The text of this short but effective setting for upper voice choir is a word-picture of autumn, and the music captures its rhythmic variety and quicksilver changes of mood' - Rosemary Broadbent, writing in the journal of the Association of British Choral DirectorsAlan Bullard’s choral works are performed worldwide, and many have been recorded and broadcast. He has a growing reputation for music that choirs enjoy performing, and which speaks directly to audiences. The Colne Choral Series contains a range of Bullard’s pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.uk.
$1.99 ≈
1.78€
Gabrieli: Canzon in Echo a 12 Ch. 192 for Triple Brass Choir
Gabrieli: Canzon in Echo a 12 Ch. 192 for Triple Brass Choir
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Brass Quartet: 2 trumpets, horn, trombone
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INTERMEDIATE
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Giovanni Gabrieli
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James M
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Gabrieli: Canzon in Echo a 12
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jmsgu3
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226321 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Cha...
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226321 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 48 pages. Jmsgu3 #822323. Published by jmsgu3 (A0.1226321). Minimum instrumentation: 3 Brass Quartets - 6 trumpets in C (or cornets) 3 French Horns in F, and 3 trombones. InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
42.99€
Gabrieli: Canzon per Sonar Ch. 179 for Double Brass Choir à 12
Gabrieli: Canzon per Sonar Ch. 179 for Double Brass Choir à 12
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Giovanni Gabrieli
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James M
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Gabrieli: Canzon per Sonar Ch.
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jmsgu3
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SheetMusicPlus
Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1227832 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP....
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Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1227832 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 72 pages. Jmsgu3 #823794. Published by jmsgu3 (A0.1227832). Minimum instrumentation: 4 Cornets in Bb, 4 Horns in F, 2 Tenor Trombones, and 2 Bass Trombones.InnovationsGabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian' e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used particular notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes, there was probably a third group near the main altar.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance.First WorksFinally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). Furthermore, these compositions indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges characterized by instrumental accompaniment. Gabrieli's later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here, the instruments are an essential part of the presentation—also, only parts marked Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance.
$47.95 ≈
42.99€
Gabrieli: Canzon per Sonar Ch 179 for Double Brass Choir à 10
Gabrieli: Canzon per Sonar Ch 179 for Double Brass Choir à 10
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Giovanni Gabrieli
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James M
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Gabrieli: Canzon per Sonar Ch
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jmsgu3
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SheetMusicPlus
Brass Ensemble Cornet,Horn,Trombone - Level 3 - Digital Download SKU: A0.1227819 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Con...
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Brass Ensemble Cornet,Horn,Trombone - Level 3 - Digital Download SKU: A0.1227819 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Renaissance,Traditional. Score and Parts. 44 pages. Jmsgu3 #823781. Published by jmsgu3 (A0.1227819). Minimum instrumentation: 4 cornets in Bb, 4 French Horms in F, 2 Trombones. See also arrangement à 12 which includes 2 Bass Trombones.InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
42.99€
Gabrieli: Canzon per Sonar Ch. 178 for Brass Choir à 10
Gabrieli: Canzon per Sonar Ch. 178 for Brass Choir à 10
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Giovanni Gabrieli
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James M
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Gabrieli: Canzon per Sonar Ch.
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jmsgu3
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SheetMusicPlus
Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1228233 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP....
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Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1228233 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 54 pages. Jmsgu3 #824153. Published by jmsgu3 (A0.1228233). Minimum instrumentation: 4 Cornets in Bb, 4 French Horns in F, 1 Tenor Trombone, 1 Bass Trombone.InnovationsGabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was instead the first to indicate them, such as in his Sonata Pian' e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used particular notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes, there was probably a third group near the main altar.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can sound perfectly in balance in contrast.First WorksFinally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges shown by instrumental accompaniment. Gabrieli's later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here, the instruments are an essential part of the presentation—also, only parts marked Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moved to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller units for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
42.99€
Gabrieli: Canzon per Sonar à 10 Ch. 177 for Brass Choir
Gabrieli: Canzon per Sonar à 10 Ch. 177 for Brass Choir
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Giovanni Gabrieli
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James M
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1 Bass Trombone
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Gabrieli: Canzon per Sonar à
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jmsgu3
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SheetMusicPlus
Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1229556 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP....
