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You've selected:
Heavy Rain
avanced
Sheetmusic to print
17 sheet music found
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1
Is It Going to Rain?
Is It Going to Rain?
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Marcia L
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Is It Going to Rain?
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Marcia L. McKenna
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.948032 Composed by Marcia L. McKenna. Contemporary. Score. 2 pages. Marcia L. McKenna #6438209. Published...
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Piano Solo - Level 4 - Digital Download SKU: A0.948032 Composed by Marcia L. McKenna. Contemporary. Score. 2 pages. Marcia L. McKenna #6438209. Published by Marcia L. McKenna (A0.948032). This piano solo is excellent for learning to play four sixteenth notes in the right hand against triplet eighth notes in the left hand, a challenge for every piano student. This would be a very appealing student recital piece due to the descriptive nature of the music. The questioning/ascending melody, depicted in the title Is It Going to Rain?, is followed by trills in the left hand to portray claps of thunder. This is followed by a repetitive pattern of sixteenth note versus eighth note broken chords to portray heavy rainfall, which then comes to an end as suddenly as it began.
$4.99 ≈
4.50€
Rain
Rain
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Piano solo
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INTERMEDIATE/ADVANCED
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New Age
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Contemporary
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Chris Champagne
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Rain
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Champagne Music Publishing
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1014453 Composed by Chris Champagne. 20th Century,Contemporary,New Age. Score. 11 pages. Champagne Music ...
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Piano Solo - Level 4 - Digital Download SKU: A0.1014453 Composed by Chris Champagne. 20th Century,Contemporary,New Age. Score. 11 pages. Champagne Music Publishing #5723195. Published by Champagne Music Publishing (A0.1014453). Piano Solo.This piece is intended to evoke the mood of a rainy day as much as the sounds of the rain itself. A pulsing bass line throughout most of the piece maintains the feeling of constant pulsing rain. The melodic themes tend to fall downward like raindrops. The rain gets blown by the wind, builds and dies away, is at times a heavy downpour and other times a light drizzle.Recording performed and realized by Charles Hiestand.
$4.99 ≈
4.50€
Rain After the Sun
Rain After the Sun
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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MJ Orquia
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II, Viola, and Cello
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Rain After the Sun
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MJ Orquia
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1448254 Composed by MJ Orquia. Classical,Comedy,Contemporary,Tradit...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1448254 Composed by MJ Orquia. Classical,Comedy,Contemporary,Traditional. 10 pages. MJ Orquia #1028194. Published by MJ Orquia (A0.1448254). An original composition for Violin I & II, Viola, and Cello. This was composed during a heavy rain right after a sunny morning in the Philippines.
$16.99 ≈
15.31€
Gray Skies
Gray Skies
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Piano solo
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INTERMEDIATE/ADVANCED
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New Age
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Contemporary
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James Michael Stevens
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James Michael Stevens
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Gray Skies
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.571727 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Concert,Contemp...
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Piano Solo - Level 4 - Digital Download SKU: A0.571727 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Concert,Contemporary,New Age. Score. 5 pages. James M Stevens Music ASCAP #41315. Published by James M Stevens Music ASCAP (A0.571727). Written on June 8, 2015, Gray Skies is a piece I wrote while sitting on my balcony during a heavy rain storm and enjoying the relaxing sound of the rain and the wind blowing in the trees. The picture on the cover was taken while I was sitting there and here is a link on YouTube where I actually recorded to videos of the rain with the sounds and with me playing this composition under neath: https://www.youtube.com/watch?v=KwoC8t7AOmo James Michael Stevens is prolific composer residing in Nashville, TN.
$3.99 ≈
3.60€
String Quartet No. 12 ... The Seasons (2010) full score
String Quartet No. 12 ... The Seasons (2010) full score
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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String Quartet No. 12 ... The
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Thomas Oboe Lee
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SheetMusicPlus
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.869207 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romant...
