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64 sheet music found
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51
Too Much For Our Thirst (Trombone and Piano)
Too Much For Our Thirst (Trombone and Piano)
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Trombone and Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Alexander Burdiss
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Too Much For Our Thirst
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Ars Nova Press
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SheetMusicPlus
Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #...
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Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Published by Ars Nova Press (A0.1335564). Too Much For Our Thirstby Alexander BurdissArranged for Trombone and PianoDedicated to Courtney CarmackPerformance Time: approx. 7:00This is an adaptation for trombone of a piece originally written for tuba. The Eyes of the Poor from Paris SpleenWritten by Charles Baudelaire, Translated by Arthur Symons Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found. We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none. In the evening you were a little tired, and you sat down outside a new café at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The café glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new café with an equal admiration, differentiated in each according to age. The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy. Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away? So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!
$9.99
Ukrainian Folk Carol - Bb Saxophone and Piano (swing style!) by Chris Lawry and Keri Degg. Includes
Ukrainian Folk Carol - Bb Saxophone and Piano (swing style!) by Chris Lawry and Keri Degg. Includes
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Tenor Saxophone and Piano
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INTERMEDIATE/ADVANCED
#
Christmas
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Chris Lawry, Keri Degg
#
Ukrainian Folk Carol - Bb Saxo
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Masquerade Music
#
SheetMusicPlus
Instrumental Duet,Piano Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.761506 Composed by Chris Lawry, Keri Degg. Blues,Christmas,Jazz. Score...
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Instrumental Duet,Piano Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.761506 Composed by Chris Lawry, Keri Degg. Blues,Christmas,Jazz. Score and part. 7 pages. Masquerade Music #6052719. Published by Masquerade Music (A0.761506). Ukrainian Folk Carol (often known by another name however) for Bb saxophone and piano (or use the enhanced free demo/backing tracks via request after ordering - details are given on your printed sheet music) by UK composers Chris Lawry and Keri Degg. New for September 2020 this is a very fresh take on this traditional classic and has been launched into a crazy swing/groove style! It's a great showstopper and a real joy to play. The piece includes playful interplay and new original material/solo/s. Ukrainian Folk Carol is just one of five pieces from 'Christmas Jazz - Volume 2' Bb Saxophone (also available in Eb sax, Bb clarinet, and flute editions) which also includes; Deck the halls (Piazzolla-inspired style), The Holly and the Ivy - a smooshy smooth jazz ballad with original solo/s, Away in a manger - again, a gentle smooth jazz style, and O Holy Night (which has cheeky interplay, yet sweeping original lines too).There is also a 'Christmas Jazz - Volume 1' collection by the same composers (which includes; God rest ye merry gentlemen, Silent night, The first nowell, Hark the herald, and I saw three ships - all of which are available on SMP, or search for Christmas Jazz volume 1 if you'd like to buy the collection at a bargain price).
$3.99
Ukrainian Folk Carol - Eb Saxophone and Piano (swing style!) by Chris Lawry and Keri Degg. Includes
Ukrainian Folk Carol - Eb Saxophone and Piano (swing style!) by Chris Lawry and Keri Degg. Includes
#
Alto Saxophone and Piano
#
INTERMEDIATE/ADVANCED
#
Christmas
#
Chris Lawry, Keri Degg
#
Ukrainian Folk Carol - Eb Saxo
#
Masquerade Music
#
SheetMusicPlus
Composed by Chris Lawry, Keri Degg. Christmas, Jazz. Score and part. 7 pages. Masquerade Music #6056689. Published by Masquerade Music...
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Composed by Chris Lawry, Keri Degg. Christmas, Jazz. Score and part. 7 pages. Masquerade Music #6056689. Published by Masquerade Music
Ukrainian Folk Carol (often known by another name however) for Eb saxophone (Alto, or Baritone) and piano (or use the enhanced free demo/backing tracks via request after ordering - details are given on your printed sheet music) by UK composers Chris Lawry and Keri Degg.
New for September 2020 this is a very fresh take on this traditional classic and has been launched into a crazy swing/groove style! It\'s a great showstopper and a real joy to play. The piece includes playful interplay and new original material/solo/s.
