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You've selected:
TWO BEATS
intermediate
Sheetmusic to print
61 sheet music found
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1
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51
Offbeat in Two - Trumpet Quartet
Offbeat in Two - Trumpet Quartet
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Phil Beaman
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Offbeat in Two - Trumpet Quart
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Phil Beaman
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SheetMusicPlus
Brass Ensemble Trumpet - Level 3 - Digital Download SKU: A0.844476 Composed by Phil Beaman. 20th Century,Instructional,Jazz. Score and parts. 5 pages. Ph...
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Brass Ensemble Trumpet - Level 3 - Digital Download SKU: A0.844476 Composed by Phil Beaman. 20th Century,Instructional,Jazz. Score and parts. 5 pages. Phil Beaman #3412055. Published by Phil Beaman (A0.844476). Offbeat in Two is a vibrant piece that is all about the rhythmic drive! The downbeat is always a rest as are most of the cardinal beats. The notes are easy; the difficulty level depends on how well you feel offbeat rhythms. I have marked it as Intermediate not only because of rhythms, but also because it is all tongued and up tempo. For some instruments, Parts 1 & 4 might push the upper and lower range limits. Form is AA, bridge, BB, D.C., Coda with the A theme in a contrasting key. Individually the parts are not difficult, but it is the dynamic way they pulse together and interact that creates interest and excitement. It is a wild ride for one and a half minutes! With the right drive and energy this can be a real showpiece!5 pages score and parts; recording is a piano reduction of parts.This version is for Trumpet Quartet; 4 Bb Trumpets. Go for it!
$7.99 ≈
7.22€
Offbeat in Two - Clarinet Quartet
Offbeat in Two - Clarinet Quartet
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Clarinet Quartet: 4 clarinets
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INTERMEDIATE
#
Phil Beaman
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Offbeat in Two - Clarinet Quar
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Phil Beaman
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.844477 Composed by Phil Beaman. 20th Century,Instructional,Jazz. 5 pages...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.844477 Composed by Phil Beaman. 20th Century,Instructional,Jazz. 5 pages. Phil Beaman #3412079. Published by Phil Beaman (A0.844477). Offbeat in Two is a vibrant piece that is all about the rhythmic drive! The downbeat is always a rest as are most of the cardinal beats. The notes are easy; the difficulty level depends on how well you feel offbeat rhythms. I have marked it as Intermediate not only because of rhythms, but also because it is all tongued and up tempo. For some instruments, Parts 1 & 4 might push the upper and lower range limits. Form is AA, bridge, BB, D.C., Coda with the A theme in a contrasting key. Individually the parts are not difficult, but it is the dynamic way they pulse together and interact that creates interest and excitement. It is a wild ride for one and a half minutes! With the right drive and energy this can be a real showpiece!5 pages score and parts; recording is a piano reduction of parts.This version is for Clarinet Quartet. Go for it!
$7.99 ≈
7.22€
Offbeat in Two - French Horn Quartet
Offbeat in Two - French Horn Quartet
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Phil Beaman
#
Offbeat in Two - French Horn Q
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Phil Beaman
#
SheetMusicPlus
Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.844478 Composed by Phil Beaman. 20th Century,Instructional,Jazz. Score and parts. 5 pages. Phil ...
(+)
Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.844478 Composed by Phil Beaman. 20th Century,Instructional,Jazz. Score and parts. 5 pages. Phil Beaman #3412099. Published by Phil Beaman (A0.844478). Offbeat in Two is a vibrant piece that is all about the rhythmic drive! The downbeat is always a rest as are most of the cardinal beats. The notes are easy; the difficulty level depends on how well you feel offbeat rhythms. I have marked it as Intermediate not only because of rhythms, but also because it is all tongued and up tempo. For some instruments, Parts 1 & 4 might push the upper and lower range limits. Form is AA, bridge, BB, D.C., Coda with the A theme in a contrasting key. Individually the parts are not difficult, but it is the dynamic way they pulse together and interact that creates interest and excitement. It is a wild ride for one and a half minutes! With the right drive and energy this can be a real showpiece!5 pages score and parts; recording is a piano reduction of parts.This version is for French Horn Quartet. Go for it!
