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century Medieval
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Sheetmusic to print
143 sheet music found
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The Fiendly Beasts (A Medieval Christmas Carol) - Concert Band Score and Parts PDF
The Fiendly Beasts (A Medieval Christmas Carol) - Concert Band Score and Parts PDF
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Concert band
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INTERMEDIATE
#
Christmas
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Traditional 12th Century Engli
#
Brendan Elliget MAGA 537
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The Fiendly Beasts
#
BJE Music
#
SheetMusicPlus
Small Ensemble Harp,Piano - Level 3 - Digital Download SKU: A0.750981 Composed by Traditional 12th Century English Carol. Arranged by Brendan Elliget MAG...
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Small Ensemble Harp,Piano - Level 3 - Digital Download SKU: A0.750981 Composed by Traditional 12th Century English Carol. Arranged by Brendan Elliget MAGA 537. Christmas. Score and parts. 41 pages. BJE Music #5884151. Published by BJE Music (A0.750981). The Friendly Beasts is a traditional Medieval Christmas song about the gifts that a donkey, cow, sheep, camel, and dove give to Jesus at the Nativity. The song seems to have originated in 12th-century France, set to the melody of the Latin song Orientis Partibus. The current English words were written by Robert Davis (1881-1950) in the 1920s.[2] The song is also known as The Song of the Ass, The Donkey Carol, The Animal Carol, and The Gift of the Animals. [Wikipedia]This arrangement is for Concert Band with Optional Harp and Piano parts (Not on the score). There are two different Descant parts for Solo Trumpet in the 4th and 5th Verses.The MP3 was recorded with NotePerformer 3.Grade = 3 Duration = 3 mins
$25.00 ≈
22.64€
O Ignee Spiritus: 12th Century Hymn for the Piano
O Ignee Spiritus: 12th Century Hymn for the Piano
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Piano, Vocal and Guitar
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INTERMEDIATE
#
Hildegard Von Bingen
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Sarah Berry
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O Ignee Spiritus: 12th Century
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Sarah Berry
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.902001 Composed by Hildegard Von Bingen. Arranged by Sarah Berry. A Cappella,Classical,Conc...
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.902001 Composed by Hildegard Von Bingen. Arranged by Sarah Berry. A Cappella,Classical,Concert,Sacred,World. Score. 3 pages. Sarah Berry #5010121. Published by Sarah Berry (A0.902001). This beautiful medieval chant, O Ignee Spiritus, was written in the 12th century to be sung a capella. The Latin lyrics are sung in unison using extensive melisma, carrying a single syllable over many different notes. This arrangement is a faithful transcription of the original melody and otherwordly mood, but has been made accessible and enjoyable to play as a solo on the piano.
$3.99 ≈
3.61€
Guthrie: Neomedieval Suite for 2 Bassoons & Contrabassoon
Guthrie: Neomedieval Suite for 2 Bassoons & Contrabassoon
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James M
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Guthrie: Neomedieval Suite for
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jmsgu3
#
SheetMusicPlus
Small Ensemble Contrabassoon - Level 3 - Digital Download SKU: A0.548881 Composed by James M. Guthrie, ASCAP. 20th Century,Contemporary,Easter,Instructio...
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Small Ensemble Contrabassoon - Level 3 - Digital Download SKU: A0.548881 Composed by James M. Guthrie, ASCAP. 20th Century,Contemporary,Easter,Instructional. Score and parts. 21 pages. Jmsgu3 #3430769. Published by jmsgu3 (A0.548881). Neomedieval Suite - Duration: 11:43 Score: 10 pages, parts: 3 pages, 113 measures. In 5 movements.
$32.95 ≈
29.84€
Guthrie: Neomedieval Suite for 2 Flutes & Bass Flute
Guthrie: Neomedieval Suite for 2 Flutes & Bass Flute
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2 Flutes (duet)
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INTERMEDIATE
#
James M
#
Guthrie: Neomedieval Suite for
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.548882 Composed by James M. Guthrie, ASCAP. 20th Century,Contemporary,Easter,Instructional. ...
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.548882 Composed by James M. Guthrie, ASCAP. 20th Century,Contemporary,Easter,Instructional. 19 pages. Jmsgu3 #3430771. Published by jmsgu3 (A0.548882). Neomedieval Suite - Duration: 11:43 Score: 10 pages, parts: 3 pages, 113 measures. In 5 movements.