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.869207 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Summer: Cloudburst! Double rainbow … Trio 3). 48 pages. Thomas Oboe Lee #3905. Published by Thomas Oboe Lee (A0.869207). Program note: As indicated by the title, this is my twelfth string quartet. My very first work, Aperture (1974), was a string quartet. In between I wrote four (nos. 2 – 5) for the Kronos Quartet, one (no. 6) for the Manhattan String Quartet, one (no. 7) for the Lydian String Quartet, one (no. 8) for the Artaria String Quartet, two (nos. 9 - 10) for the Hawthorne String Quartet, and one (no. 11) for the Formosa Quartet. The number twelve immediately brought to mind the months of the year. But I thought a twelve-movement string quartet might be a bit excessive, and difficult to achieve in a coherent narrative arc. Most classical string quartets by Haydn, Mozart and Beethoven are in four movements. So why not the seasons, a movement for each: spring, summer, autumn, and winter. I am a huge fan of The Creation by Franz Joseph Haydn. Confession: I am a huge fan of anything by maestro Haydn. For inspiration and guidance, I went to Haydn’s other oratorio The Seasons. Armed with a Dover publication of the full score and a recording of the complete work by Sir Thomas Beecham on EMI Classics, I got down to work over the summer of 2010. String Quartet No. 12 … The Seasons, after Franz Joseph Haydn is in four movements, played without pause between movements. 1) Intro: Heavy snow … Spring: Crocuses blooming!!! 2) Summer: Cloudburst! Double rainbow … Trio 3) Autumn: La Caccia … Danza Rusticana … Trio 4) Intro: Heavy snow again … Winter: O Magnum Mysterium … Hail storm! The work begins with four descending chords, depicting the falling of snow. But it’s Spring and crocuses are seen peeping through the snow … Summer begins with cloudbursts, thunder, lightning and torrential rain. A double rainbow appears after the storm. The sun emerges from the clouds in the Trio section. It is a lovely day after all; but then the clouds return … La Caccia: men go hunting in the Autumn. Well, the men in Haydn’s days at least. Peasant ladies dance as they harvest in the fields. A hawk appears, soaring overhead in the Trio as the sun sets in an orange-red sky ... In Winter snow falls again; but it’s the season to celebrate the Nativity. Violin and viola chant O magnum mysterium … O Magnum Mysterium O great mystery Et admirabile sacramentum and wonderful sacrament Ut animalia viderent Dominum natum that animals should see the new-born Lord Jacentem in praesepio! lying in a manger! Beata Virgo, cujus viscera Blessed is the Virgin whose womb Meruerunt portare was worthy to bear Dominum Christum. Christ the Lord. Alleluia. Alleluia. A hailstorm wreaks havoc. Fine. Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/string-quartet-no-12-the-seasons-2010Video link: https://youtu.be/8seBbMtds84
$9.99 ≈
9.00€
The Joyce Cycle, for voice and orchestra
The Joyce Cycle, for voice and orchestra
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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the turbulent sea, the loved o
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Music and James Joyce, Ofer Be
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The Joyce Cycle, for voice and
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.944034 Composed by Music and James Joyce, Ofer Ben-Amots, and Poetry (our of Chamber Music). Conte...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.944034 Composed by Music and James Joyce, Ofer Ben-Amots, and Poetry (our of Chamber Music). Contemporary. Score and parts. 127 pages. The Composer's Own Press #4615369. Published by The Composer's Own Press (A0.944034). Ben-Amots: The Joyce Cycle (1986) James Joyce's collection of 36 love poems titled Chamber Music has been a source of inspiration to many composers. From these, Ben-Amots has set nine for medium voice and piano (later orchestrated--see below), in a style he characterizes as neo-romantic to match the deliberate archaicism of Joyce's language. The songs are meant to be sung as a complete cycle, but these complex and beautiful settings may be performed independently. Shortly after composing the cycle, Ben-Amots orchestrated it, and he now considers the orchestral version to have priority. Deftly and lightly scored (winds in pairs, no heavy brass), this version sounds strikingly Mahlerian in places. 1. O Sweetheart... The lover finds solace in love when friends him fail. 2. My love is in a light attire... He admires the sight of his love walking through an orchard. 3. My dove my beautiful one... In language reminiscent of the Song of Songs, he bids her arise. 4. Rain has fallen... They seek shelter on a rainy day. 5. Sleep Now, O Sleep Now... The lover's unquiet heart is calmed with a kiss. 6. It was out by Donnycarney... A cheerful folksong, sealed with another kiss. 7. Winds of May... By the turbulent sea, the loved one has disappeared. 8. I Hear an Army... Giving way to despair the lover dreams of an army ferociously charging up out of the depths. But... 9. From Dewy dreams... It was just a dream, after all. For part and performance materials please contact thecomposerspress@gmail.com * The poems, out of James Joyce’s Chamber Music, are in the public domain.Duration: ~ 25 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00 ≈
48.66€
Brazil
Brazil
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C Instruments
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INTERMEDIATE/ADVANCED
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Alberto Funes Hermosa
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John Fries
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Brazil
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - Digital Download SKU: A0.509593 Composed by Alberto Funes Hermosa. Arranged by John Fries. Jazz,Latin,Multicultural,Standards,Wo...
