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Fade Into You
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Fade Into You
avanced
Sheetmusic to print
29 sheet music found
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1
26
Do You Want To Build A Snowman?
Do You Want To Build A Snowman?
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Choral SSAA
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INTERMEDIATE/ADVANCED
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Kristen Bell
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Julie Hinton
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Do You Want To Build A Snowman
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Red Tape Productions
#
SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 4 - Digital Download SKU: A0.1397241 By Kristen Bell. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Julie Hi...
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Choral Choir,Choral (SSAA) - Level 4 - Digital Download SKU: A0.1397241 By Kristen Bell. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Julie Hinton. 21st Century,A Cappella,Broadway,Children,Film/TV,Musical/Show. 9 pages. Red Tape Productions #980556. Published by Red Tape Productions (A0.1397241). SSAA acapella. Â This is a late intermediate arrangement great for high school women's choirs, community acapella groups and Christmas caroling companies. Â The first verse rotates the melody between each part as the others form a rhythmic arpeggio accompaniment. Â The second verse introduces duetting phrases, and then the third verse calms down into lush harmonies which eventually fade into nothing. Â A beautiful version of the Disney favorite!Also available in SATB acapella, as well as SATB and SSAA with piano accompaniment. Â The audio sample comes from the first verse.
$2.25 ≈
2.07€
Do You Want To Build A Snowman?
Do You Want To Build A Snowman?
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Choral TTBB
#
INTERMEDIATE/ADVANCED
#
Kristen Bell
#
Julie Hinton
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Do You Want To Build A Snowman
#
Red Tape Productions
#
SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 4 - Digital Download SKU: A0.1399914 By Kristen Bell. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Julie Hi...
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Choral Choir,Choral (TTBB) - Level 4 - Digital Download SKU: A0.1399914 By Kristen Bell. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Julie Hinton. A Cappella,Barbershop,Broadway,Children,Film/TV,Musical/Show. 9 pages. Red Tape Productions #983137. Published by Red Tape Productions (A0.1399914). TTBB acapella. Â This is a late intermediate arrangement great for high school choirs, men's acapella groups and Christmas caroling companies. Â The first verse rotates the melody between each part as the others form a rhythmic arpeggio accompaniment. Â The second verse introduces duetting phrases, and then the third verse calms down into lush harmonies which eventually fade into nothing. Â A beautiful version of the Disney favorite!Also available in SATB and SSAA acapella, as well as TTBB, SATB and SSAA with piano accompaniment. Â The audio sample comes from the second verse.
$2.25 ≈
2.07€
Do You Want To Build A Snowman?
Do You Want To Build A Snowman?
#
Choral SATB
#
INTERMEDIATE/ADVANCED
#
Kristen Bell
#
Julie Hinton
#
Do You Want To Build A Snowman
#
Red Tape Productions
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1396470 By Kristen Bell. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Julie Hi...
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1396470 By Kristen Bell. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Julie Hinton. 21st Century,A Cappella,Broadway,Children,Film/TV,Musical/Show. 9 pages. Red Tape Productions #979814. Published by Red Tape Productions (A0.1396470). SATB acapella.  This is a late intermediate arrangement great for high school choirs, community acapella groups and Christmas caroling companies.  The first verse rotates the melody between each part as the others form a rhythmic arpeggio accompaniment. The second verse introduces duetting phrases, and then the third verse calms down into lush harmonies which eventually fade into nothing. A beautiful version of the Disney favorite!Also available in SSAA acapella, as well as SATB and SSAA with piano accompaniment. The audio sample comes from the third verse.
$2.25 ≈
2.07€
Fade Into You
Fade Into You
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Orchestra
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INTERMEDIATE/ADVANCED
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David Roback and Hope Sandoval
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Andrew Lipke
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Fade Into You
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Andrew Lipke
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1405352 Composed by David Roback and Hope Sandoval. Arranged by Andrew Lipke. Classical,Pop,Singer/So...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1405352 Composed by David Roback and Hope Sandoval. Arranged by Andrew Lipke. Classical,Pop,Singer/Songwriter. 86 pages. Andrew Lipke #988405. Published by Andrew Lipke (A0.1405352).