$7.99 ≈
7.22€
Offbeat in Two - Flute Quartet
Offbeat in Two - Flute Quartet
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Flute Quartet: 4 flutes
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INTERMEDIATE
#
Phil Beaman
#
Offbeat in Two - Flute Quartet
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Phil Beaman
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.844479 Composed by Phil Beaman. 20th Century,Instructional,Jazz. 5 pages. P...
(+)
Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.844479 Composed by Phil Beaman. 20th Century,Instructional,Jazz. 5 pages. Phil Beaman #3414541. Published by Phil Beaman (A0.844479). Offbeat in Two is a vibrant piece that is all about the rhythmic drive! The downbeat is always a rest as are most of the cardinal beats. The notes are easy; the difficulty level depends on how well you feel offbeat rhythms. I have marked it as Intermediate not only because of rhythms, but also because it is all tongued and up tempo. For some instruments, Parts 1 & 4 might push the upper and lower range limits. Form is AA, bridge, BB, D.C., Coda with the A theme in a contrasting key. Individually the parts are not difficult, but it is the dynamic way they pulse together and interact that creates interest and excitement. It is a wild ride for one and a half minutes! With the right drive and energy this can be a real showpiece!5 pages score and parts; recording is a piano reduction of parts.This version is for Flute Quartet. Go for it!
$7.99 ≈
7.22€
Offbeat in Two - Bassoon Quartet
Offbeat in Two - Bassoon Quartet
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4 Bassoons
#
INTERMEDIATE
#
Phil Beaman
#
Offbeat in Two - Bassoon Quart
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Phil Beaman
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon - Level 3 - Digital Download SKU: A0.844480 Composed by Phil Beaman. 20th Century,Instructional,Jazz. 5 pages....
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Woodwind Ensemble,Woodwind Quartet Bassoon - Level 3 - Digital Download SKU: A0.844480 Composed by Phil Beaman. 20th Century,Instructional,Jazz. 5 pages. Phil Beaman #3414545. Published by Phil Beaman (A0.844480). Offbeat in Two is a vibrant piece that is all about the rhythmic drive! The downbeat is always a rest as are most of the cardinal beats. The notes are easy; the difficulty level depends on how well you feel offbeat rhythms. I have marked it as Intermediate not only because of rhythms, but also because it is all tongued and up tempo. For some instruments, Parts 1 & 4 might push the upper and lower range limits. Form is AA, bridge, BB, D.C., Coda with the A theme in a contrasting key. Individually the parts are not difficult, but it is the dynamic way they pulse together and interact that creates interest and excitement. It is a wild ride for one and a half minutes! With the right drive and energy this can be a real showpiece!5 pages score and parts; recording is a piano reduction of parts.This version is for Bassoon Quartet. Go for it!
$7.99 ≈
7.22€
Offbeat in Two - Trombone Quartet
Offbeat in Two - Trombone Quartet
#
Phil Beaman
#
Offbeat in Two - Trombone Quar
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Phil Beaman
#
SheetMusicPlus
Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.844481 Composed by Phil Beaman. 20th Century,Instructional,Jazz. Score and parts. 5 pages. P...
(+)
Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.844481 Composed by Phil Beaman. 20th Century,Instructional,Jazz. Score and parts. 5 pages. Phil Beaman #3414557. Published by Phil Beaman (A0.844481). Offbeat in Two is a vibrant piece that is all about the rhythmic drive! The downbeat is always a rest as are most of the cardinal beats. The notes are easy; the difficulty level depends on how well you feel offbeat rhythms. I have marked it as Intermediate not only because of rhythms, but also because it is all tongued and up tempo. For some instruments, Parts 1 & 4 might push the upper and lower range limits. Form is AA, bridge, BB, D.C., Coda with the A theme in a contrasting key. Individually the parts are not difficult, but it is the dynamic way they pulse together and interact that creates interest and excitement. It is a wild ride for one and a half minutes! With the right drive and energy this can be a real showpiece!5 pages score and parts; recording is a piano reduction of parts.This version is for Trombone Quartet. Go for it!