Ukrainian Folk Carol is just one of five pieces from \'Christmas Jazz - Volume 2\' Eb Saxophone (also available in Bb sax, Bb clarinet, and flute editions) which also includes; Deck the halls (Piazzolla-inspired style), The Holly and the Ivy - a smooshy smooth jazz ballad with original solo/s, Away in a manger - again, a gentle smooth jazz style, and O Holy Night (which has cheeky interplay, yet sweeping original lines too).
There is also a \'Christmas Jazz - Volume 1\' collection by the same composers (which includes; God rest ye merry gentlemen, Silent night, The first nowell, Hark the herald, and I saw three ships - all of which are available on SMP, or search for Christmas Jazz volume 1 if you\'d like to buy the collection at a bargain price).
$3.99
The Arban Manual (Pre 2013)
The Arban Manual (Pre 2013)
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Trumpet
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INTERMEDIATE/ADVANCED
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Instructional
#
Eric Bolvin
#
The Arban Manual
#
SheetMusicPlus
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Reper...
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.
Description
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.
Why
Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.
How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.
Range Considerations
Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.
Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.
Performance Etudes
I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.
All of the characteristic studies and celebrated fantaisies are considered performance pieces.
Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.
The Hard Stuff
At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.
Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.
Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.
Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.
Songs and duets
Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.
For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.
The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
The Arban Manual - Hooten Edition
The Arban Manual - Hooten Edition
#
Trumpet
#
INTERMEDIATE/ADVANCED
#
Instructional
#
Eric Bolvin
#
The Arban Manual - Hooten Edit
#
SheetMusicPlus
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire,...
(+)
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer.
Why
Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.
How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.
Range Considerations
Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress.
Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.
Performance Etudes
I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.
All of the characteristic studies and celebrated fantaisies are considered performance pieces.
Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.
The Hard Stuff
At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book.
Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation.
Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.
Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.
Songs and duets
Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so.
For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.
The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
About SMP Press
$16.95
There Will Never Be Another You
There Will Never Be Another You
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Jazz Ensemble
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INTERMEDIATE/ADVANCED
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Jazz
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Andy Williams
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John Yao
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There Will Never Be Another Yo
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Yaotones Music
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1234212 By Andy Williams. By Harry Warren and Mack Gordon. Arranged by John Yao. Instruc...
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1234212 By Andy Williams. By Harry Warren and Mack Gordon. Arranged by John Yao. Instructional,Jazz,Standards. 89 pages. Yaotones Music #829743. Published by Yaotones Music (A0.1234212). This hard swinging, up tempo arrangement is written in the style of the Count Basie Orchestra.  It starts out small with a Piano solo and builds throughout with additional solos in the Trumpet, Tenor Sax, and Trombone. The chart features simple unisons and 4-way closed textures and reads straight down easily with plenty of challenging ensemble passages throughout.  There's a lot of sectional writing and moments when the brass and woodwinds oppose one another.  After a temporary modulation to a new key for the Trombone solo, the piece returns to the original, customary key of Eb Major.  Following the solos, the chart climaxes on a big, tutti shout chorus exchange with the drums and a final big chord.  This arrangement works great at the end a set or concert program or even as an opener.Trumpet Range - Db6Trombone Range - A4The YT Link track is performed by NYC based big band John Yao and His 17-piece Instrument.To view other arrangements by John Yao, please visit Sheet Music Plus, Sheet Music Direct, or Ejazzlines.For more info or questions, please visit www.johnyao.com or email me at john@johnyao.com.  Follow me on Instagram, Facebook or subscribe to my You Tube Channel.