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C Instrument - Level 4 - Digital Download SKU: A0.509593 Composed by Alberto Funes Hermosa. Arranged by John Fries. Jazz,Latin,Multicultural,Standards,World. Lead Sheet / Fake Book. 1 pages. John Fries #120595. Published by John Fries (A0.509593). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Ary Barroso wrote Aquarela do Brasil in early 1939, when he was prevented from leaving his home one night due to a heavy storm. Its title, a reference to a watercolor painting in his room, is a clear reference to the rain. Initially, he wrote the first three melancholy chords and the samba beat that follows highlights the sound of the rain. According to him, the rest came naturally, music and lyrics at once. He declared to have felt like another person after writing the song so easily.
$3.99 ≈
3.60€
Brazil
Brazil
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Piano, Vocal and Guitar
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INTERMEDIATE/ADVANCED
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The Ritchie Family
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John Fries
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Brazil
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1207509 By The Ritchie Family. By Ary Barroso and S.K. Russell. Arranged by John Fries. 20t...
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1207509 By The Ritchie Family. By Ary Barroso and S.K. Russell. Arranged by John Fries. 20th Century,Jazz,Latin,Pop,Standards. Score. 2 pages. John Fries #805676. Published by John Fries (A0.1207509). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. Ary Barroso wrote Aquarela do Brasil in early 1939, when he was prevented from leaving his home one night due to a heavy storm. Its title, a reference to a watercolor painting in his room, is a clear reference to the rain. Initially, he wrote the first three melancholy chords and the samba beat that follows highlights the sound of the rain. According to him, the rest came naturally, music and lyrics at once. He declared to have felt like another person after writing the song so easily.
$4.99 ≈
4.50€
The Palatka Port March - Score Only
The Palatka Port March - Score Only
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Concert band
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INTERMEDIATE/ADVANCED
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David M
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The Palatka Port March - Score
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DMStewart Music
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1239681 Composed by David M. Stewart. March. 15 pages. DMStewart Music #835072. Published by DMStewart ...
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Concert Band - Level 4 - Digital Download SKU: A0.1239681 Composed by David M. Stewart. March. 15 pages. DMStewart Music #835072. Published by DMStewart Music (A0.1239681). This piece, The Palatka Port March, is intended to depict a little of the sense of life in the early years of Floridaon the St. John’s River. It was once a target for ships venturing out to find the New World. It has been used to ferrybarges and livestock. Some simply used it for sailing and transportation throughout the years, and some to catch fishto provide for themselves. The life on this river has been diverse, yet fulfilling over the years and will continue to beso in the future. The melodies in this piece were taken from the shape of the St. Johns River from its upper point in Jacksonville, to where our part of the story ends in Palatka. Notice the falling and rising 8th note runs at the beginning, thisrepresents the rise and the fall of the river as it enters Jacksonville from the Atlantic Ocean. The first strain is alinear, yet very regal melody where the heavy beats follow the contour of the river as it runs south. Here you canpicture the ships coming from Europe across the ocean and the excitement they felt when they reached it. Thesecond strain is more playful and represents the life that the river has provided for people for centuries. The Triorepresents the calmness and civility when Palatka was discovered, and the happiness the settlers must have feltknowing they had found their perfect place to call home. The break strain represents the hard work and efforts thatwere put forth to secure the land and build a community. There would have been many triumphs and manysuccesses, but the journey would have not been easy. The final strain is the culmination of the piece. This is thecelebration and the feeling of personal nobility that all of the settlers felt after taking a river and dirt and building acity. I hope you enjoy, The Palatka Port March!
