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Just a Memory
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You've selected:
Just a Memory
intermediate
Sheetmusic to print
33 sheet music found
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1
26
A Memory I Don't Mess With
A Memory I Don't Mess With
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Lee Brice
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KoaliMusic
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A Memory I Don't Mess With
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Koali
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1214700 By Lee Brice. By Billy Montana, Brian Wayne Davis, and Lee ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1214700 By Lee Brice. By Billy Montana, Brian Wayne Davis, and Lee Brice. Arranged by KoaliMusic. Country,Rock. 9 pages. Koali #811689. Published by Koali (A0.1214700). String Quartet of the Lee Brice Country Music No 1 hit. Faithful to the original song, all parts include bowing and dynamics, and each prints to just a single page! All KoaliMusic string quartets are by string players for string players!
$14.99 ≈
¥108.93
Distant Memories a Ballad For Euphonium and Band
Distant Memories a Ballad For Euphonium and Band
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Graham Boag
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Distant Memories a Ballad For
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Graham Boag
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1447164 Composed by Graham Boag. 21st Century,Contemporary. Brass Band. 48 pages. Graham Boag #1026943. Published by Graham Boag (A0.1447164). Distant Memories has a simple melody with diatonic harmonic structure which lends to the reflective nature of the piece. It is not based on any specific moment or memory but just a general feeling of someone looking back to a moment or time that has long past and perhaps their wish to be back in that moment.
$32.99 ≈
¥239.73
Memory Reboot
Memory Reboot
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Piano solo
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INTERMEDIATE
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Voj
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Marco D
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Memory Reboot
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Marco D
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1458767 By Voj. By Alexey Shamak and Musulmonov Farkhod Fayzalievich. Arranged by Marco D. 21st Century,C...
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Piano Solo - Level 3 - Digital Download SKU: A0.1458767 By Voj. By Alexey Shamak and Musulmonov Farkhod Fayzalievich. Arranged by Marco D. 21st Century,Contemporary,Film/TV,Multicultural,Video Game,World. Score. 4 pages. Marco D #1037702. Published by Marco D (A0.1458767). Discover the musical magic with our piano sheet music for the captivating song Memory Reboot by VØJ and Narvent! This piece, blending the intensity of trance with melancholic melodies, is perfect for pianists of all levels. The sheet music is meticulously transcribed to capture every nuance of this powerful work, allowing you to perform and experience the emotional depth of the song. With Memory Reboot, you won't just play a piece of music; you'll relive memories and emotions with every note. Seize this opportunity to add a touch of modernity and emotion to your piano repertoire!
$4.99 ≈
¥36.26
Gymnopedie no 4 Original Piano solo (In memory of E Satie)
Gymnopedie no 4 Original Piano solo (In memory of E Satie)
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Piano solo
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INTERMEDIATE
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Grant Horsley
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Gymnopedie no 4 Original Piano
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Grant Horsley
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.785740 Composed by Grant Horsley. 20th Century,Contemporary,Film/TV,Instructional,Wedding. Score. 5 pages...
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Piano Solo - Level 3 - Digital Download SKU: A0.785740 Composed by Grant Horsley. 20th Century,Contemporary,Film/TV,Instructional,Wedding. Score. 5 pages. Grant Horsley #6053701. Published by Grant Horsley (A0.785740). This Original Gymnopedie is in memory of the great E Satie.It is a very delicate 3/4 dance in true french impressionistic style which has a slightly quicker middle section.Ternary form- 4 pages-around 3 minutes 30 in length. Intermediate level, the whole score is on the youtube link for you to assess suitability.Great for concerts, weddings, incidental music, TV theme, Radio theme- or just something maybe a little different to play.
$5.00 ≈
¥36.33
Just a Memory
Just a Memory
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Classical
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Monique Berthoud
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Just a Memory
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Ambey Music Productions
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SheetMusicPlus
Guitar,Instrumental Solo - Level 3 - Interactive Download SKU: A0.1456514 By Monique Berthoud. By Monique Berthoud. This edition: Interactive Download. C...
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Guitar,Instrumental Solo - Level 3 - Interactive Download SKU: A0.1456514 By Monique Berthoud. By Monique Berthoud. This edition: Interactive Download. Classical. Individual part. 1 pages. Duration 51. Ambey Music Productions #2VntZLEzA5SjJiCrrAiyyb. Published by Ambey Music Productions (A0.1456514). Key: C major.This piece is part of the book Guitar Corner.