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Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1229556 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Early Music,Renaissance,Traditional,Wedding. 43 pages. Jmsgu3 #825055. Published by jmsgu3 (A0.1229556). Minimum instrumentation: 4 Cornets in Bb, 4 Horns in F, 1 Tenor Trombone & 1 Bass Trombone.InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
42.99€
It's Christmas! (2-Part Choir)
It's Christmas! (2-Part Choir)
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Choral 2-part
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INTERMEDIATE
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Cathy Stamegna
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Cathy Stamegna
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It's Christmas!
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Cathy Stamegna
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SheetMusicPlus
Choral Choir,Choral (2-Part) - Level 3 - Digital Download SKU: A0.1357648 Composed by Cathy Stamegna. Arranged by Cathy Stamegna. Christian,Christmas,Con...
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Choral Choir,Choral (2-Part) - Level 3 - Digital Download SKU: A0.1357648 Composed by Cathy Stamegna. Arranged by Cathy Stamegna. Christian,Christmas,Contemporary,Contest,Festival,Holiday. 11 pages. Cathy Stamegna #942186. Published by Cathy Stamegna (A0.1357648). “Joy exploded here, it’s Christmas!† The lyrics capture the excitement and thrill we experience when the lights, music, and decorations usher in the Christmas season.  The lyrics transition from “decorate the halls…†to decorate your hearts…† A slower, peaceful passage follows:  “We are Christmas lights.† A return to the A section with “Joy exploded here, on Christmas!†speaks of the Christ Child who brought us joy from heaven.  Appropriate for concert, recital, or contemporary worship.  Key of F. Major, modulating to G.  Performance Time: approx. 3:00.  Both parts written in the Treble clef, yet possible for SA, middle school, or mixed choirs.
$2.25 ≈
2.02€
O HOLY NIGHT (Two-Part Choir for Treble Voices with Horn in F & Piano - Score & Parts included)
O HOLY NIGHT (Two-Part Choir for Treble Voices with Horn in F & Piano - Score & Parts included)
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Choral 2-part
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INTERMEDIATE
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Sacred music
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Adolphe-Charles Adam
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Gary Lanier
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Piano
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O HOLY NIGHT
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The Lanier Company
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SheetMusicPlus
Choral Choir (2-Part) - Level 3 - Digital Download SKU: A0.616618 Composed by Adolphe-Charles Adam. Arranged by Gary Lanier. Christmas,Praise & Worship,S...
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Choral Choir (2-Part) - Level 3 - Digital Download SKU: A0.616618 Composed by Adolphe-Charles Adam. Arranged by Gary Lanier. Christmas,Praise & Worship,Sacred. Octavo. 22 pages. The Lanier Company #3384685. Published by The Lanier Company (A0.616618). O HOLY NIGHT is a Two-Part Choir arrangement for Treble Voices with Horn in F & Piano. The score, including cover, Choir Part & Horn in F Part is 22 pages long. This work is perfect for any Church or gathering where celebrating the reason for the season is desired. A mp3 Piano Accompaniment (aka Rehearsal Track) is also available, listed as: O HOLY NIGHT (Piano Accompaniment for Two-Part Treble Voice Choir & Horn in F).