$10.00 ≈
9.01€
The Palatka Port March
The Palatka Port March
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Concert band
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INTERMEDIATE/ADVANCED
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David M
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The Palatka Port March
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DMStewart Music
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1239680 Composed by David M. Stewart. March. Score and Parts. 92 pages. DMStewart Music #835071. Publis...
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Concert Band - Level 4 - Digital Download SKU: A0.1239680 Composed by David M. Stewart. March. Score and Parts. 92 pages. DMStewart Music #835071. Published by DMStewart Music (A0.1239680). This piece, The Palatka Port March, is intended to depict a little of the sense of life in the early years of Florida on the St. John’s River. It was once a target for ships venturing out to find the New World. It has been used to ferry barges and livestock. Some simply used it for sailing and transportation throughout the years, and some to catch fish to provide for themselves. The life on this river has been diverse, yet fulfilling over the years and will continue to be so in the future.   The melodies in this piece were taken from the shape of the St. Johns River from its upper point in Jacksonville, to where our part of the story ends in Palatka. Notice the falling and rising 8th note runs at the beginning, this represents the rise and the fall of the river as it enters Jacksonville from the Atlantic Ocean. The first strain is a linear, yet very regal melody where the heavy beats follow the contour of the river as it runs south. Here you can picture the ships coming from Europe across the ocean and the excitement they felt when they reached it. The second strain is more playful and represents the life that the river has provided for people for centuries. The Trio represents the calmness and civility when Palatka was discovered, and the happiness the settlers must have felt knowing they had found their perfect place to call home. The break strain represents the hard work and efforts that were put forth to secure the land and build a community. There would have been many triumphs and many successes, but the journey would have not been easy. The final strain is the culmination of the piece. This is the celebration and the feeling of personal nobility that all of the settlers felt after taking a river and dirt and building a city. I hope you enjoy, The Palatka Port March!
$50.00 ≈
45.06€
Elysian Fields for Trombone Quartet
Elysian Fields for Trombone Quartet
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Brass Quartet: 4 trombones
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INTERMEDIATE/ADVANCED
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Contemporary
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David F
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Elysian Fields for Trombone Qu
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Gordon Cherry
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SheetMusicPlus
Trombone - Level 4 - Digital Download SKU: A0.811261 Composed by David F. Wilborn. 20th Century,Contemporary. 27 pages. Gordon Cherry #6624625. Published...
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Trombone - Level 4 - Digital Download SKU: A0.811261 Composed by David F. Wilborn. 20th Century,Contemporary. 27 pages. Gordon Cherry #6624625. Published by Gordon Cherry (A0.811261). Here is a detailed description of the work by composer, David F. Wilborn.Elysian Fields was written for the Elysian Trombone Consort. Members of the ensemble include: Timothy Anderson, Chad Arnow, Nathan Siler, and Brett Shuster. The work was created as part of a recital feature that took place at the 2021 International Trombone Festival entitled A New Initiative II: Trombone Quartet Music by Composers of Color. The Elysian Trombone Consort created the New Initiative concert series as a vehicle to promote new and existing works by composers from under-represented gender, ethnic and social communities. The concert series aims to highlight the creative scholarship of under-represented artists. The ultimate goal is to encourage the programming and creation of more compositions by these scholars.The title Elysian Fields (also known as Elysium) is a venue in mythology that references a final resting place in the afterlife for the Greek Gods. Although Elysium was originally designated for Greek Gods and mortals who may have been related to the Gods, the venue was also accessible to certain mortals by the Gods for their heroic deeds or by those who enjoyed favor with the Gods. Images of Elysium are said to have radiant sunshine, rolling hills and, according to Homer in his Odyssey, the most pleasant weather conditions – no snow, nor heavy storm, nor ever rain.The music Elysian Fields attempts to capture the frivolity of living in Elysium. It portrays the radiant sunshine and the spirit of joy. The place is by all accounts a surreal landscape where sun rays softly beam down on the fields and, in some cases, it emanates as a heavenly backdrop. It is a place of everlasting happiness, serenity, and peace. This 5-minute work is accessible by intermediate to moderately advanced performers.The track below is from a live performance by the Elysian Trombone Consort at the International Trombone Festival in 2021.