$4.99 ≈
¥36.26
Just As I Am SATB CHOIR
Just As I Am SATB CHOIR
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Choral SATB
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INTERMEDIATE
#
Wm Bradbury
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Gene Roberson
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Just As I Am SATB CHOIR
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Gene Roberson
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.848551 Composed by Wm Bradbury. Arranged by Gene Roberson. Christian. Octavo. 8 pages. Gene Robe...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.848551 Composed by Wm Bradbury. Arranged by Gene Roberson. Christian. Octavo. 8 pages. Gene Roberson #3465016. Published by Gene Roberson (A0.848551). Here is the Choral version of my new arrangement of Just As I Am, sung at all of the Billy Graham Crusades in the past. Dedicated to the memory of the late Rev. Billy Graham. Easy for your choir, or even a small group.Available as piano solo, violin solo. The violin solo will work with the choral version.
$1.99 ≈
¥14.46
We are a small family
We are a small family
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Piano solo
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INTERMEDIATE
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Tiago Videira
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We are a small family
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Tiago Videira
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.990774 Composed by Tiago Videira. 20th Century,Classical,Instructional. Score. 6 pages. Tiago Videira #29...
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Piano Solo - Level 3 - Digital Download SKU: A0.990774 Composed by Tiago Videira. 20th Century,Classical,Instructional. Score. 6 pages. Tiago Videira #2951387. Published by Tiago Videira (A0.990774). How is it like to be an only child in a small family? What if Mummy cooks amazing food, but dad is never present and granny memory is fading away?... Music has the ability to unleash new empathic experiences in any of us. My goal with this small suite was to recreate some classics through metaphors, analogy and a grain of parody. This programmatic suite has a pedagogical role since it allows the player to practice and develop technical skills required to play the canonical repertoire. Furthermore, it also invites players to be immersed into these family characters and to try to absorb and embody some of their emotional experiences which are required to best convey the meaning of the situations. As such, I expect these pieces to be suitable for the classroom, recitals or just for fun.
$5.99 ≈
¥43.53
A Train Through Yorkshire - for Band
A Train Through Yorkshire - for Band
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Concert band
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INTERMEDIATE
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Contemporary
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Britt Andrew Burns
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A Train Through Yorkshire - fo
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Indie Classical Publications
#
SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.971801 Composed by Britt Andrew Burns. Contemporary. Score and parts. 71 pages. Indie Classical Publica...
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Concert Band - Level 3 - Digital Download SKU: A0.971801 Composed by Britt Andrew Burns. Contemporary. Score and parts. 71 pages. Indie Classical Publications #1932369. Published by Indie Classical Publications (A0.971801). A TRAIN THROUGH YORKSHIRE is one of my earliest works for band. Composed in 2007, it was inspired by the train rides I took while studying abroad in Great Britain. The Yorkshire area is especially beautiful, and the music was inspired by my memory of sitting on a train with a tea in hand on a drizzly day. However, I was never fully satisfied with the work, as it felt incomplete. One reason was that I was rushed to meet a short deadline when composing this piece. It wasn't until the summer of 2018 that I decided to do it justice and revise it. This new and final version is a little shorter than the original and offers a better balanced orchestration. Level: grade 3+ (medium) Duration: About 5 minutes, 15 seconds
$25.00 ≈
¥181.67
A Train Through Yorkshire - for Symphony Orchestra
A Train Through Yorkshire - for Symphony Orchestra
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Orchestra
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INTERMEDIATE
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Contemporary
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Britt Andrew Burns
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A Train Through Yorkshire - fo
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Indie Classical Publications
#
SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.971821 Composed by Britt Andrew Burns. Contemporary. Score and parts. 72 pages. Indie Classical Publi...