$7.99 ≈
7.22€
Offbeat in Two - Baritone Horn Quartet
Offbeat in Two - Baritone Horn Quartet
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Phil Beaman
#
Offbeat in Two - Baritone Horn
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Phil Beaman
#
SheetMusicPlus
Brass Ensemble Euphonium - Level 3 - Digital Download SKU: A0.844483 Composed by Phil Beaman. 20th Century,Instructional,Jazz. Score and parts. 5 pages. ...
(+)
Brass Ensemble Euphonium - Level 3 - Digital Download SKU: A0.844483 Composed by Phil Beaman. 20th Century,Instructional,Jazz. Score and parts. 5 pages. Phil Beaman #3414561. Published by Phil Beaman (A0.844483). Offbeat in Two is a vibrant piece that is all about the rhythmic drive! The downbeat is always a rest as are most of the cardinal beats. The notes are easy; the difficulty level depends on how well you feel offbeat rhythms. I have marked it as Intermediate not only because of rhythms, but also because it is all tongued and up tempo. For some instruments, Parts 1 & 4 might push the upper and lower range limits. Form is AA, bridge, BB, D.C., Coda with the A theme in a contrasting key. Individually the parts are not difficult, but it is the dynamic way they pulse together and interact that creates interest and excitement. It is a wild ride for one and a half minutes! With the right drive and energy this can be a real showpiece!5 pages score and parts; recording is a piano reduction of parts.This version is for Baritone Horn Quartet. Go for it!
$7.99 ≈
7.22€
Offbeat in Two - Saxophone Quartet
Offbeat in Two - Saxophone Quartet
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Saxophone Quartet: 4 saxophones
#
INTERMEDIATE
#
Phil Beaman
#
Offbeat in Two - Saxophone Qua
#
Phil Beaman
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.844475 Composed by Phil Beaman. 20th Century,Instructional,Jazz. 5 pages. Phil B...
(+)
Saxophone Quartet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.844475 Composed by Phil Beaman. 20th Century,Instructional,Jazz. 5 pages. Phil Beaman #3412051. Published by Phil Beaman (A0.844475). Offbeat in Two is a vibrant piece that is all about the rhythmic drive! The downbeat is always a rest as are most of the cardinal beats. The notes are easy; the difficulty level depends on how well you feel offbeat rhythms. I have marked it as Intermediate not only because of rhythms, but also because it is all tongued and up tempo. For some instruments, Parts 1 & 4 might push the upper and lower range limits. Form is AA, bridge, BB, D.C., Coda with the A theme in a contrasting key. Individually the parts are not difficult, but it is the dynamic way they pulse together and interact that creates interest and excitement. It is a wild ride for one and a half minutes! With the right drive and energy this can be a real showpiece!5 pages score and parts; recording is a piano reduction of parts.This version is for Saxophone Quartet; 4 Altos or 4 Tenors, or even 4 Sopranos or 4 Baris. Go for it!
$7.99 ≈
7.22€
My Faith Looks Up to Thee
My Faith Looks Up to Thee
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Piano solo
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INTERMEDIATE
#
Sacred music
#
Lowell Mason
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Paul Thurmond
#
My Faith Looks Up to Thee
#
Paul Thurmond
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.828255 Composed by Lowell Mason. Arranged by Paul Thurmond. Christian,Sacred. Score. 5 pages. Paul Thurmo...
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Piano Solo - Level 3 - Digital Download SKU: A0.828255 Composed by Lowell Mason. Arranged by Paul Thurmond. Christian,Sacred. Score. 5 pages. Paul Thurmond #4969069. Published by Paul Thurmond (A0.828255). Tune: OLIVETUse: Prelude, Offertory, CommunionA polyrhythm is when two or more conflicting rhythms are performed simultaneously. The simplest example is three beats against two beats, as pictured above. When a composer uses this effect for an extended section of music, it’s called a cross-rhythm. In this piece, your right hand plays the solid duple rhythm of My Faith Looks Up to Thee, while your left hand plays an accompaniment pattern in a triple rhythm. It makes it interesting to play and, I hope, interesting to listen to.
