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126
Have Yourself A Merry Little Christmas from MEET ME IN ST. LOUIS
Have Yourself A Merry Little Christmas from MEET ME IN ST. LOUIS
#
Viola, Piano
#
INTERMEDIATE/ADVANCED
#
Jazz
#
Colbie Caillat
#
Fishel Pustilnik
#
Have Yourself A Merry Little C
#
F & N Enterprise
#
SheetMusicPlus
Piano,Viola - Level 4 - Digital Download SKU: A0.632689 By Colbie Caillat. By Hugh Martin and Ralph Blane. Arranged by Fishel Pustilnik. Jazz. Score and ...
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Piano,Viola - Level 4 - Digital Download SKU: A0.632689 By Colbie Caillat. By Hugh Martin and Ralph Blane. Arranged by Fishel Pustilnik. Jazz. Score and part. 7 pages. F & N Enterprise #3088075. Published by F & N Enterprise (A0.632689). An excellent arrangement of famous Have Yourself A Merry Little Christmas for Viola and Piano (Jazz/Pop Version). The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99 ≈
4.52€
Have Yourself A Merry Little Christmas from MEET ME IN ST. LOUIS
Have Yourself A Merry Little Christmas from MEET ME IN ST. LOUIS
#
Piano, Guitar (duet)
#
INTERMEDIATE/ADVANCED
#
Jazz
#
Colbie Caillat
#
Fishel Pustilnik
#
Have Yourself A Merry Little C
#
F & N Enterprise
#
SheetMusicPlus
Guitar,Piano - Level 4 - Digital Download SKU: A0.632688 By Colbie Caillat. By Hugh Martin and Ralph Blane. Arranged by Fishel Pustilnik. Jazz. Score and...
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Guitar,Piano - Level 4 - Digital Download SKU: A0.632688 By Colbie Caillat. By Hugh Martin and Ralph Blane. Arranged by Fishel Pustilnik. Jazz. Score and part. 7 pages. F & N Enterprise #3088031. Published by F & N Enterprise (A0.632688). An excellent arrangement of famous Have Yourself A Merry Little Christmas for Guitar and Piano (Jazz/Pop Version). The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99 ≈
4.52€
I Gave My Love a Cherry (The Riddle Song ["The Twelfth of Never"])
I Gave My Love a Cherry (The Riddle Song ["The Twelfth of Never"])
#
Brass quartet : 2 trumpets, trombone, tuba
#
INTERMEDIATE/ADVANCED
#
English Folk Song by way of Am
#
F
#
I Gave My Love a Cherry
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1130062 Composed by English Folk Song by way of American Appalachians. Arr...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1130062 Composed by English Folk Song by way of American Appalachians. Arranged by F. Leslie Smith. Celtic,Children,Folk,Irish,Traditional,Wedding. Score and parts. 28 pages. Sweetwater Brass Press #730439. Published by Sweetwater Brass Press (A0.1130062). The origins of this lullaby can be traced back to 15th-century England. Pioneers from the British Isles brought it with them to the American Appalachians. Written in three verses, its lyrics tell of four seemingly impossible gifts the singer gave my love. The first verse describes each gift: cherry that has no stone, a chicken that has no bone. a story that has no end and a baby with no cryin'. The second verse poses the riddle: how can such items exist? The third provides the answers: A cherry when it's bloomin', it has no stone. A chicken when it's pippin', it has no bone. The story of I love you, it has no end. A baby when it's sleepin', has no cryin'. This Riddle Song has enjoyed somewhat of a revival since mid-20th century, making appearances in various movies, TV shows and recordings. In 1956, Jerry Livingston and Paul Francis adapted The Riddle Song tune, added an original bridge and created new lyrics; Johnny Mathis recorded it as The Twelfth of Never, giving the haunting melody probably its greatest surge in popularity. This arrangement is in G major and opens with an upbeat introduction. For the first statement of the melody, tempo slows and Trumpets alternate the