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Full Orchestra - Level 3 - Digital Download SKU: A0.971821 Composed by Britt Andrew Burns. Contemporary. Score and parts. 72 pages. Indie Classical Publications #3668479. Published by Indie Classical Publications (A0.971821). A TRAIN THROUGH YORKSHIRE was one of my earliest works for band. Composed in 2007, it was inspired by the train rides I took while studying abroad in Great Britain. The Yorkshire area is especially beautiful, and the music was inspired by my memory of sitting on a train with a tea in hand on a drizzly day. However, I was never fully satisfied with the work, as it felt incomplete. One reason was that I was rushed to meet a short deadline when composing this piece. It wasn't until the summer of 2018 that I decided to do it justice and revise it. I also felt like it deserved an orchestral version. This new and final version is a little shorter than the original and offers a better balanced orchestration. Level: grade 3+ (intermediate) ; Duration: About 5 minutes, 15 seconds
$30.00 ≈
¥218.00
Kommos (Lamentation) / "When the World Moved On" - Oboe 2
Kommos (Lamentation) / "When the World Moved On" - Oboe 2
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Oboe (band part)
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INTERMEDIATE
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Contemporary
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Oboe Solo - Level 3 - Digital Download SKU: A0.1018945 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Saj...
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Oboe Solo - Level 3 - Digital Download SKU: A0.1018945 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078673. Published by Benjamin Sajo (A0.1018945). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
¥25.43
Consciousness 2.0
Consciousness 2.0
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Piano solo
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INTERMEDIATE
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Jasmine LAI
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Consciousness 2.0
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Jasmine LAI
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.933947 Composed by Jasmine LAI. Concert,Contemporary. Score. 7 pages. Jasmine LAI #6565277. Published by ...
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Piano Solo - Level 3 - Digital Download SKU: A0.933947 Composed by Jasmine LAI. Concert,Contemporary. Score. 7 pages. Jasmine LAI #6565277. Published by Jasmine LAI (A0.933947). This is my first time I have written a piece that doesnot have a standard structure. It is also the first time that I have expressed my feelings about Australia through music, inspired by Lawson’s moving poem. The reason why I name my piece ‘Consciousness2.0’ is because it depicts a picture of how people rise and fall in life. An example of this is what happened during the Australian bushfires, which was a time when people were very aware of what was happening. Consciousness means to be aware and responsive to the surroundings, and it can also mean a person’s perspective of events. My piece begins with a soft introduction, which describes the life of Australia and its unique environment. From the bustling cities to the open country, there is always some life around Australia. Sometimes there is also some wild weather, which is represented in the arpeggiated left hand (bars 10-14). The story then shifts its focus to the animals, through short 2-part phrase in bars 23-26. The animals areenjoying their time in nature. The phrase is in Aeolian mode, so there is a bit of mystery instead of having an obvious key. Then, the parallel fifths depict the openness and vastness of the land. The transition is shown in bars 32-34 by a smooth 4-part phrase going downwards. The next fast section (bars 35-47) describes the rise of panic, just like a howling heat of the bushfire. The chromatic 7th chords (bars 36,38) make a sense of tension, and after 3 times, the chromaticism makes its way to a recent memory of the rushing semiquavers (bars 43-44) After the bushfires came closer, animals panicked as they rushed and left their precious homes. It was devastating to see how many people were affected, with houses destroyed, people and animals burning into the ashes (bars 48-54). Then there is another new section (bars 55-68) which describes the uncertainty, for example, the right-handquavers describe a flashback of nature planning itself to create a bushfire, or the times when people were planning a solution to this incident. The uncertainty was unfolded when the fast right hand semiquavers come back, (bars 69-82) creating a whoosh of destruction disappointment and adjustment. The last part is the ending of story (bars 84 to end). Though the fire has made a lot of destruction, with Aussie spirit, there is always hope that everyone can rebuild a new and better community in the future
$3.49 ≈
¥25.36
La nemesi
La nemesi
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now your fire is spent
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Monica Bergo
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La nemesi
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Monica Bergo
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SheetMusicPlus
Small Ensemble Pan Pipe,Piano,Trumpet,Tubular Bells,Viola,Violin - Level 3 - Digital Download SKU: A0.976861 Composed by Monica Bergo. Contemporary,Hallo...
