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Let's Do It
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238 sheet music found
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226
(everything I Do) I Do It For You
(everything I Do) I Do It For You
#
Saxophone (band part)
#
INTERMEDIATE/ADVANCED
#
Rock
#
Bryan Adams
#
Bobby Hesch
#
(everything I Do) I Do It For
#
Bobby Hesch
#
SheetMusicPlus
Tenor Saxophone Solo - Level 4 - Digital Download SKU: A0.839598 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by B...
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Tenor Saxophone Solo - Level 4 - Digital Download SKU: A0.839598 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by Bobby Hesch. Contemporary,Pop. Individual part. 3 pages. Bobby Hesch #6488539. Published by Bobby Hesch (A0.839598). (EVERYTHING I DO) I DO IT FOR YOU!!! FROM THE MOVIE ROBIN HOOD PRINCE OF THIEVES (1991)!!!BRYAN ADAMS SUPPLIED THE GREAT GUITAR AND VOICE FOR THIS GREAT ICONIC SONG!!! I WOULD FIGHT FOR YOU, I'D LIE FOR YOU' WALK THE LINE FOR YOU, YEAH I'D DIE FOR YOU!!!LET'S PLAY SOME JAZZ!!!!KEY OF G!!!LOW F - HIGH ALTISSIMO A!!! MP3 FOR JAZZ STYLE & INTERPRETATION!!! CONTACT INFORMATION:bobbyhesch@yahoo.com :IG :@bobbyhesch E MAIL ME WITH QUESTIONS, I CAN HELP!!! HAVE FUN PLAYING THIS BEAUTIFUL SONG!!!
$4.99
Let's Fall In Love
Let's Fall In Love
#
C Instruments
#
INTERMEDIATE/ADVANCED
#
Dennis Matkosky and Warren Hil
#
John Fries
#
Let's Fall In Love
#
John Fries
#
SheetMusicPlus
C Instrument - Level 4 - Digital Download SKU: A0.499856 Composed by Dennis Matkosky and Warren Hill. Arranged by John Fries. 20th Century,Jazz,Standards...
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C Instrument - Level 4 - Digital Download SKU: A0.499856 Composed by Dennis Matkosky and Warren Hill. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #113129. Published by John Fries (A0.499856). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Let's Fall in Love is a song written by Harold Arlen (music) and Ted Koehler (lyrics) for the film Let's Fall in Love and published in 1933. In the film, it is heard during the opening credits and later sung by Art Jarrett and chorus, and by Ann Sothern. The major hit at the time of introduction was by Eddy Duchin (vocal by Lew Sherwood). It was originally written in C major with a Moderately Bright tempo marking. As a jazz standard, it is usually played with a medium swing beat.
$3.99
It Had Better Be Tonight
It Had Better Be Tonight
#
Saxophone (band part)
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Michael Buble
#
Bobby Hesch
#
MP3 FOR JAZZ STYLE &
#
It Had Better Be Tonight
#
Bobby Hesch
#
SheetMusicPlus
Tenor Saxophone Solo - Level 4 - Digital Download SKU: A0.839163 By Michael Buble. By Henry Mancini. Arranged by Bobby Hesch. Contemporary. Individual pa...
(+)
Tenor Saxophone Solo - Level 4 - Digital Download SKU: A0.839163 By Michael Buble. By Henry Mancini. Arranged by Bobby Hesch. Contemporary. Individual part. 4 pages. Bobby Hesch #5319815. Published by Bobby Hesch (A0.839163). ***IT HAD BETTER BE TONIGHT***!!!WHAT A DYNAMITE NUMBER!! LET'S PLAY SOME JAZZ!!! GREAT HENRY MANCINI SONG!! PURE ADRENALIN TOP TO BOTTOM!!! MP3 FOR JAZZ STYLE & INTERPRETATION!!! RANGE LOW Db TO HIGH F#. YOU MAY TAKE PASSAGES UP AN OCTAVE IF YOU LIKE PLAYING ALTISSIMO NOTES!! LOTS OF COURTESY ACCIDENTALS AND ARTICULATION MARKS!! I LOVE TO PLAY THIS TUNE, I HOPE YOU DO TOO!! Once under your fingers IT'S PURE JOY!!CONTACT INFORMATION:bobbyhesch@yahoocom
$4.99
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Classical
#
Claude Debussy/Robert Orledg
#
Debussy Inconnu: Album of work
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76...