lead. On the second time through, tempo speeds up slightly and tuba takes the lead. For the third, tempo is back to the opening speed and Horn in F plays the melody. On the fourth time through, Trumpets and Trombone frame the tune in a call-and-response form. In the fifth, Trombone takes the lead. In the sixth and final statement, Horn in F and Trombone play melody at half speed while Trumpets play a fairly complicated counterpoint (at what may seem like double speed!). This, until the last phrase (A baby when it's sleepin'), when the melody switches over to Trumpets and Trombone takes the counterpoint. Trumpet 1 plays its A above the staff a number of times. Tuba's lowest note is its F down below the staff. Otherwise, notes for all instruments are well within normal playing range. Because of the recommended tempo, the countermelody at measures 68-83 could be problematic for Trumpets and Trombone and may require a little extra work. Completed in 2022, performance time runs about 3 minutes, 42 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95 ≈
7.21€
Have Yourself A Merry Little Christmas
Have Yourself A Merry Little Christmas
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Christmas
#
David Archuleta
#
Mark Gubler
#
Have Yourself A Merry Little C
#
Mark Gubler
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1316621 By David Archuleta. By Hugh Martin and Ralph Blane. Arranged by Mark Gubler. Christmas,Holiday,Ne...
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Piano Solo - Level 4 - Digital Download SKU: A0.1316621 By David Archuleta. By Hugh Martin and Ralph Blane. Arranged by Mark Gubler. Christmas,Holiday,New Age,Pop. Score. 4 pages. Mark Gubler #905342. Published by Mark Gubler (A0.1316621). Dedicated to those who need a little extra love this Christmas. The Christmas holiday is a wonderfully magical time of year when we enjoy so much love and togetherness. At times we can find ourselves longing for loved ones that have passed on or who are no longer in our lives. This yearning is represented by the themes from My Favorite Things and Where are you Christmas? interspersed throughout the song. The message of this song is that despite sorrowful circumstances, we can find peace and joy through Christ who brings Joy to the World..
$9.99 ≈
9.06€
Have Yourself A Jazzy Christmas Medley (Good King Wenceslas/Carol Of The Bells/We Wish You A Merry C
Have Yourself A Jazzy Christmas Medley (Good King Wenceslas/Carol Of The Bells/We Wish You A Merry C
#
3 Saxophones (trio)
#
INTERMEDIATE/ADVANCED
#
Christmas
#
John Mason Neale, Mykola Leont
#
Mark Thome
#
Have Yourself A Jazzy Christma
#
Mark Thome
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.834380 Composed by John Mason Neal...
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Woodwind Ensemble,Woodwind Trio Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.834380 Composed by John Mason Neale, Mykola Leontovych/Traditional, and Thomas Helmore/Peter J. Wilhousky. Arranged by Mark Thome. Christmas,Jazz. 32 pages. Mark Thome #3259697. Published by Mark Thome (A0.834380). This hip and swinging arrangement for saxophone quintet can be a great opportunity to feature your jazz band's saxophone section at your next holiday concert. The medley begins with Good King Wenceslas, transitions into Carol Of The Bells and ends with We Wish You A Merry Christmas.
$12.99 ≈
11.78€
Have Yourself A Merry Little Christmas
Have Yourself A Merry Little Christmas
#
Trombone
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Colbie Caillat
#
Bobby Hesch
#
Have Yourself A Merry Little C
#
Bobby Hesch
#
SheetMusicPlus
Trombone Solo - Level 4 - Digital Download SKU: A0.839500 By Colbie Caillat. By Hugh Martin and Ralph Blane. Arranged by Bobby Hesch. Contemporary. Indiv...
