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He's Gone Away
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You've selected:
He's Gone Away
intermediate
Sheetmusic to print
19 sheet music found
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1
He's Gone away (Organ)
He's Gone away (Organ)
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Organ
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INTERMEDIATE
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Contemporary
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Trad
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Tim Knight
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He's Gone away
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Tim Knight
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SheetMusicPlus
Organ - Level 3 - Digital Download SKU: A0.930699 Composed by Trad. Arranged by Tim Knight. Contemporary. Score. 4 pages. Tim Knight #6274385. Published ...
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Organ - Level 3 - Digital Download SKU: A0.930699 Composed by Trad. Arranged by Tim Knight. Contemporary. Score. 4 pages. Tim Knight #6274385. Published by Tim Knight (A0.930699). A Organ solo arrangement of this beautiful old Appalachian Tune.
$2.99 ≈
¥20.99
Washed Away with TAB by Brad Rau
Washed Away with TAB by Brad Rau
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Guitar notes and tablatures
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INTERMEDIATE
#
Brad Rau
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Washed Away with TAB by Brad R
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Brad Rau
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SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.1025341 Composed by Brad Rau. Contemporary,Spiritual. Guitar Tab. 2 pages. Brad Rau #4717251. Published by Br...
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Guitar - Level 3 - Digital Download SKU: A0.1025341 Composed by Brad Rau. Contemporary,Spiritual. Guitar Tab. 2 pages. Brad Rau #4717251. Published by Brad Rau (A0.1025341). Brad Rau has been performing music for over 20 years all over Boston, Pennsylvania, New Jersey, and Delaware, as a classical guitarist, rock guitarist, and rock drummer. Brad received a scholarship to attend New England Conservatory (NEC) and received a Master’s degree in 2015 with academic honors. At NEC, he studied classical guitar under Eliot Fisk who was the last pupil of Andres Segovia. Brad has performed in countless masterclasses with instructors including; Sharon Isbin, Andrew York and Jason Vieaux, all Grammy award-winning guitarists. Brad was recently a featured performer on Live WRTI Performance Studio. Brad’s personal learning methods have enabled him to surpass his competition memorizing over 8 hours of the most difficult repertoire for the classical guitar. Brad was a semi-finalist in the International Texas Guitar Competition of 2008. In addition to his performing career, Brad has mentored hundreds of students of all ages, styles, and levels. Many of Brad's students have gone on to develop their own music careers and teaching studios. Brad's unique teaching style combines music, physics, philosophy, and humor, making him a well-rounded instructor for a variety of students.
$2.99 ≈
¥20.99
Yesterday Once More
Yesterday Once More
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Piano solo
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INTERMEDIATE
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The Carpenters
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Timothy Stapay
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Then
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Yesterday Once More
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1262310 By The Carpenters. By John Bettis and Richard Carpenter. Arranged by Timothy Stapay. Film/TV,Pop,...
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Piano Solo - Level 3 - Digital Download SKU: A0.1262310 By The Carpenters. By John Bettis and Richard Carpenter. Arranged by Timothy Stapay. Film/TV,Pop,Rock,Singer/Songwriter,Standards. Score. 2 pages. Timothy Stapay #855346. Published by Timothy Stapay (A0.1262310). A piano solo arrangement of Yesterday Once More; made famous by The Carpenters. Yesterday Once More, written by Richard Carpenter and John Bettis, is a hit song by the Carpenters from their 1973 album Now & Then. Thematically the song concerns reminiscing about songs of a generation gone by. It segues into a long medley, consisting of eight covers of 1960s tunes incorporated into a faux oldies radio program. The work takes up the entire B-side of the album.The single version of the song peaked at number 2 on the Billboard Hot 100 chart, kept from the number 1 spot by Bad, Bad Leroy Brown by Jim Croce. It was the duo's fifth number two hit and makes them the act with the second-most number two hits on the chart behind Madonna. The song also peaked at number 1 on the easy listening chart, becoming their eighth number 1 on that chart in four years.  It is the Carpenters' biggest-selling record worldwide and their best-selling single in the UK, peaking at number 2 Richard Carpenter stated, on a Japanese documentary, that it was his favorite of all the songs that he had written. He has performed an instrumental version at concerts.Lyrics:[Verse 1]When I was young, I'd listen to the radioWaitin' for my favorite songsWhen they played, I'd sing alongIt made me smile[Pre-Chorus 1]Those were such happy timesAnd not so long agoHow I wondered where they'd goneBut they're back againJust like a long-lost friendAll the songs I loved so well[Chorus 1]Every sha-la-la-laEvery whoa, whoa-oh still shinesEvery shing-a-ling-a-lingThat they're starting to sing so fineWhen they get to the partWhere he's breaking her heartIt can really make me cryJust like before, it's yesterday once more(Shoobie-doo, lang, lang)(Shoobie-doo, lang, lang) [Verse 2]Lookin' back on how it was in years gone byAnd the good times that I hadMakes today seem rather sadSo much has changed[Pre-Chorus 2]It was songs of loveThat I would sing to themAnd I'd memorize each wordThose old melodiesStill sound so good to meAs they melt the years away[Chorus 2]Every sha-la-la-laEvery whoa, whoa-oh still shines(Only oldies, but goodies)Every shing-a-ling-a-lingThat they're starting to sing so fineAll my best memoriesCome back clearly to meSome can even make me cryJust like before, it's yesterday once more(Shoobie-doo, lang, lang) [Outro]Every sha-la-la-laEvery whoa, whoa-oh still shinesEvery shing-a-ling-a-lingThat they're starting to sing so fineEvery sha-la-la-laEvery whoa, whoa-oh still shinesEvery shing-a-ling-a-lingThat they're starting to sing so fine...