$32.95 ≈
29.84€
Guthrie: Neomedieval Suite for 2 Violas & Cello
Guthrie: Neomedieval Suite for 2 Violas & Cello
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String Trio: violin, viola, cello
#
INTERMEDIATE
#
James M
#
Guthrie: Neomedieval Suite for
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jmsgu3
#
SheetMusicPlus
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.548883 Composed by James M. Guthrie, ASCAP. 20th Century,Contemporary,Easter,Instruction...
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.548883 Composed by James M. Guthrie, ASCAP. 20th Century,Contemporary,Easter,Instructional. Score and parts. 19 pages. Jmsgu3 #3430773. Published by jmsgu3 (A0.548883). Neomedieval Suite - Duration: 11:43 Score: 10 pages, parts: 3 pages, 113 measures. In 5 movements.
$32.95 ≈
29.84€
Guthrie: Neomedieval Suite for Flute, Oboe & Bassoon
Guthrie: Neomedieval Suite for Flute, Oboe & Bassoon
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James M
#
Guthrie: Neomedieval Suite for
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Trio - Level 3 - Digital Download SKU: A0.548887 Composed by James M. Guthrie, ASCAP. 20th Century,Contemporary,Easter,Instruc...
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Woodwind Ensemble,Woodwind Trio - Level 3 - Digital Download SKU: A0.548887 Composed by James M. Guthrie, ASCAP. 20th Century,Contemporary,Easter,Instructional. 19 pages. Jmsgu3 #3430783. Published by jmsgu3 (A0.548887). Neomedieval Suite - Duration: 11:43 Score: 10 pages, parts: 3 pages, 113 measures. In 5 movements.
$32.95 ≈
29.84€
Guthrie: Neomedieval Suite for Flute, Oboe & Alto Clarinet
Guthrie: Neomedieval Suite for Flute, Oboe & Alto Clarinet
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James M
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Guthrie: Neomedieval Suite for
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Trio - Level 3 - Digital Download SKU: A0.548886 Composed by James M. Guthrie, ASCAP. 20th Century,Contemporary,Easter,Instruc...
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Woodwind Ensemble,Woodwind Trio - Level 3 - Digital Download SKU: A0.548886 Composed by James M. Guthrie, ASCAP. 20th Century,Contemporary,Easter,Instructional. 19 pages. Jmsgu3 #3430781. Published by jmsgu3 (A0.548886). Neomedieval Suite - Duration: 11:43 Score: 10 pages, parts: 3 pages, 113 measures. In 5 movements.
$32.95 ≈
29.84€
Guthrie: Neomedieval Suite for String Trio
Guthrie: Neomedieval Suite for String Trio
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String Trio: violin, viola, cello
#
INTERMEDIATE
#
James M
#
Guthrie: Neomedieval Suite for
#
jmsgu3
#
SheetMusicPlus
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.548890 Composed by James M. Guthrie, ASCAP. 20th Century,Contemporary,Easter,Instruction...
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.548890 Composed by James M. Guthrie, ASCAP. 20th Century,Contemporary,Easter,Instructional. Score and parts. 19 pages. Jmsgu3 #3430793. Published by jmsgu3 (A0.548890). Neomedieval Suite - Duration: 11:43 Score: 10 pages, parts: 3 pages, 113 measures. In 5 movements.
$32.95 ≈
29.84€
16th Century Motets and Anthems Arranged for Strings
16th Century Motets and Anthems Arranged for Strings
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Renaissance
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Many
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Curtis Hanson
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#
16th Century Motets and Anthem
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Curtis Hanson
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SheetMusicPlus
String Ensemble - Level 3 - Digital Download SKU: A0.719745 Composed by Many. Arranged by Curtis Hanson. Renaissance. Score and parts. 49 pages. Curtis H...
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String Ensemble - Level 3 - Digital Download SKU: A0.719745 Composed by Many. Arranged by Curtis Hanson. Renaissance. Score and parts. 49 pages. Curtis Hanson #4839405. Published by Curtis Hanson (A0.719745). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what you’re looking for. For the choral musician, the a capella motets of the late Medieval and Renaissance periods, some well-known and others less so, comprise some of the richest and most beautiful works of choral literature. Unless otherwise indicated, the pieces in this collection are arranged for a standard string quartet of 2 violins, viola, and cello, instruments most closely able to mimic the inflections of the human voice. The intent of these arrangements is to enable the string musician to experience a genre perhaps less familiar, from the relatively simple yet sublime homophonic piece, to the varying degrees of rhythmic complexity of polyphonic works and their juxtaposed interplay of duple and triple rhythmic figures. With the purchase of this collection, permission is granted to photocopy parts as needed. Vocal breath marks (‘) above the staff are meant to serve as guides in phrasing. In keeping with the period, no dynamics are indicated, and tempo markings and slurs are only suggestions. The performer is free to interpret as desired. The audio example is of the first piece in the collection.