(+)
Trombone Solo - Level 4 - Digital Download SKU: A0.839500 By Colbie Caillat. By Hugh Martin and Ralph Blane. Arranged by Bobby Hesch. Contemporary. Individual part. 3 pages. Bobby Hesch #6027931. Published by Bobby Hesch (A0.839500). !!!***HAVE YOURSELF A MERRY LITTLE CHRISTMAS!!! HANG A SHINING STAR UPON THE HIGHEST BOUGH!!!LET'S PLAY SOME JAZZ!!! A SULTRY BLUESY SELECTION THAT WILL LEAVE YOUR AUDIENCE BREATHLESS!!!KEY OF Eb!!!COURTESY ACCIDENTALS & ARTICULATION MARKS!!! MP3 FOR JAZZ STYLE & INTERPRETATION!!! LOW Eb - HIGH C!!! CONTACT INFORMATION:bobbyhesch@yahoo.com, IG : @bobbyhesch JAZZ UP YOUR CHRISTMAS PARTIES WITH THIS BEAUTIFUL TUNE!!! HAVE FUN!!!
$4.99 ≈
4.52€
Have Yourself A Merry Little Christmas from MEET ME IN ST. LOUIS
Have Yourself A Merry Little Christmas from MEET ME IN ST. LOUIS
#
Flute
#
INTERMEDIATE/ADVANCED
#
Jazz
#
Colbie Caillat
#
Bobby Hesch
#
Have Yourself A Merry Little C
#
Bobby Hesch
#
SheetMusicPlus
Flute Solo - Level 4 - Digital Download SKU: A0.839343 By Colbie Caillat. By Hugh Martin and Ralph Blane. Arranged by Bobby Hesch. Jazz. Individual part....
(+)
Flute Solo - Level 4 - Digital Download SKU: A0.839343 By Colbie Caillat. By Hugh Martin and Ralph Blane. Arranged by Bobby Hesch. Jazz. Individual part. 3 pages. Bobby Hesch #5723069. Published by Bobby Hesch (A0.839343). ***HAVE YOURSELF A MERRY LITTLE CHRISTMAS***!!! HANG A SHINING STAR UPON THE HIGHEST BOUGH!!! LET'S PLAY SOME JAZZ!!! A SULTRY BEAUTIFUL BLUESY SONG THAT WILL LEAVE YOUR AUDIENCE BREATHLESS!!! KEY OF Eb!!! LOW Eb - HIGH C!!! LOTS OF ARTICULATION MARKS!!! CHECK OUT THE MP3 FOR JAZZ STYLE & INTERPRETATION!!! USE THE NOTES A S A ROAD MAP & PLAY FROM THE HEART!!! HAVE FUN!!! I WOULD BE GLAD TO HEAR FROM YOU!!! CONTACT INFORMATION:bobbyhesch@yahoo.com
$4.99 ≈
4.52€
Have Yourself A Merry Little Christmas from MEET ME IN ST. LOUIS
Have Yourself A Merry Little Christmas from MEET ME IN ST. LOUIS
#
Clarinet
#
INTERMEDIATE/ADVANCED
#
Jazz
#
Colbie Caillat
#
Bobby Hesch
#
Have Yourself A Merry Little C
#
Bobby Hesch
#
SheetMusicPlus
Clarinet Solo - Level 4 - Digital Download SKU: A0.839344 By Colbie Caillat. By Hugh Martin and Ralph Blane. Arranged by Bobby Hesch. Jazz. Individual pa...
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Clarinet Solo - Level 4 - Digital Download SKU: A0.839344 By Colbie Caillat. By Hugh Martin and Ralph Blane. Arranged by Bobby Hesch. Jazz. Individual part. 3 pages. Bobby Hesch #5723085. Published by Bobby Hesch (A0.839344). ***HAVE YOURSELF A MERRY LITTLE CHRISTMAS***!!! HANG A SHINING STAR UPON THE HIGHEST BOUGH!!!LET'S PLAY SOME JAZZ!!! A SULTRY BLUESY BEAUTIFUL TUNE THAT WILL LEAVE YOUR AUDIENCE BREATHLESS!!! KEY OF F!!! LOW E - HIGH D!!! LOTS OF ARTICULATION MARKS!!! CHECK OUT THE MP3 FOR JAZZ STYLE & INTERPRETATION!!! USE THE NOTES AS A ROAD MAP & PLAY FROM THE HEART!!! HAVE FUN!! I WOULD BE GLAD TO HEAR FROM YOU!!! CONTACT INFORMATION:bobbyhesch@yahoo.com
$4.99 ≈
4.52€
Our Flirtations
Our Flirtations
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Concert band
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INTERMEDIATE/ADVANCED
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John Philip Sousa
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Wesley Besancon
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Our Flirtations
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Wesley Besancon
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1152172 Composed by John Philip Sousa. Arranged by Wesley Besancon. 20th Century,March. Score and Parts...