$50.00
Cantaloupe Island
Cantaloupe Island
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Jazz
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Herbie Hancock
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Kyle Pudenz
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Cantaloupe Island
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ViolinVagabond Music
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1145015 By Herbie Hancock. By Herbie Hancock. Arranged by Kyle Pude...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1145015 By Herbie Hancock. By Herbie Hancock. Arranged by Kyle Pudenz. Jazz,Standards. Score and parts. 31 pages. ViolinVagabond Music #745332. Published by ViolinVagabond Music (A0.1145015). Settle into the groove with this tasteful interpretation of a modal jazz staple for the modern string quartet!! I didn’t seek to re-invent the wheel with this arrangement, but rather to capture some of its signature jazz combo swagger while fitting the signature lines & licks into string-friendly voicings. I did add an original intro & outro, which will give a bit more pizazz to your live performance than the fade out from Herbie’s original album version. The full chart includes written-out solos for each member of the quartet. I highly encourage improvising your own solos if you are comfortable, or even vamping one or more of the solo sections to really stretch out as you watch your next cocktail hour gig fly by! For a shorter (and significantly more lame…) performance, you can instead cut one or more of the solo sections from letter C thru F to save time. This arrangement makes use of modern extended string techniques in order to create a rhythmic foundation without the need for additional rhythm instruments, including chopping and ghost notes. If you are unfamiliar with these concepts, various resources exist all over the internet to aid you in your quest towards having better time. I recommend this series, for example: https://strum-bowing-groove-academy.teachable.com?coupon_code=KYLE20&affcode=459429_z8y3atf That being said, if broadening your horizons to the world of percussive string playing just doesn't sound like your cup of tea, I have included a Rhythm Section Chart for performances with drums/percussion, guitar, bass, etc. It is highly recommended for you to use either the chopping parts or rhythm section musicians. If you use neither, you may feel as if something is missing in your life that you just can’t pinpoint. Don’t worry, I’ll pinpoint it for you: BACKBEATS. One way or another, you need them. And I’ve given you multiple options here so if you can’t make this chart groove that’s on you… Performance time - approximately 5:00 for the full chart as written. As mentioned above, solo sections can be repeated with improv or cut without requiring significant chart changes, to adjust to the needs of your specific performance. Each solo section is ~30 seconds if you want to do the math on that. Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond. Would love to hear your performances if you play this chart out live, so please send videos along and tag me!
$19.99
I Gave My Love a Cherry (The Riddle Song ["The Twelfth of Never"])
I Gave My Love a Cherry (The Riddle Song ["The Twelfth of Never"])
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE/ADVANCED
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English Folk Song by way of Am
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F
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I Gave My Love a Cherry
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1130062 Composed by English Folk Song by way of American Appalachians. Arr...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1130062 Composed by English Folk Song by way of American Appalachians. Arranged by F. Leslie Smith. Celtic,Children,Folk,Irish,Traditional,Wedding. Score and parts. 28 pages. Sweetwater Brass Press #730439. Published by Sweetwater Brass Press (A0.1130062). The origins of this lullaby can be traced back to 15th-century England. Pioneers from the British Isles brought it with them to the American Appalachians. Written in three verses, its lyrics tell of four seemingly impossible gifts the singer gave my love. The first verse describes each gift: cherry that has no stone, a chicken that has no bone. a story that has no end and a baby with no cryin'. The second verse poses the riddle: how can such items exist? The third provides the answers: A cherry when it's bloomin', it has no stone. A chicken when it's pippin', it has no bone. The story of I love you, it has no end. A baby when it's sleepin', has no cryin'. This Riddle Song has enjoyed somewhat of a revival since mid-20th century, making appearances in various movies, TV shows and recordings. In 1956, Jerry Livingston and Paul Francis adapted The Riddle Song tune, added an original bridge and created new lyrics; Johnny Mathis recorded it as The Twelfth of Never, giving the haunting melody probably its greatest surge in popularity. This arrangement is in G major and opens with an upbeat introduction. For the first statement of the melody, tempo slows and Trumpets alternate the lead. On the second time through, tempo speeds up slightly and tuba takes the lead. For the third, tempo is back to the opening speed and Horn in F plays the melody. On the fourth time through, Trumpets and Trombone frame the tune in a call-and-response form. In the fifth, Trombone takes the lead. In the sixth and final statement, Horn in F and Trombone play melody at half speed while Trumpets play a fairly complicated counterpoint (at what may seem like double speed!). This, until the last phrase (A baby when it's sleepin'), when the melody switches over to Trumpets and Trombone takes the counterpoint. Trumpet 1 plays its A above the staff a number of times. Tuba's lowest note is its F down below the staff. Otherwise, notes for all instruments are well within normal playing range. Because of the recommended tempo, the countermelody at measures 68-83 could be problematic for Trumpets and Trombone and may require a little extra work. Completed in 2022, performance time runs about 3 minutes, 42 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
Dor Holech VeDor Ba (one generation passes and another arrives)
Dor Holech VeDor Ba (one generation passes and another arrives)
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Choral SATB
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INTERMEDIATE/ADVANCED
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Asia Meirovich
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Dor Holech VeDor Ba
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Blue Sustain Music
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.963019 Composed by Asia Meirovich. Contemporary,Jewish,Sacred,Spiritual. Octavo. 12 pages. Blue ...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.963019 Composed by Asia Meirovich. Contemporary,Jewish,Sacred,Spiritual. Octavo. 12 pages. Blue Sustain Music #3517337. Published by Blue Sustain Music (A0.963019). Dor Holech veDor Ba (a generation leaves and another arrives) An 8 part canon, with a repeated line in Hebrew taken from from Ecclesiastes, 1:4, Dor Holech veDor Ba (one generation passes and another arrives) expresses in music the cyclical nature of the text. The piece starts in unison and broadens our in density and range, until finally returning to a unison and ending halfway through the phrase. The effect is meditative and appropriate for reflective moments. Initially written as a part of a four movement work Al Ahava veAfar (on love and dust), the canon may be performed on its own or combined with any of the original accompanying movements.