$2.50 ≈
2.24€
IT IS WELL WITH MY SOUL (Choir - SATB with Horn in F & Piano)
IT IS WELL WITH MY SOUL (Choir - SATB with Horn in F & Piano)
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Choral SATB
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INTERMEDIATE
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Sacred music
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Philip P
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Gary Lanier
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Piano (Score plus Choir &
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IT IS WELL WITH MY SOUL
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The Lanier Company
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.616008 Composed by Philip P. Bliss. Arranged by Gary Lanier. Praise & Worship,Sacred. Octavo. 25...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.616008 Composed by Philip P. Bliss. Arranged by Gary Lanier. Praise & Worship,Sacred. Octavo. 25 pages. The Lanier Company #3073447. Published by The Lanier Company (A0.616008). IT IS WELL WITH MY SOUL is one of our most favorite hymns arranged by Gary Lanier for Choir (SATB) with Horn in F & Piano (Score plus Choir & Horn in F part included). This arrangement is perfect for any Church or gathering where hymns of inspiration are enjoyed (25 pages). A mp3 Piano Accompaniment (aka Rehearsal Track) is also available, listed as: IT IS WELL WITH MY SOUL (Piano Accompaniment for SATB Choir with Horn in F).
$2.50 ≈
2.24€
Gary Lanier: CAST YOUR BURDEN ON THE LORD (Worship - For Voice, Choir, Horn in F and Piano with Part
Gary Lanier: CAST YOUR BURDEN ON THE LORD (Worship - For Voice, Choir, Horn in F and Piano with Part
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Choral SATB
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INTERMEDIATE
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Sacred music
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Gary Lanier
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Gary Lanier
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Gary Lanier: CAST YOUR BURDEN
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The Lanier Company
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SheetMusicPlus
Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.614768 Composed by Gary Lanier. Arranged by Gary Lanier. Christian,Gospel,Praise & Worship,Sacr...
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Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.614768 Composed by Gary Lanier. Arranged by Gary Lanier. Christian,Gospel,Praise & Worship,Sacred. Octavo. 21 pages. The Lanier Company #2069719. Published by The Lanier Company (A0.614768). CAST YOUR BURDEN ON THE LORD is a worship song composed and arranged by Gary Lanier for Voice, Choir, Horn in F, and Piano. It works great for congregational worship, special music, or for the joy of singing and playing in any situation where worship music is desired (21 pages with cover). Two separate mp3 Accompaniments are also available, listed as: (1) CAST YOUR BURDEN ON THE LORD ( Horn in F & Piano Accompaniment for Voice & Choir), or (2) CAST YOUR BURDEN ON THE LORD (Piano Accompaniment for Voice, Choir & Horn in F).
$6.99 ≈
6.27€
O HOLY NIGHT (SA Choir with Horn in F & Piano - Score & Parts included)
O HOLY NIGHT (SA Choir with Horn in F & Piano - Score & Parts included)
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Choral 2-part
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INTERMEDIATE
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Sacred music
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Adolphe-Charles Adam
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Gary Lanier
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O HOLY NIGHT
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The Lanier Company
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SheetMusicPlus
Choral Choir (SA) - Level 3 - Digital Download SKU: A0.616529 Composed by Adolphe-Charles Adam. Arranged by Gary Lanier. Praise & Worship,Sacred. Octavo....
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Choral Choir (SA) - Level 3 - Digital Download SKU: A0.616529 Composed by Adolphe-Charles Adam. Arranged by Gary Lanier. Praise & Worship,Sacred. Octavo. 22 pages. The Lanier Company #3370429. Published by The Lanier Company (A0.616529). O HOLY NIGHT is a choral arrangement for SA Choir accompanied by Horn in F & Piano. The score, including cover, SA Choir part and Horn in F part is 22 pages long. This work is perfect for any Church or gathering where celebrating the reason for the season is desired. A mp3 Piano Accompaniment (aka Rehearsal Track) is also available, listed as: O HOLY NIGHT (Piano Accompaniment for SA Choir & Horn in F).