$4.99 ≈
4.51€
In the Bleak Mid-winter (SATB accompanied)
In the Bleak Mid-winter (SATB accompanied)
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Choral SATB
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INTERMEDIATE
#
Sacred music
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Colin Kirkpatrick
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In the Bleak Mid-winter
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Colin Kirkpatrick Publications
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.522055 Composed by Colin Kirkpatrick. A Cappella,Christian,Christmas,Praise & Worship,Sacred. Oc...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.522055 Composed by Colin Kirkpatrick. A Cappella,Christian,Christmas,Praise & Worship,Sacred. Octavo. 10 pages. Colin Kirkpatrick Publications #4614491. Published by Colin Kirkpatrick Publications (A0.522055). This is a new setting of the famous words by Christina Rossetti (1830-1894) and it is in 5/8 time. Singers will easily get into the habit of thinking this is terms of three beats followed by two beats. The setting follows the format of the original poem and there is a short, easy-to-sing a cappella section in the middle. It’s scored for SATB choir with keyboard accompaniment. The piano part is of medium difficulty. This piece will be a popular addition to your Nativity play or Christmas services. If you like this choral piece, you might also be interested in the other Colin Kirkpatrick Nativity Anthems in this SATB series (also available as SSA): And a Star is Shining in the East, See this Little Town, While Shepherds Watched their Flocks by Night, I Saw Three Ships, Sing! For a Boy has been Born and Rejoice and Sing on Christmas Morn. In the audio recording, soprano is played by flute, alto by oboe, tenor by clarinet and bass by bassoon. (Duration 03:00)
$2.99 ≈
2.70€
Tanz & Hupfauf (Dance of the Washerwoman+Hupfauf) - 2 guitars
Tanz & Hupfauf (Dance of the Washerwoman+Hupfauf) - 2 guitars
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2 Guitars (duet)
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INTERMEDIATE
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Hans Neusiedler
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Derek Hasted
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Tanz & Hupfauf
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Derek Hasted
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.797808 Composed by Hans Neusiedler. Arranged by Derek Hasted. Classical,M...
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Instrumental Duet Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.797808 Composed by Hans Neusiedler. Arranged by Derek Hasted. Classical,Multicultural,Renaissance,World. Score and parts. 14 pages. Derek Hasted #6209097. Published by Derek Hasted (A0.797808). TANZ and HUPFAUF - 2 GuitarsFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This edition contains Tanz der Wäsherin and Hupfauf. Both will be familiar to many guitarists as they have featured over the years in a number of Graded Examinations.The countermelody is a new addition, which I originally wrote for flute, so that the piece slotted seamlessly into the background music I played with my flute partner at a friend’s wedding.The Tanz is often mistakenly translated as Dance of the Washerwoman, and it’s also known as Wascha Mesa. The Hupfauf is a companion piece, set in a different rhythm but with ostensibly the same harmonic structure (apart from the Tanz’s Coda which is absent from the Hupfauf).Each dance has two beats in the bar, and the two dances can flow into each other or can be played with a short break. When they run into each other, it makes sense to maintain the two-beat pulse, but if this makes the Hupfauf stressful to play, one can maintain instead the value of the half note (minim), so that the Hupfauf proceeds at a more modest pace.You can play the whole piece (each player plays tune and countermelody in turn), or you can shorten the piece by omitting the sections starting at A and B, which also makes the piece ideal for a mixed ability duo, as one player keeps the tune and one keeps the countermelody.Feel free to add dynamics, a little more articulation and possibly some tone color changes.I hope you enjoy playing this piece!