$3.99
So Many Ways
So Many Ways
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Piano, Voice
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INTERMEDIATE/ADVANCED
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Andrew Mc Donald
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So Many Ways
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Andrew Mc Donald
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841824 Composed by Andrew Mc Donald. Christian,Contemporary,Gospel,Pop. Score. 6 pages. Andrew Mc ...
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841824 Composed by Andrew Mc Donald. Christian,Contemporary,Gospel,Pop. Score. 6 pages. Andrew Mc Donald (Macka Records) #3478171. Published by Andrew Mc Donald (Macka Records) (A0.841824). So Many Ways is a song about being a servant with a good attitude.There are so many ways and things you could do to show love towards someone. You could do the dishes or mow the lawn for example.We should serve one another diligently and happily.
$4.99
ALL IN A TOUCH
ALL IN A TOUCH
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Choral SATB
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INTERMEDIATE/ADVANCED
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Ned James Enwereuzo
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ALL IN A TOUCH
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NED JAMES ENWEREUZO
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SheetMusicPlus
Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.1030929 Composed by Ned James Enwereuzo. Christian,Contemporary,Film/TV,Gospel,Musical/Show. Oc...
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Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.1030929 Composed by Ned James Enwereuzo. Christian,Contemporary,Film/TV,Gospel,Musical/Show. Octavo. 3 pages. NED JAMES ENWEREUZO #466349. Published by NED JAMES ENWEREUZO (A0.1030929). The woman with the issue of blood touched the clothes of Jesus, just as those who crucified him, who cast lots for His clothes and took them away; the woman experienced God's healing power but there was no record of any transforming impact on the soldiers' contact with Jesus' clothes. Faith made the difference. For some, Jesus reached out and touched them; for others, they had to reach out to touch Him. One way or another, the touch of faith makes all the difference.
$3.00
Breeze And I
Breeze And I
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE/ADVANCED
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Al Stillman and Ernesto Lecuon
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F
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Breeze And I
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1164066 Composed by Al Stillman and Ernesto Lecuona. Arranged by F. Leslie...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1164066 Composed by Al Stillman and Ernesto Lecuona. Arranged by F. Leslie Smith. Multicultural,Pop,Standards,World. Score and parts. 37 pages. Sweetwater Brass Press #764401. Published by Sweetwater Brass Press (A0.1164066). Ernesto Lecuona was born 1895 in Cuba.  He began piano lessons at 5 years of age and developed into a virtuoso pianist and internationally celebrated composer.  In 1928 he composed Suite AndalucÃa, a six-movement piano piece portraying the people and places of the Andalusia region of southern Spain.  Two of those pieces eventually achieved tremendous popularity as standalone songs:  #2, “Andalucia†and #6, “Malagueña.† Lecuona had composed both in ¾ time.  Salvador Tutti Camarata reframed “Andalucia†in 4/4, Al Stillman provided English lyrics and the song was given a new title, “The Breeze and I.† Jimmy Dorsey’s big band recorded it in 1940 with the vocal by Bob Eberly.  It was hugely popular, lasting nine weeks on the Billboard magazine chart and peaking at #2.  Fifteen years later, Caterina Valente recorded both “The Breeze and I†and “Malagueña†to great success.    This arrangement opens in A-flat major with Trumpets, Horn and Tuba laying down a Latin beat and the Trombone playing an opening lick.  After the introduction, Trombone and Trumpets take turns with the melody, while Horn and Tuba provide variety and accents.  On the second time through, the key changes to E-flat major and begins with a Trumpets-and-lower-brass fanfare.  The melody repeats, but this time with a different take.  Horn and Trombone take turns with melody and counter melody, then Trumpets take over.  After several cascade effects, the tune reaches its end and Trumpets play an extended version of Trombone’s lick from the introduction.  The group then repeats the final 16 bars of the tune and winds up with an extended ending treatment.  Trombone once again contributes its opening lick, and the arrangement fades away . . . all to a Latin beat.  Enjoy!    Time signature is 2/2 and suggested tempo is 72 BPM, which is maintained all the way through.  There are two instances of a one-bar change to 3/2.  The fanfare at Section C contains a measure and a half of 16th notes.  All notes are well within the normal playing range of the five instruments.    Completed in 2023, performance time runs about 3 minutes, 30 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.  (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).