$50.00 ≈
46.04€
Fade Into You
Fade Into You
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Dulcimer
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INTERMEDIATE/ADVANCED
#
Country
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Matt Jenkins, Trevor Rosen,
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Ben D'Ooge
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Fade Into You
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Ben D'Ooge
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SheetMusicPlus
Composed by Matt Jenkins, Trevor Rosen, and Shane McAnally. Arranged by Ben D'Ooge. Country. Individual part. 6 pages. Ben D'Ooge #4715787. ...
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Composed by Matt Jenkins, Trevor Rosen, and Shane McAnally. Arranged by Ben D'Ooge. Country. Individual part. 6 pages. Ben D'Ooge #4715787. Published by Ben D'Ooge
$4.99 ≈
4.59€
Haiku by The Khromatiks, for Electric Violin & Loop Station
Haiku by The Khromatiks, for Electric Violin & Loop Station
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Kayleigh Moyer, Kyle Pudenz, a
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improvised 
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Haiku by The Khromatiks, for E
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ViolinVagabond Music
#
SheetMusicPlus
Electric Violin,Instrumental Solo - Level 4 - Digital Download SKU: A0.845981 Composed by Kayleigh Moyer, Kyle Pudenz, and The Khromatiks. 20th Century,C...
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Electric Violin,Instrumental Solo - Level 4 - Digital Download SKU: A0.845981 Composed by Kayleigh Moyer, Kyle Pudenz, and The Khromatiks. 20th Century,Contemporary,Jazz,New Age. Individual part. 8 pages. ViolinVagabond Music #6017039. Published by ViolinVagabond Music (A0.845981). This is a loop station composition for electric violin that I composed for my live-looping duo, The Khromatiks, in 2014. Doing my part to increase the available repertoire for extended range violins out here on the internet!I originally recorded this tune on a 7-string electric violin with a Boomerang III loop station. That being said, there are plenty of other gear configurations that will work. Any phrase looper/sampler that is capable of playing 3 separate tracks or sections with overdubs will be able to handle this structure, such as the Singular Sound Aeros, Ableton Live with a MIDI controller, etc. If you don't play 7-string, a 5-string can also play this chart as written if you use an octave pedal to record the low bass lines. A standard 4-string can also work, although some phrases will have to be transposed 8va.A little about this tune: a Haiku is characterized by a pattern of 5-7-5 syllables, and in this piece that refers to the meters used in each of the overarching sections. The ambient intro in 5/8 involves a quartal ostinato with long sweeping volume swells, which then develops into a pizzicato groove in 7/8. This groove forms the basis for the majority of the tune, as melodies & improvised solos drift in and out over an A and B section loop. On the final B section, the loop drops out and the violinist builds up into a more distorted strum bowing groove (which accompanies a drum solo on the original recording). As the intensity builds, the 7/8 groove is shortened back into 5/8, thus completing the Haiku. The piece ends with a restatement of the original ostinato as it fades into silence using an automated volume fade on the looper pedal.With The Khromatiks this piece was performed as a duo with violin & drums/percussion, but also works as a violin solo. If you have a looper capable of syncing to a click track, you could also try adding bass or guitar/keyboards (players can read the chord symbols on the chart as a lead-sheet). The sky is the limit, feel free to get creative with it!Please, if you have questions or suggestions, feel free to contact me via my website, www.kylepudenz.com/, or on Instagram @theviolinvagabond
$7.99 ≈
7.36€
Piano Sonata in F Minor - III. Funeral March
Piano Sonata in F Minor - III. Funeral March
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Piano solo
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INTERMEDIATE/ADVANCED
#
Gabriel Lagos
#
Gabriel Lagos
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Piano Sonata in F Minor - III.