$3.99 ≈
3.60€
Tanz & Hupfauf (Dance of the Washerwoman+Hupfauf) - Flute & Guitar
Tanz & Hupfauf (Dance of the Washerwoman+Hupfauf) - Flute & Guitar
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Flute and Guitar
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INTERMEDIATE
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Hans Neusiedler
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Derek Hasted
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Tanz & Hupfauf
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Derek Hasted
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SheetMusicPlus
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.797810 Composed by Hans Neusiedler. Arranged by Derek Hasted. Class...
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.797810 Composed by Hans Neusiedler. Arranged by Derek Hasted. Classical,Multicultural,Renaissance,World. Score and parts. 10 pages. Derek Hasted #6209099. Published by Derek Hasted (A0.797810). TANZ and HUPFAUF - FLUTE and GUITARFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This edition contains Tanz der Wäsherin and Hupfauf. Both will be familiar to many guitarists as they have featured over the years in a number of Graded Examinations.The Flute countermelody is a new addition, which I wrote so that the piece slotted seamlessly into the background music I played with my flute partner at a friend’s wedding.The Tanz is often mistakenly translated as Dance of the Washerwoman, and it’s also known as Wascha Mesa. The Hupfauf is a companion piece, set in a different rhythm but with ostensibly the same harmonic structure (apart from the Tanz’s Coda which is absent from the Hupfauf).Each dance has two beats in the bar, and the two dances can flow into each other or can be played with a short break. When they run into each other, it makes sense to maintain the two-beat pulse, but if this makes the Hupfauf stressful to play, one can maintain instead the value of the half note (minim), so that the Hupfauf proceeds at a more modest pace.The flute part is in the lower register in Tanz, and in the upper register in Hupfauf to add contrast to the pieces. Feel free to add dynamics, a little more articulation and, for the guitar, possibly some tone color changes, as the phrases repeat.
$3.99 ≈
3.60€
Hungarian Dance no. 5 (WoO 1) in e - Johannes Brahms (Violin & Cello) excerpt
Hungarian Dance no. 5 (WoO 1) in e - Johannes Brahms (Violin & Cello) excerpt
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Violin, Cello (duet)
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INTERMEDIATE
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Classical
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Johannes Brahms
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Peet du Toit
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Hungarian Dance no. 5
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Peet du Toit
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SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.802587 Composed by Johannes Brahms. Arranged by Peet du Toit. Conte...
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Instrumental Duet Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.802587 Composed by Johannes Brahms. Arranged by Peet du Toit. Contemporary. Score and parts. 1 pages. Peet du Toit #5806887. Published by Peet du Toit (A0.802587). All the Hungarian dances (a set of 21 lively dance tunes based mostly on Hungarian themes, completed in 1879) are the same rhythm of two beats to the bar, but Brahms maintains brilliant variety of character and mood throughout the whole set. No. 5 in e (originally f sharp minor) - Allegro is better-known which was based on the csárdás, a traditional Hungarian folk dance.
$13.00 ≈
11.74€
Hungarian Dance no. 1 (WoO 1) in g - Johannes Brahms (Violin & Cello) Excerpt
Hungarian Dance no. 1 (WoO 1) in g - Johannes Brahms (Violin & Cello) Excerpt
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Violin, Cello (duet)
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INTERMEDIATE
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Classical
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Johannes Brahms
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Peet du Toit
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Hungarian Dance no. 1
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Peet du Toit
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SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.802586 Composed by Johannes Brahms. Arranged by Peet du Toit. Conte...
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Instrumental Duet Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.802586 Composed by Johannes Brahms. Arranged by Peet du Toit. Contemporary. Score and parts. 1 pages. Peet du Toit #5806659. Published by Peet du Toit (A0.802586). All the Hungarian dances (a set of 21 lively dance tunes based mostly on Hungarian themes, completed in 1879) are the same rhythm of two beats to the bar, but Brahms maintains brilliant variety of character and mood throughout the whole set. No. 1 in g (G minor) - Allegro molto alternates between a lilting but rather melancholy opening theme and a sequence of livelier or brighter episodes.