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Small Ensemble Pan Pipe,Piano,Trumpet,Tubular Bells,Viola,Violin - Level 3 - Digital Download SKU: A0.976861 Composed by Monica Bergo. Contemporary,Halloween. Score and parts. 43 pages. Monica Bergo #3238977. Published by Monica Bergo (A0.976861). 2017 Holiday Contest EntryNEMESIS I enter the room of my consciousness That incredible disorder I rummage through the drawers Where I keep sufferings And the ineradicable memories Dust that knows of regret Spider webs cover my time, I recompose pieces of life But I'm here for you Fleeting shadow And my face reflects, Inside you My nemesis, my alter ego You reflect me and then Are a dark ghost The imperfect and the unsaid I will let you be what you are, My soul, black and rending. If you destroy my image It does not matter Finally that door remains open And opening the border between dream and reality I stumble among people at my funeral Who cry, who laugh, It is my Carnival I look at them from above, a spectral profile Rush down into the void that I have inside Nobody hugs me, I touch the silence, Slow-motion of a movie without more viewers, Close the curtain of the world outside and ... and ... The snow falls , how cold it is For this actress without identity I escape from the frost of my uncertainties But there is no refuge save me from she Who is heat, but to hurt Is my animal instinct I'm alone in this storm But certainly I do not regret Your mood swings, your sterile love Even without, I will survive My nemesis now dominates Be careful! If she comes for you She destroys you, crushes you, is cruel and savage, And then she will laugh in your face And sitting here on the bank of my river I'm waiting for you to pass this way Naked and without arrogance I'll never get enough This dance that gives me joy And in the darkness I move safe and stealthy (what are you?) I'm not afraid of anything and I feel wicked (you are lost now) Souls dancing to the beat of their sins (you like us) In this limbo I disown my past days (and so will you be...) Wind and storm I'm not just this, The rumble of thunder I don't understand any longer which side I’m on And it goes against the wind and sharpens my torment I'm hungry for the Sun Nemesis cannot dominate me My nemesis is here, Is stronger than ever And I know that she is reaching for me And it’s she who does not know Ever to stop halfway, Is Lady of Vice and Deception She seizes me , she exhausts me because She does not accept the peace that I have inside She has no balance, Makes me waver, And frustrates what I have achieved Tell me that you'll disappear As a dream in the morning light And will be, within me, A memory clouded by time I leave the room of my consciousness To make order is impossible Strange this drawer, not only sufferings But something relentless Nemesis, it is no longer your time By now your fire is spent And I will be born again to enchantment By words and music Food for the soul ... Monica Bergo
$3.99 ≈
¥28.99
for Larry - score and parts
for Larry - score and parts
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Chamber Orchestra
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INTERMEDIATE
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Contemporary
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Philip Orem
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for Larry - score and parts
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Philip Orem
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.872613 Composed by Philip Orem. Contemporary. Score and parts. 34 pages. Philip Orem #3523853. Pub...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.872613 Composed by Philip Orem. Contemporary. Score and parts. 34 pages. Philip Orem #3523853. Published by Philip Orem (A0.872613). Written in memory of my friend, Larry Bowen, a fantastic trumpet player. This is a sweet lullaby with just a bit of drama, perfect to show off the trumpet's lyrical capabilities.For further information contact me at po4musik@aol.com orhttps://po4musik.wixsite.com/website.
$56.00 ≈
¥406.94
Celebrations for Percussion Ensemble Octet
Celebrations for Percussion Ensemble Octet
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Percussion Ensemble
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INTERMEDIATE
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Brian Monroe
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Celebrations for Percussion En
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BLM Music Publications
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SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.1075547 Composed by Brian Monroe. 20th Century,Instructional. Score and parts. 48 pages. BLM Mus...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.1075547 Composed by Brian Monroe. 20th Century,Instructional. Score and parts. 48 pages. BLM Music Publications (https://brianmonroemusic.com) #679741. Published by BLM Music Publications (https://brianmonroemusic.com) (A0.1075547). Celebrations is a mixed percussion ensemble octet utilizing both keyboard and non keyboard percussion instruments. It was written in memory of Ohio Band Director, Dan Meeks. In life we celebrate many occasions: birthdays, holidays, vacations, winning seasons, winning the lottery, anniversaries, marriages and births, just to name a few. But at times of loss we can also celebrate those who have left an indelible mark on us. Parents, mentors and teachers fit into this category. This piece is written to celebrate learning and though who guided us on our path. Specifically this piece is dedicated in memory of Dan Meeks, a teacher, band director, percussionist, husband and dad who touched so many lives teaching and guiding his family, friends and students through part of their lives. We are forever in debt to people like Dan and celebrate them. Dan would often say, Just Have Fun! This piece is written with that joy and love of life in mind. Thanks Dan, you always made it fun. Parts: Part 1: Bells (w/hard plastic mallets) Part 2: Xylophone & Crotales (or Bells) (w/medium plastic mallets) Part 3: Vibraphone (w/medium cord mallets) Part 4: Marimba 1: (w/medium yard mallets) Part 5: Marimba 2: if possible 4.5 or 5 octave play lower notes. (w/medium yard mallets) Part 6: Percussion 1: Snare Drum & Sleighbells Part 7: Bass Drum, Gong, Suspended Cymbal & Triangle Part 8: Timpani.
