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Mauro Giuliani: Sonatina in C op.71 no.1
Mauro Giuliani: Sonatina in C op.71 no.1
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Guitar
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INTERMEDIATE
#
Classical
#
Mauro Giuliani
#
Socrates Arvanitakis
#
Mauro Giuliani: Sonatina in C
#
Socrates Arvanitakis
#
SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1392100 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual ...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1392100 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 19 pages. Socrates Arvanitakis #975591. Published by Socrates Arvanitakis (A0.1392100). PREFACE AND BRIEF ANALYTICAL NOTESThe three sonatinas op.71 by Mauro Giuliani in C, G, and D were first published in 1816 in Vienna and were intended as student pieces of progressive difficulty. In parallel with this intention they are also fully developed three-movement works which reveal Giulianiâ??s technique as a composer with harmony, counterpoint, and structure.They certainly have the time length and the variety of full scale sonatas, but here Giuliani has chosen to use the supporting structures of sonatas met in movements other than the first, such as Menuetto and Trio, Rondo, Marcia and Trio, Scherzo and Trio, etc,  rather than sonata form itself.As it stands, this first sonatina in C has the following three movements:1 Maestoso (Moderato) which is a set of a theme and three variations, or better termed as a set of mathematical divisions reminiscent of an earlier era, as the accompaniment of the theme is given in crotchets, quavers, quaver triplets, and semi-quavers.2 Menuetto-Trio-Menuetto da capo written typically in the subdominant key of F and fully developed as per classical 19th century usage.3 Rondo. This movement is also written in a classical rondo style and form as an A-B-A-C-B-A-codetta  structure, with a typical tonal scheme of A in the tonic Key (C), B in the dominant key (G), and C in the relative minor key (Am).Therefore in this work we do not meet with structural innovations of any kind, but with strong affirmation of already existing and well established early 19th century structural norms, but the beautiful personal melodic and harmonic style of Giuliani and even his routine guitaristic nuances and formulas are present in all three movements and can be enjoyed as always.TECHNICALThis publication keeps each separate movement within the limit of two pages, thus avoiding page turns. It is published with two versions of the same pieces given in undecorated and decorated pages for the user to select which version he prefers to print out. Blank pages have been provided for insertion/deletion for the correct placement of left-right hand pages.Metronome marks are only editorial suggestions that need not be taken too literally.Sibelius Mp3 archive has been extracted for this publication using Note Performer playback engine.Socrates ArvanitakisLondon 2024.
$6.00 ≈
¥42.11
Piano Concerto No. 1 - SECOND movement [score and parts]
Piano Concerto No. 1 - SECOND movement [score and parts]
#
Chamber Orchestra
#
INTERMEDIATE
#
Juan MarÃa Solare
#
Juan MarÃa Solare
#
Piano Concerto No. 1 - SECOND
#
Juan Maria Solare
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th C...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00 ≈
¥231.61
Piano Concerto No. 1 - FIRST movement [score and parts]
Piano Concerto No. 1 - FIRST movement [score and parts]
#
Chamber Orchestra
#
INTERMEDIATE
#
Juan MarÃa Solare
#
Piano Concerto No. 1 - FIRST m
#
Juan Maria Solare
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Sco...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00 ≈
¥231.61
Piano Concerto No. 1 - THIRD movement [score and parts]
Piano Concerto No. 1 - THIRD movement [score and parts]
#
Chamber Orchestra
#
INTERMEDIATE
#
Contemporary
#
Juan MarÃa Solare
#
Piano Concerto No. 1 - THIRD m
#
Juan Maria Solare
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00 ≈
¥231.61
Blues and Ballads Suite #1 for 8 Horns
Blues and Ballads Suite #1 for 8 Horns
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Brass ensemble
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INTERMEDIATE
#
John D
#
Nathan Lee
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Blues and Ballads Suite #1 for
#
Trombacor Music
#
SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.931692 Composed by John D. Swan. Arranged by Nathan Lee. Blues,Concert,Jazz,Latin. Score and parts. 6...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.931692 Composed by John D. Swan. Arranged by Nathan Lee. Blues,Concert,Jazz,Latin. Score and parts. 66 pages. Trombacor Music #6078865. Published by Trombacor Music (A0.931692). Blues and Ballads Suite #1 is the Suite originally published as Blues and Ballads for 8 Horns by Trombacor Music in 1986. This is the entire suite of all 3 movements, which are also available individually.Composed by John D. Swan, this is a new version that is edited and transcribed in Sibelius notation software by Nathan Lee.The three movements are Wholly Carbuncle, Slow Bean, and Cosi's Waltz. Please see the individual listings for a sample performance of each movement. Only the Wholly Carbuncle sample is included here.Arranged here for 8 Horns in F, it's a fun play for a horn choir. It can also be used in a Conference setting for a massed horn choir. This entire Suite is about 8:30 minutes long in performance. It can be performed at the high school and anything higher level.Each individual movement may be purchased separately. Search for them by the titles of the movements above.Thanks for purchasing from Trombacor Music. Have fun with your music!