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Classical
#
Claude Debussy/Robert Orledg
#
Debussy Inconnu: Album of work
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. ...
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
Let It Snow! Let It Snow! Let It Snow!
Let It Snow! Let It Snow! Let It Snow!
#
Flute
#
INTERMEDIATE/ADVANCED
#
Jazz
#
Lady Antebellum
#
Bobby Hesch
#
Let It Snow! Let It Snow! Let
#
Bobby Hesch
#
SheetMusicPlus
Flute Solo - Level 4 - Digital Download SKU: A0.839182 By Lady Antebellum. By Jule Styne. Arranged by Bobby Hesch. Jazz. Individual part. 3 pages. Bobby ...
(+)
Flute Solo - Level 4 - Digital Download SKU: A0.839182 By Lady Antebellum. By Jule Styne. Arranged by Bobby Hesch. Jazz. Individual part. 3 pages. Bobby Hesch #5324865. Published by Bobby Hesch (A0.839182). ***LET IT SNOW, LET IT SNOW, LET IT SNOW*** IS A SWINGING TUNE FOR YOUR HOLIDAY PARTIES!!! GOOD OPENING NUMBER, COMFORTABLE RANGE, VOLUME, SWEET SWING!! CHECK OUT THE MP3 FOR JAZZ STYLE AND INTERPRETATION!!! LOW Eb TO HIGH Eb!!! KEY Db!!!COURTESY ACCIDENTALS AND ARTICULATIONS MARKED!!! I LOVE IT, I HOPE YOU DO TOO!!! SO IF YOU'VE NOWHERE TO GO..LET'S PLAY SOME JAZZ!!!!!YOU MAY OMIT 37-40&45-48 if your using a background!! CONTACT INFORMATION:bobbyhesch@yahoo.com
$4.99
(everything I Do) I Do It For You
(everything I Do) I Do It For You
#
Trumpet
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INTERMEDIATE/ADVANCED
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Bryan Adams
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Bobby Hesch
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(everything I Do) I Do It For
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Bobby Hesch
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SheetMusicPlus
Trumpet Solo - Level 4 - Digital Download SKU: A0.839600 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by Bobby Hes...
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Trumpet Solo - Level 4 - Digital Download SKU: A0.839600 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by Bobby Hesch. Contemporary,Pop. Individual part. 3 pages. Bobby Hesch #6488661. Published by Bobby Hesch (A0.839600). (EVERYTHING I DO) I DO IT FOR YOU)!!!! FROM THE MOVIE ROBIN HOOD PRINCE OF THIEVES (1991)!!! BRYAN ADAMS SUPPLIED THE GREAT GUITAR AND VOICE FOR THIS ICONIC SONG!!! I WOULD FIGHT FOR YOU, I'D LIE FOR YOU WALK A LINE FOR YOU, YEAH I'D DIE FOR YOU!!! LET'S PLAY SOME JAZZ!!! KEY OF G!!! LOW F# - HIGH A!!! LOTS OF CASCADING ARPEGGIOS!!! MP3 FOR JAZZ STYLE & INTERPRETATION!!! CONTACT INFORMATION:bobbyhesch@yahoo.com :IG:@bobbyhesch EMAIL ME WITH QUESTIONS, I CAN HELP!!! HAVE FUN PLAYING THIS BEAUTIFUL SONG!!!
$4.99
(everything I Do) I Do It For You
(everything I Do) I Do It For You
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Flute
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INTERMEDIATE/ADVANCED
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Bryan Adams
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Bobby Hesch
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&
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(everything I Do) I Do It For
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Bobby Hesch
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SheetMusicPlus
Flute Solo - Level 4 - Digital Download SKU: A0.839595 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by Bobby Hesch...