$12.99
I See The Light
I See The Light
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Brass Quartet: 4 trombones
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INTERMEDIATE/ADVANCED
#
Alan Menken and Glenn Slater
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Shinya Ishida
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I See The Light
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BitNotes.jp
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SheetMusicPlus
Trombone Quartet Bass Trombone - Level 4 - Digital Download SKU: A0.1403229 Composed by Alan Menken and Glenn Slater. Arranged by Shinya Ishida. Broadway...
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Trombone Quartet Bass Trombone - Level 4 - Digital Download SKU: A0.1403229 Composed by Alan Menken and Glenn Slater. Arranged by Shinya Ishida. Broadway,Film/TV,Musical/Show,Standards. 12 pages. BitNotes.jp #986419. Published by BitNotes.jp (A0.1403229). Introducing a truly special arrangement - Disney's beloved song I See the Light from the 50th animated classic Tangled, now transcribed for a trombone quartet with proper licensing and authorization. This soaring, emotional piece captures the powerful connection between Rapunzel and the charming Flynn Rider as they realize the profound beauty in one another under a breathtaking night sky.My skilled arrangement highlights the radiant hopefulness and stirring strength of the original melody. Experience the magic of this iconic Disney love song in a rich, resonant trombone quartet setting perfect for concerts, recitals or just making magical memories. Don't miss out on performing this stunning transcription that will leave audiences spellbound.Check out the reference performance done with virtual instruments on YouTube to hear what this gorgeous arrangement sounds like. You won't want to miss it!https://youtube.com/shorts/9tVf8Br9ZcQ.
$19.99
Western Suite (Brass Quintet)
Western Suite (Brass Quintet)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Betsy Bright
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Western Suite
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Bright Music Company
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.964566 Composed by Betsy Bright. Children,Concert,Folk,Holiday,Patriotic. Score and parts. 55 pages. ...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.964566 Composed by Betsy Bright. Children,Concert,Folk,Holiday,Patriotic. Score and parts. 55 pages. Bright Music Company #6247007. Published by Bright Music Company (A0.964566). This original, 3 movement brass quintet composed by Betsy Bright conjures images of the Wild West. The first movement opens with a nod to the Copland Americana sound, and then quickly dives into an adventurous theme that feels like a hero racing on horseback. Every instrument gets some solo features throughout the movement. The second movement, Lonesome paints the picture of a sorrow that can sink even through the most beautiful desert landscape, casting forlorn shadows in every direction. And finally, the third movement, Rowdy depicts a wild rodeo! This movement is in Rondo form, and with every return of the theme, we have the sensation of another rider bursting through the gate taking a ride on another bucking bronco.This piece is a major crowd pleaser, whether on a standard recital or a pops program. And any individual movement works perfectly for education shows. Every player has great solo features, yet at no point is this piece tiring or physically painful in any way, so it’s super fun to play too!Duration: 8 minutes
$30.00
The Way We Meet
The Way We Meet
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Choral 3-part
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INTERMEDIATE/ADVANCED
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Adrienne Inglis
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The Way We Meet
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Adrienne Inglis
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SheetMusicPlus
Choral Choir,Choral,SSA Chorus - Level 4 - Digital Download SKU: A0.1423515 Composed by Adrienne Inglis (ASCAP). 21st Century,Classical,Multicultural,Spi...