$58.95 ≈
¥413.74
Arpeggio Suite #1 for Piano Solo
Arpeggio Suite #1 for Piano Solo
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Piano solo
#
INTERMEDIATE
#
Contemporary
#
Brett Carrington
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Arpeggio Suite #1 for Piano So
#
Brett Carrington
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1033021 Composed by Brett Carrington. 20th Century,Contemporary. Score. 7 pages. Brett Carrington #599974...
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Piano Solo - Level 3 - Digital Download SKU: A0.1033021 Composed by Brett Carrington. 20th Century,Contemporary. Score. 7 pages. Brett Carrington #5999749. Published by Brett Carrington (A0.1033021). A beautiful three part suite for piano solo. The three movements are:1. Seldom Seen2. Unspoken Request3. With Me.
$4.99 ≈
¥35.02
Three Romances Without Words for Euphonium & Piano
Three Romances Without Words for Euphonium & Piano
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Euphonium, Piano (duet)
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INTERMEDIATE
#
Classical
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Charles Francois Gounod
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Sauer, Ralph
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Three Romances Without Words f
#
Gordon Cherry
#
SheetMusicPlus
Euphonium,Piano - Level 3 - Digital Download SKU: A0.792377 Composed by Charles Francois Gounod. Arranged by Sauer, Ralph. 20th Century,Classical,Romanti...
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.792377 Composed by Charles Francois Gounod. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Period. Score and part. 16 pages. Gordon Cherry #4820051. Published by Gordon Cherry (A0.792377). Gounod's Three Romances Without Words arranged by Ralph Sauer are taken from a group of five similarly named Romances Without Words originally composed for Piano solo between 1861 and 1866. Four of them were later arranged for Violin and Piano. The three movements are titled: 1. The Periwinkle (La Pervenche) 2. The Brook (Le Ruisseau) 3. The Evening (Le Soir) The three movements (all in bass clef) are very lyrical, about 8 minutes in length, and are perfect for intermediate and higher level performers to begin to learn the finer points of phrasing. The highest note is G above middle C.
$15.00 ≈
¥105.28
Three Romances Without Words for Trombone & Piano
Three Romances Without Words for Trombone & Piano
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Trombone and Piano
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INTERMEDIATE
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Classical
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Charles Francois Gounod
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Sauer, Ralph
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Three Romances Without Words f
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 3 - Digital Download SKU: A0.792378 Composed by Charles Francois Gounod. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic...
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Piano,Trombone - Level 3 - Digital Download SKU: A0.792378 Composed by Charles Francois Gounod. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Period. Score and part. 12 pages. Gordon Cherry #4820053. Published by Gordon Cherry (A0.792378). Gounod's Three Romances Without Words arranged by Ralph Sauer are taken from a group of five similarly named Romances Without Words originally composed for Piano solo between 1861 and 1866. Four of them were later arranged for Violin and Piano. The three movements are titled: 1. The Periwinkle (La Pervenche) 2. The Brook (Le Ruisseau) 3. The Evening (Le Soir) The three movements (all in bass clef) are very lyrical, about 8 minutes in length, and are perfect for intermediate and higher level performers to begin to learn the finer points of phrasing. The highest note is G above middle C.
$15.00 ≈
¥105.28
The Time Machine (Excerpts), an Accompanied Reading
The Time Machine (Excerpts), an Accompanied Reading
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Contemporary
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Paul Burnell
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The Time Machine
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Paul Burnell
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SheetMusicPlus
Small Ensemble Cello,Flute,Guitar,Handbell,Multi-Percussion,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.835782 Composed by Paul Burnell. Cont...