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Lagos Music
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1254257 By Gabriel Lagos. By Gabriel Lagos. Arranged by Gabriel Lagos. 19th Century,Classical,March,Roman...
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Piano Solo - Level 4 - Digital Download SKU: A0.1254257 By Gabriel Lagos. By Gabriel Lagos. Arranged by Gabriel Lagos. 19th Century,Classical,March,Romantic Period. Score. 5 pages. Lagos Music #847828. Published by Lagos Music (A0.1254257). The third movement is done! Plenty of crunchy diminished and augmented fifth intervals in this work to give it some darkness. I also chose to keep the register fairly low. The feeling I'm trying to capture: despair; knowing that everyone's fate is to fade into the wind and there's nothing anyone can do about it. There's nothing wrong with that; I've come to a place where I no longer fear death, but it's a reality of life that, at times, is impossible to ignore. There is a positive side, though. For one, the contrasting section is in A flat major and picks up tempo briefly! Before inevitably falling back into F minor... Also, on a funny note, the entire main theme is based off of an old song I wrote for my high school rock band (in like, 2004-ish?), using a commonly used chord progression: I, VI, iv, V7. This was when I was first learning to write music but I remember always thinking it would sound good as a funeral march. The song was called One More Life and the lyrics were about shedding the old, beginning anew, asking the universe for one more life. It feels good to finally have written this movement, though. I hope you enjoy it :)Thank you,Gabe.
$4.99 ≈
4.59€
The Arban Manual (Pre 2013)
The Arban Manual (Pre 2013)
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Trumpet
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INTERMEDIATE/ADVANCED
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Instructional
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Eric Bolvin
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The Arban Manual
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SheetMusicPlus
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Reper...
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.
Description
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.
Why
Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.
How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.
Range Considerations
Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.
Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.
Performance Etudes
I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.
All of the characteristic studies and celebrated fantaisies are considered performance pieces.
Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.
The Hard Stuff
At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.
Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.
Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.
Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.
Songs and duets
Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.
For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.
The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95 ≈
15.61€
The Arban Manual - Hooten Edition
The Arban Manual - Hooten Edition
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Trumpet
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INTERMEDIATE/ADVANCED
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Instructional
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Eric Bolvin
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The Arban Manual - Hooten Edit
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SheetMusicPlus
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire,...
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer.
Why
Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.
How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.
Range Considerations
Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress.
Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.
Performance Etudes
I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.
All of the characteristic studies and celebrated fantaisies are considered performance pieces.
Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.
The Hard Stuff
At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book.
Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation.
Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.
Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.
Songs and duets
Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so.
For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.
The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
About SMP Press
$16.95 ≈
15.61€
Flex on the Move-Tuba Edition
Flex on the Move-Tuba Edition
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Tuba
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INTERMEDIATE/ADVANCED
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Instructional
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Eric Bolvin
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Flex on the Move-Tuba Edition
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Faded Duck Music
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SheetMusicPlus
Tuba - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Technique Training. 42 pages. Published by Faded...
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Tuba - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Technique Training. 42 pages. Published by Faded Duck Music
Flex on the Move is a fun and creative approach to developing flexibility on all brass instruments. Available for trumpet, trombone and tuba. 42 pages and a lifetime of material!
Flex on the Move
There are many great books on flexibility (or “lip flexibility” as it is commonly called) available to today’s brass players. The commonly used books include Irons 27 Groups, Smith Lip Flexibilities and Colin Advanced Lip Flexibilities. Flexibility studies do go all the way back to Arban and St, Jacome, but became a staple of brass pedagogy in the early 20th Century through teachers and authors like Del Staigers, Herbert L. Clarke, Earl D. Irons and Walter M. Smith.