$24.99 ≈
22.63€
Reverie on 'Fumeux Fume par fumée' after Solage
Reverie on 'Fumeux Fume par fumée' after Solage
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Franklin Stover
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Reverie on 'Fumeux Fume par fu
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Edition Hohenstaufen
#
SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1444646 Composed by Franklin Stover. 20th Century,21st Century,Medieval. 54...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1444646 Composed by Franklin Stover. 20th Century,21st Century,Medieval. 54 pages. Edition Hohenstaufen #1024536. Published by Edition Hohenstaufen (A0.1444646). This partly derivative work was written in 2024 and centers around Fumeux Fume par fumée, a secular song praising smoking, is a product of the Ars Subtillior school in France, the so-called 'avant-garde' of the 14th century. The composers of this time and place using neume notation witnessed and survived the Black Plague. In Fumeux, Jean Solage (c.1350-c.1403) experimented with different combinations of hexachords approved by the Church since the days of Guido van Arezzo (11th century). Using Fumeux as the basis of my composition, my idea was to alternate the tune with a complimentary contrapuntal responsive of my own making.
$6.00 ≈
5.43€
O Come, Emmanuel - jazz flute and euphonium/baritone horn
O Come, Emmanuel - jazz flute and euphonium/baritone horn
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Phil Beaman
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O Come, Emmanuel - jazz flute
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Phil Beaman
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SheetMusicPlus
Euphonium,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.1350505 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 5 ...
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Euphonium,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.1350505 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 5 pages. Phil Beaman #935316. Published by Phil Beaman (A0.1350505). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel. Â I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody. Â The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line. Â I have altered the melody, part 1, and moved much of it to the off beats. Â As in period early music, I allow occassional dissonances in order to keep the ostinato. Â This piece makes a wonderfully useful and unique addition to the season's repertoire. Â (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.) Â (Also as a piano solo.)range - part 1 melody - 10th, 3rd space C to high E; part 2 walking bass line, octave and a half, bass clef low A to D above middle C2 pages score, 1 page @ part, Â 2:05 minutes.
$4.99 ≈
4.52€
Anima Christi
Anima Christi
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Choral 3-part
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INTERMEDIATE
#
Carol Troutman Wiggins
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Anima Christi
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Carol Troutman Wiggins
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SheetMusicPlus
Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.727091 Composed by Carol Troutman Wiggins. Contemporary,Early Music,Latin,Religious,Sacred. Octav...
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Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.727091 Composed by Carol Troutman Wiggins. Contemporary,Early Music,Latin,Religious,Sacred. Octavo. 11 pages. Carol Troutman Wiggins #2878195. Published by Carol Troutman Wiggins (A0.727091). SAB/3-Part Mixed Voices A soul-stirring plea to Jesus Christ to save and protect souls. Text is based on 14th Century Medieval Prayer Anima Christi from the Roman Missa. Includes English & Latin text with translation. Great for church choirs as well as high school choirs. Beautiful prayer with determined mid section.
$2.50 ≈
2.26€
O Come, Emmanuel - jazz clarinet and euphonium/baritone horn
O Come, Emmanuel - jazz clarinet and euphonium/baritone horn
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Phil Beaman
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O Come, Emmanuel - jazz clarin
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Phil Beaman
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SheetMusicPlus
B-Flat Clarinet,Euphonium,Instrumental Duet - Level 3 - Digital Download SKU: A0.1349247 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renai...
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B-Flat Clarinet,Euphonium,Instrumental Duet - Level 3 - Digital Download SKU: A0.1349247 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 5 pages. Phil Beaman #933992. Published by Phil Beaman (A0.1349247). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel. Â I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody. Â The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line. Â I have altered the melody, part 1, and moved much of it to the off beats. Â As in period early music, I allow occassional dissonances in order to keep the ostinato. Â This piece makes a wonderfully useful and unique addition to the season's repertoire. Â (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.) Â (Also as a piano solo.)range - part 1 melody - 10th, middle C to E; part 2 walking bass line, octave and a half, bass clef low A to D above middle C2 pages score, 1 page @ part, Â 2:05 minutes.