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Concert Band - Level 4 - Digital Download SKU: A0.1152172 Composed by John Philip Sousa. Arranged by Wesley Besancon. 20th Century,March. Score and Parts. 62 pages. Wesley Besancon #752386. Published by Wesley Besancon (A0.1152172). Throughout Sousa’s career as a conductor, he often altered the performance of his marches without marking or changing the printed music. These alterations were designed for concert performances and included varying dynamics and omitting certain instruments on repeated strains to expand the range of the musical textures, as well as adding unscripted percussion accents for dramatic emphasis at key points in the music. Although Sousa never documented his performance techniques himself, several players who worked extensively with Sousa provided directions for his frequently performed marches, most notably cornetist Frank Simon. Sousa continued to conduct many of his earlier marches later in his career with these unique alterations, but he rarely returned to several of the marches composed between 1873 and 1880. Although no written confirmation exists for how Sousa might have performed these earliest compositions, select elements of his typical performance practices can also be applied to these marches. “Our Flirtation†is the earliest march for which Simon documented Sousa’s common adjustments in performance. The Complete Marches of John Philip Sousa appears in chronological order and is based on some of the earliest known sources for each composition. These newly edited full scores correct many mistakes and inconsistencies found in the parts of early publications; however, all remaining markings and the original scoring are preserved. Additionally, the alterations traditionally employed by the United States Marine Band in performance are incorporated throughout; either those specifically documented by Sousa’s musicians or changes modeled on the customary practices of “The March King.†Performance practices that deviate from the original printed indications are described below and appear in [brackets] in the score. In many instances these indications appear side-by-side with the original markings. An open diamond marked with an accent in the cymbal part indicates that the cymbal player should let that accent ring for an additional beat before rejoining the bass drum part. Second strain (m. 21-38): The dynamic should drop to piano first time through with piccolo, E-flat clarinet, cornets/trumpets, and trombones tacet first time. Additionally, all clarinets should play down one octave as indicated by the cued notes. All instruments rejoin fortissimo and at the original octave in the first ending. A percussion accent may be added in m. 29 the second time. The printed percussion figure in the first ending continues the previous pattern, yet muddies the pick-ups to the second strain and may be omitted for just that one bar as indicated after the downbeat. Trio (m. 39-54): Piccolo and cornets/trumpets are tacet once more as well as cymbals, but trombones have an interesting part in the texture and may continue to play softly here. All instruments rejoin for the fortissimo pick up notes in m. 54. Interlude/Break-up strain (m. 55-70): A percussion accent may be added on beat two in m. 62 and 70, both times, to match the accented chords in the rest of the band. Final strain (m. 71-end): The first time through this strain is piano once more and piccolo, cornets/trumpets, trombones, and cymbals are tacet again. First and second B-flat clarinets should also play one octave lower as indicated by the cued notes. All instruments rejoin in the first ending for the repeat of the break-up strain and play fortissimo to the end.
$14.99 ≈
13.59€
Etude Op. 10 No. 3
Etude Op. 10 No. 3
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Piano solo
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INTERMEDIATE/ADVANCED
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F Chopin
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Mark Reeves
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Etude Op. 10 No. 3
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Mark Reeves
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.748676 Composed by F Chopin. Arranged by Mark Reeves. Film/TV,Instructional,Romantic Period,Wedding. Scor...