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Flute Solo - Level 4 - Digital Download SKU: A0.839595 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by Bobby Hesch. Contemporary,Pop. Individual part. 3 pages. Bobby Hesch #6487871. Published by Bobby Hesch (A0.839595). (EVERYTHING I DO) I DO IT FOR YOU!!!FROM THE MOVIE ROBIN HOOD PRINCE OF THIEVES (1991) BRYAN ADAMS GREAT GUITAR & VOCAL OF THIS ICONIC SONG!!! I WOULD FIGHT FOR YOU, I'D LIE FOR YOU, WALK THE WIRE FOR YOU, YEAH, I'D DIE FOR YOU!!! LET'S PLAY SOME JAZZ!!! KEY OF F!!! LOW Eb-HIGH G!!! LOTS OF CASCADING ARPEGGIO RUNS!!! MP3 FOR JAZZ STYLE & INTERPRETATION!!! CONTACT INFORMATION:bobbyhesch@yahoo.com : IG:@bobbyhesch E MAIL ME WITH QUESTIONS! I CAN HELP!!! HAVE FUN!!! THIS IS A BEAUTIFUL SONG!!!
$4.99
(everything I Do) I Do It For You
(everything I Do) I Do It For You
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Alto Saxophone
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INTERMEDIATE/ADVANCED
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Rock
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Bryan Adams
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Bobby Hesch
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(everything I Do) I Do It For
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Bobby Hesch
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SheetMusicPlus
Alto Saxophone Solo - Level 4 - Digital Download SKU: A0.839597 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by Bo...
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Alto Saxophone Solo - Level 4 - Digital Download SKU: A0.839597 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by Bobby Hesch. Contemporary,Pop. Individual part. 3 pages. Bobby Hesch #6488005. Published by Bobby Hesch (A0.839597). (EVERYTHING I DO) I DO IT FOR YOU!!! FROM THE MOVIE ROBIN HOOD PRINCE OF THIEVES!!! (1991) !!! BRYAN ADAMS SUPPLIED THE GREAT GUITAR AND VOCALS FOR THIS ICONIC SONG!!! I WOULD FIGHT FOR YOU, I'D LIE FOR YOU, WALK THE WIRE FOR YOU, YEAH I'D DIE FOR YOU!!! LET'S PLAY SOME JAZZ!!! KEY OF D!!! LOW - HIGH E!!! LOTS OF CASCADING ARPEGGIO RUNS!!! MP3 FOR JAZZ STYLE & INTERPRETATION!!! CONTACT INFORMATION:bobbyhesch@yahoo.com : IG:@bobbyhesch E MAIL ME WITH QUESTIONS I CAN HELP!!!
$4.99
It Had Better Be Tonight
It Had Better Be Tonight
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Flute
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INTERMEDIATE/ADVANCED
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Contemporary
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Michael Buble
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Bobby Hesch
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It Had Better Be Tonight
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Bobby Hesch
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SheetMusicPlus
Flute Solo - Level 4 - Digital Download SKU: A0.839162 By Michael Buble. By Henry Mancini. Arranged by Bobby Hesch. Contemporary. Individual part. 4 page...
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Flute Solo - Level 4 - Digital Download SKU: A0.839162 By Michael Buble. By Henry Mancini. Arranged by Bobby Hesch. Contemporary. Individual part. 4 pages. Bobby Hesch #5319645. Published by Bobby Hesch (A0.839162). ***IT HAD BETTER BE TONIGHT*** WHAT A DYNAMITE NUMBER!! LET'S PLAY SOME JAZZ!!! GREAT HENRY MANCINI SONG!! PURE ADRENALIN TOP TO BOTTOM!! CHECK OUT THE MP3 FOR JAZZ STYLE AND INTERPRETATION!! RANGE LOW Db TO 3RD OCTAVE Bb! 149 TO THE END MAY BE 8VA IF YOU LIKE!!LOTS OF COURTESY ACCIDENTALS AND ARTICULATIONS MARKED!! I LOVE TO PLAY THIS TUNE, I HOPE YOU DO TOO!! ONCE UNDER YOUR FINGERS IT IS PURE JOY!! CONTACT INFORMATION:bobbyhesch@yahoo.com
$4.99
It Had Better Be Tonight
It Had Better Be Tonight
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Clarinet
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INTERMEDIATE/ADVANCED
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Contemporary
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Michael Buble
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Bobby Hesch
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It Had Better Be Tonight
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Bobby Hesch
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SheetMusicPlus
Clarinet Solo - Level 4 - Digital Download SKU: A0.839160 By Michael Buble. By Henry Mancini. Arranged by Bobby Hesch. Contemporary. Individual part. 4 p...