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Small Ensemble Cello,Flute,Guitar,Handbell,Multi-Percussion,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.835782 Composed by Paul Burnell. Contemporary. Score and parts. 88 pages. Paul Burnell #3222659. Published by Paul Burnell (A0.835782). Composed 2017. One of a series of fourteen accompaniments to texts published between the years 1886 and 1899. Duration 30:00 For narrator and ensemble Text from the novella by H.G. Wells (1866 - 1946) published in 1895 The subtitles for each of the six movements are: Part 1 - the Model Part 2 - the Journey Part 3 - the Eloi Part 4 - the Morlocks Part 5 - the Eclipse Part 6 - the Ghost 'The Time Machine' is a science fiction novel by Herbert George Wells, published in 1895. H. G. Wells is commonly credited with the popularisation of the concept of time travel - using a vehicle that allows an operator to travel intentionally and selectively backwards or forwards in time. Ensemble instrumentation: Keyboard(s) - accordion, organ, glass harmonica, vibraphone, piano, toy piano, etc. Flute or tenor/bass recorder Violin or viola or violincello. Wine glass 1 tuned to Bb Wine glass 2 tuned to C - ideally a minor seventh below wine glass 1 Handbells, three players using bows and beaters: Voice or guitar (acoustic, electric or bass guitar) Percussion - Suspended cymbal, low drum(s), whirly tube(s), ‘found’ resonant instruments, plastic bag(s), singing bowl, guiro(s) There is no overall score. Performers (except percussion) play from a series of graphic scores. The percussion parts are written in more traditional notation. It is not necessary for the ensemble to contain all the instruments. If all instruments are available then the ensemble may vary the instrumentation, or omit instruments, for each of the movements, or within movements. The dynamic balance between players should be sympathetic to the forces available. This may mean, for example, that an accordion is muted or sited away from the other players. Effects such as reverberation or distortion may be applied to the instrumental sounds. Variety of expression is encouraged. The narrator’s text readings must each have a duration of under five minutes.For each of the six movements the ensemble begins playing one minute after the speaker. It is allowed for the movements to be performed as single pieces, and without the narration.
$7.95 ≈
¥55.80
An Adagio Suite, in Three Movements for Small Orchestra, Solo Voices, SATB Chorus(or Various Combina
An Adagio Suite, in Three Movements for Small Orchestra, Solo Voices, SATB Chorus(or Various Combina
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Choral SATB
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INTERMEDIATE
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James Nathaniel Holland
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An Adagio Suite, in Three Move
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James Nathaniel Holland
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.730393 Composed by James Nathaniel Holland. Contemporary,Sacred,Wedding. Octavo. 92 pages. James...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.730393 Composed by James Nathaniel Holland. Contemporary,Sacred,Wedding. Octavo. 92 pages. James Nathaniel Holland #3075871. Published by James Nathaniel Holland (A0.730393). New and original music by 21st century, American Costa Rican composer James Nathaniel Holland. This extremely versatile publication of a score and set of parts is a great addition to any orchestral or choral music library: either school, church, or community orchestra. Excellent for young musicians or intermediate-level volunteers, for the beginning conductor, but full of meaning for the professional orchestra as well.YouTube video presentation:https://youtu.be/WonTmPLYP1gThese three beautiful Adagios are adapted from JN Holland's ballet, The Wind in the Willows Perform together for concert or as stand alone pieces. They are perfect for weddings, funerals, graduations, or any solemn occasions. Texts are non-religious, but express universal sentiments of one's helping others, healing, and impermanence. Complete, intended orchestration for: fl, ob, cl Bb, bsn, hrn, hrp, SATB choir, strings Use as optional accompaniment for solos, or SATB choir. (Vocal parts included.) Adagio No. 1 My Salvation (or if If I've done one bit of good, that is my salvation) text by JN HollandAdagio No. 2 The Healing Power (aka Forget) Text by Kenneth GrahameAdagio No. 3 All Are PassersbyMix, omit and match combinations of available instruments of your group. Such as:Strings, woodwind quintet, harp (or piano), soloists and/or chorus. (omissions and combinations thereof, except the essential string section) String orchestra onlyTripled Strings players with woodwind quintetStrings, woodwind quintetIncluded are substitution parts in key of C for the parts of Clarinet in Bb and Horn in F (if those instruments are not available).Add one trumpet, or trombone, etc. etc.(Complete duration: 20 minutes)Composer website: http://lacoronadelossantos.net/jamesnathanielholland.html
$20.95 ≈
¥147.04
Viennese Sonatina No. 1, K. 439b for Woodwind Quintet