$2.50 ≈
2.24€
O HOLY NIGHT (SATB Choir with Horn in F & Piano - Score & Parts included)
O HOLY NIGHT (SATB Choir with Horn in F & Piano - Score & Parts included)
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Choral SATB
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INTERMEDIATE
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Sacred music
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Adolphe-Charles Adam
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Gary Lanier
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O HOLY NIGHT
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The Lanier Company
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.616558 Composed by Adolphe-Charles Adam. Arranged by Gary Lanier. Christmas,Praise & Worship,Sac...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.616558 Composed by Adolphe-Charles Adam. Arranged by Gary Lanier. Christmas,Praise & Worship,Sacred. Octavo. 22 pages. The Lanier Company #3374559. Published by The Lanier Company (A0.616558). O HOLY NIGHT is a choral arrangement for SATB Choir, accompanied by Horn in F & Piano. The score, including cover, SATB Choir part and Horn in F part is 22 pages long. This work is perfect for any Church or gathering where celebrating the reason for the season is desired. A mp3 Piano Accompaniment (aka Rehearsal Track) is also available, listed as: O HOLY NIGHT (Piano Accompaniment for SATB Choir & Horn in F).
$2.50 ≈
2.24€
Gary Lanier: CAST YOUR BURDEN ON THE LORD (Worship - For Voice, Choir, Horn in F, Strings and Piano
Gary Lanier: CAST YOUR BURDEN ON THE LORD (Worship - For Voice, Choir, Horn in F, Strings and Piano
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String Orchestra
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INTERMEDIATE
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Sacred music
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Gary Lanier
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Gary Lanier
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Gary Lanier: CAST YOUR BURDEN
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The Lanier Company
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.614757 Composed by Gary Lanier. Arranged by Gary Lanier. Christian,Gospel,Praise & Worship,Sacred. ...
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String Orchestra - Level 3 - Digital Download SKU: A0.614757 Composed by Gary Lanier. Arranged by Gary Lanier. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 30 pages. The Lanier Company #2069271. Published by The Lanier Company (A0.614757). CAST YOUR BURDEN ON THE LORD is a worship song composed and arranged by Gary Lanier for Voice, Choir, Horn in F, Strings and Piano. It works great for congregational worship, special music, or for the joy of singing and playing in any situation where worship music is desired (30 pages with cover). Two separate mp3 Accompaniments are also available, listed as: (1) CAST YOUR BURDEN ON THE LORD (Horn in F, Strings & Piano Accompaniment for Voice & Choir), or (2) CAST YOUR BURDEN ON THE LORD (Strings & Piano Accompaniment for Voice, Choir & Horn in F).
$11.99 ≈
10.75€
O HOLY NIGHT (Men's Choir - TB with Horn in F & Piano/Score & Parts included)
O HOLY NIGHT (Men's Choir - TB with Horn in F & Piano/Score & Parts included)
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Choral 2-part
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INTERMEDIATE
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Sacred music
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Adolphe-Charles Adam
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Gary Lanier
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O HOLY NIGHT
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The Lanier Company
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SheetMusicPlus
Choral Choir (TB) - Level 3 - Digital Download SKU: A0.616603 Composed by Adolphe-Charles Adam. Arranged by Gary Lanier. Christmas,Praise & Worship,Sacre...
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Choral Choir (TB) - Level 3 - Digital Download SKU: A0.616603 Composed by Adolphe-Charles Adam. Arranged by Gary Lanier. Christmas,Praise & Worship,Sacred. Octavo. 22 pages. The Lanier Company #3379081. Published by The Lanier Company (A0.616603). O HOLY NIGHT is a men's choir, Tenor & Bass arrangement with Horn in F and piano accompaniment. The score, including cover, TB and Horn in F part is 22 pages long. This work is perfect for any Church or gathering where celebrating the reason for the season is desired. A mp3 Piano Accompaniment is also available, listed as: O HOLY NIGHT (Piano Accompaniment for TB Men's Choir and Horn in F).
$2.50 ≈
2.24€
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