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Choral Choir,Choral,SSA Chorus - Level 4 - Digital Download SKU: A0.1423515 Composed by Adrienne Inglis (ASCAP). 21st Century,Classical,Multicultural,Spiritual,World. 12 pages. Adrienne Inglis (ASCAP) #1004756. Published by Adrienne Inglis (ASCAP) (A0.1423515). An English/Ojibwe poem that invites us to meet one another to be at peace in our heartsThe Way We Meet (2024)SSA (some divisi) and pianoCommissioned by Inversion Da Capo for Inversion at the LibraryText — “The Way We Meet” by Margaret Noodin from Weweni published by Wayne State University PressDuration — about 6:40Difficulty 4 (Auditioned chorus)Language — English with one Ojibwe word, pronunciation guide includedCommissioned by Inversion Da Capo for its Inversion at the Library concert in April 2024, The Way We Meet (2024) sets excerpts from the poem of the same name by Margaret Noodin from her book of bilingual Anishinaabemowin/English poetry, Weweni. The narrative spans the creation arc, from the beginning of time through the emergence of organisms and proliferation of species. The challenge we face is living together peacefully with all beings in order to leave behind a legacy of understanding and love. The piece opens with a bit of an uncomfortable pentatonic scale and haunting vocal solos, followed by G minor pentatonic with a tenacious rhythmic ostinato, closing with rich divisi harmonies and aleatoric texture.Soloists may shape the unmetered solos as they wish. Singers may spread the glissandi evenly over the duration of the note. In choral ad lib sections, you may stagger your entrances and shape the musical arc by varying note order, dynamics, duration of notes, number of singers, and frequency, not pointillistic but expressive. In piano ad lib sections, you may play the indicated notes in a pointillistic style, scrambling the order of pitches to create a celestial soundscape over the held chord. All ad lib sections may take about 10-15” but shorter or longer is fine.
$2.99
Meditation for Tuba and Metronome...?
Meditation for Tuba and Metronome...?
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Tuba
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INTERMEDIATE/ADVANCED
#
Julien Simard
#
Meditation for Tuba and Metron
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Julien Simard
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SheetMusicPlus
Tuba Solo - Level 4 - Digital Download SKU: A0.931126 Composed by Julien Simard. Contemporary,Instructional. Individual part. 6 pages. Julien Simard #613...
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Tuba Solo - Level 4 - Digital Download SKU: A0.931126 Composed by Julien Simard. Contemporary,Instructional. Individual part. 6 pages. Julien Simard #6130571. Published by Julien Simard (A0.931126). The metronome is always right is a phrase that every music student has heard at one point or another. However, Meditation for Tuba and Metronome? proves once and for all that the metronome is in fact not always right! As the tubist performs luscious melodies, the metronome he is using starts to malfunction, becoming more and more inconsistent and agitated. This drives the tubist into a frenzy, causing him to finally reset the metronome and start over.....Commissioned and recorded by Tristan Whalen-Hughes on the album Low Orbit. https://www.tristanwhalenhughes.com/recordings.
$15.99
Gregory Sullivan Isaacs: Elegy on the Quilt for tenor voice and piano
Gregory Sullivan Isaacs: Elegy on the Quilt for tenor voice and piano
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Tenor voice
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INTERMEDIATE/ADVANCED
#
Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Elegy
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Musik Fabrik Music Publishing
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.534586 Composed by Gregory Sullivan Isaacs. Concert,Contemporary,Standards. 12 pages. Musik F...
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Tenor Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.534586 Composed by Gregory Sullivan Isaacs. Concert,Contemporary,Standards. 12 pages. Musik Fabrik Music Publishing #4729123. Published by Musik Fabrik Music Publishing (A0.534586). Part of the AIDS memorial songbook, this melody for tenor voice and piano has an orginal text by the composer: It was still dark.The dawn had not yet arrived.He stood quietly, looking out over the field.,soon to be filled with patches of grief.Monuments to great men,grey against the pre-dawn sky,reminded him of the Great Dream:We are all equal under Law, it promised.We are all equal under Law.He smiled wryly at the thought.The keepers of that Dream still keep it for themselves,only- releasing what little part what group or anothercan wrest away.The unfolding began.Each patch holds the grief of dozens:friends, family.Amercia's children left to die alone.Amercia's children left to diebecause of who they were, who they had to be.Fully open now.Small groups wander here and there.searching, looking,Afraid that the edges wait for them.Afraid that the edges wait for them.Some already gathering scraps of cloth.Finally, he moves at last.Finally with enough courage to go look.His thoughts warmly dwell on him who made it.The one whose devotion was unquestioned.whose love was always present.Having seen it, he was cotent to move on towhatever was to come.His patch was there.