$4.99 ≈
4.52€
O Come, Emmanuel - jazz clarinet and tuba
O Come, Emmanuel - jazz clarinet and tuba
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Clarinet, Tuba
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INTERMEDIATE
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Phil Beaman
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O Come, Emmanuel - jazz clarin
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Phil Beaman
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SheetMusicPlus
B-Flat Clarinet,Instrumental Duet,Tuba - Level 3 - Digital Download SKU: A0.1349249 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissanc...
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B-Flat Clarinet,Instrumental Duet,Tuba - Level 3 - Digital Download SKU: A0.1349249 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beaman #933995. Published by Phil Beaman (A0.1349249). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel. Â I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody. Â The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line. Â I have altered the melody, part 1, and moved much of it to the off beats. Â As in period early music, I allow occassional dissonances in order to keep the ostinato. Â This piece makes a wonderfully useful and unique addition to the season's repertoire. Â (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.) Â (Also as a piano solo.)range - part 1 melody - 10th, middle C to E; part 2 walking bass line, octave and a half, bass clef low A below staff to D middle line2 pages score, 1 page @ part, Â 2:05 minutes.
$4.99 ≈
4.52€
O Come, Emmanuel - jazz flute and trombone
O Come, Emmanuel - jazz flute and trombone
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Flute, Trombone (duet)
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INTERMEDIATE
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Phil Beaman
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O Come, Emmanuel - jazz flute
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Phil Beaman
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SheetMusicPlus
Flute,Instrumental Duet,Trombone - Level 3 - Digital Download SKU: A0.1350499 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 p...
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Flute,Instrumental Duet,Trombone - Level 3 - Digital Download SKU: A0.1350499 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beaman #935311. Published by Phil Beaman (A0.1350499). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel. Â I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody. Â The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line. Â I have altered the melody, part 1, and moved much of it to the off beats. Â As in period early music, I allow occassional dissonances in order to keep the ostinato. Â This piece makes a wonderfully useful and unique addition to the season's repertoire. Â (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.) Â (Also as a piano solo.)range - part 1 melody - 10th, 3rd space C to high E; part 2 walking bass line, octave and a half, bass clef low A to D above middle C2 pages score, 1 page @ part, Â 2:05 minutes.
$4.99 ≈
4.52€
O Come, Emmanuel - jazz flute and electric bass guitar
O Come, Emmanuel - jazz flute and electric bass guitar
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Phil Beaman
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O Come, Emmanuel - jazz flute
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Phil Beaman
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SheetMusicPlus
Bass Guitar,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.1350497 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. ...
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Bass Guitar,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.1350497 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beaman #935308. Published by Phil Beaman (A0.1350497). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel. Â I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody. Â The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line. Â I have altered the melody, part 1, and moved much of it to the off beats. Â As in period early music, I allow occassional dissonances in order to keep the ostinato. Â This piece makes a wonderfully useful and unique addition to the season's repertoire. Â (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.) Â (Also as a piano solo.)range - part 1 melody - 10th, 3rd space C to high E; part 2 walking bass line, octave and a half, bass clef low A to D above middle C2 pages score, 1 page @ part, Â 2:05 minutes.
$4.99 ≈
4.52€
O Come, Emmanuel - jazz flute and upright double bass
O Come, Emmanuel - jazz flute and upright double bass
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Flute, Doublebass (duet)
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INTERMEDIATE
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Phil Beaman
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O Come, Emmanuel - jazz flute
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Phil Beaman
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SheetMusicPlus
Double Bass,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.1350489 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. ...
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Double Bass,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.1350489 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beaman #935298. Published by Phil Beaman (A0.1350489). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel. Â I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody. Â The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line. Â I have altered the melody, part 1, and moved much of it to the off beats. Â As in period early music, I allow occassional dissonances in order to keep the ostinato. Â This piece makes a wonderfully useful and unique addition to the season's repertoire. Â (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.) Â (Also as a piano solo.)range - part 1 melody - 10th, 3rd space C to high E; part 2 walking bass line, octave and a half, bass clef low A to D above middle C2 pages score, 1 page @ part, Â 2:05 minutes.