There are different categories of flexibility exercises. There is “Long Flexibility” like those found in Colin’s Vol. I of Advanced Lip Flexibilities. With Long Flexibility you stay on one fingering and play a long line that takes you through a large range. Then, there is “Short Flexibility” similar to what is found in Irons and Smith where you play a repeated pattern on one fingering. Most flexibility falls into the Short Flexibility category. With this book, I would like to add “Moving Flexibility” to the list. With Moving Flexibility you play a short pattern that takes you up and down through all the fingerings, covering a large range on your instrument. The idea of Moving Flexibility was first introduced in Arban p. 45 #16 and later in Charles Colin, 100 Original Warm-Ups.
Why Practice Flexibility?
Chances are, you’re not going to stand in front of an audience and perform flexibility studies. Flexibility studies are a means to an end, not the end. Most trumpet players practice some form of flexibility every day as it improves overall technique and gets you ready to play music. In our lessons, Claude Gordon would tell me how a particular exercise or routine he was writing would “get me feelin’ good.” So, that is my goal with these studies, to get you “feelin’ good”.
Technique
There are many beliefs among players as to what makes a brass instrument “work”. Some believe it’s the lip, some believe it’s the tongue, some believe it’s the air, or some (like me) believe it’s a balance or coordination of all three. I don’t think that your chosen methodology will matter when practicing these exercises. If you practice them religiously and correctly, you’re playing will certainly improve.
$16.95 ≈
15.61€
Cantaloupe Island
Cantaloupe Island
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Jazz
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Herbie Hancock
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Kyle Pudenz
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Cantaloupe Island
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ViolinVagabond Music
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1145015 By Herbie Hancock. By Herbie Hancock. Arranged by Kyle Pude...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1145015 By Herbie Hancock. By Herbie Hancock. Arranged by Kyle Pudenz. Jazz,Standards. Score and parts. 31 pages. ViolinVagabond Music #745332. Published by ViolinVagabond Music (A0.1145015). Settle into the groove with this tasteful interpretation of a modal jazz staple for the modern string quartet!! I didn’t seek to re-invent the wheel with this arrangement, but rather to capture some of its signature jazz combo swagger while fitting the signature lines & licks into string-friendly voicings. I did add an original intro & outro, which will give a bit more pizazz to your live performance than the fade out from Herbie’s original album version. The full chart includes written-out solos for each member of the quartet. I highly encourage improvising your own solos if you are comfortable, or even vamping one or more of the solo sections to really stretch out as you watch your next cocktail hour gig fly by! For a shorter (and significantly more lame…) performance, you can instead cut one or more of the solo sections from letter C thru F to save time. This arrangement makes use of modern extended string techniques in order to create a rhythmic foundation without the need for additional rhythm instruments, including chopping and ghost notes. If you are unfamiliar with these concepts, various resources exist all over the internet to aid you in your quest towards having better time. I recommend this series, for example: https://strum-bowing-groove-academy.teachable.com?coupon_code=KYLE20&affcode=459429_z8y3atf That being said, if broadening your horizons to the world of percussive string playing just doesn't sound like your cup of tea, I have included a Rhythm Section Chart for performances with drums/percussion, guitar, bass, etc. It is highly recommended for you to use either the chopping parts or rhythm section musicians. If you use neither, you may feel as if something is missing in your life that you just can’t pinpoint. Don’t worry, I’ll pinpoint it for you: BACKBEATS. One way or another, you need them. And I’ve given you multiple options here so if you can’t make this chart groove that’s on you… Performance time - approximately 5:00 for the full chart as written. As mentioned above, solo sections can be repeated with improv or cut without requiring significant chart changes, to adjust to the needs of your specific performance. Each solo section is ~30 seconds if you want to do the math on that. Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond. Would love to hear your performances if you play this chart out live, so please send videos along and tag me!
$19.99 ≈
18.41€
Hark! the Herald Angels Sing
Hark! the Herald Angels Sing
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Piano solo
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INTERMEDIATE/ADVANCED
#
Ken Barker
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John Purifoy
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Hark! the Herald Angels Sing
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Ken Barker
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1145384 By Ken Barker. By Music by Felix Mendelssohn. Arranged by John Purifoy. Christmas,Classical,Conte...