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Piano Solo - Level 4 - Digital Download SKU: A0.748676 Composed by F Chopin. Arranged by Mark Reeves. Film/TV,Instructional,Romantic Period,Wedding. Score. 4 pages. Mark Reeves #3511899. Published by Mark Reeves (A0.748676). Etude Op. 10 No. 3 in E MajorOne of the best known pieces of music by Frederic Chopin is now available here without its more technically-challenging middle section. In this form, the main theme (and most familiar part) can be played by less-advanced pianists either as a recital piece or as wedding ceremony music. The layout is much improved from the standard versions available, making it much clearer and therefore easier to read and interpret. Fingering has been included, based upon that of Karol Mikuli, which itself was derived from Chopin's actual fingering, albeit absent from the first published editions.About the ArrangerMark Reeves is a professional pianist, piano teacher and music arranger, with many years of experience. More of his arrangements for piano, choir and other instruments can be downloaded here: http://www.sheetmusicplus.com/publishers/Mark-Reeves/1850 For further information email: info@markreeves.co.uk or follow Mark on Twitter @MarkReeves001 .
$7.99 ≈
7.24€
Gremlins, Trolls and Hobgoblins: A Scary Halloween Mashup
Gremlins, Trolls and Hobgoblins: A Scary Halloween Mashup
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Brass ensemble
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INTERMEDIATE/ADVANCED
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Children
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F
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F
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Gremlins, Trolls and Hobgoblin
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.808712 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. Children. Score and parts. 37 pages....
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Brass Ensemble - Level 4 - Digital Download SKU: A0.808712 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. Children. Score and parts. 37 pages. Sweetwater Brass Press #6656487. Published by Sweetwater Brass Press (A0.808712).   Gremlins, trolls and hobgoblins. All are imaginary or supernatural, products of folklore. The first is a mischievous elf. The second, a product of Scandinavian imaginations, is a rather unattractive dwarf (or maybe a giant) that dwells in caves or on mountains. The third is a small, hirsute and naughty household spirit. In other words, these are just the types of beings that show up on your doorstep on October 31 evenings threatening to play tricks unless you provide treats.  This composition exemplifies not only these creatures, but also the witches, skeletons, ghosts, vampires, black cats and other scary beings that populate Halloween. Written in the key of C minor with a 6/8 time signature, it rolls along at a suggested tempo of 96 BPM. Based primarily on the traditional melody, The Hearse Song (the worms crawl in, the worms crawl out), it also quotes the composer’s own The Eerie Night and Chopin’s Marche Funèbre. And like the worms of the song, the melodies work their way sinuously in and out among the five instruments. Most notes are well within normal playing range: Trumpet 1’s highest is five A notes above its staff; Tuba’s lowest, G below the staff. There are no tricky rhythmic figures. It’s just a fun piece for Halloween . . . or any time of the year.  Completed in 2021, performance time for Gremlins, Trolls and Hobgoblins runs about 3 minutes, 33 seconds. The composer, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95 ≈
7.21€
Bella Notte
Bella Notte
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Orchestra
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INTERMEDIATE/ADVANCED
#
Walt Disney
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Peggy Lee and Sonny Burke
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Kevin Riley
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Bella Notte
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.690536 Composed by Peggy Lee and Sonny Burke. Arranged by Kevin Riley. 20th Century,Children,Film/TV....