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Clarinet Solo - Level 4 - Digital Download SKU: A0.839160 By Michael Buble. By Henry Mancini. Arranged by Bobby Hesch. Contemporary. Individual part. 4 pages. Bobby Hesch #5319673. Published by Bobby Hesch (A0.839160). ***IT HAD BETTER BE TONIGHT***!!! WHAT A DYNAMITE NUMBER!!! LET'S PLAY SOME JAZZ!!! GREAT HENRY MANCINI SONG!! PURE ADRENALIN TOP TO BOTTOM!! CHECK OUT THE MP3 FOR JAZZ STYLE AND INTERPRETATION!!RANGE LOW E (Fb) TO HIGH C. OPTIONAL 8VA 149 TO END!!LOTS OF COURTESY ACCIDENTALS AND ARTICULATION MARKED!! I LOVE TO PLAY THIS TUNE!! I HOPE YOU DO TOO!! ONCE UNDER YOUR FINGERS IT IS PURE JOY!! CONTACT INFORMATION: bobbyhesch@yahoo.com
$4.99
It Had Better Be Tonight
It Had Better Be Tonight
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Alto Saxophone
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INTERMEDIATE/ADVANCED
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Contemporary
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Michael Buble
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Bobby Hesch
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articulations marked!!
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It Had Better Be Tonight
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Bobby Hesch
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SheetMusicPlus
Alto Saxophone Solo - Level 4 - Digital Download SKU: A0.839161 By Michael Buble. By Henry Mancini. Arranged by Bobby Hesch. Contemporary. Individual par...
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Alto Saxophone Solo - Level 4 - Digital Download SKU: A0.839161 By Michael Buble. By Henry Mancini. Arranged by Bobby Hesch. Contemporary. Individual part. 4 pages. Bobby Hesch #5319289. Published by Bobby Hesch (A0.839161). ***IT HAD BETTER BE TONIGHT*** !!! WHAT A DYNAMITE NUMBER. LET'S PLAY SOME JAZZ!!! GREAT HENRY MANCINI SONG!! PURE ADRENALIN TOP TO BOTTOM!! CHECK OUT THE MP3 FOR JAZZ STYLE AND INTERPRETATION!! RANGE LOW B NATURAL TO ALTISSIMO G. LAST 3 LINES ARE OPTIONAL 8VA IF YOU WANT TO GO HIGHER. lots of courtesy accidentals & articulations marked!! I LOVE TO PLAY THIS TUNE, I HOPE YOU DO TOO. ONCE UNDER YOUR FINGERS IT IS PURE JOY!! CONTACT INFORMATION: bobbyhesch@yahoo.com
$4.99
Colores (Let the Children Teach Us)
Colores (Let the Children Teach Us)
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Lon W
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Colores
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LCS Productions
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1256884 Composed by Lon W. Chaffin. 21st Century,Chamber. 71 pages. ...
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1256884 Composed by Lon W. Chaffin. 21st Century,Chamber. 71 pages. LCS Productions #850272. Published by LCS Productions (A0.1256884). Imagine a place where cultures are blended and people of all races can laugh, play, sing, dance, and even pray together.  Colores is a musical tale in which children show us how to create such a place.A child walks on to a deserted playground, looking for others.  Another child joins.  They introduce themselves and begin to talk to each other.  A third joins the conversation, then another, and another, until there is a large group of children, creating a colorful, contrapuntal cacophony of vocal chatter.  After the introductions and lively conversations, they pause to decide what to do next.  As would be expected, they decide to just play.  They run races, play chase and tag, catch and kickball, and laugh and giggle until their energy is gone.  Settling down, and wondering what to do next, one child begins singing a tune that is familiar.  …but not to all of them.  So, it’s time to teach the song to everyone.The tune is shared, bit by bit, and one by one every child learns it and joins in.  Before it’s over, their full-voiced singing creates a choral tapestry in which every child adds his or her own color to the musical palette.After a brief conversation, they add their renewed energy to the song they just learned, pick up the pace, and dance.  They twist and spin, jump and swing, making up their moves as they go along.  But, as before, their energy wanes.  This time, as they settle down, one child feels so comfortable with these new friends, he chooses to share his faith in the form of a chant — a prayer.Some join his prayer, as others add a familiar religious tune.  They pray and sing, and their separate experiences combine to produce a stirring, blended chorale.  As they finish, the day ends and they quickly reminisce about the blended experiences that are now behind them.  Before they go their separate ways, they share a moment of gratitude for the place where they can be free to be who they are, together.On a musical note, Colores combines multiple scale structures and varying types of vertical harmonies to give the piece its color palette.  Each of the five voices is set in a different mode, with different tonal centers and sets of accidentals.  The harmony combines both traditional tertian chords with secondal, quartal, and quintal structures.The colors within the music are intended to represent the racial diversity of the borderland from which the composer drew his inspiration.  It is hoped that we can learn from the example of children who talk, laugh, play, sing, dance, and pray together.  …who are grateful for the time and experiences they share.