$27.50 ≈
24.78€
The Chase by Neil Awasthi
The Chase by Neil Awasthi
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Neil Awasthi
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The Chase by Neil Awasthi
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Neil Awasthi
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1033340 Composed by Neil Awasthi. Contemporary. Score. 6 pages. Neil Awasthi #6352703. Published by Neil ...
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Piano Solo - Level 4 - Digital Download SKU: A0.1033340 Composed by Neil Awasthi. Contemporary. Score. 6 pages. Neil Awasthi #6352703. Published by Neil Awasthi (A0.1033340). The chase is afoot! A rather large cat attempts to hunt a wily mouse. The mouse tries to escape the cat’s clutches. Who succeeds?This piece’s ternary form follows the chase between a cat and mouse. Section A is lively and fast-paced because the cat is on the hunt for the mouse. Since this piece is written from the mouse’s perspective, C-sharp minor conveys the mouse’s fright and fear. The time signature is 4/4 to allow for 16th notes, which denote running steps. The theme in m.19 repeats several times throughout Section A to signify the large cat’s ominous stalking. Tenutos and staccatos punctuate the cat’s heavy steps. In m.14-15, the chromatic scale represents the cat’s momentum. The constantly changing dynamics showcase the various movements and emotions in a chase. Specifically, in m.28-31, the dynamic changes to piano and pedal is employed to signify the mouse’s despair. Section B stands alone, representing the mouse’s successful escape from the cat. The section’s key signature D-flat major is light and happy. A time signature of 6/8 swings, furthering the carefree mood of the mouse. The beginning of Section B repeats to emphasize the mouse’s joyous escape. However, at the end of the section, the cat returns. In m.61-68, varying speeds and descriptors contrast the movements of the cat and mouse. In m.68, the cat’s theme is an octave lower to draw attention to the cat’s threatening, heavy steps. In m.70-71, the notes accelerate to show that the mouse begins to run again. Section A’s refrain recaps the cat chasing the mouse. In m.89-100, the end, tells the mouse’s fate. The climatic ending is highlighted by the speeding tempo. The treble-clef notes are an octave higher to build excitement. In m.95-96, notes descend 4 octaves to indicate the mouse’s ultimate demise. The piece ends with grand chords to mark the mouse’s death.
$2.99 ≈
2.69€
Late In The Evening
Late In The Evening
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Paul Simon
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Will Corbin
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Late In The Evening
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Will Corbin
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1461571 By Paul Simon. By Paul Simon. Arranged by Will Corbin. Latin,Pop. 2...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1461571 By Paul Simon. By Paul Simon. Arranged by Will Corbin. Latin,Pop. 22 pages. Will Corbin #1040315. Published by Will Corbin (A0.1461571). Here's a fun high-energy rendition of Paul Simon's 1980 hit. The original was rhythm-heavy with all kinds of drum activity; background horns fill in here, although you might want to bring along a couple of percussionist pals with a cowbell and other Afro-Latin-pop toys. The break strain was horns in the original. That part and the ending are tough; they require a very tight quintet.If you need alternative instrumentation, I'm happy to help. Contact me at wilcor@aol.com.
$15.00 ≈
13.52€
A Little Piece Of Heaven for Flute Choir
A Little Piece Of Heaven for Flute Choir
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Flute ensemble
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INTERMEDIATE/ADVANCED
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Rock
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Avenged Sevenfold
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Lisa Ochoco
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A Little Piece Of Heaven for F
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Lisa Ochoco
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SheetMusicPlus
Flute, Woodwind Choir or Ensemble, Flute Choir - Advanced Intermediate - Digital Download By Avenged Sevenfold. Arranged by Lisa Ochoco. Score, Set o...
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Flute, Woodwind Choir or Ensemble, Flute Choir - Advanced Intermediate - Digital Download By Avenged Sevenfold. Arranged by Lisa Ochoco. Score, Set of Parts. 31 pages. Published by Lisa Ochoco
Flute choir meets heavy metal!