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Piano Solo - Level 4 - Digital Download SKU: A0.1145384 By Ken Barker. By Music by Felix Mendelssohn. Arranged by John Purifoy. Christmas,Classical,Contest,Festival,Holiday,Religious. Score. 3 pages. Ken Barker #745620. Published by Ken Barker (A0.1145384). As the opening motif fades in, you can almost hear the herald trumpets sounding, bringing the joyful good news of Christmas! Creatively arranged in symphonic style, with the melody sometimes in the bass clef left hand, it builds into a final huge statement of the closing refrain, Glory to the newborn King!.
$4.25 ≈
3.91€
Sgt. Pepper's Lonely Hearts Club Band
Sgt. Pepper's Lonely Hearts Club Band
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE/ADVANCED
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Pop music
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The Beatles
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Ray Thompson
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Sgt. Pepper's Lonely Hearts Cl
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.893581 By The Beatles. By John Lennon and Paul M...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.893581 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. Pop. 9 pages. RayThompsonMusic #499877. Published by RayThompsonMusic (A0.893581). Sgt. Pepper's Lonely Hearts Club Band is the eighth studio album by the English rock band the Beatles. Released on 26 May 1967, it spent 27 weeks at number one on the Record Retailer chart in the United Kingdom and 15 weeks at number one on the Billboard Top LPs chart in the United States. It was lauded by critics for its innovations in songwriting, production and graphic design, for bridging a cultural divide between popular music and high art, and for reflecting the interests of contemporary youth and the counterculture.Its release was a defining moment in 1960s pop culture, heralding the Summer of Love, while the album's reception achieved full cultural legitimisation for pop music and recognition for the medium as a genuine art form.This is my arrangement of the opening track for standard wind quintet fl, ob, cl, hn and bsn.It's In the original key of G.I have created a new ending for those wind quintets who wish to play the piece on it's own, but also included the original fade away ending which seques into the next track...with a little help.(which is available on this site.YouTube Vid is my brass quartet arrangement.
$17.95 ≈
16.53€
In the Land of Wonder-Wander for Flute, Clarinet, Cello, and Piano
In the Land of Wonder-Wander for Flute, Clarinet, Cello, and Piano
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Flute and Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Sy Brandon
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In the Land of Wonder-Wander f
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Sy Brandon
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Flute,Piano - Level 4 - Digital Download SKU: A0.755010 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts....
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Small Ensemble Cello,Clarinet,Flute,Piano - Level 4 - Digital Download SKU: A0.755010 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 42 pages. Sy Brandon #3239673. Published by Sy Brandon (A0.755010). In The Land of Wonder-Wander attempts to capture the essence of both Maxfield Parrish’s illustration and Eugene Fields’ poem The Dinkey-Bird. Both the painting and the poem create the feeling of a magical place where beauty, joy and pleasure abound. It is a mysterious place, perhaps as occurring in a dream, yet a place where one does not wish to leave. In The Land of Wonder-Wander begins quietly with vague tonality and sparse instrumentation as it transports the listener into this mystical land. As the tempo becomes stricter and the instrumentation fuller, the beauty of this place is apparent. A change to a triple meter and a faster tempo creates a joyous and wondrous section as there are many sweet treats growing to satisfy the soul. Children scampering and playing are represented by an allegro section with playful melodies and slight dissonance. The Dinkey Bird becomes the focus of the next section, which uses a staccato motif surrounded by rapid scales and arpeggios. These ideas build in intensity, expressing the wonder and beauty of this far away land, until they begin to fade away as the land recedes into the sea. A last flourish occurs as if one is trying to hold on to the experience before one wakes up from this marvelous dream. This work is recorded by Laura Koepele-Tenges, Christie Vohs, Megan Lauterbach, and John Elmquist on the Emeritus label.