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Full Orchestra - Level 4 - Digital Download SKU: A0.690536 Composed by Peggy Lee and Sonny Burke. Arranged by Kevin Riley. 20th Century,Children,Film/TV. Score and parts. 30 pages. Kevin Riley #299239. Published by Kevin Riley (A0.690536). Bella Notte (Italian for Beautiful Night) is a song for the 1955 animated motion picture Lady and the Tramp from Walt Disney Productions. The music is by Sonny Burke and the lyrics are by Peggy Lee. The song was performed in the film by George Givot, who also provided the voice of Tony. Peggy Lee recorded the song for herself for a 1955 Decca release with a choir and orchestra led by Victor Young. The song has also been recorded for a Disneyland album, sung by Bob Grabeau. Ronnie Hilton recorded the song, and Siw Malmkvist recorded the song in Swedish, releasing it on a record in February 1956.The song has also been recorded by Vikingarna on the 1979 album Vikingarnas julparty and Christer Sjögren himself on the 1994 Christmas album När ljusen ska tändas därhemma. Mark Salling, Kevin McHale, and Chord Overstreet recorded the song, and performed it on twenty-second episode and season two finale of Glee on May 24, 2011.
$60.00 ≈
54.39€
Wedding March (HARD PIANO) Midsummer Night's Dream, Op. 61 [Felix Mendelssohn]
Wedding March (HARD PIANO) Midsummer Night's Dream, Op. 61 [Felix Mendelssohn]
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Piano solo
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INTERMEDIATE/ADVANCED
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Classical
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offering our a
dvanced-
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Felix Bartholdy Mendelssohn
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Darek
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Wedding March
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Darek
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1258182 Composed by Felix Bartholdy Mendelssohn. Arranged by Darek. Classical,March,Romantic Period,Weddi...
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Piano Solo - Level 4 - Digital Download SKU: A0.1258182 Composed by Felix Bartholdy Mendelssohn. Arranged by Darek. Classical,March,Romantic Period,Wedding. Score. 2 pages. Darek #851429. Published by Darek (A0.1258182). Wedding March (HARD PIANO) Midsummer Night's Dream, Op. 61 [Felix Mendelssohn]Advanced arrangement for pianists of Wedding March from Midsummer Night's Dream, Op. 61 by Felix Mendelssohn. Advanced version for pianists / Difficult aggangement. Included: Fingering, Dynamics, Articulations and video YouTube tutorial. Experience the pinnacle of pianistic mastery with our advanced level piano sheet music for the resplendent Wedding March from Mendelssohn's Midsummer Night's Dream, Op. 61. This meticulously crafted sheet music edition is designed to challenge and inspire advanced pianists, transporting them to the enchanting world of Mendelssohn's Romantic era. Indulge in the intricate harmonies, delicate nuances, and expressive depths of the Wedding March. Our comprehensive sheet music package includes meticulously notated fingering, dynamics, and articulations, empowering you to unleash the full potential of this exquisite composition and convey its emotional depth with precision and finesse. As a valuable resource, we have included an enlightening YouTube tutorial that accompanies our sheet music. Led by a virtuoso pianist, this tutorial offers invaluable insights and guidance, unraveling the complexities of the Wedding March and providing techniques to master its demanding passages. Our advanced sheet music edition caters to accomplished pianists seeking to push their boundaries and showcase their technical prowess. With detailed fingering suggestions, dynamic markings, and expressive articulations, this sheet music equips you with the tools to achieve a captivating interpretation true to the composer's intentions. Position yourself at the forefront of the musical world by adding this awe-inspiring piece to your repertoire. The Wedding March from Midsummer Night's Dream is an iconic composition cherished for its timeless appeal. By offering our advanced-level sheet music, we provide pianists with the opportunity to delve into the intricacies of Mendelssohn's masterpiece and leave audiences spellbound. Whether you are a professional pianist, an aspiring virtuoso, or a performer seeking a captivating centerpiece for your recital, our sheet music edition is a must-have. The Wedding March epitomizes elegance, celebration, and romance, making it an ideal choice for grand occasions and concert performances. With our comprehensive sheet music package, complete with fingering, dynamics, articulations, and a YouTube tutorial, we empower advanced pianists to unlock the full beauty and technical brilliance of the Wedding March. Immerse yourself in the Romantic era, embrace the challenges of advanced-level playing, and let your artistic expression soar. Don't miss the opportunity to captivate audiences with your virtuosity and passion. Begin your musical journey today and conquer the intricacies of the Wedding March, leaving an indelible mark on both yourself and your listeners. Elevate your piano playing to new heights, and let the magic of Mendelssohn's masterpiece shine through your impeccable performance.