$4.99 ≈
4.52€
O Come, Emmanuel
O Come, Emmanuel
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Piano solo
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INTERMEDIATE
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Phil Beaman
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O Come, Emmanuel
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Phil Beaman
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1346783 Composed by Phil Beaman. Advent,Christmas,Jazz,Renaissance. Score. 2 pages. Phil Beaman #931565. ...
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Piano Solo - Level 3 - Digital Download SKU: A0.1346783 Composed by Phil Beaman. Advent,Christmas,Jazz,Renaissance. Score. 2 pages. Phil Beaman #931565. Published by Phil Beaman (A0.1346783). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel. Â I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody. Â The LH has a two chord ostinato throughout written as a walking bass line. Â I have altered the melody and moved much of it to the off beats. Â As in period early music, I allow occassional dissonances in order to keep the ostinato. Â This piece makes a wonderfully useful and unique addition to the season's repertoire. Â (I have also published a version on this site with text so it can be sung by a soloist or unison choir.) Â (And also some versions for Instrumental Duets.)2 pages, 2:05 minutes.
$3.99 ≈
3.61€
Frixia ("Camiña Don Sancho")
Frixia ("Camiña Don Sancho")
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Choral 3-part
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INTERMEDIATE
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Traditional Melody
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César del Caño
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Frixia
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Cesar del Cano
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SheetMusicPlus
Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.1030299 Composed by Traditional Melody. Arranged by César del Caño. 20th Century,A Cappella...
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Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.1030299 Composed by Traditional Melody. Arranged by César del Caño. 20th Century,A Cappella,Classical. Octavo. 5 pages. Cesar del Cano #6358089. Published by Cesar del Cano (A0.1030299). ·· Polyphonic a cappella work for three mixed voices (S, A, T/B) with divisi.· Approximate duration: 2:30· Pages (5): Cover (1), Score (2, 3, 4), Lyrics (5). Original lyrics (in Galician Languaje), translation (Spanish & English) and other details. This last page also contains various links which can be accessed from the pdf edition.· A video-score from YouTube is attached.·[ENG]Camiña Don Sancho is a so-called border romancillo, from Galicia (Spain), popularized in the 14th century through minstrels, and which constitute poetic documents of the history and intrahistory of two opposing communities (Christian and Muslim). It talks about more or less true facts and famous historical figures belonging to the common history of León and Galicia (former independent kingdoms, currently Spanish autonomous communities).In it, once again, the figure of King Don Sancho appears linked to the myth of the young captive in the Iberian peninsular Muslim territory, and whom he is preparing to liberate. The original melody is built in the Phrygian mode, one of the medieval musical modes, on which this polyphonic version is also made, finally taking it to the point of the so-called gypsy and Arabic scales; hence its title: Frixia (in Galician languaje)[ESP]Camiña Don Sancho es un romancillo de los llamados fronterizos, popularizados en el S. XIV a través de los juglares, y que constituyen documentos poéticos de la historia e intrahistoria de dos comunidades enfrentadas (la cristiana y la musulmana). Habla de hechos más o menos verÃdicos y de personajes pertenecientes a la historia común de León y Galicia.En él, una vez más, aparece la figura del Rey Don Sancho ligada al mito de la joven cautiva en el territorio musulmán peninsular, y a quien él se dispone a liberar.La melodÃa original está construida en modo frigio, uno de los modos musicales medievales, sobre el que está realizada también esta versión polifónica, llevándola finalmente al punto de las llamadas escalas gitana y arábiga; de ahà su tÃtulo.·Composer data:Website: https://www.cesardelcano.comFacebook: https://www.facebook.com/cesardelcano.espYouTube: https://www.youtube.com/playlist?list=PLr9iLxVNyr-9eBzCd-zlZE_Iyxavn_WhT·
$2.22 ≈
2.01€
Solage: Le basile for Clarinet Quartet
Solage: Le basile for Clarinet Quartet
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Clarinet Quartet: 4 clarinets
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INTERMEDIATE
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Solage
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James M
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Solage: Le basile for Clarinet
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jmsgu3
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1266048 Composed by Solage. Arranged by James M. Gu...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1266048 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Medieval,Traditional. 8 pages. Jmsgu3 #858782. Published by jmsgu3 (A0.1266048). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.
$32.95 ≈
29.84€
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