$13.00 ≈
11.74€
As The Deer
As The Deer
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Clarinet, Organ
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INTERMEDIATE
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Contemporary
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Martin Nystrom
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Ar
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As The Deer
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Forsyth Publishing
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SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Organ - Level 3 - Digital Download SKU: A0.932736 Composed by Martin Nystrom. Arranged by Ar. Terry M. Forsy...
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Instrumental Duet Clarinet,Instrumental Duet,Organ - Level 3 - Digital Download SKU: A0.932736 Composed by Martin Nystrom. Arranged by Ar. Terry M. Forsyth. Contemporary. Score and parts. 2 pages. Forsyth Publishing #6558653. Published by Forsyth Publishing (A0.932736). This 1:18 piece takes this wonderful and rather intimate piece and adds richness to the harmony by using ninth chords and a little extension for adding to the musical drama of the entry of the refrain. This is being used for the offertory this week. This short piece written for solo organ includes an instrumental line for the clarinet but any solo instrument is welcomed to play this piece where the organist would omit playing the melody and hold the D for two beats at measure 14.
$5.99 ≈
5.41€
Beethoven - Bagatelle No. 1 in G Minor - Intermediate
Beethoven - Bagatelle No. 1 in G Minor - Intermediate
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Piano solo
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INTERMEDIATE
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Classical
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Ludwig van Beethoven
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Piacere Music Sheets
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Beethoven - Bagatelle No. 1 in
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Piacere Music Sheets
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1128722 Composed by Ludwig van Beethoven. Arranged by Piacere Music Sheets. Classical,Instructional,Stand...
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Piano Solo - Level 3 - Digital Download SKU: A0.1128722 Composed by Ludwig van Beethoven. Arranged by Piacere Music Sheets. Classical,Instructional,Standards. Score. 5 pages. Piacere Music Sheets #726288. Published by Piacere Music Sheets (A0.1128722). Opus/Catalog Number: Op. 119, No. 1 Key/Tone: G Minor Movements/Sections: Allegretto Year/Date of Composition: 1822 Difficulty: Grade 7/12 (Intermediate) Obs.: This piece is one of Beethoven's shortest bagatelles. It was composed during Beethoven's mature period, when he was about 53 years old. It has the following musical form : Measures 1-16: Theme in the main key of G minor Measures 17-32: Contrasting section in the key of E flat Major Measures 33-36: Transition modulating back to G minor Measures 37-52: Theme returns, in G minor, with its second phrase slightly varied Measures 53-65: Codetta in G minor Measures 66-end: Conclusion in C minor, based on the first fragment of the theme, with an unusual ending on the dominant chord (G) of the key of C minor Obs.: There are some modifications to be noted: Measure 20: the autograph as well as the Clementi & Co. edition (London, 1823) have parallel Ab4-G4 on the first two beats of the right hand. In this arrangement you'll see F4-Eb4 as in the Sauer & Liedersdorf (Vienna, 1824) edition Measure 65: the autograph has a quarter rest on the first beat of the right hand, and the G5 on the second beat. The Vienna 1824 edition has G5 on the first beat and the rest on the second beat Measure 72: the Vienna 1824 edition and the Schlesinger edition show arpeggiations in both hands here, which do not appear in the autograph.
$5.95 ≈
5.37€
What Child Is This - wind quintet
What Child Is This - wind quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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Anthony Giamanco
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What Child Is This - wind quin
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Whole Tone Press
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.773796 Arranged by Anthony Giamanco. Christmas,Concert,Instructional,Sacred,Stand...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.773796 Arranged by Anthony Giamanco. Christmas,Concert,Instructional,Sacred,Standards. 4 pages. Whole Tone Press #5371017. Published by Whole Tone Press (A0.773796). This arrangement of the beautiful 16th century English ballad, Greensleeves, now better-known as What Child Is This, is to be played smoothly, at a stately pace, two beats to the bar, with the sensation of rocking back-and-forth, like a pendulum swinging. Both amateur (intermediate) and professional players will especially enjoy the lush harmonies and the relative ease of mastering this work. Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper. Anthony's music can be heard on his website, anthonygiamanco.com, on SoundCloud (https://soundcloud.com/tony-giamanco), and on his YouTube channel (https://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg) Contact info:tony@shalomlife.org.