$10.35
Thank You
Thank You
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Bass guitar
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INTERMEDIATE/ADVANCED
#
Sacred music
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Walter Hawkins
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Daniel Roberts
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Thank You
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Daniel P Roberts
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SheetMusicPlus
Bass Guitar - Level 4 - Digital Download SKU: A0.1173044 Composed by Walter Hawkins. Arranged by Daniel Roberts. Christian,Praise & Worship,Religious,Sac...
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Bass Guitar - Level 4 - Digital Download SKU: A0.1173044 Composed by Walter Hawkins. Arranged by Daniel Roberts. Christian,Praise & Worship,Religious,Sacred,Spiritual. Score. 6 pages. Daniel P Roberts #773243. Published by Daniel P Roberts (A0.1173044). Arranged for 5 string Bass with TAB. Tragedies are common placeAll kinds of diseases, people are slipping awayEconomies down, people can't get enough payAs for me all I can say isThank you Lord for all you've done for meYeah, yeah, yeahFolks without homesLiving out in the streets and the drug habit some sayThey just can't beatMuggers and robbers, no place seems to be safeBut You've been my protection every step of the wayI wanna say, thank you Lord for all You've done for meYeah, yeahIt could have been me (thank you)Outdoors (thank you)No food (thank you)No clothes (thank you)Or left alone (thank you)Without a friend (thank you)Or just another number (thank you)With a tragic end (thank you)But you didn't see fit (thank you)To let none of these things be (thank you)'Cause everyday by your power (thank you)You keep on keeping me (thank you)And I wanna say(Thank you) for all you've done for meHey, heyIt could have been me (thank you)Outdoors (thank you)With no food (thank you)And no clothes (thank you)Or left alone (thank you)Without a friend (thank you)Or just another number (thank you)With a tragic end (thank you)But you didn't see fit (thank you)To let none of these things be, hey'Cause everyday by your power (thank you)You keep on, you keep on keeping meI wanna say (Thank you lord for all you've done for me)Yeah, yeah-yeahI just wanna say thank you jesus (Thank you lord for all you've done for me)Yeah, yeah-yeahI wanna say thank you lord (Thank you lord for all you've done for me)Thank you (Thank you for your power)Thank you (Thank you for protection)Thank you (every hour)Thank you jesus (I wanna to say thank your for love.
$4.99
The Christmas Wish (Vocal Solo)
The Christmas Wish (Vocal Solo)
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Choral Unison
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INTERMEDIATE/ADVANCED
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Carol Troutman Wiggins [ASCAP]
#
#
The Christmas Wish
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Carol Troutman Wiggins
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SheetMusicPlus
Choral Choir (Unison) - Level 4 - Digital Download SKU: A0.727123 Composed by Carol Troutman Wiggins [ASCAP], Mary White Pustrom. Christmas,Contemporary,...
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Choral Choir (Unison) - Level 4 - Digital Download SKU: A0.727123 Composed by Carol Troutman Wiggins [ASCAP], Mary White Pustrom. Christmas,Contemporary,Holiday,Pop,Singer/Songwriter. Octavo. 11 pages. Carol Troutman Wiggins #2907289. Published by Carol Troutman Wiggins (A0.727123). The Christmas WishVocal Solo for AltoWould you like a different kind of Christmas wish this year? Here it is!This song is based on the poem Christmas Wishes written by contemporary author and poet Mary White Pustrom. Mary wrote many poems with the theme of Christmas, including what she thought people should wish for at Christmas. While so many adults wish for a new car, a sparkling diamond ring, or celebrating with a nice vacation in the tropics, she believes that Christmas wishes should be taken a step further by considering the wishes and needs of