$15.00 ≈
¥109.00
Day Time Impressions
Day Time Impressions
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Piano solo
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INTERMEDIATE
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href=https://youtu
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Sarah Baker
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Day Time Impressions
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Forsyth Brothers Ltd
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1241720 Composed by Sarah Baker. 21st Century,Children,Classical,Comedy. Score. 24 pages. Forsyth Brother...
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Piano Solo - Level 3 - Digital Download SKU: A0.1241720 Composed by Sarah Baker. 21st Century,Children,Classical,Comedy. Score. 24 pages. Forsyth Brothers Ltd #837056. Published by Forsyth Brothers Ltd (A0.1241720). Suitable for players of around grade 4-5 standard, these evocative sound pieces describe a crash-landing hot air balloon, garden invading cows and a even a snake in a pond!Sarah Baker is Vocal Composer in Residence for Services at Education Music Services, an ABRSM examiner and a well known composer of songs and musicals for primary schools and massed-choral events. All this experience has come together in the creation of this album of piano pieces, inspired by growing up in the Chiltern Hills.Contents:Air Balloon!Buzzards CirclingThere’s a Cow in the Garden Eating the FlowersWatching the World Go ByAutumn SkiesFriendsSnake in the PondMorning CommuteThe Witch's CottageComposer’s NotesAir Balloon! One vivid memory I have as a child is of the day that a hot air balloon passed over our house and made an emergency landing on the road in front!  It was both terrifying and exhilarating to watch the balloon float past and then land so near by.Buzzards Circling There is something so calming and restful about watching birds of prey circling in the thermal currents of a summer sky. This piano solo captures the beauty of their flight as they glide so effortlessly through the air.There’s A Cow In The Garden Eating The Flowers Inspired by the memory of seeing an unexpected cow in the garden! This surreal image is captured in a quirky waltz, as I portray both the absurdity of the moment and the sense of wonder I felt as a child. The final phrase articulates my longing: ‘I wish it would come again’.Watching The World Go By A short, reflective piece, remembering what it was like to have time to just sit and watch the world go by from my bedroom window.Autumn Skies A miniature about the beauty of Autumn skies and the poignant sense of loss for a summer gone.Friends I was fortunate to have several children of my own age living close by. We seemed to be forever making dens, playing out in the street and generally enjoying each other’s company. This piece reflects that sense of well-being.Snake In The Pond One hot summer I was astonished and scared to see a grass snake cooling off in our garden pond! I watched, both horrified and fascinated, as it rose up from the depths and then disappeared again.Morning Commute I recollect many mornings stuck in traffic as my Dad took me to school on his way to work. We may not have chatted a lot, but it was always good to be together with my Dad, lost in our own thoughts.The Witch’s Cottage My siblings and I had a fascination with a small cottage nearby. It was set back from the road in a dark part of the woods and we called it 'the witch's cottage’. Every time we passed, I imagined I heard the distant cackle of the witch and wished I could catch a glimpse of her.These pieces are written to complement my other collection, Night Time Impressions, which also draw on childhood recollections, particularly of the woods behind the house where I grew up.Sarah Baker2023.
$9.99 ≈
¥72.60
Pax Aeternam for cello and piano
Pax Aeternam for cello and piano
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Cello, Piano
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INTERMEDIATE
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Maria Thompson Corley
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Maria Thompson Corley
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Pax Aeternam for cello and pia
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Maria Thompson Corley
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SheetMusicPlus
Cello,Piano - Level 3 - Digital Download SKU: A0.1252822 By Maria Thompson Corley. By Maria Thompson Corley. Arranged by Maria Thompson Corley. 21st Cent...