Viennese Sonatina No. 1, K. 439b for Woodwind Quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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Classical
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Wolfgang Amadeus Mozart
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Ted R
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Viennese Sonatina No. 1, K. 43
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Ted R. Marcus
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1144851 Composed by Wolfgang Amadeus Mozart. Arr...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1144851 Composed by Wolfgang Amadeus Mozart. Arranged by Ted R. Marcus. Chamber,Classical,Contest,Festival. 37 pages. Ted R. Marcus #745168. Published by Ted R. Marcus (A0.1144851). The Viennese Sonatinas for piano are based on divertimento movements Mozart originally wrote for three basset horns. This arrangement of Viennese Sonatina No. 1 returns the work to its woodwind origins, and takes full advantage of the quintet's variety of colors. It's an Intermediate-level piece suitable for high school, college, and adult players. The four movements are 1. Allegro brillante, 2. Minuet, 3. Interlude (adagio), and 4. Rondo spiritoso-- all tuneful little examples of Mozart's artistry. Appropriate for any concert program, this arrangement will delight players and audiences alike! Duration: approx. 8:45Please visit my Web site to explore more classics for adventurous woodwind quintets.
$18.00 ≈
¥126.33
BOISMORTIER LA MATIGNON OPUS 33 No. 1 for flute, oboe & bassoon or cello
BOISMORTIER LA MATIGNON OPUS 33 No. 1 for flute, oboe & bassoon or cello
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Joseph Bodin De Boismortier
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Edited & arranged by Pat Spenc
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BOISMORTIER LA MATIGNON OPUS 3
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Piper Publications
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SheetMusicPlus
Small Ensemble Bassoon,Cello,Flute,Oboe - Level 3 - Digital Download SKU: A0.811781 Composed by Joseph Bodin De Boismortier (1689 - 1755). Arranged by Ed...
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Small Ensemble Bassoon,Cello,Flute,Oboe - Level 3 - Digital Download SKU: A0.811781 Composed by Joseph Bodin De Boismortier (1689 - 1755). Arranged by Edited & arranged by Pat Spence. Baroque,Concert,Graduation,Instructional. Score and parts. 24 pages. Piper Publications #6290969. Published by Piper Publications (A0.811781). This is the first of a set of ‘ SIX GENTILLESSES EN TROIS PARTIES’ for musette (a type of bagpipe), viele (an early violin) and a bass instrument (probably a cello) published by Boivin in Paris in 1731 and described as also playable on recorder, transverse flute, oboe or violin. Of course all the parts could be doubled (good for sales) and the instructions ‘tous’ for all players and ‘seul’ when only one should play would come in useful. Boismortier became very wealthy from sales of his music. The three movements, Gayment, Gracieusement & Gayment are for three independent players of intermediate standard and above. This arrangement for flute, oboe and bassoon or cello has been lightly edited. All edits are shown in parentheses ( ) or dashed lines. The original two top parts have been set in the modern treble clef. The Boivin edition used the old violin clef. The edition also had no dynamic markings as the musette was not capable of dynamic variation. Generally the sections marked ‘tous’ should be louder than those marked ‘seul’ but, since dynamics are so much a matter of personal taste, I have left these to the performers’ discretion.
$12.00 ≈
¥84.22
Red River: September 1, 2017
Red River: September 1, 2017
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Contemporary
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Lon W
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Red River: September 1, 2017
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LCS Productions
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SheetMusicPlus
Instrumental Duet,Piano Flute,Horn,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.485183 Composed by Lon W. Chaffin. Classical,Contemporary...
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Instrumental Duet,Piano Flute,Horn,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.485183 Composed by Lon W. Chaffin. Classical,Contemporary. Score and parts. 37 pages. LCS Productions #104151. Published by LCS Productions (A0.485183). A lyric, programmatic piece for flute, horn, and piano. The three movements are based on three times of day from September 1, 2017 in Red River, New Mexico -- Sunrise, Midday, and Sunset.
$21.99 ≈
¥154.34
American Songs: 1. A Way of Talking To A Dog That You Don't Know (Downloadable)
American Songs: 1. A Way of Talking To A Dog That You Don't Know (Downloadable)
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Steven Sametz
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American Songs: 1. A Way of Ta
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Baritone voice solo, SATB choir, and piano or orchestra - Medium - Digital Download SKU: MQ.7154-1E Composed by Steven Sametz. Secular, 21st century. 10 ...