others more so than our own. In her poem Christmas Wishes, her desire for reaching out to others and granting them their wishes for the simple things in life take on great meaning: Christmas Wishes by Mary White Pustrom Now that Christmas is drawing near I cannot help but seeAll the poor and needy people who are reaching out to me. It seems that everywhere I look there is a need to fill; I feel so inadequate when their wishes I can't fill. Among the lights and decorations, there is hunger and despair, Faces filled with sadness while bright carols fill the air; Little children who are cold and hungry wait for Santa Claus, Wishing that he would bring them food, for that's a worthy cause. Others laughing, smiling, singing - so completely unaware Of all the pain and suffering that's around them everywhere; They wish for generosity in our thoughts, time, and deeds, And wish that here at Christmas time, someone could fill their needs. My wish is that we reach out to our sisters and our brothers, Who depend on us for kindness from one to another; Fill our hearts with Christmas cheer, and teach us how to share, So that Christmas wishes will be fulfilled all throughout the year. It sounds like she might have the right idea. At this time of year, it is so easy to get caught up in buying and receiving presents, the lights, and the Christmas tree, without considering the simple needs of others. Maybe this year, these simple wishes will come true for some: · Sick little children to be healed · Homeless people and children to find a family · For the less fortunate to have enough food, clothing, shelter, and shoes on their feet · That no one spends Christmas lonely and alone, and spent the way it should be, with loving family and friends. Most of all, wish that by caring for one another, Christmas wishes would come true all year long. ~ Carol Troutman Wiggins
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åƒè¬é‡Œè·¯ "Qian Wan Li Lu"
åƒè¬é‡Œè·¯ "Qian Wan Li Lu"
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Javin Tham
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åƒè¬é‡Œè·¯ "Qia
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Javin Tham
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SheetMusicPlus
Small Ensemble - Level 4 - Digital Download SKU: A0.781826 Composed by Javin Tham. Contemporary,World. Score and parts. 10 pages. Javin Tham #3601911. Pu...
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Small Ensemble - Level 4 - Digital Download SKU: A0.781826 Composed by Javin Tham. Contemporary,World. Score and parts. 10 pages. Javin Tham #3601911. Published by Javin Tham (A0.781826). åƒè¬é‡Œè·¯ Qian Wan Li Lu (A Thousand Miles Journey)作曲：èšå‡±å‡ï¼ˆäºŒèƒ¡èˆ‡é‹¼ç´ï¼‰äººè‡ªç”Ÿä¾†ï¼Œä¾¿æœ‰ç„¡çª®ç„¡ç›¡çš„é“è·¯è¦èµ°ï¼Œå¥½æ¯”那一åƒé‡Œã€ä¸€è¬é‡Œçš„è·¯ã€‚å› çˆ²åœ¨äººæ†‚å‚·ã€çµ•æœ›ã€å¤±è½ã€æ†¤æ€’的時候，會有著絲絲的感觸, æ¤æ›²ä»¥æ‚²æ†¤çš„調å來敘述人的一生。åŽå·ä¹‹è·¯äººåœ¨ä¸€ç”Ÿä¸ï¼Œéƒ½é€ƒé¿ä¸äº†å……滿èŠæ£˜çš„é“路，無論如何都得é¢å°ã€‚所以æ¯å€‹äººçš„人生都難å…有淚水。是悲哀的，也是感動的。狂奔在氣æ¯æœ€æ—ºç››çš„那一刻，人生出ç¾äº†ç„¡æ•¸æ¬¡çš„高峯和深谷。緊張的ç´è²ã€è²é‡çš„變化，顯示了那一刻的起起è½è½ã€‚è·¯é™çŸ¥é¦¬åŠ›å†æ€Žéº¼é ，也會累。æ‡æ¯ä¹‹æ™‚，æ‰æ„Ÿå—到自己走了多é 。åŒæ™‚，憶想起éŽåŽ»ç•™ä¸‹çš„éºæ†¾ã€‚é 走高飛é“路走完了嗎？忽然間，沉é‡çš„è…³æ¥è®Šè¼•äº†ï¼Œå½·å½¿å·²åˆ°äº†å¦ä¸€å€‹åœ°æ–¹ã€‚A piece for erhu and piano. The music depicts the sadness and sorrows of one's life journey. This approximately 6-minute long piece comprises of 4 sections:Bumpy Roadit's unavoidable to be carrying on with a life journey full of thorns, we'll have to face it anyway. Therefore, tears are inevitable in everyone's life. It may be sadness, or a kind of sensation moving.BoltedAt the moment when the breath is the most vigorous, life has seen numerous peaks and deep valleys. The tension and dynamic from the piano depict the ups and downs of those moments.Proof of the PuddingNear or far, we will be tired one day. As we rest, we realize how far we've gone. At the same time, we recall the regrets left in the past.EmigratedAre we done with the journey? The heavy footsteps became lighter all of a sudden, as if we've arrived at another realm.
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One Way Or Another