$35.00
Gao's Golden Waltz Mini Ballet
Gao's Golden Waltz Mini Ballet
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C Instruments
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INTERMEDIATE/ADVANCED
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Johnson Gao
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Johnson Gao
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Gao's Golden Waltz Mini Ballet
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Johnson Gao
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SheetMusicPlus
C Instrument - Level 4 - Digital Download SKU: A0.1461644 By Johnson Gao. By Johnson Gao. Arranged by Johnson Gao. 21st Century,Classical,Multicultural,O...
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C Instrument - Level 4 - Digital Download SKU: A0.1461644 By Johnson Gao. By Johnson Gao. Arranged by Johnson Gao. 21st Century,Classical,Multicultural,Opera,Wedding,World. Lead Sheet / Fake Book. 268 pages. Johnson Gao #1040388. Published by Johnson Gao (A0.1461644). It took 46 days from May 5 to June 19, 2024, to complete this 26-minute MTV. The soundtrack contains 18 chapters with 154 photo images and short videos of birds and dancers. The song sheet has 268 pages. Some of the songs were originally composed for those top poets like Tao Yuan-ming, Bai Juyi, Su Dong-po, Liu Bang, etc.整個工作從2024年5月3日到6月19日，歷時46天完成了這部26分鐘的MTV。配樂含 18 個章節，包括 154 張鳥類和舞者的照片和短片。歌譜有268頁。其中一些歌曲最初是為陶淵明、白居易、蘇東坡、劉邦等頂級詩人創作的。.
$4.99
The Night We Called It A Day
The Night We Called It A Day
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C Instruments
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INTERMEDIATE/ADVANCED
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Frank Sinatra
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John Fries
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The Night We Called It A Day
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - Digital Download SKU: A0.499606 By Frank Sinatra. By Matt Dennis and Tom Adair. Arranged by John Fries. 20th Century,Jazz,Standa...
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C Instrument - Level 4 - Digital Download SKU: A0.499606 By Frank Sinatra. By Matt Dennis and Tom Adair. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #112898. Published by John Fries (A0.499606). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. The Night We Called It a Day is a popular song and jazz standard. One early recording of the song was notable in that it was Frank Sinatra's first solo recording (Bluebird 11463 in 1942). A review in Billboard called the recording a sparkling example of song with Sinatra's singing and Axel Stordahl's musical direction. Sinatra also made studio recordings of the song for Columbia records in 1947 and Capitol Records in 1957. On May 19, 2015, Bob Dylan sang it on the second-to-last episode of The Late Show with David Letterman.
$3.99
Introduzione e balletti (2022)
Introduzione e balletti (2022)
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2 Cellos (duet)
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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Introduzione e balletti
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Thomas Oboe Lee
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SheetMusicPlus
Cello Duet Cello - Level 4 - Digital Download SKU: A0.1050199 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary. Score. 25 pages. ...
