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You've selected:
Nina: Solo Cello
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Sheetmusic to print
2 sheet music found
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1
Suite Revelation for cello and piano
Suite Revelation for cello and piano
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Cello, Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Robert M
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Suite Revelation for cello and
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Robert M. Greenberg
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SheetMusicPlus
Cello,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.987858 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individua...
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Cello,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.987858 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individual part. 32 pages. Robert M. Greenberg #115605. Published by Robert M. Greenberg (A0.987858). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: https://mail.google.com/mail/?tab=wm#inbox/14f3cea616cb0a88?projector=1 Duration: ca. 12 minutes Year of composition: 2014 Program Note: I. Overture II. Nigun no. 9 III. Molad’ti IV. Gilu Hagalilim V. Y’mey Hanoar VI. The Gigue Is Up My apologies upfront for all the first person pronouns in this program note! A few years back, Nina Flyer asked me to write for her a piece of music that would contain or make reference to Jewish/Yiddish/Hebrew dance music and/or folk songs. The more I thought about it, the more difficult I realized the challenge would be. As best as I could tell, I had three options. Option one: I could set said dance music/songs for cello and piano, with the result being a series of arrangements: nice, but artlessly unoriginal (meaning dull). Option two: I could weave the tunes into a single narrative and in doing so write another version of Schlomo (a self-proclaimed Hebraic work for cello and orchestra by Ernst Bloch). Option three: I could make up my own ethnic-sounding melodies and either arrange them for cello and piano or weave them into some sort of Hebraic narrative: options one and two all over again. So I came up with option four. I selected four folk tunes (movements II, III, IV, and V) and composed a counter-melody to each. The first half of movements II, III, IV, and V set that counter-melody without any reference to the original folk tune. The second half of those movements then combines the counter-melody with the original tune (and thus the revelation, as the original tune is revealed). The generally two-part shape described above (excepting movement IV, which is A-B-A in structure) suggested Baroque binary dance form, and so I turned the piece into a sort of Baroque dance suite. It begins with a French Overture based on the counter-melodies of movement III and V, and concludes with a gigue based on the counter melodies of movements II and IV. The historical references are supposed to be tongue-in-cheek and I can only hope they will be taken that way. A thousand-and-one thanks to Nina Flyer and Lori Lack for their patience, hard work, and musical brilliance. Suite Revelation is dedicated – with the greatest respect and affection – to Nina Flyer.
$28.00 ≈
£21.97
Duets For Violin & Violoncello 226-241 (volume 15)
Duets For Violin & Violoncello 226-241 (volume 15)
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Violin, Cello (duet)
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INTERMEDIATE/ADVANCED
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Socrates Arvanitakis
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Duets For Violin & Violoncello
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Socrates Arvanitakis
#
SheetMusicPlus
Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.1447144 Composed by Socrates Arvanitakis. Classical,Contemporary. 74 pages. Socrates ...
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Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.1447144 Composed by Socrates Arvanitakis. Classical,Contemporary. 74 pages. Socrates Arvanitakis #1026923. Published by Socrates Arvanitakis (A0.1447144). This edition of violin and violoncello duets follows closely my publication of the same Greek folk pieces for classical guitar. The arrangements for guitar solo were written in two-part counterpoint and followed the strophic form of the folk songs involved. The melodic transcriptions of the folk melodies were not based in any particular performance, also avoiding the elaborate in many cases instrumental introductions associated with these songs. Thus, only the vocal melodies in a general recognizable version were presented. This new presentation for instrumental duets will stay with this generalised melodic version (without exploiting the instrumental introductions), but the form from strophic will become ternary (ABA). In the middle section the main melody will be played in the lower voice and the original guitar contrapuntal voice will be used in the upper voice if by chance it includes invertible counterpoint, otherwise new material will be added to fit the rules but also the intended harmony.The total collection is centred more on the music from mainland Greece and less in that from the Islands.The three dance rhythms of Kalamatianos (7/8), Tsamikos (3/4), and Syrtos Balos (2/4) are predominant in the whole first collection.TECHNICALSeparate parts have been included and they can be extracted as separate files with any free PDF editing programme on line.Empty pages have been added for inclusion/deletion at will and left-right hand page arrangement.Thematic Index with active internal links for ease of navigation have been added.Audio file (mp3) has been addedCONTENTS226 ΣΙ(Γ)ΑΝΟΣ (Πάτμου) (Soft Dance from Patmos)227 ΣΙΓΑ ΑΜΑΞΑ ΤΗΝ ΑΜΑΞΑ (Coachman, drive slowly the coach)228 ΣΟΥ ΕΙΠΑ ΜΑΝΑ (I Told You, Mother)229 ΣΟΥΛΤΑΝΑ (Σουφλιώτικος) (Soultana - Dance from Soufli)230 ΣΟΥΣΤΑ ΚΡΗΤΗΣ (Sousta Dance from Crete)231 ΣΠΕΙΡΙ ΠΙΠΕΡΙ (Seed of Paper)232 ΣΤΑ ΓΙΑΝΝΕΝΑ (In Ioannina)233 ΣΤΑ ΤΡΙΚΟΡΦΑ (In the Three Mountain Tops)234 ΣΤΗΝ ΑΠΑΝΩ ΓΕΙΤΟΝΙΤΣΑ (In Up-Town Neighborhood)235 ΣΤΗΝ ΚΕΝΤΗΜΕΝΗ ΣΟΥ ΠΟΔΙΑ (In Your Embroidered Apron)236 ΣΤΟ 'ΠΑ ΜΠΙΡΜΠΟ (I told you, Birbo)237 ΣΤΟΝ ΑΔΗ ΘΑ ΚΑΤΕΒΩ (I will Descent to Hades)238 ΣΤΟΥ ΒΑΛΤΕΤΣΙΟΥ ΤΟΥΣ ΜΥΛΟΥΣ (In The Mills Of Valtetsi)239 ΣΥΝΝΕΦΙΑΣΕ ΣΤΟΝ ΠΑΡΝΑΣΣΟ (It went cloudy on Mount Parnassus)240 ΣΥΡΤΟΣ ΡΟΔΙΤΙΚΟΣ (Syrtos Dance from Rhodes)241 Τ' ΑΝΤΡΟΥΤΣΟΥ Η ΜΑΝΑ (Androutsos' Mother).
$20.00 ≈
£15.69
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Nina: Solo Cello