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Cello,Piano - Level 3 - Digital Download SKU: A0.1252822 By Maria Thompson Corley. By Maria Thompson Corley. Arranged by Maria Thompson Corley. 21st Century,Sacred. Score and part. 9 pages. Maria Thompson Corley #846622. Published by Maria Thompson Corley (A0.1252822). “Pax Aeternam†was written in memory of renowned composer Barbara York, a fellow Canadian whom I was blessed enough to meet in person through my interaction with Matt Brown. Though we connected many years into my collaborative piano career, Matt is the first tubist I ever worked with, and Barbara’s music was my favorite part of getting introduced to the tuba literature. I was thrilled to learn how much she appreciated my playing of her work.“How Beautiful†was written in memory of Matt’s son Eli, who had a congenital condition that took his life a few hours after he was born. This flawless piece of music, poignant yet never maudlin, provided the title for a recording Matt and I did of all of Barbara’s tuba output. It also threw down the gauntlet when Danny Rowland approached me, at Matt’s suggestion, about composing a piece. Danny mentioned loving “How Beautiful,†and intending to commission Barbara, who’d recently passed on. I’d never written for the tuba before, but felt absolutely no pressure. That’s a lie.Like “How Beautiful,†“Pax Aeternam†is in a major key; in my case, I wanted to evoke wistfulness rather than despair. Barbara’s path was full of suffering, and having lost a brother to prolonged illness, I’ve come to embrace the idea that death can be a sweet relief from pain. I tried to capture some of Barbara’s spirit, particularly in the middle section, and chose triple meter to give the outer sections a bit of “swing.†I don’t recall Barbara as a somber person, and I wanted to paint a portrait of someone who moved through life with a smile. I didn’t know her as well as many, but I always found her kind, generous, and unpretentious. I hope that this musical portrait does her justice.I created a cello transcription for a performance with Sara Male, my partner in Duo Chiaroscuro. This seemed appropriate, since “Still Waters Running Deep,†one of our signature pieces, is a transcription of the slow movement of Barbara’s bassoon sonata, created at our request by the composer.
$15.00 ≈
¥109.00
Don't cry
Don't cry
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Piano solo
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INTERMEDIATE
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Helen Park
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Don't cry
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HELEN PARK
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.958003 By Helen Park. By Helen Park. Classical,Contemporary,Multicultural,Religious,Spiritual,World. Scor...
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Piano Solo - Level 3 - Digital Download SKU: A0.958003 By Helen Park. By Helen Park. Classical,Contemporary,Multicultural,Religious,Spiritual,World. Score. 12 pages. HELEN PARK #1984479. Published by HELEN PARK (A0.958003). Are you crying? What makes you so sad? Dont cry. When time has passed, the sad memory may also be gone. When you are sad, my heart aches too. When you are upset, I'm upset too. When you are lonely and times are hard, just call me. I will always stand by you. Are you crying? The tears flow from your eyes, just like the raindrops fall. Please don't cry. Close your eyes for a while. Close the door of sadness behind you. Woo...... When you are beaten down, I will carry you. You don't have to suffer alone. You can lean on me.
$4.99 ≈
¥36.26
She Needs Time
She Needs Time
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Vocal duet
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INTERMEDIATE
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Kevin W Longley
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She Needs Time
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Kevin Longley
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SheetMusicPlus
Voice Duet Voice - Level 3 - Digital Download SKU: A0.1019357 Composed by Kevin W Longley. Contemporary,Pop,Rock. 25 pages. Kevin Longley #4320617. Publi...
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Voice Duet Voice - Level 3 - Digital Download SKU: A0.1019357 Composed by Kevin W Longley. Contemporary,Pop,Rock. 25 pages. Kevin Longley #4320617. Published by Kevin Longley (A0.1019357). She Needs Time, soft rock song composed in 2000 The Inspiration My Mom lost two of her closest brothers in 1999 and 2000. The song was composed for her in memory of her older brother Roland. The Music Composed for a soft rock band, the music reminds a bit of some Beatle Music which as a young man I was a great fan. Lyrics can be adjusted based upon the situation. Composed by Kevin Longley (1958-)
$3.99 ≈
¥28.99
Mysterious Moment for alto flute and string trio
Mysterious Moment for alto flute and string trio
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String Trio: violin, viola, cello
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INTERMEDIATE
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Contemporary
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David Warin Solomons
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Mysterious Moment for alto flu
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David Warin Solomons
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 p...
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00 ≈
¥58.13
Mysterious Moment for oboe and string trio
Mysterious Moment for oboe and string trio
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Contemporary
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David Warin Solomons
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Mysterious Moment for oboe and
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and...
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Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00 ≈
¥58.13
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Just a Memory