$3.00 ≈
2.72€
Nocturne in Eb Major, Op. 9, No. 2 (HARD PIANO) [Frédéric Chopin]
Nocturne in Eb Major, Op. 9, No. 2 (HARD PIANO) [Frédéric Chopin]
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Piano solo
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INTERMEDIATE/ADVANCED
#
Classical
#
delving into this composition,
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Frederic Chopin
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Darek
#
Nocturne in Eb Major, Op. 9, N
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Darek
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1259042 Composed by Frederic Chopin. Arranged by Darek. 19th Century,Classical,Romantic Period. Score. 4 ...
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Piano Solo - Level 4 - Digital Download SKU: A0.1259042 Composed by Frederic Chopin. Arranged by Darek. 19th Century,Classical,Romantic Period. Score. 4 pages. Darek #852305. Published by Darek (A0.1259042). Nocturne in Eb Major, Op. 9, No. 2 (HARD PIANO) [Frédéric Chopin]Advanced arrangement for pianists of Nocturne in Eb Major, Op. 9, No. 2 by Frédéric Chopin. Advanced version for pianists / Difficult piano arrangement. Included: Fingering, Dynamics, Articulations and video Youtube tutorial. I offer you an extraordinary opportunity to delve into the profound artistry of Frédéric Chopin's Nocturne in Eb Major, Op. 9, No. 2. I understand your desire for challenging and rewarding repertoire, and this masterpiece is the pinnacle of musical excellence. Prepare yourself for a musical journey that will push the boundaries of your abilities. My meticulously crafted piano sheet music presents the Nocturne at an advanced level, providing you with a formidable yet immensely satisfying challenge. From intricate passages to demanding technicality, this composition will test and refine your skills as a pianist. To guide you through this musical odyssey, my sheet music includes detailed fingering, dynamics, and articulation markings. These annotations act as your personal roadmap, illuminating the subtle nuances and expressive possibilities that lie within the composition. As you navigate each note, you'll witness the depth and intricacy of Chopin's genius come to life. To complement the sheet music, I have prepared an exclusive YouTube tutorial that will unlock the secrets of mastering this advanced piece. In this comprehensive video guide, I share invaluable insights, performance techniques, and interpretative tips to help you transcend technical challenges and fully embody the soul of the Nocturne. Chopin's Nocturne in Eb Major emanates from the romantic era, a time of deep artistic expression and emotional intensity. By delving into this composition, you become a vessel for the spirit of a bygone era, channeling the rich tapestry of emotions that Chopin masterfully wove into his music. I prioritize your musical growth and strive to provide sheet music that challenges and inspires. This Nocturne represents the epitome of virtuosity and artistry, allowing you to push your boundaries as an advanced pianist and explore new realms of technical prowess and emotional depth. Prepare to captivate audiences and leave them in awe as you breathe life into the intricate melodies and profound harmonies of this iconic Nocturne. With my meticulously prepared sheet music and accompanying tutorial, you'll possess the tools to create an unforgettable performance that will resonate with both you and your listeners. Choose excellence, choose expression, and choose my advanced sheet music for the Nocturne in Eb Major, Op. 9, No. 2. Unlock your true potential as a pianist and immerse yourself in the artistry of Chopin. This is your opportunity to conquer the most challenging of compositions and leave an indelible mark on the world of music. Embark on your musical journey today and become the master of the Nocturne.
$5.00 ≈
4.53€
The Entertainer (HARD PIANO) [Scott Joplin]
The Entertainer (HARD PIANO) [Scott Joplin]
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Piano solo
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INTERMEDIATE/ADVANCED
#
Ragtime
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Scott Joplin
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Darek
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The Entertainer
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Darek
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1259579 By Scott Joplin. By Scott Joplin. Arranged by Darek. 20th Century,Classical,Ragtime. Score. 3 pag...