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Baritone voice solo, SATB choir, and piano or orchestra - Medium - Digital Download SKU: MQ.7154-1E Composed by Steven Sametz. Secular, 21st century. 10 pages. E. C. Schirmer Music Company - Digital #7154-1E. Published by E. C. Schirmer Music Company - Digital (MQ.7154-1E). UPC: 600313471544. English.Set to poetry by Jeremy Driscoll and Peter Elliot, this song cycle is both whimsical and tender. The three movements are titled, A Way of Talking To A Dog That You Don't Know, Blood Love, and At Being Buried, My Surprise. It can be performed with piano or with orchestra (2.2.2.2/2.2.1.1./Percussion (3 players,) Harp, Piano/Celesta and Strings.) The SATB chorus (preferably offstage) appears in No. 3 only. Duration: 26 min.
$4.50 ≈
¥31.58
BOISMORTIER SONATA IN G MINOR OPUS 34 No. 1 FOR FLUTE, OBOE, CLARINET & BASSOON
BOISMORTIER SONATA IN G MINOR OPUS 34 No. 1 FOR FLUTE, OBOE, CLARINET & BASSOON
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Flute, Oboe, Clarinet, Bassoon
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INTERMEDIATE
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Joseph Bodin De Boismortier
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Pat Spence
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BOISMORTIER SONATA IN G MINOR
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Piper Publications
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.811702 Composed by Joseph Bodin De Boismortier (1689 ...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.811702 Composed by Joseph Bodin De Boismortier (1689 - 1755). Arranged by Pat Spence. Baroque,Concert,Standards. 28 pages. Piper Publications #4320129. Published by Piper Publications (A0.811702). The first of six sonatas for four equal players published ‘avec Privilege du Roi’ in Paris in 1731. They were published as a set of parts for three transverse flutes or violins or other instruments ‘avec la Basse’. There are four movements, all in G minor, Adagio, Presto, Adagio & Allegro. The only dynamic marking is the ‘Piano’ marked at the end of the last movement. The ornaments - trills, mordants & grace notes - are all carefully included and further decoration of the parts was not expected in French music of this period unlike in Italian music. However, more experienced players should feel free to add a little more decoration at the final cadences of the slow movements. None of the movements have repeated sections and it is clear from the flow of the music that this is not an omission. Missing slurs have been added (dashed lines) along with a few phrasing suggestions. The arrangement includes a clarinet which would not have been available until over 30 years after publication but this arrangement is most likely to be played on modern instruments so it gives a modern woodwind quartet the opportunity to play music of this period in the appropriate style. Players of intermediate ability will enjoy this piece.
$15.00 ≈
¥105.28
The Strong
The Strong
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Concert band
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INTERMEDIATE
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Film/TV
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Ennio Morricone
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Lorenzo Bocci
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The Strong
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Lorenzo Bocci
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1414218 Composed by Ennio Morricone. Arranged by Lorenzo Bocci. Contemporary,Film/TV. 62 pages. Lorenzo...