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Cello Duet Cello - Level 4 - Digital Download SKU: A0.1050199 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary. Score. 25 pages. Thomas Oboe Lee #654576. Published by Thomas Oboe Lee (A0.1050199). Claire Kim (a.k.a. Deok Yong Kim) has been my go-to cellist since I first heard her with the NICO Quartet in 2019 @ NEC in Jordan Hall. She recently found a boyfriend who is also a cellist, Bennet Huang. They have been dinner guests at our home many times. So, when I ran out of projects to do in the early summer of 2022, I decided to write a duo of two cellos for them. In my search for inspiration, I discovered that Ermmano Wolf-Ferrari (1876 - 1948) wrote a number of nice duets for violin and cello. The one that really intrigued me was his Introduzione e balletto. And since my wife, Kristin Beckwith, is a ballet teacher who has only recently retired from teaching at the Boston Ballet School, I thought this would be a nice gesture to dedicate this work to her. The Wolf-Ferrari is only a two-movement work, hence the title's balletto reference. Mine will be a multi-movement work with many balletti in it. I. Introduzione II. Valser III. Bolero IV. Sarabanda V. Tarantella VI. Barcarola VII. Bandinerie VIII. Siciliana Enjoy!
$9.99
Let It Snow! Let It Snow! Let It Snow!
Let It Snow! Let It Snow! Let It Snow!
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Alto Saxophone
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INTERMEDIATE/ADVANCED
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Jazz
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Lady Antebellum
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Bobby Hesch
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Let It Snow! Let It Snow! Let
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Bobby Hesch
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SheetMusicPlus
Alto Saxophone Solo - Level 4 - Digital Download SKU: A0.839138 By Lady Antebellum. By Jule Styne. Arranged by Bobby Hesch. Jazz. Individual part. 3 page...
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Alto Saxophone Solo - Level 4 - Digital Download SKU: A0.839138 By Lady Antebellum. By Jule Styne. Arranged by Bobby Hesch. Jazz. Individual part. 3 pages. Bobby Hesch #5304601. Published by Bobby Hesch (A0.839138). LET IT SNOW LET IT SNOW LET IT SNOW IS A SWINGING ARRANGEMENT FOR YOUR HOLIDAY PARTIES.I OFTEN OPEN WITH THIS. IT'S A PLEASING SWEET SWING THAT IS COMFORTABLE FOR THE PERFORMER AND HAS A LOT OF VARIETY. The RANGE is LOW Bb below the staff to HIGH C above the staff. EASY KEY, only 2 FLATS. LOTS OF ARTICULATION MARKS AND COURTESY ACCIDENTALS. I HOPE YOU LOVE TO PLAY IT AS MUCH AS I DO. Contact Information: bobbyhesch@yahoo.com CONTACT INFORMATION: bpbbyhesch@yahoo.com.
$4.99
Paisley's Sonata
Paisley's Sonata
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Piano solo
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INTERMEDIATE/ADVANCED
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Michael C
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Paisley's Sonata
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Michael C. Brown
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1030831 Composed by Michael C. Brown. 20th Century,Romantic Period. Score. 23 pages. Michael C. Brown #40...
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Piano Solo - Level 4 - Digital Download SKU: A0.1030831 Composed by Michael C. Brown. 20th Century,Romantic Period. Score. 23 pages. Michael C. Brown #4051. Published by Michael C. Brown (A0.1030831). This piece celebrates the life and mourns the loss of my granddaughter, Paisley Gladys Hogan, who was but 2 months old when she was called to Heaven. These are the words I wrote just before her funeral.... I. The Presence - She was here. I held her the day she was born. I held her and watched her smile at me less than 24 hours before she departed. She only knew love. No one around her ever showed her anything else that humanity had to offer; like hatred, heartache, pain, control, or anger. II. The Shock - She feels a Hand beckon her to leave her mortal coil, and she enters into a world we cannot yet reach.. With no one home, her former body ceases to wake. The unimaginable has happened and we struggle to reverse it. Finally, it becomes clear that we cannot. She sees us cry and she wonders what is happening. Having never known sorrow, she only sees that love didn't cause this response. She wants to comfort us with the love she knows, but we do not yet sense it. III. The Questions - One word has confounded mankind from its creation; Why? We have never found an acceptable answer. We ask, Why did this happen? and What did I do? and What didn't we do right? and Why couldn't it have been me? among others. We only know that her absence has carved holes in our hearts shaped like her. She tries to tell us, You can still love me. I just cannot be seen by you now. It does not mean your love cannot make me happy. I still want it. I still feel it. Please feel my love for you. IV. Letting Go - The day comes to bid farewell to the vehicle by which she came to us. We struggle to cope that we will see her face no more except in pictures. Because of the brevity of her life, memories are few to relive, but to do so is to recall happiness. In sorrow, we return her to the earth. All that is left is to return to recall, to talk to her, to bring flowers and other gifts, and to await the day we follow her. V. Remembering - The days and years follow. Normalcy slowly sets back into our lives. The holes in our hearts will never fully heal. But the salve of her love and her memory help to soothe the ache. We still return to where we placed her mortal home, where we laugh and cry in tandem, where our hearts ache to fill the void left by her departure. It will never really get better, but it will become easier for her love to dull the sting of her absence. VI. The Reunion - One by one, we will feel the same Hand bid us to come. The same events will befall those left behind each time. One by one, she will greet us as we reunite with her. We marvel at how she has stayed with us as we stay to comfort those we had just bidden farewell. The rest cannot be imagined by we that remain..........