Avenged Sevenfold is one of my absolute favorite heavy metal bands. I don't usually hear a flute choir when I listen to their songs, or mostly any heavy metal songs for that matter, but A Little Piece of Heaven is so creative, so musical, and so funny, that I couldn't help it. Also, Oingo Boingo headed up the instrumental parts of the original song, which is evident.
If you are unfamiliar with heavy metal, you don't need to know anything about this song, other than it's incredibly unique and has to be played with an attitude. Accentuate the down beats, lay off the full vibratos, keep pushing the tempo - it never should slow down, and channel your inner rocker.
This song was the brainchild of the late James "The Rev" Sullivan. With the help of Oingo Boingo musicians, the song was scored to include an orchestra, full wind section, and choir. This arrangement is less than half the length of the original song, but it still clocks in at around 3 1/2 minutes.
This arrangement is scored for 4 flutes, alto, bass, contrabass, and upright string bass or keyboard. It is essential that there is a strong bass line. The upright bass part could also be played by any bass clef C instrument, like a euphonium, trombone, or tuba. If you are lucky enough to know a drummer, that would help a great deal too. I did not include a drum part, only because I am not knowledgeable enough at writing for drums and would rather leave it out than mess it up!
I hope you and your group will enjoy playing this song as much as I enjoyed arranging it. And I hope your audience will like it too!
$17.00 ≈
15.32€
Imogen Heap - Hide and Seek
Imogen Heap - Hide and Seek
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Piano, Voice
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INTERMEDIATE/ADVANCED
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Rock
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Imogen Heap
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Mario Stallbaumer
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Imogen Heap - Hide and Seek
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Mario Stallbaumer
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SheetMusicPlus
Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Imogen Heap. Arranged by Mario Stallbaumer. 9 pages. Published by Mario Stallba...
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Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Imogen Heap. Arranged by Mario Stallbaumer. 9 pages. Published by Mario Stallbaumer
This is an accurate piano arrangement of the whole song which is not too hard to play, and sounds fantastic. The whole melody is included in the piano part, so it sounds great as an instrumental solo version.
However, this sheet music also comes with a system for the singer, and the full lyrics are included, so you can also use these sheets to accompany a singer, or sing along yourself!
With this piano sheet music, you can play "Hide and Seek" in a beautiful piano version.
If you like this arrangement, please consider leaving a review - it would mean a lot to me!
"Hide and Seek" was released in 2005 as the first single from Imogen Heap's second album "Speak for Yourself", and became one of her most famous songs.
The song consists of a solo voice recording, accompanied by keyboard synth chords with a vocoder effect, creating a wonderful, unique electronic a cappella sound.
Here are the full lyrics to "Hide and Seek" by Imogen Heap:
Where are we?
What the hell is going on?
The dust has only just begun to form
Crop circles in the carpet
Sinking, feeling
Spin me around again
And rub my eyes
This can't be happening
When busy streets
A mess with people
Would stop to hold
Their heads heavy
Hide and seek
Trains and sewing machines
All those years
They were here first
Oily marks appear on walls
Where pleasure moments hung
Before the takeover
The sweeping insensitivity
Of this still life
Hide and seek
Trains and sewing machines
(You won't catch me around here)
Blood and tears
They were here first
Mmm, what'd you say?
Mmm, that you only meant well?
Well, of course you did
Mmm, what'd you say?
Mmm, that it's all for the best?
Of course it is
Hmm, what'd you say?
Hmm, that it's just what we need
You decided this
What'd you say?
Hmm, what did she say?
Ransom notes keep falling out your mouth
Mid-sweet talk, newspaper word cut-outs
(Paper word cut-outs)
Speak no feeling, no I don't believe you
(I don? t believe you)
You don't care a bit, you don't care a bit
Ransom notes keep falling out your mouth
Mid-sweet talk, newspaper word cut-outs
(Hide and seek)
Speak no feeling, no I don't believe you
You don't care a bit, you don't care
You don't care a bit
Oh no, you don't care a bit
Oh no, you don't care a bit
(Hide and seek)
Oh no, you don't care a bit
You don't care a bit
You don't care a bit
$4.99 ≈
4.50€
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Heavy Rain