$6.25 ≈
5.65€
Larry Duncan
Larry Duncan
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Bass guitar
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INTERMEDIATE
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Tracy Dean McCallum
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Tracy Dean McCallum
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Larry Duncan
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Tracy Dean McCallum
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SheetMusicPlus
Bass Guitar TAB - Level 3 - Digital Download SKU: A0.1478341 By Tracy Dean McCallum. By Tracy Dean McCallum. Arranged by Tracy Dean McCallum. 20th Centur...
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Bass Guitar TAB - Level 3 - Digital Download SKU: A0.1478341 By Tracy Dean McCallum. By Tracy Dean McCallum. Arranged by Tracy Dean McCallum. 20th Century,Jazz,Rock. Score. 1 pages. Tracy Dean McCallum #1055722. Published by Tracy Dean McCallum (A0.1478341). https://tracymccallum.com/Larry Duncan: This bassline throws down a rhythmic gauntlet. It likely doesn't settle for a simple root note on every beat. Here are some potential rhythmic complexities it might explore:Polyrhythms: Imagine two or three different rhythmic ideas happening simultaneously within the bassline. This could involve playing notes in triplets or quintuplets against a steady underlying beat.Syncopation: The groove might emphasize the off-beats – the spaces between the main downbeats – creating a sense of surprise and anticipation.Hemiola: This technique creates a sense of rhythmic ambiguity by playing a 3-over-4 pattern (three notes in the space of four beats). It can make the listener feel like the time signature is constantly shifting.Ghost Notes: These are lightly played notes that add rhythmic tension and detail without fully sounding out.Feel and Genre: While the rhythm is complex, Larry Duncan likely still lays down a solid groove. Depending on the genre, it could feel:Funky: Think of slapping and popping techniques with a focus on creating a pocket for the drummer to lock into.Fusion: The bassline might weave between complex jazz-inspired rhythms and driving rock feels.Progressive Rock: Imagine a bassline that mirrors the genre's adventurous spirit, constantly evolving and surprising the listener.Overall, Larry Duncan is a bassline for the adventurous player and listener. Its complex rhythms keep you guessing while still laying down a groove that makes you move.
$5.55 ≈
5.01€
Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Choral SATB
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INTERMEDIATE
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 2 - Eighths
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Dots and Beams
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Do...
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #4776187. Published by Dots and Beams (A0.931836). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00 ≈
9.03€
What A Wonderful World
What A Wonderful World
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Guitar
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INTERMEDIATE
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Louis Armstrong
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Richard Hirsch
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and 3&
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What A Wonderful World
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1155054 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Richard Hirsch. 20th Centu...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1155054 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Richard Hirsch. 20th Century,Multicultural,Pop,Standards,World. Individual part. 8 pages. Richard Hirsch #755336. Published by Richard Hirsch (A0.1155054). Taking inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement in polyrhythmic 4/4 time of What a Wonderful World for solo acoustic guitar. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The tune is really happy and up-lifting. If there are any little folks (kids two to four years old) around listening, they will have a hard time sitting still. My grandson (two and a half) really got going when I played it for him. I can hardly resist the urge to dance to the tune while playing myself! The arrangement is in the spirit of the Canarios by Gaspar Sanz for classical guitar and is meant to have the nature of a dance. The repetitive alternating thumb and index and middle finger cycle going through the broken chords with the melody woven in works to give the arrangement an almost hypnotic character. The fingering for the right hand is given in first section and is basically the same throughout the piece. The fingering for the left hand can, I believe, be easily figured out from the tablature. The arrangement is within the reach of intermediate students of the acoustic guitar; anyone who has mastered the basics of fingerstyle fingerpicking guitar, and can be played on both nylon and steel string acoustic guitars. The short and long glissandos and the arpeggios of natural harmonics resembling the kalimba (thumb harp) together with the drone effects of the enharmonic tones in the chords give an added dash of African spice to the piece.
$4.99 ≈
4.51€
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