$9.99 ≈
9.20€
In The Land of Wonder-Wander for Piano Quartet
In The Land of Wonder-Wander for Piano Quartet
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Piano Quartet: piano, violin, viola, cello
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INTERMEDIATE/ADVANCED
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Contemporary
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Sy Brandon
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In The Land of Wonder-Wander f
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Sy Brandon
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SheetMusicPlus
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.755009 Composed by Sy Brandon. 20th Century,Contemporary. Sco...
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.755009 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 49 pages. Sy Brandon #3239669. Published by Sy Brandon (A0.755009). In The Land of Wonder-Wander attempts to capture the essence of both Maxfield Parrish’s illustration and Eugene Fields’ poem The Dinkey-Bird. Both the painting and the poem create the feeling of a magical place where beauty, joy and pleasure abound. It is a mysterious place, perhaps as occurring in a dream, yet a place where one does not wish to leave. In The Land of Wonder-Wander begins quietly with vague tonality and sparse instrumentation as it transports the listener into this mystical land. As the tempo becomes stricter and the instrumentation fuller, the beauty of this place is apparent. A change to a triple meter and a faster tempo creates a joyous and wondrous section as there are many sweet treats growing to satisfy the soul. Children scampering and playing are represented by an allegro section with playful melodies and slight dissonance. The Dinkey Bird becomes the focus of the next section, which uses a staccato motif surrounded by rapid scales and arpeggios. These ideas build in intensity, expressing the wonder and beauty of this far away land, until they begin to fade away as the land recedes into the sea. A last flourish occurs as if one is trying to hold on to the experience before one wakes up from this marvelous dream.
$9.99 ≈
9.20€
Night Visions
Night Visions
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Percussion Ensemble
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INTERMEDIATE/ADVANCED
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Adam Grim
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Night Visions
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Adam B. Grim
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SheetMusicPlus
Percussion Ensemble - Level 4 - Digital Download SKU: A0.939383 Composed by Adam Grim. Concert. Score and parts. 12 pages. Adam B. Grim #6200457. Publish...
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.939383 Composed by Adam Grim. Concert. Score and parts. 12 pages. Adam B. Grim #6200457. Published by Adam B. Grim (A0.939383). Night Visions was inspired by the night sky of Ada, Ohio. With very little light pollution, a step into the cool night atmosphere reveals the huge open sky. The piece depicts night falling, and as you step outside and watch the sky, you see the colorful sunset fade away and twinkling stars start to pop up from the darkness. They appear one-by-one, and as more and more collect in the sky they turn from several singularities into constellations, becoming the night visions formed in the cosmos.
$15.00 ≈
13.81€
Sgt. Pepper's Lonely Hearts Club Band
Sgt. Pepper's Lonely Hearts Club Band
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Rock
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The Beatles
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Ray Thompson
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Sgt. Pepper's Lonely Hearts Cl
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RayThompsonMusic
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SheetMusicPlus
Brass Ensemble,Brass Quartet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.789164 By The Beatles. By John Lennon and Paul McCartney. Ar...
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Brass Ensemble,Brass Quartet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.789164 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Pop,Rock. Score and parts. 9 pages. RayThompsonMusic #396437. Published by RayThompsonMusic (A0.789164). Sgt. Pepper's Lonely Hearts Club Band is the eighth studio album by the English rock band the Beatles. Released on 26 May 1967, it spent 27 weeks at number one on the Record Retailer chart in the United Kingdom and 15 weeks at number one on the Billboard Top LPs chart in the United States. It was lauded by critics for its innovations in songwriting, production and graphic design, for bridging a cultural divide between popular music and high art, and for reflecting the interests of contemporary youth and the counterculture. Its release was a defining moment in 1960s pop culture, heralding the Summer of Love, while the album's reception achieved full cultural legitimisation for pop music and recognition for the medium as a genuine art form. This is my arrangement of the opening number.for standard brass quartet: 2 tpts, tbn and tuba. Alt horn in F part for tbn. I have transposed from the original key of G to Eb to aid the brass players.. I have created a new ending for those brass quartets who wish to play the piece on it;s own, but also included the oruginal fade away ending which seques into the next track...with a little help.