$6.99 ≈
¥49.06
Anonymous: He's Gone Away - choir (SATB: soprano, alto, tenor, bass)
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Choral SATB
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INTERMEDIATE
#
Contemporary
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Anonymous
#
Virtualsheetmusic
Instantly printable sheet music by Anonymous for choir (SATB: soprano, alto, tenor, bass) of MEDIUM skill level. / lawson gould choral
Instantly printable sheet music by Anonymous for choir (SATB: soprano, alto, tenor, bass) of MEDIUM skill level. / lawson gould choral
$6.23 ≈
¥43.73
Anonymous: Shenandoah / He's Gone Away - choir (SAB: soprano, alto, bass)
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Choral 3-part
#
INTERMEDIATE
#
Folkloric/Traditional
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Anonymous
#
Virtualsheetmusic
Instantly printable sheet music by Anonymous for choir (SAB: soprano, alto, bass) of MEDIUM skill level. / secular choral
Instantly printable sheet music by Anonymous for choir (SAB: soprano, alto, bass) of MEDIUM skill level. / secular choral
$6.93 ≈
¥48.64
Anonymous: Shenandoah / He's Gone Away - choir (SATB: soprano, alto, tenor, bass)
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Choral SATB
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INTERMEDIATE
#
Folkloric/Traditional
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Anonymous
#
Virtualsheetmusic
Instantly printable sheet music by Anonymous for choir (SATB: soprano, alto, tenor, bass) of MEDIUM skill level. / secular choral
Instantly printable sheet music by Anonymous for choir (SATB: soprano, alto, tenor, bass) of MEDIUM skill level. / secular choral
$6.93 ≈
¥48.64
Anonymous: He's Gone Away - choir (SSA: soprano, alto)
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Choral 3-part
#
INTERMEDIATE
#
Folkloric/Traditional
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Anonymous
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Virtualsheetmusic
Instantly printable sheet music by Anonymous for choir (SSA: soprano, alto) of MEDIUM skill level. / secular choral
Instantly printable sheet music by Anonymous for choir (SSA: soprano, alto) of MEDIUM skill level. / secular choral
$6.23 ≈
¥43.73
Anonymous: Shenandoah / He's Gone Away - choir (SSA: soprano, alto)
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Choral 3-part
#
INTERMEDIATE
#
Folkloric/Traditional
#
Anonymous
#
Virtualsheetmusic
Instantly printable sheet music by Anonymous for choir (SSA: soprano, alto) of MEDIUM skill level. / secular choral
Instantly printable sheet music by Anonymous for choir (SSA: soprano, alto) of MEDIUM skill level. / secular choral
$5.93 ≈
¥41.62
Anonymous: Shenandoah / He's Gone Away - Choral Pax (full score)
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Instructional
#
Anonymous
#
Virtualsheetmusic
Instantly printable sheet music by Anonymous for Choral Pax (full score) of EASY/MEDIUM skill level. / instructional,secular choral
Instantly printable sheet music by Anonymous for Choral Pax (full score) of EASY/MEDIUM skill level. / instructional,secular choral
$7.99 ≈
¥56.08
Anonymous: Shenandoah / He's Gone Away (COMPLETE) - Choral Pax
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Instructional
#
Anonymous
#
Virtualsheetmusic
Instantly printable sheet music by Anonymous for Choral Pax of EASY/MEDIUM skill level. / instructional,secular choral
Instantly printable sheet music by Anonymous for Choral Pax of EASY/MEDIUM skill level. / instructional,secular choral
$29.99 ≈
¥210.48
Miscellaneous: He's Gone Away - piano, voice or other instruments
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Piano, Voice
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INTERMEDIATE
#
Folkloric/Traditional
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Miscellaneous
#
Virtualsheetmusic
Instantly printable sheet music by Miscellaneous for piano, voice or other instruments of EASY/MEDIUM skill level. / traditional,inspirational
Instantly printable sheet music by Miscellaneous for piano, voice or other instruments of EASY/MEDIUM skill level. / traditional,inspirational
$5.97 ≈
¥41.90
Rick Kirby: He's Gone Away (An American Folktune Setting for Concert Band) (COMPLETE) - concert band
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Concert band
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INTERMEDIATE
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Americana
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Rick Kirby
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Virtualsheetmusic
Instantly printable sheet music by Rick Kirby for concert band of MEDIUM skill level. / folk,american
Instantly printable sheet music by Rick Kirby for concert band of MEDIUM skill level. / folk,american
$79.99 ≈
¥561.41
Nancy Grundahl: He's Gone Away - choir (SSA: soprano, alto)
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Choral 3-part
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INTERMEDIATE
#
Nancy Grundahl
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Virtualsheetmusic
Instantly printable sheet music by Nancy Grundahl for choir (SSA: soprano, alto) of MEDIUM skill level. / concert
Instantly printable sheet music by Nancy Grundahl for choir (SSA: soprano, alto) of MEDIUM skill level. / concert
$5.68 ≈
¥39.86
Rick Kirby: He's Gone Away (An American Folktune Setting for Concert Band) (COMPLETE) for band
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Concert band
#
INTERMEDIATE
#
Rick Kirby
#
Virtualsheetmusic
Instantly downloadable sheet music by Rick Kirby for band of MEDIUM skill level.