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Concert Band - Level 3 - Digital Download SKU: A0.1414218 Composed by Ennio Morricone. Arranged by Lorenzo Bocci. Contemporary,Film/TV. 62 pages. Lorenzo Bocci #995989. Published by Lorenzo Bocci (A0.1414218). IL FORTE (The Strong) - From The Good, The Bad And The Uglyfor Concert Band (with Fanfare Band parts) - Grade 3 - Digital Download Composed by Ennio Morricone. Arranged by Lorenzo Bocci. Film/TV. Concert Band - Blasorchester - Harmonie. With Choir (SATB). Score and parts. With Fanfare Band parts. Duration 2'12''. Published by Lorenzo Bocci.Create The Good, The Bad And The Ugly Suite (Il buono, il brutto e il cattivo Suite) with:- Titoli - YouTube ScorePlay - Sheet Music Direct - Sheet Music Plus- Il Forte (The Strong)- The Ecstasy Of Gold - YouTube ScorePlay - Sheet Music PlusInstrumentation:Full Score, Bb Solo Trumpet, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, 4, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Double Bass, Timpani, Snare Drum, Percussion (Tam Tam, Bass Drum), Choir (SATB).Additional Parts:Bb Soprano Saxophone (CB, FA), Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Fanfare Band Parts:Eb Cornet, Bb Flugelhorn 1, 2, 3.The Good, the Bad and the Ugly (Il buono, il brutto e il cattivo) is a 1966 Italian epic spaghetti Western film directed by Sergio Leone and starring Clint Eastwood as the Good, Lee Van Cleef as the Bad, and Eli Wallach as the Ugly. The Good, the Bad and the Ugly was marketed as the third and final installment in the Dollars Trilogy, following A Fistful of Dollars and For a Few Dollars More. The score is composed by frequent Leone collaborator Ennio Morricone. The Good, the Bad and the Ugly broke previous conventions on how the two had previously collaborated. Instead of scoring the film in the post-production stage, they decided to work on the themes together before shooting had started, this was so that the music helped inspire the film instead of the film inspiring the music. Leone even played the music on set and coordinated camera movements to match the music. The main theme, resembling the howling of a coyote, is a two-pitch melody that is a frequent motif, and is used for the three main characters. The main theme, The Good, the Bad and the Ugly, was a hit in 1968 with the soundtrack album on the charts for more than a year.Subscribe to my YouTube Channel to stay updated on new releases.
$89.00 ≈
¥624.65
HOTTETERRE: TRIO SONATA IN G MINOR OPUS 3 No. 1 for flute, oboe & clarinet
HOTTETERRE: TRIO SONATA IN G MINOR OPUS 3 No. 1 for flute, oboe & clarinet
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Flute, Oboe, Clarinet (trio)
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INTERMEDIATE
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Jacqes Hotteterre
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Pat pence
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clarinet in Bb
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HOTTETERRE: TRIO SONATA IN G M
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Piper Publications
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.811821 Composed by Jacqes Hotteterre (1673 - 1763). Arranged by ...
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Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.811821 Composed by Jacqes Hotteterre (1673 - 1763). Arranged by Pat pence. Baroque,Concert,Graduation,Holiday,Standards. 24 pages. Piper Publications #6615111. Published by Piper Publications (A0.811821). This Trio Sonata is the first of a set of six published in Paris in 1712 for pairs of ‘flûtes traversieres, flûtes a bec, violons, hautbois, &c.’ with continuo by Mr. Hotteterre, Flûte de la Chambre du Roy. They were dedicated to the Duke of Orleans and published ‘avec privilege du Roy.’ The first Sonata has been edited and arranged for flute, oboe & clarinet in Bb. The four movements, Prelude, Fugue, Grave and Gigue, are in the Baroque style with the interest equally shared between the three parts. Dynamics in the 1712 edition are French - doux and fort. These have been standardised as p & f. The top parts were printed in the soprano clef - with g on the bottom line as was common in France at the time. Amusingly this led to some modern ill informed speculation about flutes of the period being expected to play low bs! In this edition all edits are shown using parentheses ( ) or dashed lines. The Trio is suitable for players of intermediate standard and above and provides repertoire in the French Baroque style for an ensemble of players just a few years beyond the reach of Hotteterre.
$10.00 ≈
¥70.18
Suite No. 1 for Flute, Violx and Harp - Dance
Suite No. 1 for Flute, Violx and Harp - Dance
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Contemporary
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Dana Taylor
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Suite No. 1 for Flute, Violx a
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Dana Taylor Music
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SheetMusicPlus
Small Ensemble Flute,Harp,Viola,Violin - Level 3 - Digital Download SKU: A0.987750 Composed by Dana Taylor. Contemporary. Score and parts. 23 pages. Dana...