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Piano Solo - Level 4 - Digital Download SKU: A0.1259579 By Scott Joplin. By Scott Joplin. Arranged by Darek. 20th Century,Classical,Ragtime. Score. 3 pages. Darek #852886. Published by Darek (A0.1259579). The Entertainer (HARD PIANO) [Scott Joplin]Advanced arrangement for pianists of The Entertainer by Scott Joplin. Difficult version for pianists / Advanced piano arrangement. Included: Fingering, Dynamics, Articulations and Youtube tutorial. Introducing my advanced arrangement of The Entertainer by Scott Joplin, meticulously crafted for pianists seeking a challenging and virtuosic rendition of this iconic ragtime composition. Immerse yourself in the rich melodies and syncopated rhythms that defined the era and captivated audiences. This sheet music offers a thrilling musical journey for advanced pianists, allowing you to push your technical skills to new heights while exploring the depth and complexity of Joplin's masterpiece. With precise and detailed notation, this arrangement showcases the intricate passages and demanding hand coordination, providing an exhilarating challenge for pianists at the advanced level. As you delve into this sheet music, you'll find meticulously marked fingering suggestions that enhance your performance, ensuring optimal finger placement and fluid execution of the piece. These detailed markings contribute to a seamless and confident rendition, allowing you to conquer the technical intricacies with precision and finesse. Capture the essence of the music through meticulously annotated dynamics and articulations, adding depth, expression, and emotion to your performance. These markings guide you in shaping the musical phrases, accentuating the vibrant rhythms and contrasting elements that make The Entertainer so captivating. To further support your musical journey and provide comprehensive guidance, this product includes a YouTube tutorial. Witness firsthand how dynamics, articulations, and stylistic elements come together for an authentic and compelling interpretation. This advanced arrangement of The Entertainer offers numerous benefits for pianists. Whether you're preparing for a challenging performance, expanding your repertoire, or teaching students seeking a formidable piece, this sheet music provides a rewarding and enriching musical experience. Embark on a musical voyage into the vibrant energy and infectious rhythms of Joplin's ragtime era. As you navigate the intricate musical landscape of The Entertainer, you'll not only embrace the historical significance of the piece but also develop crucial musical skills such as dexterity, expression, and interpretation. Unlock the versatility of The Entertainer as you infuse it with your personal style and artistic expression. This sheet music is a valuable addition to your repertoire, whether you're an advanced pianist seeking a challenging masterpiece or an educator looking for captivating teaching material. Discover the magic of Scott Joplin's ragtime masterpiece with this advanced arrangement. With its intricate notation, detailed fingering, dynamic markings, and comprehensive tutorial, this sheet music ensures a gratifying and fulfilling journey as you master The Entertainer on the piano, leaving audiences in awe of your technical prowess and musical artistry.
$4.00 ≈
3.63€
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
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Orchestra
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Strauss Jr
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Aaron Meier
#
Olga-Polka, Op. 196
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Aaron Meier
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and pa...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. • Find a full midi recording of this arrangement on YouTub.
$10.99 ≈
9.96€
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
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String Orchestra
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INTERMEDIATE/ADVANCED
#
Classical
#
Johann Strauss Jr
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Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and par...
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String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99 ≈
3.62€
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
#
Classical
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and pa...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99 ≈
3.62€
Olga-Polka, Op. 196 (arr. for string orchestra): Viola
Olga-Polka, Op. 196 (arr. for string orchestra): Viola
#
String Orchestra
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and par...
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792369. Published by Aaron Meier (A0.922638). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Viola True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99 ≈
3.62€
Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass
Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass
#
String Orchestra
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and par...
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792379. Published by Aaron Meier (A0.922639). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Double Bass True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit.
$3.99 ≈
3.62€
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