Instantly downloadable sheet music by Rick Kirby for band of MEDIUM skill level.
$148.99 ≈
¥1045.68
Miscellaneous: He's Gone Away for voice, piano and guitar
#
Piano, Vocal and Guitar
#
INTERMEDIATE
#
Miscellaneous
#
Virtualsheetmusic
Instantly printable sheet music by Miscellaneous for voice, piano or guitar of MEDIUM skill level. / folk,standards
Instantly printable sheet music by Miscellaneous for voice, piano or guitar of MEDIUM skill level. / folk,standards
$5.97 ≈
¥41.90
Rick Kirby: He's Gone Away (An American Folktune Setting for Concert Band), Full Score for band
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Band Scores
#
INTERMEDIATE
#
Rick Kirby
#
Virtualsheetmusic
Instantly downloadable sheet music by Rick Kirby for band of MEDIUM skill level.
Instantly downloadable sheet music by Rick Kirby for band of MEDIUM skill level.
$13.99 ≈
¥98.19
I Sit Here on the Barren Hill
I Sit Here on the Barren Hill
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
#
Fiona Alice Hickie
#
Fiona Alice Hickie
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I Sit Here on the Barren Hill
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Fiona Alice Hickie
#
SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1419806 By Fiona Alice Hickie. By Fiona Alice Hickie. Arranged by Fiona Ali...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1419806 By Fiona Alice Hickie. By Fiona Alice Hickie. Arranged by Fiona Alice Hickie. 21st Century,Chamber,Classical,Latin. 17 pages. Fiona Alice Hickie #1001228. Published by Fiona Alice Hickie (A0.1419806). A piece for brass quintet based on the poem by the same name. It is a slow piece is a South American style.Based on the poem: Lyrics: 1. My roots once clung to the earth, The wind is calm the river still. As if nothing else survives. My world is empty, am I alive? From my limbs a fruit was plucked, Within its sheath my heart was tucked. Its seeds contained my unknown future, Inside a flesh so sweet and pure. 2. Would my seeds find a place to fall? Nice fertile ground so they'd grow tall. Or would they find some barren ground. Where no love or nurture can be found? Without the fruit my limbs were bare. An old tree nearby just stood and stared. Why should it stop and help the tree Who let its fruit be taken from thee. 3. About the charmer who took the fruit? Should he help to make them grow? Instead he walked right off the land. With barely a wave of his hand. He bit the apple as he walked away. Enjoying its flesh but did not stay. No care at all for the damage he’d done He took the heart from his loved one. 4. So grow another fruit you say. And yes that would be the logical way. But some trees grow abundant fruit. Small and nice without dispute. Others instead grow one to perfection. Round and sweet, on close inspection. But once it’s gone then that is all. Then no more shall ever fall. 5. I sit here on the barren hill, The wind is calm the river still. As if nothing else survives. The world is empty no soul survives. Dedicated to Ben van den Akker.
$13.99 ≈
¥98.19
Mysterious Moment for alto flute and string trio
Mysterious Moment for alto flute and string trio
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String Trio: violin, viola, cello
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INTERMEDIATE
#
Contemporary
#
David Warin Solomons
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Mysterious Moment for alto flu
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David Warin Solomons
#
SheetMusicPlus
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 p...
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00 ≈
¥56.15
Mysterious Moment for oboe and string trio
Mysterious Moment for oboe and string trio
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Contemporary
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David Warin Solomons
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Mysterious Moment for oboe and
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and...
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Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00 ≈
¥56.15
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He's Gone Away