$14.99 ≈
13.80€
Sgt. Pepper's Lonely Hearts Club Band
Sgt. Pepper's Lonely Hearts Club Band
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Rock
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The Beatles
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Ray Thompson
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Sgt. Pepper's Lonely Hearts Cl
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RayThompsonMusic
#
SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.745773 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray T...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.745773 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Pop,Rock. 9 pages. RayThompsonMusic #353670. Published by RayThompsonMusic (A0.745773). Sgt. Pepper's Lonely Hearts Club Band is the eighth studio album by the English rock band The Beatles.Released on 26 May 1967, it spent 27 weeks at number one on the Record Retailer chart in the United Kingdom and 15 weeks at number one on the Billboard Top LPs chart in the United States.It was lauded by critics for its innovations in songwriting, production and graphic design, for bridging a cultural divide between popular music and high art, and for reflecting the interests of contemporary youth and the counterculture.Its release was a defining moment in 1960s pop culture, heralding the Summer of Love, while the album's reception achieved full cultural legitimisation for pop music and recognition for the medium as a genuine art form.This is my arrangement of the opening number.I have transposed from the original key of G to Eb to aid the brass players.I have created a new ending for those brass quintets who wish to play the piece on it;s own, but also included the oruginal fade away ending which seques into the next track...with a little help from my friends.
$19.95 ≈
18.37€
Empty Porches
Empty Porches
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Piano solo
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INTERMEDIATE/ADVANCED
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Ragtime
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Donald Ashwander
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Empty Porches
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The Donald Ashwander Estate
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1295704 Composed by Donald Ashwander. Ragtime. Score. 6 pages. The Donald Ashwander Estate #886002. Publi...
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Piano Solo - Level 4 - Digital Download SKU: A0.1295704 Composed by Donald Ashwander. Ragtime. Score. 6 pages. The Donald Ashwander Estate #886002. Published by The Donald Ashwander Estate (A0.1295704). Empty Porches is a hauntingly beautiful and melancholic piece of ragtime for solo piano. Written by Donald Ashwander in 1983, this composition masterfully combines the syncopated rhythms of ragtime with a deep sense of introspection and nostalgia, creating a unique and evocative musical experience.The inspiration for the piece came when Ashwander returned to the street where he had lived and played as a child, lamenting how no children were out playing anywhere and all you could hear was the steady hum of air conditioners and the flickering lights of the television through sealed windows. The composition’s beauty lies not only in its technical craftsmanship, but also in its ability to touch the heart and soul of the listener. This piece invites us to pause and reflect on the beauty of life's more pensive moments. The final notes of the piece fade away, like memories drifting into the past.The final page of the sheet music contains special program notes by Donald Ashwander.
$5.95 ≈
5.48€
Silent Night - Piano Solo
Silent Night - Piano Solo
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Piano solo
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INTERMEDIATE/ADVANCED
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Christmas
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Franz Xaver Gruber
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Whitney Hawker
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Silent Night - Piano Solo
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Whitney Hawker
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.904114 Composed by Franz Xaver Gruber. Arranged by Whitney Hawker. Christian,Christmas. Score. 5 pages. W...
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Piano Solo - Level 4 - Digital Download SKU: A0.904114 Composed by Franz Xaver Gruber. Arranged by Whitney Hawker. Christian,Christmas. Score. 5 pages. Whitney Hawker #6640815. Published by Whitney Hawker (A0.904114). Imagine a mother rocking her baby to sleep with this song. She starts smoothly then gets a bit more into it, enjoying the moment! Then the ending will fade back away to a sparkling finish. One of my favorite pieces to perform for Christmas time as we remember baby Jesus and his mother rocking him to sleep.Early Advanced Piano Solo that is perfect for any age to perform. Use it for your recital or a special number at a holiday event!
$4.99 ≈
4.59€
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