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Small Ensemble Flute,Harp,Viola,Violin - Level 3 - Digital Download SKU: A0.987750 Composed by Dana Taylor. Contemporary. Score and parts. 23 pages. Dana Taylor Music #3053149. Published by Dana Taylor Music (A0.987750). This is the first of three movements: Dance, Tango and Minuet and Duo. They are each about 2 and a half minutes long.So they would make a very enjoyable interlude in your concert, or a challenging and rewarding project for an unusual trio.They are intended for advanced high school or college level musicians, or the equivalent community orchestra members.The Dance is in 6/8 time, with a light bounce. There are hints of jazz throughout. (The mp3 uses viola. I have an mp3 with violin. Ask me at Dana@danataylormusic.com) Check out my other works here at SMP, and my website, DanaTaylorMusic.com.Performance Notes:1. Choose either violin or viola, but not both.The piece was written for Flute, Violin and Harp players. However, they didn't play it and I like thelower viola voice better anyway. So take your choice. But remember, Balance Is Everything.2. All three movements are dances. They should sound like it.Even better, they should be played for dancers.(Let me know if you have balanced one or more dancers with three musicians on the same stage.I would love to see a video.2017 Chamber Music Contest Entry - Original
$15.00 ≈
¥105.28
Acute Suite No. 1
Acute Suite No. 1
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Contemporary
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Paul Burnell
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Acute Suite No. 1
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Paul Burnell
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SheetMusicPlus
Small Ensemble - Level 3 - Digital Download SKU: A0.835751 Composed by Paul Burnell. Contemporary. Score and parts. 132 pages. Paul Burnell #3012341. Pub...
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Small Ensemble - Level 3 - Digital Download SKU: A0.835751 Composed by Paul Burnell. Contemporary. Score and parts. 132 pages. Paul Burnell #3012341. Published by Paul Burnell (A0.835751). Includes score and parts in various transpositions. For ensemble in four parts with optional percussion, optional keyboard and optional bass.Like many of Burnell's compositions this piece is suitable for homogeneous ensembles and also for mixed ensembles comprising atypical instrumental combinations or numbers of instruments.The instrumentation is not specified. The score shows clefs for parts 1-4 as if written for a string ensemble but other instrument combinations are possible. Parts are available in a variety of transpositions and clefs. Players may change parts between movements or, where a movement or section is out of range, they may be tacet. The keyboard may be a piano, or any other keyboard instrument such as harpsichord, toy piano, electric piano etc. adapting the playing style to interpret dynamics or note durations where these are otherwise not possible to achieve. The movement titles may suggest possible instrumentations. Movement I, Highlighting. Duration 3:20 approx Movement II, Swirling. Duration is 3:30 with Dal Segno repeat, 2:00 without the repeat Movement III, Lowering. Duration 5:00 approx. Movement IV, Flickering. Duration 1:30 approx.Programme Note:The movements that comprise the three Acute Suites were composed between 2010 and 2016 and each may be performed by a range of different instruments. The use of the word 'acute' refers to the relatively high pitch of the instrumental parts. Acute Suite No. 1 is for flexibly scored ensemble in four parts with optional percussion, optional keyboard and optional bass. The movement titles of the first suite – ‘Highlighting’, ‘Swirling’, ‘Lowering’ and ‘Flickering’ - reflect the characters of the movements.
$3.99 ≈
¥28.00
Suite No. 1 for Flute, Violx and Harp - Minuet and Duo
Suite No. 1 for Flute, Violx and Harp - Minuet and Duo
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Contemporary
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Dana Taylor
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Suite No. 1 for Flute, Violx a
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Dana Taylor Music
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SheetMusicPlus
Small Ensemble Flute,Harp,Viola,Violin - Level 3 - Digital Download SKU: A0.987749 Composed by Dana Taylor. Contemporary. Score and parts. 20 pages. Dana...
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Small Ensemble Flute,Harp,Viola,Violin - Level 3 - Digital Download SKU: A0.987749 Composed by Dana Taylor. Contemporary. Score and parts. 20 pages. Dana Taylor Music #3053973. Published by Dana Taylor Music (A0.987749). This is the third of three movements: Dance, Tango and Minuet and Duo. They are each about 2 and a half minutes long.So they would make a very enjoyable interlude in your concert, or a challenging and rewarding project for an unusual trio.They are intended for advanced high school or college level musicians, or the equivalent community orchestra members.The Minuet is a classical waltz. The Duo refers to a trio minus one instrument.. (The mp3 uses viola. I have an mp3 with violin. Ask me at Dana@danataylormusic.com) Check out my other works here at SMP, and my website, DanaTaylorMusic.com.Performance Notes:1. Choose either violin or viola, but not both.The piece was written for Flute, Violin and Harp players. However, they didn't play it and I like thelower viola voice better anyway. So take your choice. But remember, Balance Is Everything.2. All three movements are dances. They should sound like it.Even better, they should be played for dancers.(Let me know if you have balanced one or more dancers with three musicians on the same stage.I would love to see a video.)2017 Chamber Music Contest Entry - Original
$15.00 ≈
¥105.28
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The three movements are 1