$4.99
Love Me Like You Do
Love Me Like You Do
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Ellie Goulding
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AZSAP MUSiC
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Love Me Like You Do
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AZSAP MUSiC
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1307119 By Ellie Goulding. By Ali Payami, Ilya, Max Martin, Savan K...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1307119 By Ellie Goulding. By Ali Payami, Ilya, Max Martin, Savan Kotecha, and Tove Lo. Arranged by AZSAP MUSiC. Film/TV,Pop. 8 pages. AZSAP MUSiC #896373. Published by AZSAP MUSiC (A0.1307119). Indulge in the sultry and enchanting world of Love Me Like You Do from the iconic film 50 Shades of Grey, beautifully arranged for a string quartet. This arrangement captures the sensuality and passion of the original, making it a perfect choice for weddings, romantic events, or any occasion where love and desire take center stage.Key Features:1. Sensual Melodies: Immerse yourself in the seductive and emotive melodies of Love Me Like You Do, thoughtfully transcribed for violin, viola, and cello. The string quartet arrangement retains the song's intense and passionate essence, creating a stirring and intimate experience.2. Versatile Performance: Whether you're planning a wedding ceremony, a sultry cocktail hour, an anniversary celebration, or a romantic dinner, this arrangement adds a touch of sophistication and allure to your event. It appeals to both classical music enthusiasts and contemporary music lovers.3. Professional Arrangement: Crafted by skilled musicians, this arrangement ensures that each instrument contributes to the rich and emotionally charged performance, delivering a captivating and memorable musical experience.4. Emotional Depth: Love Me Like You Do is a song that resonates deeply with its themes of love, desire, and vulnerability. When performed by a string quartet, these emotions are intensified, creating a truly unforgettable experience.Experience the intoxicating charm of Love Me Like You Do through this exquisite string quartet arrangement. Let the music tell your love story and create memories that will last a lifetime, leaving your audience captivated and enthralled.
$12.99
Let It Go
Let It Go
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Viola, Piano
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INTERMEDIATE/ADVANCED
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Idina Menzel
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MAJOR SCORE PUBLISHING TM
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Let It Go
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Major Score Publishing
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SheetMusicPlus
Piano,Viola - Level 4 - Digital Download SKU: A0.834705 By Idina Menzel. By Kristen Anderson-Lopez and Robert Lopez. Arranged by MAJOR SCORE PUBLISHING T...
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Piano,Viola - Level 4 - Digital Download SKU: A0.834705 By Idina Menzel. By Kristen Anderson-Lopez and Robert Lopez. Arranged by MAJOR SCORE PUBLISHING TM. Broadway,Contemporary,Film/TV,Musical/Show,Pop,Singer/Songwriter. Score and part. 23 pages. Major Score Publishing #6563589. Published by Major Score Publishing (A0.834705). Look no further! (Transposed to EASY KEY of E min). Are you looking for highly detailed and authentic sheet music that will deliver a fantastic performance of Let it go for you and your audience? Perfect for concerts, recitals, auditions, cabaret, holiday events or just playing along to the original recording! we've got you covered! This highly detailed arrangement includes full piano accompaniment (also doubling as the score) and instrumental part.  Be sure to take a look at the preview PDF's and listen to the 30 second sample! This arrangement has been transposed to E MINOR to provide an easier option than the original key of F minor.  Please note we do also offer this arrangement in the original key as performed by Idina Menzel represented in the youtube link attached. (youtube video in concert F minor)
$8.99
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